daniel lanois

The Unforgettable Fire
U2
The Unforgettable Fire

U2

‘The Unforgettable Fire’

from album 'The Unforgettable Fire’

Written by Bono

Ice
Your only rivers run cold
These city lights
They shine as silver and gold
Dug from the night
Your eyes as black as coal
Walk on by
Walk on through
Walk 'til you run
And don’t look back
For here I am

Carnival
The wheels fly and the colors spin
Through alcohol,
Red wine that punctures the skin
Face to face
In a dry and waterless place

Walk on by
Walk on through
So sad to beseige your love so head on
Stay in this time
Stay tonight in a lie
I’m only asking but I
I think you know
Come on take me away
Come on take me away
Come on take me home
Home again

And if the mountain should crumble
Or disappear into the sea
Not a tear, no not I
Stay in this time
Stay tonight in a lie
Ever after
It’s lovin’ time
And if you save your love
Save it all tonight

Don’t push me too far
Don’t push me too far
Tonight

Produced by Brian Eno & Daniel Lanois.

Cover by Anton Corbijn.

©1984 Island Records

Creative Inspiration with Wim Wenders, Marina Abramović, Jonas Mekas, Patti Smith, & More

From words on sustaining a personal artistic voice–Don’t do anything that somebody else, that you know deep in your heart, somebody else can do better, but do what nobody else can do except for you.–to others on how building your brand leads to a promising future–Be concerned with doing good work, and make the right choices, and protect your work. And if you build a good name, eventually that name will be its own currency.–artists of renown share their insights and “advice” to stir your creative inspiration in this collection of video interviews. These artists of film, performance, music, literature, and more show us that the artist’s spirit needs constant care and feeding; and across the board, they emphasize the importance of intuition and instinct for the successful artist while maintaining the cultivating nature of consistent hard work.

Louisianna Channel presents the series Advice to the Young through which any artist regardless of age can seek creative inspiration and guidance. Read, watch, learn, and absorb.

Do what you want, make the things you want to see, because more than likely you’re not going to have any material rewards, so you might as well not sell that part of yourself out. You might as well be true to what you want to do and not turn art into another day job…Find a lot of like-minded friends, make a community, and don’t wait for the art world to make it happen, make your own art world…If you’re doing something counter to the zeitgeist, that’s probably a good idea, you’re probably on the right path. - Fred Tomaselli (American artist)

I believe that advice shouldn’t come from other people, but that each person should gain a direction for oneself by overcoming difficulty, and a true direction will come from overcoming adversity. Everyone, think deeply, fight harder, and obtain splendid direction for your life. I wish for you to gain guidance from your deep thinking and spread your ideas all over the world in order to establish a wonderful life and world. - Yayoi Kusama (Japanese artist and writer)

Don’t listen to anybody’s advice, just do…When you go to film school, you meet others. Otherwise, I say, don’t go to film school, get a camera, because you don’t know what you really are all about, what you really want to make. “I want to make films.” But what kind of films? When you go and begin to do what you think you want to do, and you discover, “For what I’m doing, I have to know more about lighting.” Then you go and study lighting. “I have to know more about lenses.” Then you go and study lenses…Maybe you’ll never need everything for what you want to do. - Jonas Mekas (Lithuanian-American filmmaker, poet, and artist)

If you want to make something of yourself, you have to work for it. You must never give up. If there are day or weeks where you lose faith in yourself, you must go on believing that you can work. You must practice your words just like a musician practices his notes. Non-stop. Write, write, write. - Herbjørg Wassmo (Norwegian author)

Don’t do art unless you have to. You can be creative in any field. It’s not just a little ghetto called “art” that allows you to be creative–too many people think that…Try not to be too misled by other people’s views of what you’re doing and what you’re thinking. Be a little bit crazy in your thinking. Don’t just think that what you’re doing is upsetting. Don’t be afraid to be yourself, in other words, in art. - Susan Hiller (American artist)

Know that genius is 10% inspiration and 90% perspiration. - Umberto Eco (Italian semiotician, essayist, philosopher, literary critic, and novelist)

My advice to young artists would be to follow the path they themselves recognize as the right one. Chasing after false idols or role models is always a dead end. Even if the path they want to follow might seem strange or doesn’t seem to promise much success, stick to it. It’s the only way to deal with the things that need to be dealt with. You can’t do it according to a recipe or instructions from others. Art doesn’t necessarily have to make an artist famous. Art can be very successful if a person carries through what he has to do. - Hans-Peter Feldmann (German visual artist)

My advice to the young artist, to the young architect, is, first of all, does architecture, or art, sculpting, painting, drawing, is that what you really, really want to do more than anything else in the world and you would do anything to be able to do it, because it really fires you. If that’s the case, you made the right choice, and you go for it, and you immerse totally saturated, you live it, every living second of your life. If you don’t believe in it that much, then you have to find something that you believe in, something else. And it doesn’t really matter what it is because in life I think you’ll find that everything is creative. - Norman Foster (British architect)

I think the best advice I got really came from work experience. I can’t remember anybody telling me the secret formula or anything…If you’re lucky enough to be a dreamer and to imagine how things could be, then don’t wait. You can always educate yourself and provide yourself with new information as you go along, but I think it’s a mistake to wait and to take a long course with the view of coming out as a professional. I think the earlier the better. If you’re lucky enough to love something as a kid, then pursue it with full passion and start into it right away, man. - Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)

I think that if you want to become a poet, an artist, you can’t fight it. If you want to be that, you will. It’s not about desire, it’s about necessity. There’s no other way. You can not give advice here. It’s impossible. You have to trust your inner drive. For the disappointments and the efforts are so tough that you must have an inner conviction that this is what you want. - Lars Norén (Swedish playwright, novelist, and poet)

Be very patient. Even patient with chaos. You have this beginning, and that beginning, and that beginning, and you’re just worried and unhappy, but I wouldn’t worry too much. I think it is a little chaotic. It’s not neat. You don’t start something and finish it and there you go, and then start another thing and finish it. - Lydia Davis (American writer)

My advice to younger artists would be something like: to be very sensitive to where they are, in what times, in what part of the world, and how that constitutes their artistic practice, their artistic inquiry. There’s lots of smaller advice such as make sure you’re not commodified by the very strong market and it’s attractivity…Just because you think about a work of art, it is not necessarily a work of art because thinking about it and a work of art is really quite far apart. - Olafur Eliasson (Danish-Icelandic artist)

Painter, photographer, filmmaker, video artist, whatever you do, nobody else can do that better than you, and you have to find what you can do better than anybody else, and what you have in yourself that nobody else has in themselves. Don’t do anything that somebody else, that you know deep in your heart, somebody else can do better, but do what nobody else can do except for you. - Wim Wenders (German filmmaker, playwright, author, and photographer)

How do you know you’re an artist? That is the main question. To know you’re an artist or not is like breathing. You don’t question breathing. You have to breathe otherwise you just die so you breathe. So if you wake up in the morning and you have some ideas and you have to make them and this becomes an almost obsession and you have to create, you have the urge to create…I think a great artist has to be ready to fail, which not too many people do. Because when you have success in a certain way and the public accepts you in a certain way, you start somehow involuntarily producing the same images, the same type of work, and you’re not risking. The real artists always change their territories, and they go to the land they’ve never been. There is unknown territory, and then you can fail and you can risk…“Ready to fail,” that makes a great artist. If you wanted to, as a young one, you wanted to be famous and rich, then you just can forget even the idea of being an artist because the money and the success are not an aim, they’re just a side effect, and sometimes it happens in your lifetime and sometimes not, but it doesn’t keep you away from working. - Marina Abramović (Serbian performance artist)

The only advice I have is probably something young artists and musicians already know. Although some of them may have the ambition to be the next Jay-Z, the number of those artists are very small. And often the artists that are very successful that way, they don’t have much flexibility. In achieving success, they kind of lose a lot of their creative freedom…If the musician or artist values their freedom and their ability to be creative, then they have to maybe realize that they won’t be making hundreds of millions of dollars, they might be making less money, but they might have more artistic satisfaction. - David Byrne (Scottish-born American musician)

When I was really young, William Burroughs told me–and I was really struggling, we never had any money–the advice that William gave me was “Build a good name.” Keep your name clean. Don’t make compromises. Don’t worry about making a bunch of money or being successful. Be concerned with doing good work, and make the right choices, and protect your work. And if you build a good name, eventually that name will be its own currency. - Patti Smith (American singer-songwriter, poet, and visual artist)

Going Back To Harlan
Emmylou Harris
Going Back To Harlan

Emmylou Harris - Goin’ Back to Harlan

If pressed, I would choose Emmylou Harris as my favorite country artist. She offers an unforgettable voice, great taste in material and a long history of collaborating with just the right people. You can find all these elements in 1995’s Wrecking Ball. Producer Daniel Lanois, best known for his work with U2, placed Emmylou in front of a brooding, primal sound unlike anything coming out of Nashville. Add songs by Bob Dylan, Steve Earle, Neil Young, Lucinda Williams, Rodney Crowell et al and you get a country album that feels strange on first listen; later it is recognized as a brilliant new direction in an illustrious career.

We’ll boil all of this down to Anna McGarrigle’s “Goin’ Back to Harlan”, a childhood memory that turns into a dark catalog of Appalachian song fragments.

When I first wrote this post in late March I was unaware that Emmylou and Daniel will be performing Wrecking Ball in its entirety April 12 at the Brooklyn Academy of Music. Small world.

Most of the Time
Bob Dylan
Most of the Time

Most of the time she ain’t even in my mind
I wouldn’t know her if I saw her
She’s that far behind
Most of the time I can even be sure
If she was ever with me
Or if I was ever with her
Most of the time I’m halfway content
Most of the time I know exactly where it went
I don’t cheat on myself I don’t run and hide
Hide from the feelings that are buried inside
I don’t compromise and I don’t pretend
I don’t even care if I ever see her again
Most of the time.

How have I not heard this before? 

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i love you

‘Through the storm we reach the shore, you give it all but I want more…’ It was released 30 years ago today. It was backed by 'Luminous Times’ and 'Walk To The Water’. And Daniel Lanois has remixed it for the special edition of The Joshua Tree which is coming your way… #U2TheJoshuaTree2017

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On this day in music history: March 9, 1987 - “The Joshua Tree”, the fifth studio album by U2 is released. Produced by Daniel Lanois and Brian Eno, it is recorded at STS, Danesmoate House, Melbeach and Windmill Lane Studios in Dublin, Ireland from January 1986 - January 1987. After the release of U2’s previous album “The Unforgettable Fire” and the extensive world they undertake in support of it, the band take their first extended break from the road, sitting out much of 1985 to rest and begin writing material for their next album. Many of the albums songs are influenced by the bands travels while touring the US in 1984-85, as well as their participation in the Amnesty International “Conspiracy Of Hope” tour in mid 1986. The albums cover photos are taken by photographer Anton Corbjin at the Joshua Tree National Park in the Mojave Desert in California. Corbijn tells the band about the trees, which are named (according Mormon legend) after the prophet Joshua (in the Old Testament in the Bible), as the trees reminded them of the prophet with his hands raised in prayer. Out in the park, they find one tree by itself (unusual since they normally grow in groups), and take several pictures standing next to the lone tree. Intrigued by the underlying religious significance, Bono decides to name the album after the tree. The album is an immediately huge critical and commercial success, cementing the bands fame on a worldwide basis. It breaks sales records in the UK, selling over 300,000 copies in just two days. In the US, it enters the Top 200 at #7 on April 4, 1987, making it the highest chart album debut since the Eagles’ “The Long Run” in 1979. It spins off four singles including the chart toppers “With Or Without You” and “I Still Haven’t Found What I’m Looking For”. U2 tours extensively in support of “Joshua”, with it being documented in the film and album “Rattle And Hum” issued in late 1988. In February of 1988, it wins two Grammy Awards including Album Of The Year in 1988. The album is remastered and reissued on vinyl and CD in 2007 to commemorate the twentieth anniversary of its release. For its thirtieth anniversary, it is announced that a new reissue is scheduled for June of 2017, including a Super Deluxe box set featuring extensive bonus tracks including a full live concert recording.  "The Joshua Tree" spends nine weeks at number one on the Billboard Top 200, and is certified 10x Platinum in the US by the RIAA, receiving a Diamond Certification.

Bell Tower
Harold Budd
Bell Tower

This is a piece from Harold Budd’s album La Bella Vista. I had never heard of this album before tonight. But I was listening to another Harold Budd record and I started googling around and saw some references to this one. It was, apparently, recorded at a private party. One of the people at this party was Daniel Lanois, and he started recording when Harold stepped to the piano, without Harold’s knowledge. I’m always skeptical of these kinds of stories, mostly because I know how tempting it can be to tweak a few facts to make a better tale. But this is a gorgeous piece of music that runs just under two minutes. There are certain human feelings that can be best expressed through simple melodies on an acoustic piano, it’s uncanny. Is this because of movies? If so how does that explain Satie and Chopin? In any event I heard this for the first time tonight and I’ll be listening to it forever.