Relationships, especially in beginner writer’s works, have a tendency to feel forced. Even in some popular and famous works of fiction, the relationship doesn’t feel natural. It seems like a boring afterthought which the writer added in at the last minute. Far too often, I find myself completely indifferent to a character’s romantic life. A good romance in a story will give the reader a bit of second-hand infatuation. They’ll root for the relationship, beg for it. If the romance is well written, you can make a reader smile and blush just by reading a few sentences. When done properly, it can even compensate for a weak and cliché plot.
But first, decide whether the romance is needed. If you’re adding a character to the plot simply for the sake of being a love interest, it’s probably not a needed romance. You can still add it, of course, but it will be much harder to keep your story focused on the central plot.
Make sure the characters have chemistry.
The characters should compliment each other’s personalities. If he’s loud, stubborn, and aggressively opinionated, a more tranquil and soft-spoken love interest would suit him well. Two headstrong people wouldn’t be likely to have a lasting relationship in real life, unless they (impossibly) agreed upon every subject. But, there should be some similarities. While opposites do attract, polar opposites will not and the whole relationship will feel forced. The characters should have something in common. It could be morals, a parallel backstory, the same motivations, whatever. As long as there’s a reason for them to be drawn to each other, there’s potential.
Slow burn ships are fantastic.
Don’t make your characters fall in love right off the bat. There can be attraction, of course, but genuine feelings of true love don’t happen instantly. Your characters should become closer as people, feel at ease around each other, and truly know the other before they fall head-over-heels. The readers will crave the relationship far more, like dangling a treat right in front of a dog’s nose, but keep pulling it away. Teasing is a beautiful thing.
Find ways of showing (NOT TELLING) the characters are falling for each other. Have them stand up for one another, be protective. Have them break their own normal routine for the other. For example, a callous, guarded character could lower their walls for a moment if their love interest needs emotional support. These scenes can be awkward for the character changing their typical behavior and that discomfort can demonstrate how much they care for the other, altering their own selves for the other’s benefit.
Howeve, make sure that you combine these cute emotional moments with distance. Make the characters deny their true feelings or even distance themselves from their love interest upon discovering their feelings. The more the characters long for each other, the more the reader will long for them to be together. Build barriers between them for your characters to have to work to knock down. Keep them close, but maintain that distance until the moment is right.
“_____” translates to “I love you”
The first example of I think of when I think of this is The Princess Bride, where the male protagonist tells his soulmate “as you wish” when he really means “I love you.”
This falls under the category of show, don’t tell. Hearing a character say “I love you” has become so boring. Unless it’s done in a surprising confession or unique way, it’s boring and stale.
Come up with a phrase that you can repeat in moments throughout the story until it has a meaning of love for the characters and both know exactly what the other means when it’s spoken.
Taking a break can help create tension.
You know you loved someone if you leave them and feel awful. Apply this into the writing. Your characters can break up, then get back together in a joyous reunion.
Not every couple has a happy ending.
Sometimes, things don’t always work out for different reasons. An ending that leaves readers craving more can be a good move.
I mean, look at her. It’s not a bad gig. It’s a great and rare combination of qualities to have- to be physically very formidable and compelling and magnetic- which can sometimes I think come across as harsh because there’s a sharpness to beauty that’s very overwhelming- but simultaneously she has a warmth and a curiosity that’s very true and very child-like. I mean, when she smiles it makes me giggle because it’s just pure! There’s a purity to it. And that softness and that beauty and that strength, that’s, to me, the critical combination. And she has it in spades. And she doesn’t have to try all that hard to do it. So my job is very easy. I got to come to work, fall in love with her, make her laugh as hard as I could, flirt, act like a jackass. It’s a lot of fun.
Chris Pine on what it’s like playing opposite Gal Gadot as Wonder Woman’s love interest (starts at 17:40)
I’m seriously in love with the children you guys have made for them! They’re so cute and I love them! AND I WANTED TO ADD ANOTHER ONE SOMEONE MADE BUT I LOST THE NOTIFICATION WITH THE CHILD and now I’m sad :c
Thanks for making such cute and smoll characters UvU <3
Thor enjoyed the pleasant fragrances of Midgardian soaps. The one in the common-floor bathroom was labelled “Lavender Daydream” and was tinted a mild purple. It had a gentle floral scent with a slightly acrid undertone, and Thor wondered absently if Midgard had an actual plant named lavender, or if it was like blue-flavored drinks, with no non-artificial analogue. With Midgard, there was no way to tell. Regardless, it was a pleasing scent, and Thor would enjoy the soothing scent and gentle moisturizing properties of the liquid.
Midgard was such a fascinating world.
Thor toweled his hands dry and stepped out of the bathroom, intending to head towards the kitchen. Bruce had left some curry in the fridge, and Thor wanted to test his mettle against his perennial foe, the spicy pepper.
He took one imperious stride into the common room and tripped. He caught himself on lavender-scented palms, just shy of sprawling flat on his face on the carpet.
Sitting innocently in the middle of the hallway was Mjolnir.
Strange. He was sure he’d left his hammer on the sofa.
common room rules state that anything unlabeled is fair for anyone to use. shoulda put a sticky note on your mythological weapon of unimaginable power before you left it on my seat buddy