“The old feels new in Kenneth Branagh and Disney’s live-action retelling of its 1950 animated feature (itself an adaptation of the Charles Perrault fairy tale). When did a classic take on a fairy tale become refreshing?
The answer is sometime during the current blockbuster cycle of revisionist live-action fairy tales. As Disney leads the way in the Revampathon of iconic properties, we’ve witnessed digitized world expansions, CGI battles galore, villains in the spotlight, needless mythology and lots of flavorlessness. Some of this has been successful (Maleficent translating the devastation of rape trauma) and most of it has not (everything else?). I step into this review admittedly on the defense. Singing the praises of Cinderella also means pushing against the kind = passive = bad line of thinking which has become prevalent regarding the titular character.”
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