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➽ Movie Details : Release Date : 2015-10-16 Category : Drama Casts : C. Thomas Howell, Carlton Byrd, Walker Morgan Kendrick, Brando Eaton, Peter Charnock, Doug Markstrom, Kelly Layne, Jason Burkey, David Kloehr, Harry Alexander, Tom Mullins, Kirk B.R. Woller, Brett Rice, Ron Flagge, Xavier DuPriest, Devin Bright, Richard Kohnke, Danny Vinson, Nic Bishop, Keith Loy, Lance E. Nichols, Joy Brunson, Sean Astin, Justin Johnston, Tyrell Humphries, Matthew T. Cook, Kristi Averette, Marcus Henderson, Blake Burgess, Caleb Castille, David Manne, Kevin Sizemore, Jet Jurgensmeyer, Kelly Greyson, Kevin Downes, Vernard ‘Bone’ Hampton, Rhoda Griffis, Jeremy Grimsley, Jon Voight, Justin O'Neal, DeVon Franklin, Corey Hodge, Sherri Shepherd, Virginia Williams, Jeff Kruse, Michael Entrekin Duration : 123 minutes
Flannel and Fur, Danny Keith’s solo show of recent paintings at Ratio 3, includes fifteen portraits of bearded young men and one study of a classical bust. All but three of the portraits are made of oil on wood panel, and the others are watercolors on paper. The works are academic in the traditional sense, with particular attention paid to naturalistic lighting and figure proportions. The works’ scale and intense study of a single posed subject, combined with the artist’s layered modulation of color and tonality—mixing paint on the palette and the canvas as if negotiating between the two—suggest that they were made from observation.
By engaging with traditional modes of representation in a highly personal way, Keith’s paintings propose alternatives to gendered clichés of beauty by presenting male images that are both masculine and pretty. Fox Fur, Fox FurNo.2, Fox FurNo.3, and Fox FurNo.4 (all 2011), for example, depict the same model from the waist up, nude save for a tanned-fox fur either draped around his shoulders or propped on his head. In each painting, Keith returns to the same subject from different angles, repeating the same lighting source and background colors. His brushwork both strives for an honest realism and meticulously records every freckle, tuft of fur, and chest hair.
Flannel Shirt No. 1, Flannel Shirt No. 2, and Hunter’s Plaid(all 2011) depict the same model wearing a plaid textile wrapped around his head or draped over one shoulder.Repose No. 2 (2011), the smallest work in the show, measuring 12 by 18 inches, is the only piece to depict the model’s entire body: he’s nude, lying face down on a bed, possibly sleeping. The image is both erotically charged and intimate, with looser brushwork, but Keith still carefully captures the play of light and shadows across the room and the model, depicting every toe, a tattoo, and even the translucency of an earlobe.
Keith’s use of the same subject, repeated visual patterns, and consistently detailed brushwork throughout this body of
Fox Fur No. 3, 2011; oil on panel; 20 x 16 inches. Courtesy of the Artist and Ratio 3, San Francisco.
Fox Fur No. 2, 2011; oil on panel; 20 x 16 inches. Courtesy of the Artist and Ratio 3, San Francisco.
work recalls Félix González-Torres’s tender, minimalist installations. Unlike Keith’s overt figures, González-Torres created metaphorical portraits of intimate same-sex relationships (sometimes his own) that explored and transcended identity politics by using simple objects as stand-ins for human subjects. Untitled (Perfect Lovers) (1987–1990), which features two synchronized wall clocks hung side by side, uses formal repetition to evoke the effortless sensation of a good interpersonal match and the constancy of real intimacy.
Keith’s repeated subject matter demonstrates a similar devoted, prolonged engagement, and his formal use of repetition within the brushwork and composition of each portrait symbolizes this emotional connection. But while González-Torres’s later works invite direct audience interaction, offering candies or prints to the viewer, Keith’s traditional paintings remain passive. This apparent difference between the two artists’ approaches masks a common theme in their subject matter: neither style of representation, pictorial or metaphorical, can bring forth a human presence, no matter how many people participate with a work or how accurate the representation appears.
The paintings occasionally flirt with metaphorical content, using symbols such as flowers (in Spanish Rose and I Hope All My Days Will Be Lit By Your Face, both 2011) and the fox fur, which evokes a vivid sensation of fur on bare skin and plays on the material flexibility of a feminine fox stole or masculine fox hood. More pointedly, Keith’s sincere renderings and complex, vibrant colors convey a longing for his subjects and create an emphatic sense of each model’s individual physicality. Additionally, in all but three of the works, Keith’s delicate depiction of his subject’s dreamy, inward gaze deepens the intimacy of each portrait.
Keith’s images of male beauty and the palpable vulnerability of his desire complicate the idea that the power involved in every erotic depiction only functions in one direction. His tender attention to every freckle and hair displays a sense of responsibility as opposed to a license to idealize or objectify. The ambiguity of Keith’s relationships with his subjects leads to narrative speculation, and his presentation of beautiful but heteronormatively masculine men makes such fantasies available. By working so intimately and personally, Keith offers viewers a broad and fluid range of identification and interpretation.
FLANNEL AND FUR IS ON VIEW AT RATIO 3 IN SAN FRANCISCO THROUGH FEBRUARY 18, 2012
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click on watercolors. Danny Keith on Yahoo! Music Danny Keith music profile on Yahoo! Music. Copyright 2011 Danny Keith Powered by WordPress. watercolor. links. Danny Keith | LinkedIn View Danny Keith’s professional profile on LinkedIn. It was produced by Mauro Farina, who put his voice on some tunes and Giacomo Maiolini among others. Danny Keith profiles | LinkedIn View the profiles of professionals named Danny Keith on LinkedIn. Danny Keith | Facebook Facebook gives people the power to share and makes the world more open and connected. what’s new. Danny Keith - Discogs Search Danny Keith (Electronic, Hip Hop, Funk / Soul, Pop) Danny Keith From 1984 to 1987, Danny Keith was an Italo Disco project of Mauro Farina (vocalist. click on new work. Danny Keith Danny Keith is a relentless opportunist, philanthropist, freelance writer, social. Danny Keith was also. LinkedIn is the world’s largest business network, helping professionals like Danny Keith discover. Find lyrics, free streaming MP3s, music videos and photos of Danny Keith on Yahoo! Music Danny Keith Discography at Discogs From 1984 to 1987, Danny Keith was an Italo Disco project of Mauro Farina (vocalist) and Giuliano Crivellente (co-composer). . There are 25 professionals named Danny Keith, who use LinkedIn to exchange information,. Contact: firstname.lastname@example.org. Danny Keith has 441 friends on Facebook and is a fan of 259
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Tomorrow, PBC on Fox will be broadcasting live from the Staples Center in Los Angeles, California. The crowd and many viewers at home will be treated to a trio of boxing fights as Danny “Swift” Garcia squares off against Robert “The Ghost” Guerrero for the vacant WBC Welterweight belt, Sammy Vasquez steps into the ring against Aron Martinez, and Dominic Breazeale will be facing Amir Mansour. As…
Boxing Recap - We discuss Deontay Wilder’s 9th round KO over Artur Szpilka and his trash talk showdown with Tyson Fury. - The strange conclusion to the Charles Martin vs. Vychaslav Glazkov fight. - The return of David Haye.
Boxing News - Keith Thurman is supposed to fight Shawn Porter in March, but… - Carl Frampton vs. Scott Quigg will be aired live on Showtime and what’s next up for Leo Santa Cruz? - Could we see a Francisco vs. Orlando Salido showdown coming up? - Lee Selby has his sights set on a Featherweight unification.
Boxing Preview - Danny Garcia vs. Robert Guerrero - Sammy Vasquez vs. Aron Martinez - Dominic Breazeale vs. Amir Monsour