Linnea: lives off of coffee

Me: DRINKS TEA EVERY FUCKING DAY ALL DAY LIKE LITERALLY I DON’T HAVE BLOOD I JUST HAVE TEA. DID I MENTION I LOVE TEA SO FUCKING MUCH WHO THE FUCK NEEDS SODA WHEN YOU HAVE TEA GOOD SHIT GOOD SHIT 👌👀👌👀👌👀👌👀👌👀 good shit go౦ԁ sHit👌 thats ✔ some good👌👌shit right👌👌th 👌 ere👌👌👌 right✔there ✔✔if i do ƽaү so my self 💯 i say so 💯 thats what im talking about right there right there (chorus: ʳᶦᵍʰᵗ ᵗʰᵉʳᵉ) mMMMMᎷМ💯 👌👌 👌НO0ОଠOOOOOОଠଠOoooᵒᵒᵒᵒᵒᵒᵒᵒᵒ👌 👌👌 👌 💯 👌 👀 👀 👀 👌👌Good shit

doctapuella replied to your post: SEE………to be fair, nicki ain’t eem ment…

it sounded to me like nicki was calling out the whole vma system and the people who decide the awards. taylor didn’t even have to involve herself in this. but god nicki’s response to it was so A+ i love her

that’s exactly what it was. not once did she mention taylor, everyone else did. i even tweeted ‘why does bad blood have seven noms?’ like no one did she mention taylor by name. she retweeted something with miley in it so if any white girl should be mad, it should be miley cyrus.

Welcome to the sixth #NiceToMeetYouMonday, where I’m pleased to introduce you to some talented folks you may not quite know yet!

I’m in Berlin and this city is bananas for graffiti, which makes me think of my very talented chum, Hello Sweetie Design. Not that this Halifax-based studio tags, but both have an affinity for eye-catching graphic design, beautiful patterns and a huge love for hand-lettering (I especially LOVE the hand-lettering). For a self-proclaimed “petite studio” this one-woman-company churns out a ton of stunning work in graphic design and illustration that’s available on so many drool-worthy items but it’s her Instagram account that kills me. I think her blood must be 75% caffeine.

Oh, and did I mention this is her side job, this whole banarama-boo? She also works at an advertising firm, builds websites, and is one of the five people who steer East Coast Creative Collective. Check that, her blood must be ALL caffeine.

Repo! The musical with blood and gore and bleh

Repo! The Genetic Opera came out in 2008, when i was in 7th grade. I was about 13 at the time and my best friend was obsessed with it. So one day she invited me over and she was like “lets watch this movie!” She warned that there was a lot of blood and gore and organs and blood, did i mention gore? Anyway, Little 13 year old me hated blood and guts and scary movies. I got through half of it before I pleaded for her to turn it off before I puked.

I’m 18 going on 19 now and I decided to give it another chance given that It was on Netflix and “Hey! It’s a musical!” I love musicals. I’m studying that shit, but I digress.

I enjoyed it. I got over the blood and the guts. The music was pretty great, and It told the story surprisingly well. I could live without the actors singing because well that was very lack luster. But, besides the lip-syncing, I very much enjoyed the performance that the actors gave. I wasn’t terrified like the first time I attempted to watch it. I got to appreciate the subject material a lot more. Corporate greed and all that jazz!! Nathan reminded me of Hannibal Lecter.

Its fucking original, I can tell you that much! A musical, excuse me, Rock Opera, about the repossession of organs. And drug abuse and greed and if you can get past the gore it has some heart, if you get past the very crazy shit.
And the character development was pretty swell as well. I could feel growth in some characters that I hadn’t expected to from a gorey horror musical cult film.

I really like the GraveRobber…. Shhhh don’t tell anyone.

Part of me wants to imagine a stage production of the Rock Opera cause that would be fucking insane!! But I can’t imagine how many gallons of fake blood would be needed each show and it be way to annoying to clean up. But It still would be pretty cool to see live actors doing that shit. Ripping people’s hearts out of their chests, people’s faces getting ripped off. Dead bodies everywhere. It’s not really safe for Broadway… Heh heh…