A chorus of multiple voices.The warm strum of a guitar. Words that get stuck in your head.
A note held over several beats.
Tambourines. The fading of a song into silence. Feet tapping to the rhythm. A song that makes you want to dance.
Gryffindor: Drums beating steadily in the background. Quick, excited lyrics. A solo trumpet. Someone humming in the background. Low, husky voices. The explosion of sound as a song begins. Clapping. A song that makes you want to cheer.
Slytherin: The sound of a single violin opening a song. Slight variations in the wording of the chorus. A voice hitting the high notes. Clever lyrics that are missed unless one listens closely. The whisper of a singer taking a breath. A song that makes you want to smile.
Ravenclaw: Echoing, breathless voices. The long pause just before the music swells. Piano keys chasing the melody.
A slow crescendo in sound.
Duets. The vibrato of a practiced voice. Flutes trilling like birds. A song that makes you want to dream.
What a special night to be out on the ice watching the aurora flicker across the sky. I could still hear the beat of drums from the New Year’s Eve drum dance celebration in town. Happy New Year - I can’t wait to find out what 2016 has to offer. Tulit’a, Northwest Territories, Canada.
A handy trick for spells is by remembering these 3 simple steps before casting them: Visualization, Concentration, and Evocation
Visualization- Know what you want. Picture your intention clearly. See it like it already happened, and not like it will happen or is happening. Set it in your mind like a truth.
Focus clearly on your desire through the whole spell. Use tools, symbolism, words, herbs, etc. as anchor points in a way to help focus your energy into your intention.
Pull energy out of yourself, or from forces around you like nature, spirits, gods, magical beings, magical tools, the elements, etc. to power your spell. Actions like chanting, dancing, or drum beats can also be used to build and evoke energy.
‘Where the Streets Have No Name’ came together in a bit of a rush the evening before we were due to start recording again…I was recording onto a four-track tape machine, working alone, sequencing keyboards to the drum machine. I was starting to get desperate and thinking about the next tour. I imagined being at a U2 show and tried to dream-up what I would want to hear. It was my attempt to conjure up the ultimate U2 live-song. It was a strange feeling when I finished the rough mix, because I thought I had just come up with the most amazing guitar part and song of my life, but I was totally alone in a big house with no one to share it with. I remember listening to the complete silence of the house for a few seconds after the music had stopped and then doing a dance around the room punching the air. Then I went home.
The Edge, U2 by U2
lmao that is the most adorable thing I have ever heard I love Edge so much
he is totally my spirit animal
also did this dude literally just spontaneously decide one evening “I’m going to write the best live song ever, like, THE quintessential song that will define U2 concerts forever henceforth,” and then just like…sat down and…did that??? in one night??? how
like damn son, if Edge had been around Italy in whatever BC, Rome WOULD have been built in a day
how to find music that you’re going to actually like: a tutorial by a DJ who’s tired of people suffering from a chronic lack of tunes
. Pick a genre you like. it can be any genre. it can be rock, 90’s eurobeat, grime, rap, reggae, indie, trip-hop, or dance music. doesn’t really matter what it is, but for this example we’ll be using Drum and Bass.
2. Find record labels dedicated to that specific genre, in the case of Drum and Bass they’re usually European. Just google “Drum and Bass Record Labels” follow them directly on social media (facebook, twitter, soundcloud, spotify, you know) so that you know exactly what they’re releasing and when, and then look for where they usually premiere exclusives, be it magazines, online blogs, promo channels, radio stations or, if you’re in the area, club shows. (side tip: if you really like an artist, find out what label they’re signed to and look at the other releases of that label) (optional 2.5) If there’s a DJ at the helm of a label that you like (usually the case for most independent electronic labels) go and follow them. They will almost ALWAYS spin tracks long before they’re actually ‘out’. Even if they’re not a DJ they might premiere or tease releases on social media before they’re out. If you really want to be that ‘first!’ guy on a good song, this is good measure. 3. Find the top radio stations where this genre is popular, and find their schedules. Do these stations have specific segments dedicated to that genre? this is a great way to find exclusives for that specific genre quickly, and often long before the (exclusive) song is out. Be warned that this is usually ineffective unless it’s a well-established segment/station. For this example I will point you to DJ Friction’s BBC radio 1 Drum and Bass show (which is at 1 am UK time on Tuesday mornings) 4. Find the genre’s spotify auto-playlists, soundcloud playlists, youtube generated playlists and respective sections on sites such as the BBCR1 Iplayer. Spin them. Save them. Check them regularly. 5. Start keeping a catalog of these sources in the form of bookmarks, check them regularly. save the tracks that you like. If you’re very devoted to this genre I encourage that you listen to weekly segments you find as a habit. It’s not only fun, but I find after years of listening to my weekly podcast that hearing the hosts’ voice every week is very grounding. Kind of like coming home. 6.
You’ve opened up a world of music and a never-ending stream of content for yourself to explore. (optional) Grab yourself a drink cause now you’ve got a whole lot of tunes to listen to.
what she means:
stromae's expertise and sheer versatility is a great source of stress for me. he sings, he raps, he dances, he drums, he designs clothing, he's behind the camera on some of his own video shoots, he speaks multiple languages, he performs his own songs with more genuine emotion than most actors i see on tv; the sharpness of his cheekbones is unparalleled, the depths of his eyes fathomless. i fear i will never understand, let alone reach, his level of wordsmithing. the more i study his lyrics, the more puns and references and double-meanings i discover. the diversity of subject matter addressed in his music is astounding--there isn't a single love song or four-chord song to be found on racine carrée. his production choices, his piano parts, his tight background harmonies, his chord progressions, all demonstrate that he possesses truly amazing musicianship. i can't decide whether to cry because i want his talent, or because i can't witness it up close.