Even if you could do all those things, but how could you be someone who could do that? The world would know that you were the one that betrayed every last one of our partners. Betray the memory of Charles Vane.
Charles Vane is dead. I’d do it for us. It’s how it started. It’s how it’s going to end.
“Armie, I’ve had many scenes with him and he’s such a nice guy, he’s lovely. And he makes me laugh everyday, he’s really funny. I think he knows if we’ve been out in the cold, you know, we’ve done some tough scenes in the past couple of weeks now but he kind of keeps the mood up, he brings out his guitar…”- Alicia Vikander
summary: andrew minyard and nathaniel wesninski meet on the titanic in 1912. neil’s a rich runaway who’s finally being made to atone for his crimes against the family, and he feels like there’s nothing left to live for- until andrew promises to show him that there’s more to life than just survival.
word count: 5444 / 11836
trigger warnings: major character death, homophobia, suicide, guns, knives, violence, murder, death
there are voices approaching the cabin, so with a quiet question, neil takes andrew’s hand and leads him to the elevators, running to evade the valet
he chases them, no doubt on orders by riko, through the halls and down elevators
neil feels lighter in a way he’s recognizing only proximity to andrew makes him feel
he tightens his grip on andrew’s hand as they make their way through the ship’s incinerators and when andrew glances back he looks years younger than usual
somehow, they make their way to the cargo, and neil is done with running. all of his life, he’s been running, and even though it’s different with andrew by his side, it’s time to stop, just for a while
he sees andrew’s eyes catch on a car, one more expensive than andrew would probably ever be able to afford, so neil slides into the back of it with as much pomp and circumstance as he can muster. it’s the closest thing he can do to granting andrew permission to get into the car
andrew looks around, as if checking they haven’t been followed, then seems to concede that the back of a car isn’t a bad place to hide for a short while, and he climbs in next to neil
the silence isn’t tense, but it’s heavy, and neil doesn’t want to waste a second with andrew if they’re numbered
“tell me about your family,” he says, because they’re the only thing he really knows about andrew, and he doesn’t know enough
andrew doesn’t seem offended by the question, but he gives neil a considering look nonetheless. “what will you give me for it?”
“are we doing a truth for a truth again?” neil says, the hint of a smile on his lips. “anything you ask.”