is an artist who explores the physical world at different image scales and fragments of time. His education in science has led to the use of advanced microscopy and high speed equipment to create unexpected imagery revealing the physical beauty which surrounds us.
Dr. Jenny Cymatics: when AUM is sounded the shape produced is that of the
ancient symbol for AUM (the Sri Yantra). This suggests that the ancients
knew something! Perhaps when sounding in meditation, the vibration
created the form in their minds. Hebrew, Sanskrit, Egyptian and Tibetan
are generally considered to be sacred languages, that have the power of
shaping reality. This suggests that by sounding sacred texts, by singing
sacred vowels, our cells resonate into a more coherent shape, in which
our energies are synchronized with those of God / Universe / Source.“
VOLUME WARNING! #Annunaki taught humans the secrets of #levitation(#antigravity). You can see this Annunaki #giant in this famous #Sumerian #cylinderscroll that has been analyzed dozens of times by scholars, but the #secret eludes them. You need 4 things to reverse the magnetic polarity in an object.
1. #Magnetic field generator. The Annunaki king is sitting on that device. Notice the Lions on the box facing opposite each other. That represents the opposing
2. #FieldAmplifier. That’s the technology device in the Annunaki kings hand. He uses that to control and modulate the magnetic field.
3. #Cymatic frequency generator. The #cymatics are the most important. You must place the cymatic frequency directly on top of the object that you want to levitate. You can generate a cymatic frequency using a home stereo speaker and amp. Research cymatics in your free time.
4. A loud #whistle. Notice the 2 men #whistling behind the man lifting the stone table with 1 hand. The whistling tone interacts with the magnetic field and the cymatic frequency and the atoms in the stone table reverse polarity greatly reducing the tables gravitational field.
If you have been following my page for a while, you would have seen a post that I made about my visit to the #CoralCastle in #Miami Florida. It was built in modern times by a 4 foot 11 inch tall man named #EdwardLeedskalnin. He claimed to have rediscovered the secrets of ancient #Egyptian stone building and Stone levitation. He worked alone and could often be heard whistling. Edward used a very similar device as shown above in this post. All matter in the #3rdDimension can be completely manipulated because matter is only a #frequency
condensed into a slower
#vibration. Everything is vibration, sound and frequency emanating from electromagnetic waves. (In the beginning was the Word = Frequency and vibration) Let That #4biddenknowledge
One of Chladni’s best-known achievements was inventing a technique to show the various modes of vibration of a rigid surface. First published in 1787 in his book Entdeckungen über die Theorie des Klanges, the technique consists of drawing a bow over a (circular, square, or rectangular) plate or membrane whose surface is lightly covered with sand. When stroked, a given plate will resonate at one of its natural frequencies. The sand bounces about on the plate until settling at nodal points (areas of zero movement) thereby producing intricate patterns. These patterns are now called Chladni figures.
Die Akustic, 1802
Nodal lines of vibrating circular or polygonal plates, acording to Chladni and Savart. The breakthrough work acquired a status of foundational work of a new scientific field and earned him a title of “father of acoustics”. It was the first systematic description of the vibrations of elastic bodies.
I have not watched all of the videos listed below. If there are any videos that are problematic for any reason (offensive, false information) please let me know. I will note whether the resource is a channel, video or playlist.
Shannon Novak, a New Zealand-born fine artist, commissioned us to image 12
piano notes as inspiration for a series of 12 musical canvases. We decided to
image the notes in video mode because when we observed the ‘A1’ note we
discovered, surprisingly, that the energy envelope changes over time as the
string’s harmonics mix in the piano’s wooden bridge. Instead of the envelope
being fairly stable, as we had imagined, the harmonics actually cause the
CymaGlyphs to be wonderfully dynamic. Our ears can easily detect the changes
in the harmonics and the CymaScope now reveals them–probably a first in
Capturing the dynamics was only possible with HD video but taming the dynamics
of the piano’s first strike, followed by the short plateau and long decay
phase, was tricky. We achieved the result with the help of a professional
audio compressor operating in real time.