didions

All I ever did to that apartment was hang fifty yards of yellow theatrical silk across the bedroom windows, because I had some idea that the gold light would make me feel better, but I did not bother to weight the curtains correctly and all that summer the long panels of transparent golden silk would blow out the windows and get tangled and drenched in the afternoon thunderstorms. That was the year, my twenty-eighth, when I was discovering that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and every procrastination, every mistake, every word, all of it.
—  Joan Didion, “Goodbye to All That,” Slouching Towards Bethlehem
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we are live right now at Tumblr HQ, discussing Joan Didion’s “South and West” with Emma Roberts, Karah Preiss, and author Julie Buntin!

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London

In dark days, it’s important to remember that heroes — modern iconoclasts who speak out for dignity, who break glass ceilings with fists raised and who meet criticism with action and authority, wit and humor — still walk amongst us. If you’re in London this month, you can walk amongst them, too. 

Lauren Tamaki illustrated a series of Modern Icons for Riposte Magazine’s #7 issue, on display at Ace Hotel London’s window box gallery until February 13. Bjork, the Broad City girls, Chimamanda Ngozi Adichie, Joan Didion, Laverne Cox, Malala, Michelle Obama, Rei Kawakubo, Serena Williams, Shami Chakrabarti, Tilda Swinton and Yayoi Kusama are all represented. Bow down.