december 1986

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He wanted to be here tonight. I’d like to read something that he wrote:

‘I Love Lucy’ had just one mission: to make people laugh. Lucy gave it a rare quality. She can perform the wildest, even the messiest physical comedy without losing her feminine appeal. The ‘New York Times’ asked me to divide the credit for its success between the writers, directors and the cast. I told them, ‘Give Lucy 90% of the credit. Divide the other 10% among the rest of us.’ Desi concluded: Lucy was the show. Viv, Fred, and I were just props. Damn good props. But props nevertheless. PS- ‘I Love Lucy’ was never just a title.

-Desi Arnaz’s tribute to his ex-wife Lucille Ball, read by Robert Stack at the Kennedy Center Honors on December 7, 1986, five days after Desi had passed away from lung cancer.

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We come upon a curious fact. The pre-colonial history of African societies – and I refer to both Euro-Christian and Arab-Islamic colonization – indicates very clearly that African societies never at any time of their existence went to war with another over the issue of their religion. That is, at no time did the black race attempt to subjugate or forcibly convert others with any holier-than-thou evangelizing zeal. Economic and political motives, yes. But not religion.
—  Wole Soyinka, Nigerian playwrite and poet, at his Nobel Prize acceptance speech (December 1986).
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History Meme - Italian Version

[1/10] Assassinations - Strage di Capaci (Capaci’s Massacre), 23 May 1992.

On the 23rd of May 1992, on the Capaci’s junction of the highway A29, a few kilometers away from Palermo, a huge explosion killed the Italian Magistrate Giovanni Falcone, his wife Francesca Morvillo, and three of their body guards, Vito Schifani, Rocco Dicillo and Antonio Montinaro.

The attack was planned by the criminal organization Cosa Nostra, lead by the boss Totò Riina, who threw a party right after Falcone’s death.

Giovanni Falcone spent most of his life fighting the power of the Sicilian mafia. Thanks to his work, the first big trial against the mafia, known as the Maxiprocesso, could take place, between February 1986 and December 1987. The Maxiprocesso convicted 360 defendants, for a total of 2665 years of prison and 19 life sentences for the bosses.

Giovanni Falcone, along with his dear friend Paolo Borsellino, who was assassinated 57 days after Falcone, is considered a national hero and a symbol of the fight against the mafia.

“La mafia non è affatto invincibile. È un fatto umano e come tutti i fatti umani ha un inizio, e avrà anche una fine.”/”The mafia isn’t invincible. It’s a human phenomenon and thus, like all human phenomena it has a beginning, and it will also have an end.”

The two persons from left to right are my grandparents. in fact, according to my mom, my grandfather, named Miguel, seldom wore jeans. He passed away in December 1986 aged 65.

My grandmother’s face is intentionally scribbled. she never really liked to be photographed. she outlived my grandfather for over 28 years. She passed away in December 2014 aged 91. Her name was Maria.

The person on the extreme right is my grandfather’s youngest brother, Roberto. he’s still alive. He lives in Fresno.

Submitted by chicobond89

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On this day in music history: July 21, 1987 - “Appetite For Destruction”, the debut album by Guns N’ Roses is released. Produced by Mike Clink, it is recorded at Rumbo Recorders, Take One Studios in Los Angeles, CA and Can-Am Studios in Tarzana, CA from August - December 1986. After releasing the four track EP Live ?!*@ Like a Suicide" on their own UZI Suicide label in 1986, Guns N’ Roses are signed to Geffen Records by label A&R man Tom Zutaut for a paltry advance of $75,000. Paired with producer Mike Clink (UFO, Mötley Crüe, Triumph), the band knuckle down in the studio and record their major label debut in four months. Though the band have built a solid following on the rock club scene in L.A., the album initially gets off to slow start. It takes “Appetite” more than a year it to earn significant sales and upward chart momentum. In spite of a relentless tour schedule, the record has only moved about 200,000 copies in seven months, with Geffen nearly pulling the plug on promotional efforts. Zutaut risks his job in an effort to turn things around. He convinces David Geffen to get MTV to air the video for “Welcome To The Jungle” on the channel one time. MTV runs the video one time at 4 am, and receives over 10,000 phone calls, overloading their switchboard. This leads to the channel adding the video immediately to heavy rotation, and the album takes off like a rocket. Within two weeks, the sales of “Appetite For Destruction” double, with the momentum building exponentially over the following weeks and months. It eventually spins off five hit singles including “Sweet Child O’ Mine” (#1 Pop), “Welcome To The Jungle” (#7 Pop) and “Paradise City” (#5 Pop), being certified 18x Platinum in the US by the RIAA, becoming one of the best selling debut albums of all time. “Appetite” is credited with bringing hard rock back to mainstream popularity during an era that is dominated by dance oriented pop music and lightweight pop metal acts. The albums original cover artwork by Robert Williams is changed after some retailers refuse to stock it because of its graphic and violent imagery. “Appetite For Destruction” spends five weeks at number one (non-consecutive) on the Billboard Top 200 for five weeks, beginning on its 50th week on the chart on August 6, 1988.

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On this day in music history: April 26, 1961 - “Stand By Me” by Ben E. King is released. Written by Benjamin Earl Nelson, Jerry Leiber and Mike Stoller, it is the sixth solo single for the R&B and pop vocal legend. In spite of recording several classics as the lead singer of The Drifters including the classics “There Goes My Baby”, “This Magic Moment” and “Save The Last Dance For Me”, a contractual dispute with manager George Treadwell drives Ben E. King out of the group in mid 1960. Continuing to work with the songwriting and production team of Leiber and Stoller, King begins recording on his own. After his initial solo releases “Brace Yourself” and “A Help-Each-Other Romance” (duet with LaVern Baker) fail to make an impression on the charts. On October 27, 1960, King is recording at Atlantic Studios in New York City, working on the song “Spanish Harlem” (#10 Pop, #15 R&B) which becomes his first major solo hit. With time still left in the session, Leiber and Stoller ask King if he has any more songs. The singer plays them an unfinished song he had originally intended to record with The Drifters. Inspired by the song “Stand By Me Father”, written by Sam Cooke during his days as lead singer of The Soul Stirrers, Leiber and Stoller re-work the initial melody and Ben and Jerry write the lyrics. Calling the musicians back, the song now titled “Stand By Me” is quickly recorded. Before the session concludes, all involved know that they have created something special. Released in the Spring of 1961, “Stand By Me” makes its impact felt immediately. An instant classic, it quickly rises up the R&B and pop singles charts, spending four weeks at #1 on the Billboard R&B singles chart beginning on May 29, 1961, and peaking at #4 on the Hot 100 on June 12, 1961. Following its release, “Stand By Me” is covered numerous times over the years, including versions by John Lennon, Spyder Turner, Mickey Gilley and Maurice White. Ben E. King’s original recording has a long life after its initial run on the charts. In 1986, director Rob Reiner uses the song as the theme to his film “Stand By Me”, based on the Stephen King short story “The Body”. Featured prominently on the oldies dominated soundtrack, Atlantic Records reissues the song as a single. Driven by the popularity of the film, “Stand By Me” re-enters the Billboard Hot 100, and returns to the top ten, peaking at #9 in December of 1986, over twenty five years after it had originally charted. The song becomes a smash in the UK a second time, thanks to its inclusion in the film, and being featured in a popular commercial for Levi’s jeans, sending the single to #1. In 1998, “Stand By Me” is inducted into the Grammy Hall Of Fame, in 2012 receives the Towering Song Award by the Songwriters Hall Of Fame, and in 2015, King’s original recording is selected for inclusion into the National Recording Registry by The Library Of Congress, just five weeks before the singer’s passing.

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“On the set of the film The Mirror, Andrey Tarkovsky included himself in one scene, lying in a hospital bed and holding a tiny bird on his right hand. And this is what happened to him at the end of his life: in his sickroom in Paris, the room where he died, a little bird would fly every morning through the open window and come to light on him.”

Happy Birthday Andrey Tarkovsky: April 4, 1932 - December 29, 1986

(Images from the book ‘Instant Light: Tarkovsky Polaroids’)