halfaspecialsnowflake  asked:

I have never shipped Robin and Raven in any of there incarnations *be it comic, tv show, fandom* and the JSVSTT movie did NOTHING to sway me. It felt awkward and unnecessary and weird because is Damien still 10? I wanna say he is an actual teenager *like 13* since hes now a part of the TEEN titans but the time line is still pretty unclear to me and i dont know how much time has passed since SOB...your thoguhts?

yeah tbh i really just. don’t give a damn about the jl v tt movie and i don’t really care for robin n raven pairings bc i 100% hate how DC can’t move on from the trigon arc so they continuously age raven back down for no reason. (damian’s currently 13 as of rebirth i believe? which makes him 11/12 in r: son of batman bc he went on a year’s journey so time was a bit vague on if one or two years passed)


The group’s self-titled debut, from 1999, mimicked a comic book in its structure. It was labeled Book 1, and featured 30 tracks, each named for a page and listing a number of frames, or panels, of action. The only track that didn’t follow this pattern was number 13, which was two seconds of runoff from track 12.

Patton explains;
“I’ve always been curious about what you can and can’t do when indexing tracks on a CD. I wondered if you could skip one. You can’t. So if you notice, on the CDs, track 13 appears. It goes for one and a half seconds, which is the bare minimum that it can be, and Indexed it at the end of 12 so you barely notice it. But it does appear, for one and a half seconds. I never really got rid of it. And initially, i just thought I wanted to have an idiosyncratic thing on the Fantômas records, and I want to keep it that way every time. I chose 13 for obvious bad luck and protection reasons, and wanted to keep doing it throughout all of our records. But after Delirium Cordia, I realized I’d broken the mold, so fuck it.”

anonymous asked:

my dude, ya gotta do Hollstein for the otp ask my pal

Which one cried during a fucking Disney movie?
Laura mostly. Carmilla watches each one with colourful commentary and Laura tunes her out and then proceeds to bawl at every possible moment. There was one time when she came home and Carmilla was crying so hard, her Lilo and Stitch DVD open and Laura could do nothing as Carmilla sobbed, her knees brought up to her chest as she shook. There were some fresh scars along her arms and after noticing Laura she tried to run. Laura was surprisingly calm and they talked softly about how Carmilla was feeling and the issues that she had tried to ignore. 

Who put a goddamned fork in the microwave?
This is such a Laura thing to do. She would get side-tracked and put it in there and then Carmilla would get incredibly angry because “damn it Laura! That’s the third time this month.” 

Who does the silly hands-over-the-eyes “Guess who” thing? 
Laura. Carmilla makes sarcastic quips about it and playfully nips her hands but she still manages to crack a smile and it only encourages Laura to do it more.

Who puts their cold hands/feet on their partner?
Carmilla does it because Laura always squeals and tries to wriggle away and then that leads to Laura racing around the apartment as Carmilla chases her. It usually ends with Laura getting pinned to a wall as Carmilla has her wicked way with her but sometimes Laura acts her revenge on her teasing girlfriend. 

Who had that embarrassing Reality TV marathon?
Laura is obsessed with “MythBusters” and she watches it all the time. Carmilla thought “Celebrities Under Water” meant that she’d get to watch them drowning, she was sadly mistaken. However Laura has come home a few times to find Carmilla lounging on the couch, book in hand as she tries to pretend she isn’t watching re-runs of “Dance Moms”.

Who laughs more during sex?
Laura. She’s ticklish and Carmilla tends to tease a LOT. It really isn’t her fault that she giggles, though they die on her lips when Carmilla hits that one spot that makes her knees weak. Plus Laura can be both incredibly sexy and incredibly dorky in bed so sometimes both of them have to break their kisses because they’re laughing too much. Carmilla says those are her favourite moments because it makes her feel comfortable and she can relax without trying to keep up this ultra sexy, 100% smooth girl. She can just be Carmilla - the girl hopelessly in love with her dork of a girlfriend.

Carmilla. She used to pretend that it wasn’t her and that she was the big spoon and Laura would let her try to convince herself that she was the big spoon but then she’d wake up secured in Laura’s arms. It happened so much that she just gave up and stopped fighting the inevitable. Carmilla’s sleep is almost always disturbed and she shifts constantly, afraid to go back to sleep but they found that it helps with her nightmares when Laura spoons her, stroking her hair and leaving sleep-filled kisses along her neck and shoulder blades. Laura is a lot more protective of Carmilla then people would expect. 

[Side Note: I miss my ship so much and I have so many headcanons. I should really vid with these two again…]

anonymous asked:

Hey, I'm a MTF trans person I've been thinking about top surgery but I'm not sure about it. There are times when I do want breasts and times when I don't want breasts. Do you have any advice on what I should do?

Try keeping track of how you feel about top surgery each day over a relatively long period of time. That can mean writing in a journal each day, keeping a blog, or even just jotting down notes in a Word document. It can help you look for patterns or trends in how you feel about getting top surgery and see if you want top surgery more days than you don’t want it, or vice versa.


local gays flirt nonstop, more at seven


northern downpour // panic! at the disco

the thing that impresses me most about the mental health storytelling on One Day at a Time isn’t just that it exists, it’s that so much of it is dependent on Penelope’s own agency. I can’t think of many (any???) other shows where someone goes to therapy because they WANT to, because they personally make that decision based on available information and curiosity and not in some kind of state of crisis or needing an intervention from a healthy character. She does it, she likes it, she continues to go because she’s getting something personally out of it, which in itself is remarkable because of the narrative of mental health treatment being a tournament of suffering before you’re allowed any kind of relief. She even finds community and connection with the women in her group!!!! 

It is just beyond refreshing to see a character who takes medication (again, because she’s like, maybe I want to do this, and decides to), whose mental health struggles are explicitly a part of her life, but who is also a stubborn goofy beautiful brave weirdo who enjoys her life and has so much else going on in it

that’s not even getting into the fact that this character is a woman of color, a woman with chronic pain, a woman who is consistently portrayed as a extremely competent at her job and a great mom and a great daughter and friend and person


grishanet challenge two  ★ favorite quote(s)

what about the nobodies and the nothings, the invisible girls? we lean to hold our heads as if we wear crowns. we learn to wring magic from the ordinary. that was how you survived when you weren’t chosen, when there was no royal blood in your veins. when the world owed you nothing, you demanded something of it anyway.


yuuri and viktor inspired by this fanfic by @grayclouds. and i know that the fanart is not as good as the fanfic, but, well, i tried. 

i dont even know what to say about this fanfic im so full of feelings i cant-