discarded-christmas-tree

Funeral Home ‘Dumped Bodies In Corridor Next To Old Bike And Christmas Trees’

A funeral home stored coffins containing bodies in a corridor next to an old bike and Christmas trees, it has been claimed.

The Sun reported that the coffins were stored on a shelf next to a rusty bicycle and discarded Christmas trees in a room with a mouldy ceiling at the Midcounties Co-operative Funeralcare home in Walsall.

A source told the newspaper that bodies were usually left for one or two days, but that in October a coffin remained there for two weeks.

“The way they treat the dead is absolutely scandalous,” the source said.

“After bodies have been put in their coffin they get dumped in a corridor behind the chapel and the state it’s in is appalling.”

Midcounties Co-operative said it will investigate the claims.

A spokesman told The Sun: “In our Walsall funeral home, one chapel of rest is used to respectfully hold coffins.

“Before being transported to a funeral, coffins are moved to an adjoining designated corridor.

“It is against company policy for any unrelated items to be kept within a chapel of rest or designated corridor alongside coffins and so we will immediately investigate any allegations of this policy being breached.”

Jane Hughes, whose father John Bagby’s body was kept at the home while awaiting his funeral, said she was “sickened to the stomach” by the claims.

She said: “We were assured Dad would be looked after, so to hear this has absolutely smacked us in the face.”

(Picture: Google)

New Post has been published on Arte Fuse

New Post has been published on http://artefuse.com/2016/02/05/arboreal-anxieties-at-chashama-266-by-mary-ivy-martin/

Arboreal Anxieties at Chashama 266 by Mary Ivy Martin

External image

External image

External image
In Arboreal Anxieties the NYC based artist Mary Ivy Martin turns the gallery into a studio where she deconstructs discarded Christmas trees and transforms them into wearable sculptures, offering an intimate view of her practice to unsuspecting midtown passersby. Her performance will culminate on the final day of the exhibition when Martin will display the tree sculptures and other documentation of her performances. I interviewed Martin during the first week of her show:

EY: Tell me about the genesis of your show, how did you conceive the idea?

MIM: I have been working with discarded Christmas trees for about five years and have a tree in my studio that I’ve been collaborating with for much of that time. I was working on a piece to say goodbye to this tree and I began to cut its limbs off to make a costume to be worn ritualistically. This show is an expansion of that idea; I find the trees on the sidewalk with the trash, make a costume out of the limbs, and wear it while I make a pilgrimage back to the place where the tree was found.

EY:  what are you aiming to express and what would you like visitors to take away?

MIM: My work is a material investigation of larger ideas I’m thinking about—my relationship with nature, other people, and the city. I question the role of nature in urban life and the relationship between humans and their environment.

External image
EY: Tell me about your experience finding and collecting the x mass trees

MIM:I have to say that carting a dead Christmas tree through Manhattan at the end January is really fun. It can be stressful on crowded corners, but it’s thrilling to do something odd on the city streets. Most people ignore it, but it becomes a means to engage with friendly and curious New Yorkers.

External image
EY: What draws you to plants?

MIM: I am drawn to the way plants viscerally connect me to the world.

EY:  How do you envision the space by the end of the show?

MIM: By the end of the show, the space will be adorned with hanging tree costumes and carpeted with needles and sawdust. The space is where the process of transformation happens and the street is where I will be performing.

EY:  How do you see the relationship between the diverse disciplines you utilize in your practice (photography, performance, installation)?

MIM: I often pick one medium to express an idea, usually, the most immediate and interesting for the concept. With this project, I thought it would be useful to work with multiple mediums to convey the process and layers of meaning.

EY: The show takes place in a Chashama space. can you tell me a bit about your interaction with the organization?

MIM: I applied for the Chashama space and proposed this project. I was very delighted to get a call back, saying they had the space available during the time of year that I needed it. They have been very helpful in promoting the show and are doing great work in a city that is becoming increasingly difficult to live in and create in. Thank you, Chashama!

Opening Reception: Friday, January 29, 6-8pm
Closing Reception: Saturday, February 13, 6-8pm, Hours: Friday – Saturday, 12-6pm
chashama 266, 266 West 37th Street, New York, NY www.chashama.org
Follow the performance on Instagram and Twitter: @maryivymartin#arborealanxieties

External image

First ever project: My SO and I have been obsessing over Bonsai lately, so today we played around with our discarded potted Christmas tree and turned it into a little bonsai-project instead of throwing it away.