#tbt to 1934: Visitors to Machine Art were startled to find three floors of utilitarian, machine-made objects, such as springs, pots and pans, and scientific instruments, displayed on pedestals, elevating them to the level of sculpture. This reverential display revealed the considerable aesthetic allure of these industrial objects, which the Museum capitalized on with a beauty contest judged by celebrities such as Amelia Earhart and the philosopher John Dewey. Dewey had argued that a person’s experience of things is shaped by the context in which they are viewed, a concept that curator Philip Johnson employed in his groundbreaking design for the exhibition. Johnson took unusual steps to show the objects to their greatest effect: he screened the walls and ceilings of the Museum’s second location in a 19th-century brownstone in order to hide its decorative molding, creating a sleek, clean atmosphere that set a new standard for the display of design objects.
Read the out-of-print catalogue and see images of this pioneering exhibition at mo.ma/52exhibitions. 27 of #52exhibitions #MoMAhistory
Partially Milo Archives? Bottom pic is from Oct 25th, 2016, when I was at the airport waiting to go back to Canada.
Lisa and Lance were supposed to appear in Murphy’s Lard, in Zack’s flashback, but it made no sense putting three underaged kids in a boat with no adult supervision, so their designs were archived. Don’t think they will ever exist on screen now (I was given permission by Dan to post these) but I think they are the cutest 6 year olds ever. IT was nice getting a character who was the oldest in his family… I feel for ya, Zack… Hardcore…
So now these two only exist in my little world of Milo :D Zack is still the oldest in his family canonically but dunno if we will ever see little siblings. Though that’s nice, since it gives the audience something to create themselves ;D I will have more on these sweeties at a later date, but for now have these doodles :D *rushes back to work*
#tbt With SuperBowlLI on Sunday, we look back to MoMA’s first sports-related exhibition, 1962’s Design for Sport. From its inception, MoMA had been active in establishing an inclusive concept of modernist design: of this exhibition, Time magazine wrote that encountering sporting design at MoMA was no more or less surprising than seeing classic cars, Japanese houses, or geodesic domes. More than 100 examples of sports equipment, including a football, baseball bats, and hockey gloves, were assembled under a tent in the Museum’s Sculpture Garden. An essay in the catalogue noted that the canoes and tennis rackets were in fact not so out of place next to the bronze sculptures: for curator Arthur Drexler, not only were form and function ideally united in these objects, but their design is in harmony with the classical concept that passionately committed competition is a virtue far more important than winning.
I’m not particularly for-or-against Apple; I was raised using PCs at home and Apples at school, so I’m reasonably familiar with both, though using PCs for work has tipped those scales a little.
But what I do love is a really well executed hit piece, and The Myth Of Apple’s Great Design is an amazing screed against Apple and its tech philosophy. Well worth a read for the sheer satisfaction of watching someone dismantle an icon so thoroughly.
One of our strongest (and certainly most beautiful) collecting areas focuses on costume design, specifically for Broadway and for the various Paris music halls.
The heart of our costume design collections are the papers of Freddy Wittop (b.1911- d.2001). Wittop designed for many venues, including the
Folies Bergère. Our collections of Wittop’s designs include not only an extensive holding of his original design artwork, but also his
sketchbooks and slides of designs and productions, research material, awards, playbills, and genuine costumes from several of Wittop’s productions.
Beyond the Wittop materials, our extensive Paris Music Hall collection encompasses over 6,000 original renderings of costume designs and 1,000 original renderings of curtain designs from the fabulous music halls of Paris from the first decades of the 20th century. Included in this collection are original designs from such eminent designers such as Erté, Serge Kojan, Alex Shanks, José Zamora, and Zig, as well as more materials from Freddy Wittop.
Both the Freddy Wittop collection (MS2727) and the Paris Music Hall collection (MS714) are open for research and study. The designs featured with this post are both from the Freddy Wittop collection.
It’s wasn’t on my list of drawing to finish but…he just showed me his sketch one day and I was like “Amygad ♥ I need to do something with this as soon as possible! ☆ﾟ.(#;3;#) .ﾟ☆ “
So I redraw the design and added details like pearls,embroideries and gave name to the decorations //thanks to a certain game I became addicted to small details like this //
I named this outfit “La Matadora” because the design is inspired by bullfighter or “Matadore” costume.
And it’s suit the fact that William is exactly the kind of person who like to show off and provoke
(That leaves the time to Hei to pass from behind to finish them properly 8D)
This,and it’s also a part of his heritage since he’s half spanish (but he take it like like a joke most of the time leul )
I feel like I ended up with some kind of ultimate transformation,with the Epic-Final-Battle-Of-Doom in ~Space ~against the Final Boss…. you know, that trend who manage to stay epic no matter the number of time you see it in anime XD