Behind the Scenes of Planet of the Dead - Part Six
Excerpts from Benjamin Cook’s set report in DWM 408:
[on trying to film during a sandstorm] “Not only was what we were shooting looking horrible,” James tells DWM, “because we had no light… and this massive desert landscape, you couldn’t see it… I mean, we could have been in a car park at Upper Boat… but also sand was being blown in our faces constantly. The actors couldn’t open their eyes.”
“Problem is,” says make-up designer Barbara Southcott, “it’s on high-def, so you’ll see every bit of sand on their skin.”
“You’ll have to paint it out,” make-up artist Steve Smith teases The Mill’s Dave Houghton.
“Frame by frame,” nods Dave, “grain by grain.”
“I know it’s not easy, guys,” calls out John [Bennett, First Assistant Director]. “Let’s just do what we can.” But David’s hair has turned blonde. (Daniel [Kaluuya, who plays Barclay] dubs him “Barry Manilow”.)
The sand is sticking to everything. Worst hit is Tracie Simpson, whose lips are actually yellow. This is her first episode as Doctor Who’s producer. It’s a baptism of fire - no, of wind! Of wind and sand and lipstick.
Forgetting that Dubai is four hours ahead of the UK, DWM decides to text a message of support to Russell T Davies in Cardiff - you know, something encouraging and inspiring. But somehow we manage to send one that says: “SANDSTORM! CODE RED! ABORT! ABORT!” Surprisingly, Russell messages back: “I’ve got you texting with ‘SANDSTORM!’ and Julie [Gardner, executive producer] phoning with ‘SANDSTORM!’ I’m hooting. Save yourself, Ben.” Perhaps we should hide in a Portaloo until it’s all over? (We don’t last long. It stinks in here. Besides, a queue was forming.)
Back outside, the majestic crane shots intended for this morning are abandoned. The crane is dismantled and taken away. “I thought, let’s shoot everything that we can against the bus,” James explains later. “…but the actors all looked like they’d been tarred in sand and dragged through a hedge.”
With this, the fact that he was hard on his students so they could do better, and he could actually put up a fight, this is undeniable proof that Mr. Lancer is one of the greatest and underappreciated teachers in cartoon history! I don’t know how we didn’t notice this the entire show’s run! 😂😂😅😆
New Headcanon: Whenever Gwen sneaks off to watch trash TV, she takes Max with her. Max enjoys how easy-to-mock the shows are (not to mention that they help feed his cynical world view), and Gwen loves them just for the drama.
David catches them together about once every few weeks, glued to whatever device they managed to get wifi on.
Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper. Down deep, the fish are more powerful and more pure.They’re huge and abstract. And they’re very beautiful.
Anger and depression and sorrow are beautiful things in a story, but they’re like poison to the artist. They’re like a vise grip on creativity. If you’re in that grip, you can hardly get out of bed, much less experience the flow of creativity and ideas. You must have clarity to create. You have to be able to catch ideas.