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When Words Literally Pop Out Of The Paper - A Look At Tolga Girgin’s 3D Calligraphy Exercises

Tolga Girgin is an Istanbul based artist who specializes in calligraphy, lettering and graphic design. She also works as a Electrical and Electronics engineer for a company in the same city. In her latest project, the artist explores 3D calligraphy, a series of handwritten letters intelligently etched on paper to seem as though they are standing upright on the surface of the sketchbook because of the artist’s adept skill with shading and perspective.

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Rain in April by Yoshi Shimamura

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Urban And Natural Landscapes Collide In A War - Artist Depicts The Chaos Through Mixed Media 3D Paintings

Gregory Euclide is a talented artist and teacher from Minnesota River Valley. He graduated with an MFA from the Minneapolis College of Art and Design and launched into his art career. As a tribute to his role as an educator, he champions the cause of nature at war with man-made effigies dominating the landscape and uses such classroom stationery to create these artwork that grow, tarnish and mend itself as it progresses on its frame.

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Japan 2015 card 4_1133_edited-1 by Tim Clarke

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Moss stairway by Filipe Madureira

inbarfink asked:

Recently, it was mentioned that Hindus wear white when mourning. I have a character who's of indian decent - her immediate family is rather secular, althought she has more religious relatives (including her grandparents) - so she still feels a connection to hinduism. Would it be normal of her to wear white westren clothes (or a white version of her superhero outfit, since it's a superhero story) - rather then black ones, while attending a funeral\ a memorial event for her fallen friends?

Hindu and White Western Clothes for Funeral

Follow up from Hindus Wearing White for Mourning

White western clothes seems a little weird to me.  If it’s a dress, it feels like she’s dressed for a wedding rather than a funeral, and if it’s a suit, I’m just getting shades of Elton John from that (maybe i’m showing my age already).  A white version of her superhero outfit could be okay, if there’s a way to tone it down so that the focus in the room still falls on the deceased rather than on her.

There are other ways she could show her connection to her culture in this context.  I come from a background similar to what you’re imagining here—fairly to very secular immediate family, although my one remaining grandmother is very religious and getting more so with age.  When my grandfather (her husband) died, I believe she wore white for some time afterward and then eventually went back to dressing normally, though has refrained from wearing bright colors since.  Meanwhile, I had my dad’s funeral recently, and wore jeans, a T-shirt and a black sweater, and a leather jacket.  Not a shred of white in sight.  But, under all that, I was wearing my yajñopavītam or pūṇūl, the sacred thread that certain Hindus wear after their religious initiation.  I never wear this.  It usually sits on my bookshelf, but in this instance, wearing it seemed appropriate, not for any religious or ritualistic purpose, but for the familial/cultural connection.  Historically, wearing this thread was a practice limited to upper-caste men but recently it’s been more opened to women and all castes as well, so it might be conceivable that your character could have one.

So there are a number of ways to show her cultural connection in a funereal context, from things to wear (sometimes women who normally dress in western clothes will wear not-bright-colored sari to a funeral, since it’s a formal occasion), to actions, such as placing flowers on the body (or before a picture of the deceased if the body’s not there).  Overall, though, secular Hindus tend not to make a big deal about funerals, unless it’s for a family member or maybe a very close friend.

-Mod Nikhil

theguardian.com
Idris Elba and Taraji P Henson casting news suggests #OscarsSoWhite effect
New projects for black actors suggest that the negative response to Academy racism might have had a positive impact on the industry
By Benjamin Lee

New casting announcements for Idris Elba, Taraji P Henson and Lupita Nyong’o suggest that the ongoing furore over alleged racism within the Academy of Motion Picture Arts and Sciences is having a positive impact on the industry.

Elba is currently in talks to take on the lead in romantic drama Mountains Between Us, a role that was originally written as white in the source novel. His Pacific Rim co-star Charlie Hunnam was originally earmarked for the part. The film centres on two strangers who are involved in a devastating plane crash.

If he signs on, it will be a notable piece of colourblind casting and continue his ascent towards the A-list. The actor will be seen this year in action thriller Bastille Day, British drama A Hundred Streets and sci-fi sequel Star Trek Beyond, as well as heard in animated films Zootropolis and Finding Dory.

It’s not the first piece of colourblind casting for the actor. He’s also been circling a role in an adaptation of Stephen King’s adventure The Dark Tower, originally written as white. Elba’s absence from the best supporting actor category at this year’s Oscars for his role in war drama Beasts of No Nation was seen as a notable snub.

The casting news arrives at the same time as word of a new project to star Elba’s No Good Deed co-star, Taraji P Henson. She’s set to play mathematics genius Katherine Johnson in Hidden Figures, the true story of three African American women who were the brains behind the launch of an astronaut and his return home.

Biopics centred around important African American women from history are a rarity with most recent attempts heading to the small screen, such as Queen Latifah’s SAG-winning turn in Bessie, a drama about blues singer Bessie Smith.

Henson, who was Oscar nominated for her role in The Curious Case of Benjamin Button, has recently found work on the small screen as the star of the hit music drama Empire. She recently won a Golden Globe for her performance.

Earlier this week also saw news that Selma director Ava DuVernay was attached to Intelligent Life, a sci-fi thriller set to headline Lupita Nyong’o. The role would be Nyong’o’s first visible role since winning the best supporting actress Oscar for 12 Years a Slave in 2014. Her role in Star Wars: The Force Awakens was motion-capture and her next on-screen performance will be a voice role in The Jungle Book.

It will also be the most high-profile project from an African American female director since DuVernay’s last film, Selma.

The announcement of an all-white set of Oscar acting nominees, for the second year running, has led to the Academy putting together a new set of changes that will increase the diversity of their members.