development series

am I the only one who really liked the Arc V synchro arc

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“I have so many things to tell you–”

((the airport reunion is still making me tear up, so I went and re-drew some screenshots to deal with the feelings))

How Feyre’s Character Development Is Shown In The Covers Throughout The Series

I love how simply the covers of the ACOTAR series shows Feyre’s character development throughout the series. It’s mind blowing to be honest. 

You can see in ACOTAR how Feyre is standing straight. Although it could be said she’s standing upright for confidence during the last part of the novel, we know her stance could also show her complacence throughout the novel. Especially after reading the books and from the events that happens within ACOTAR. Her stance also looks stiff to an extent, showing how she is still submissive or under someone’s command. Furthermore, there is only half of her on the cover as if she’s trying to hide herself. The red in the background also indicate either her anger, loss, and/or death prior to reading the novel. The roses, obviously, fits with the title of Thorns and Roses but can also foreshadow Feyre and Tamlin’s relationship in the novel being like a rose: seemingly beautiful and sweet but, in honesty, is also harmful like the thorns of a rose. Her dress is also more conservative (?) (if you compare it to the other two in ACOMAF and ACOWAR) yet provocative (?). It covers most of her stomach and legs, showing how she was still insecure about herself and the only reasons she willingly used an outfit with a front that low is because she was either told to (although I have absolutely no judgement if she wore that willingly, she would work it just fine tbh haha). You could say her outfit is elegant (since it’s from Rhysand ofc) yet it gives off the vibe that she was made to wear it - something she is not use to given her awkward stance.

In a ACOMAF you could see how she is standing more fluidly on the side of the book. She is no longer stiff but looks more comfortable with her body. Her pose exerts confidence and strength, especially with her hand and the way it’s positioned above the wind as if she’s controlling it (which she probably is in some way if you think of Rhysand being the wind since he can fly etc., etc.). More of her is now shown on the cover as if she’s having the courage to step out of the book and show herself on the cover for what she is. Feyre’s hair blowing the way it is can show that she is in movement and could be fighting unlike her previous state in the Spring Court. Her outfit has also upgraded into more of an armour, showing that she is stronger now and fighting for herself compared to the beginning of ACOTAR when she was at the Spring Court. Furthermore, the armour could also indicate that she is working with someone else since we know from ACOTAR that the Spring Court does not have armours of the sort for females but only dresses (egh). The cover, once more, also fits with the title in accordance to the Mist and Fury part: misting is a skill Rhysand has (somewhat a foreshadow that Feyre’s mate might be Rhysand) and fury could indicate either Rhysand’s fury at the events that occurred Under the Mountain or Feyre’s fury at Tamlin showing his true self. Her tattoo on her left arm from Rhysand is also much more visible than her tattoo in the ACOTAR cover, as if she’s no longer trying to hide it like before but showing it off. The color blue is also known as reliable, calm, creative, intelligent, and maybe responsible (from a Google search I did). This foreshadows (EVEN MORE) about Feyre’s personality as we know she stopped painting for a given amount of time before starting again in the Night Court. The blue also indicates calm, intelligence, reliability and responsibility, all of the things Rhysand and Feyre are. Especially the reliability part foreshadows Feyre and Rhysand’s relationship as we know that she trusts him even though she denied it at first. The small city silhouette in the background can also show that she is in Velaris instead of the Spring Court where she only knows Tamlin’s home (palace?). 

NOW IN ACOWAR. LET ME JUST TALK ABOUT THE OUTFIT FIRST. Previously Feyre was wearing armour, as if she was an accomplice of Rhysand’s Inner Circle, working with them to take out Tamlin and Hybern. NOW, NOW IT’S A FUCKING DRESS THAT SHOWS SHE’S A HIGH LADY BUT STILL STRONG AND FIGHTING FOR HERSELF. The design (by the lovely @charliebowater ) practically exudes confidence, strength, and her ability to see what is wrong and right (especially with the eyes on her belt but that could also foreshadow Jurian since his eyeball was Amarantha’s ring). The glistening of the bottom of her dress could also represent starlight, connecting back to the Night Court and Starfall possibly. The position of her arms and the way she’s now showing off both hands and the tattoo shamelessly indicates her confidence with being a part of the Night Court and Rhysand’s Inner Circle. The way her hands are resting on her hips further proves my point of her growing confidence as she stands as if she’s ready to face anything. Also, her full body is now on the cover unlike in ACOTAR when only half of her was showing. This can be seen as her way of finally discovering and accepting her strengths and, once more, exuding confidence. She’s also holding an Illyrian blade, far different than before when she was only showing her hands in the ACOMAF cover. This shows how her abilities have furthered and that she could fight now, with a blade (cause we know her speciality is actually a bow) and with her powers (which is explained in the next sentence). The mist around her could show how her strengths in misting may be improving in the novel compared to when she was still first training with Rhysand and, maybe, her fire powers also since we can interpret this as smoke too. We already know she can control her water powers very well. The color green, after a Google search, portrays balance, harmony, nature but also envy. The balance and harmony of the green could be a foreshadowing of the ending of ACOWAR and how, possibly (hopefully, dear lord hopefully), the ending might be peace amongst Prythian once more. The nature part of the green could indicate the Spring Court and her return. However, the envy part of green, what I really think, is referred to Tamlin and his envy. I feel like he will end up finding out about Feyre being mated with Rhysand and he will be even more envious (pray to the Mother that Tamlin doesn’t do anything stupid like he already did). HER HAIR, again it’s blowing showing that everything around her might be in motion and she’s ready to take them down like she promised. The background also has mountains if you look close enough. This may be a foreshadow that Feyre and the Inner Circle may have to return to Under the Mountain once more to fix Prythian (this is making me extremely nervous). Finally, the title. Lord, Mother, I love Cassian so much please don’t let him die. The cover fits with the title of A Court of Wings and Ruin once more although not entirely: the wings part may be a foreshadowing (I’m sorry I repeat this stylistic feature so much) to, sadly, Cassian’s wings (although I still refuse, to believe it). The “ruins” part may be referring to how everything is falling apart just like the ending of the last book but, this time, it might be the actual ruin of the Spring Court and Hybern. Maybe even Under the Mountain since there are mountain silhouettes in the background. 

Well, that’s my interpretation of the covers. I felt the need to do this the moment the ACOWAR cover came out. I noticed her stance change and the way she brings herself. I couldn’t resist myself. 

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+ Favourite ASOUE moments :: Will Arnett (who plays Daddy Quagmire) played the character of George Oscar Bluth II in the show “Arrested Development”. How is this relevant, you ask. In Arrested Development, the character attended Milford School, which taught its kids “to be neither seen nor heard” (sounds a lot like a school that teaches kids to eavesdrop) 

okay but rick riordan’s books 

  • basically mythology lessons 
  • racial diversity
  • LGBT+ awareness
  • show that stuff like ADHD and dyslexia don’t have to be problems
  • easy to read without being boring for more advanced readers
  • good humour
  • the movies aren’t a big part of their success
  • no swearing/implicit themes
  • well-developed characters
  • not only a series but multiple series
  • show you that anyone can be a hero

why would you not want your child to read these books I don’t understand

Why Do I Feel Unloveable?

Often when people feel unloveable, it is tied into one of the following reasons:

1. As a child, a parent or authority figure either told you – or sent out the message that – you were unloveable. Because of that, you came to believe that your core self was deficient, unacceptable or inadequate. Now you find it hard to believe that anyone could ever love you for just being you.

2. You experienced rejection, desertion or abandonment in one of your closest relationships. Now love feels scary - and is a source of anxiety and fear – rather than of healing and security.

3. You feel regret for something you did, or the way you treated a person you loved. Hence, you don’t believe you deserved to be loved, or you fear you will badly hurt someone again.

4. You have developed a series of flawed beliefs which have coloured your expectations for love. For example, you may have concluded that love leads to pain …. or that no-one can be trusted … or love always ends.

5. A voice in your head says you cannot change so you don’t believe that “you have what it takes”. But none of us is perfect; we’re all on a journey; and if we choose to take a risk then we’ll find that we can change.

there’s something better to come (it’s on the horizon)

<< iii. things you said too quietly >>

[did no one ever tell you about the boy? (who fell in love and told it to the world)] ao3

Summer cannot come quick enough.

With the exams over, the professors had given up trying to control the fifth years and so, almost every lesson is spent lazing on the grass. Lily and her friends used to spend their time outside underneath the Beech Tree, but given recent events they’ve taken to sitting on the lake’s shore, paddling when it gets unbearably hot and making bets on how many pieces of toast the squid will eat when they’re bored.

Lily reckons her friends miss the company of the Marauders, who shared the spot beneath the Beech Tree, and though she won’t admit to it, she misses their company too. They never say anything though, so Lily keeps quiet about it, grateful none of them have pressed the matter. It’s embarrassing enough to even admit to herself she misses them.

She and Mary are the only ones out at the moment, Marlene and Tegan have both gone to the owlery to send letters home and Gemma is in the library, finishing a History of Magic essay for Binns, the only teacher still giving homework. The grounds are scattered with groups of fifth tears, but they’re in a secluded enough position that it’s quiet.

“I spy with my little eye -” Mary groans and rolls onto her back, flinging her arm over her eyes dramatically.

“No more. I’m shit. Also, you’re a cheat. How am I meant to know what specific type of cloud formation that is?” She says.

“Should have paid attention in Astronomy then.” Lily retorts, smug.

“Whatever.” Mary flips over again and props herself up on her elbows. “I can’t wait to never have to spend another midnight freezing my tits off on top of that bloody tower.”

“I can’t believe you’re dropping it.”

“Not all of us can be good at everything, Evans.” Mary grins. “I wasn’t blessed with clever genes -”

“Just big boobs ones.” They laugh, Lily looking forlornly down at her chest, remarkably flat next to Mary’s. She looks up when Mary’s laugh cuts off abruptly. “What?”

“Um…” Lily snaps her head around to see what Mary is staring at. The sun is behind him, but Lily would know that hurricane hair anywhere.

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