craft and arts

Embroidered Tweet, black silk on fabric cut from an antique nightgown, tweet by Shaadi Devereaux, embroidery by Cybele Knowles

“This piece is an embroidery of a tweet by Shaadi Devereaux, a Black and AfroIndigenous writer who uses media to build narratives for Trans Women of Color. Every once in a while, you come across a shard of truth that pierces your thick skull and shifts your perspective. For me, Shaadi’s tweet was one of those shards. When it popped up in my timeline, it immediately spoke to my growing recognition that I’d wasted a lot of time – years of my life – trying to make a heterosexual relationship with a man work.

And it made me laugh. Misandrist humor has a curative function. Many women are socialized to value men more than themselves. Misandrist humor, which rhetorically devalues men, can help women correct the dangerous imbalance of overvaluing men’s comfort and feelings at the expense of our own well-being and safety.

This embroidery is also a tribute to the blazingly smart women on Twitter and other social media platforms from whom I’ve learned so much.”

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In the Jar by Ayumi Shibata 

Ayumi Shibata, born in 1982, in Yokohama, Japan. She moved to New York in 2007 and started making art pieces by paper. For her series “In the Jar” she created ethereal cities entirely cut out by hand and installed into glass containers

 Working within this cultural framework, she uses the traditional method of Japanese paper cutting to bring attention to the delicate relationship we as humans have with the environment. Within her work, she wants to create a discussion about how we relate and care about the world we were given.

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