From left to right, top to bottom: Silent Spring (Martin 000-18), Desert Island Disk (Gibson B25), The Present Tense (Gibson Hummingbird), The Clock (Martin D35), Default (Lakewood M14), and Fake Plastic Trees (Gibson B25).
On top of the backline piano are Thom’s Elekton Analog Rytm and Electro-Harmonix 45000. He uses the 45000 for looping on on Bloom, the Analog Rytm beats on Default, and both on Atoms for Peace.
Thom also has a small pedalboard consisting of a Boss TU2/3 Tuner, an Akai Headrush E2, and a Voodoo Lab Pedal Power 2 Plus for power.
In addition to the two backline wireless microphones (with a good amount of reverb), Thom has a Shure SM57. The SM57 runs through some sort of delay unit, possibly the Akai Headrush (based on the unreadable delay setting on the pedal). Thom switches between the two mics during both The Present Tense and The Clock to apply the different effects to his vocals.
I’m still hanging on Bird upon the wires I fall between the waves I avoid your gaze I turn out of phase A pawn into a queen I laugh now But later’s not so easy I gotta stop, The will is strong, but the flesh is weak Guess that’s it I’ve made my bed, I’m lying in it But it’s eating me up It’s eating me up It’s eating me up (if I could feel all the snails on my heads)
I’ve had quite the ups and downs this year, but fortunately I’m able to take a little bit of time for tumblr in the near future and BRAVELY SECOND COMES OUT ON APRIL 15th 2016 IN NORTH AMERICA
I’ll be updating this blog more regularly in the coming weeks. I’ve just placed my order for the collector’s edition because I’m a slut for Artbooks and this one is a 250 PAGE ART BOOK. Still a 10 song soundtrack but that’s okay.
Short Bob mesh replaced with: Pita Sims mesh edited, I slightly edited the mesh and fixed the shadows, the textures are the same just the mesh it’s changed because I never liked it, never used it, thought it was really ugly, this has to be one of the most ugliest hairs EVER!, but thanks to Pita for their mesh edit.