Disturbing Documentaries

1. Dreams of a Life (2011)

This documentary tells the story of Joyce Carol Vincent, whose body was found in January 2006, decomposing in her bed in Wood Green, North London. She apparently died unnoticed in December 2003, surrounded by unopened Christmas presents with her TV still turned on. The film interviews various friends, acquaintances, and former partners to try to tell the story of Joyce.

2. The Cheshire Murders (2013)

This film studies the murder-robbery case that occurred on July 23, 2007. Jennifer Hawke-Petit and her two daughters were raped and murdered, while her husband, Dr. William Petit, was injured during a home invasion in Cheshire, Connecticut. This case was referred to as “possibly the most widely publicized crime in the state’s history.”

3. Child of Rage (1992)

The film is based on the true story of Beth Thomas, who suffered from severe behavioral problems as a result of being sexually abused as a child. Beth was adopted after it was found that she was being sexually abused by a family member. During her stay with the family, she tried to kill her brother several times and even attempted to sexually abuse him. The film was shot in Vancouver, British Columbia. 

4. The Imposter (2012)

This documentary is about the 1997 case of the French confidence trickster Frédéric Bourdin, who impersonated Nicholas Barclay, a Texas boy who disappeared at the age of 13 in 1994. The film includes interviews with Bourdin and members of Barclay’s family, as well as actual television news footage

5. Cropsey (2009)   

This film initially begins as an examination of "Cropsey”, a boogeyman-like figure from the New York urban legend, before segueing into the story of Andre Rand, a convicted child kidnapper from Staten Island.

6. The Bridge (2006)

This film covers the depressing truth about the Golden Gate Bridge, capturing a large number of suicides during the documentary.The film also features interviews with family and friends of some of the identified people who had thrown themselves from the bridge that year. The Golden Gate Bridge, which first opened in May 1937, was the most popular suicide site in the world during the documentary’s filming, with approximately 1,200 deaths by 2003

7. There’s Something Wrong With Aunt Diane (2011)

This documentary discusses the traffic collision that occurred on July 26, 2009,  where eight people were killed when a minivan driven by 36-year-old Diane Schuler, after traveling 1.7 miles in the wrong direction on the parkway, collided head-on with an oncoming SUV. The deaths included Schuler, her daughter and three nieces, and the three passengers in the SUV. The crash was the worst fatal motor vehicle accident to occur in Westchester County, New York

8. Capturing the Friedmans (2003)

This film focuses on the 1980s investigation of Arnold Friedman and his son Jesse for child molestation of several of their students. They held computer classes in their home where many children attended. During police interviews, some of the children that the Friedman’s taught reported experiencing bizarre sex games during their computer classes. Arnold Friedman committed suicide in prison in 1995, leaving a $250,000 life insurance benefit to his son. Jesse Friedman was released from New York’s Clinton Correctional Facility in 2001 after serving 13 years of his sentence.

9. Night & Fog (1955)

This documentary depicts the cruel reality of the Nazi Concentration camps. The film features footage from the liberation of camps in 1945 where malnourished humans are seen emerging out of the camps, voicing the life left in their lungs on to the camera.

10. Brothers Keeper (1992)

This documentary follows the case of Delbert Ward, an illiterate 59-year-old dairy farmer who was accused of murdering his brother Bill, in the bed that they shared for 50 years. The Ward brothers were four bachelors ranging between 59-71 and living in extreme poverty. One theory suggests that the slain brother, Bill, suffered the consequence of a sexual act gone wrong. What’s more disturbing is the fact that he was later acquitted of the crime after it was found out that the New York State Police coerced a confession out of him as he was illiterate.

Don’t be afraid to add to this list

You never realize how similar your OTPs are until you watch all their movies in a row... (These are just a few of mine lol)

Like… They all can’t stand each other at first and then stuff happens and then…yay 😋👍❤

Originally posted by dragoneevee

Originally posted by green-eyed-heroine

Originally posted by apricotedits

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Originally posted by the-light-of-animation

Originally posted by doopships

Goofy headcanon of the day

Any time that Han and Chewie do business with a species that speaks or understands Shyriiwook, Chewbacca introduces Han with the most ridiculous names imaginable and Han has to try to keep a straight face. (A la Shawn and Gus from Psych)

Chewbacca’s top five favorite things he’s introduced Han as so far:

Count Peaches Sparkleton III

“My lawyer, Delbert MacSneepsneep”

Sy Snootles

Famed Oola Impersonator, Mr. Blorf

And last but not least,

Toot toot the Hutt


You know, last time Disney released an animated feature film on IMAX was with Treasure Planet (2002).


In which we had a canid astrophysicist, Dr. Delbert Doppler:

… and a felinid sailor, Captain Amelia:

They are of different species.

But they fell in love anyways:

… and they procreated:


Fourteen Years Later…


Disney finally launched another animated feature film on IMAX Theaters.

It has a fox conman, Nick Wilde:

… and a bunny police, Judy Hopps:

And in the end, they get together:

Now the only thing left is for the fox and the bunny to start a family.

Not necessarily by procreation, but a family nonetheless.



For the Lapidot Week 4 ! 

Day 3 (June 20th): Disney Day/Ghibli Day

I didn’t had time to do all the days, so I only made fan arts for the Disney Day and the Past/Present/Future day :c 

I have choosen to do a crossover with The Treasure Planet because, it’s one of my favorite Disney movie and it’s so underrated contrary to all the others. Plus, Lapis and Peridot relationship is like “cat and dog” (momocon 2017 ref) ;) And just, I love Delbert and Amelia ! (And just, imagine Steven as Jim and Jasper as John Silver, it’s so perfect !)


Lapis : “Doctor, you have…wonderful eyes…” 
Peridot : “SHE LOST HER MIND !” 
Steven : “How can we help her ?!”
Peridot : “Dang it Steven ! I’m an astronomer, not a doctor ! I mean I’m a doctor, but I’m not that kind of doctor. I have a doctorat that’s not the same thing, you can’t help people with a doctorat, you just… SIT HERE AND YOU’RE A USELESS CLOD !” 

Separate Tables (1958). The stories of several people are told as they stay at a seaside hotel in Bournemouth which features dining at “Separate Tables.”

This is a sweetly made film, tender with it’s cast and it’s characters, and featuring a compelling, overlapping structure that really sets it apart from a lot of the films being made at the time. It helps that it’s wonderfully shot, acted and unravelled. It’s a really solid movie. 7.5/10.

This post has woken up a need deep inside of me for something I didn’t realize I wanted. A need for a Star Wars/Treasure Planet crossover.

I mean, just imagine it.

*The map from Treasure Planet is actually a Sith holocron, programmed with a map to a lost Sith homeworld. Jim Hawkins figures it out because he’s awesome that way, and Delbert is what everyone thinks Palpatine is: a historian with a particular interest in Sith and Jedi history. Except he’s not, you know, a secret Sith Lord.

*Silver would totally know Hondo. C’mon. Pirate bros for life.

*Captain Amelia meeting Captain Rex (there’s some awesome art for that scenario on the post). Captain Amelia being a Zygerrian that despises the fact her people are slavers. Captain Amelia, my first ever female crush, just being her natural badass self in Star Wars.

*Obi-Wan meeting B.E.N. (and being awestruck by the fact that there is finally a droid that talks more than Threepio).

*One of Silver’s arm gadgets is totally a lightsaber. Give him a lightsaber dammit.

*Jim teaching Ahsoka how to sky-surf.

*Anakin and Jim bonding over their love of mechanics.

*Anakin drooling over Silver’s cybernetic implants.

*All the clones loving Morph so you just start seeing random splotches of pink with eyes on armor everywhere.

*Jim spending most of his time casually carrying a Sith holocron around in his pocket.

*Idk about you, but Captain Flint reminded me of the Sith species in Star Wars, so lets say he’s a Sith that survived and Silver lowkey had to train under him before Flint up and died somewhere. Now he’s a pirate could-have-been-Sith who’s a total softy underneath the gruff ‘I’ll kill ya to get what I want’ personality.

*Jim is already 50% towards having a Padawan haircut, all he’s missing is the braid. You could even call him an Initiate that never became a Padawan, so he went back home and WHOOPS here’s a dude crashing into his mother’s bed-and-breakfast with a Sith holocron in his chest. Time for adventures!

*Jim and Obi-Wan bonding over the fact that Jim was a failed Initiate who was never chosen.

*OBI-WAN BEING LIKE ‘I’LL TRAIN THE BOY’ and now he has two pirate captain besties because like fuck is Silver just disappearing in this scenario.



10) CARRIE (Brian De Palma 1976): The seminal horror film from Brian De Palma is King’s original mind bending story of bullying gone wrong. Sissy Spacek might have been a little too old for the role of a high school girl. But the performances of Piper Laurie as Carrie’s insane mother, and Betty Buckley as the gym teacher add class to the entire film. A great career start from John Travolta and Nancy Allen, the scene that has made the film famous might have been lampooned so many times, but it’s still a piece of cinematic genius. From the awkward and slightly perverted opening to the big shock at the end, De Palma is clearly in love with the story and wants to make a film that is about women, that both genders can enjoy. He succeeds. (Based on the novel “Carrie”)

9) STAND BY ME (Rob Reiner 1986): A classic story of childhood features brilliant performances from the young cast. Based on the third novella in the compendium Different Seasons. The touching story of a group of children that discover a dead body. Something that could be seen as a pre-curser to Danny Boyle’s Shallow Grave, the story has no pretensions of being anything other than a beautiful ode to growing up. Richard Dreyfuss classes up the whole film with his cinematic stature. But the entire film hinges on the likeability of the young actors, it might only be Keifer Sutherland that actually gained a career after the film, and the tragic loss of River Phoenix make for upsetting viewing, but the entire film is beautiful. (Based on the novella “The Body” from Different Seasons)

8) SECRET WINDOW (David Koepp 2004): From the outset a rather incidental film from all involved, but actually a hidden gem in the catalogue of King adaptations, Koepp films and Depp performances. Depp plays a writer who is accused by a strange man, John Tuturro, of stealing his story. The thriller builds on two great central performances. Once from an incredibly sinister Tuturro and another from Depp on fine form before his apparent downfall. This film might, yet, prove to be the last great Depp performance and if that be, well it’s a decent enough performance, twitchy, worried and desperate. The film builds to an inevitable twist, and your reaction really depends on how much you read and understand film cliches. (Based on the novella “Secret Window, Secret Garden” from Four Past Midnight.)

7) THE DEAD ZONE (David Cronenberg 1983): Christopher Walken plays a man who after a horrific accident is able to see a person’s future by touching them. What follows is a part horror film, part superhero origin story and part political thriller. Walken, like Spacek in Carrie, does great as someone trying to understand what has happened to him and what is going to continue happening to him. Martin Sheen plays the politician with a heart of absolute black and perfectly plays the role of villain. While in lesser hands Sheen would be the hero and Walken the villain, Cronenberg mounts a thrilling horror film with building tension. Not one of his showier films, but one of the more enjoyable and with a brilliantly understated central performance by Walken, who reigns in his mannerisms to play the meek and mild Johnny Smith gives one of his career bests. (Based on the novel “The Dead Zone”.)

6) THE MIST (Frank Darabont 2007): The first of three Darabont films to make it on the list, this tense supernatural monster movie pits a group of New England townsfolk against a a sinister mist and the monster that lie within it. Darabont plays down the monsters outside for the monsters inside with a host of brilliant character actors showing their worth: Thomas Jane and Nathan Gamble play father and son to great success, with William Sadler and Marcia Gay Harden providing villainous support, Laurie Holden, Toby Jones and Andre Braugher also class up the proceedings. The ending is either a stroke of brilliance, or a let down depending how invested you are in the characters, but as a tense inspection of how society breaks down under pressure, it’s pure brilliance. (Based on the novella “The Mist” from Skeleton Crew).

5) APT PUPIL (Bryan Singer 1998): A brilliant study in evil, and the corruption of two people with souls already rotting to the core, Apt Pupil casts Brad Renfro as the all American apt pupil of the title, and Ian McKellen as the nazi down the road hiding in plain sight. In Todd Bowden, Renfro gives a performance that should stand up alongside the likes of Malcolm McDowell’s Alex De Large or even Ezra Miller’s Kevin. McKellen already a respected actor sinks his thespian teeth into the role of Arthur Denker, and later his true identity of Kurt Dussander. While David Schwimmer might look a little out of place in this broiling tension filled thriller, McKellen keeps everything grounded with his sublime performance. The scene in which McKellen marches in a nazi uniform is particularly unsettling. (Based on the novella “Apt Pupil” from Different Seasons).

4) MISERY (Rob Reiner 1990): That moment all writer’s hate - when someone approaches you and tells you that they’re your biggest fan. Psycho fanboys threatening death because you botched the latest issue of Spider-Man have got nothing on Annie Wilks played to perfection by Kathy Bates, with James Caan as famed novelist Paul Sheldon who writes the Misery Chastain books. Clearly drawing on his own nightmare scenarios, King’s novel proved to be an unsettling chiller, but under the direction of Reiner who had success years earlier with Stand By Me, mounts a tense almost two person drama about an obsessive fan, and a writer at the end of his tether. Bates’ Academy Award win has gone on to become a benchmark in female villains and in the “bunny boiler” subset. The scene involving a sledge hammer, James Caas, and an ankle makes for one of the most wince inflicting moments in cinema. (Based on the novel “Misery”).

3) THE GREEN MILE (Frank Darabont 1999): One of two King prison drama, the second of three Darabont films, and a supernatural story about the goodness one man can bring all come to the forefront of this moving drama. Death row officers Tom Hanks, David Morse, Barry Pepper and Jeffrey DeMunn are at their wits end with the obnoxious Doug Hutchinson. The inmates, Michael Jeter and Graham Greene are all put out of sorts with the arrival of Michael Clarke Duncan’s towering John Coffey convicted of raping and murdering two little girls. This epic film, featuring Sam Rockwell, Gary Sinise, James Cromwell, Patricia Clarkson, William Sadler and Dabbs Greer all offer brilliant performances, but the film belongs to Hanks and Duncan who both give career bests. The film builds to a gentle climax and the finale leaves you in floods of tears. Darabont’s sensitive direction, as well as another brilliant score from Thomas Newman make for a long, poetic and beautiful experience. (Based on the novel “The Green Mile”).

2) THE SHINING (Stanley Kubrick 1980): Considered by some to be the ultimate horror film, Kubrick’s adaptation of the King’s most infamous novel makes many differences from the novel but offers a different take on the same idea. Jack Nicholson takes a job as a winter caretaker for the Overlook Hotel and brings his wife and young son along. What follows is a terrifying journey into the psyche of a man haunted by vice, conflicted by anger and hunted by the spirits of The Overlook. Scatman Crothers is brilliant as Dick Halloran, but the film is all about Nicholson’s simmering performance. Of course the greatest moment comes from an almost gentle conversation in a bathroom between Nicholson’s Jack and Philip Stone’s Delbert Grady. A simple conversation that grows and grows as fear becomes more and more. With the legacy of the film as well as the death of Kubrick it’s unlikely we’ll see a film based on Doctor Sleep anytime soon, the changes made from novel to film would need Kubrick himself to decide how to do it. Which is a shame, because Kubrick’s Doctor Sleep would have been quite the film. (Based on the novel “The Shining”).

1) THE SHAWSHANK REDEMPTION (Frank Darabont 1994): Of course it has to be the number one, the enduring favourite of any film buff. Accused of a crime he may or may not have committed, Tim Robbins’ Andy Dufrense shows up at Shawshank prison and befriends Morgan Freeman’s life timer and “only guilty man in Shawshank” Red. The friendship is the centre of this moving drama film which offers the idea that fear can hold you prisoner, but hope can set you free. Clancy Brown, Willam Sadler and Bob Gunton all class up the proceedings, with a brilliant Thomas Newman score and the soothing tones of Freeman’s narration letting us know we’re in safe hands. Gunton’s Warden Norton might go down, along with Grady, Mrs Carmody and Annie Wilks are one of the great Stephen King villains, here is played with just the right amount of malice and cruelty, but still a believable menace. The final scene might not be what King fans would want, but it perfectly ends a film that is, essentially, a love story between two guys. (Based on the novella “Rita Hayworth and Shawshank Redemption” from Different Seasons).