hey so i know i dont usually post about romanian things but i need to say this
so last night (yes, in the middle of the fucking night, like the filthy thieves they are) the romanian government passed a law that, basically, makes corruption legal (if its under 45k euros, which is a LOT) AND they’re going to let all the (few) people who (they barely) arrested for this out of prison…
i know this isnt as important to america as trump, but this is HUGE to us. there were (as far as i know) 90 thousand people protesting last night (the last time there were protests this big was in 1989 when communism fell, just to give you a perspective) and there are going to be even more today
this country has had problems with corruption since the dawn of time but i dont reckon it ever being made LEGAL. i just figured id bring some awareness to this…
I know, I’ve been busy. I’ve been raving over this series for the past week but I couldn’t get to a proper keyboard so I can a Proper Rave™ complete with gifs and sparklies.
Seriously, WHERE IS THE REST OF CASTLEVANIA, NETFLIX? YOU CAN’T LEAVE US HANGING WITH JUST FOUR BLOODY EPISODES, OKAY??!!!! I NEED THE NEXT SET OF EPISODES AND I NEED THEM NOW.
Fine, fine. I’ll be a proper grown up. I’ll stop sulking and wait patiently.
Let’s get on with the List of Things That I Really Love About Netflix’s Castlevania animated series:
a. Dracula - First off, Dracula is not a precious misunderstood Woobie Destroyer of Worlds. He’s evil. He’s got a dangerous labyrinth of a castle sitting smack dab in the middle of a forest of skeletons that are impaled on very long sharp stakes, his victims from years ago. Dracula is bored, mean and absolutely disgusted with humanity. Apparently, the only reason he doesn’t seem to be concocting some sort of Evil Plan to Cover the World in Eternal Night™ in the first few minutes we see him is because he can’t be arsed to anymore.
But he is a lot more complex than your average moustache-twirling baddie and in less than five minutes we get the idea that there’s still some ounce of humanity left in everyone’s favorite Evil King Vampire. He basically gets this OH NO SHE’S ADORABLE AND I LIKE HER SEND HELP look on his face once he gets properly acquainted with one Dr. Lisa Fahrenheights.
b. Lisa Fahrenheights - People who’ve played Castlevania: Symphony of the Night will know who she is and in the game, she’s pretty much portrayed as some sort of sanctified figure in a Certain Person’s memories. In this series, Lisa Fahrenheights is smart, sassy and willing to tell off the most dangerous vampire in the world for his bad manners. And while our acquaintance with her is painfully short, it gets pretty clear why Dracula would fall arse over cape for her.
And surprisingly, she genuinely seems to love him back and is apparently willing to believe he can be better than his Evil self without forgetting that he IS a terrifying Evil Dark Lord With Fangs™. We only get like 10 minutes to have her around and I’m actually willing to buy into the Dracula/Lisa love story far more than I did with Twilight or the Star Wars Anakin/Padme romance.
She’s genuinely a good person without being insufferably saintly and I hope we get to see more of her in flashbacks as this series progresses because LISA FAHRENHEIGHTS DESERVED BETTER GDI.
Seriously, in the Great List of Incredibly Stupid and Boneheaded Ideas™, accusing Dr. Lisa Fahrenheights Tepes (somehow, I get the feeling she and Vlad had a long and lively discussion about being his Princess/Lady/Countess and she stuck to her guns about being a Doctor) of witchcraft and then burning her alive at the stake is probably in the Top Three. Right beside the one that says, “Do not kill the Cinnabon Roll Son of the Dark Lord of the Sith while Darth Papa is actually there to see everything.”
Unfortunately, since this is the Middle Ages and we have all that bullshit about wise women being falsely accused and the Church being corrupt, so this clusterfuckery happens and of course, Vlad eventually comes home to find the house he built for his beloved destroyed and that he’s too late to save her. He can’t even get the chance to possibly turn her into a vampire.
Probably the most exhausting argument to try to counter is ‘it’s just fiction, if you can’t tell it from reality that’s your problem!’ like fiction has no effect on the real world, like the real world has no effect on fiction, like fiction doesn’t come from and exist in the same minds that create and maintain and absorb social structures. People who think fiction exists in a super special sealed alternate reality where nothing that exists here can ever influence it and nothing that exists there can ever influence here are the most exhausting to argue with because they literally cannot conceive of the fact that fiction affects reality because fiction affects people. Fiction reflects reality, fiction affects reality. It’s not even a matter of opinion, it is a goddamn scientifically proven fact. People feel empathy for fictional characters in exactly the same way they feel empathy for other human beings. Science fiction has inspired a lot of scientific exploration and tech - look up the effect of Star Trek on the cell phone, the tablet computer, NASA’s funding. And more importantly, look up the effect of Nichelle Nichols’ casting on Star Trek on actress Whoopi Goldberg and astronaut Mae Jemison, the first black woman in space, who would go on to appear on Star Trek: The Next Generation. Hell, look up Aesop’s Fables. Fairy tales and fables have reflected the social reality of the people who tell them since time immemorial. They are wish fulfillment for people who couldn’t fight back against evil kings or corrupt government or church officials, and they teach the values of that society (be kind to the elderly, the poor, and the infirm; be clever and patient; work hard; and you will be rewarded). They show the world both as it is, and as people can hope to make it. As Terry Pratchett masterfully put it, “You need to believe in things that aren’t true. How else can they become?”
Fiction. Affects. Reality. Because fiction reflects reality. Fiction reflects the imaginations of the people who create it, the taboos and the norms of their societies. And in doing so, fiction tacitly supports or challenges those norms and taboos, and tells people what’s acceptable and what’s not. This is why there’s such a huge goddamn push for representation in fiction. Because if fiction was completely seperate from reality, it wouldn’t matter. And if you have a problem with that, then maybe you should ask yourself why. Because if fiction isn’t reality and representation doesn’t matter, then you should take a long, hard look at why you’re so threatened by seeing people who don’t look and act exactly like you reflected in the fiction you consume.
If you liked Hannibal but thought “maybe a little less gore and a little more gay,” you should watch the Exorcist TV show. If you wanted to like Supernatural but were too frustrated by the one demon-hunter not coming out & the ways women were treated, you should watch The Exorcist TV show. All of it is on Hulu. Also John Cho is a hot dad. Hernando from Sense8 is the main character. Geena Davis is there. It’s about naming unspeakable corruption (hi, Catholic Church!) inside redeemable people (hi, people marginalized both in and out of the Catholic faith!)
Love and faith can be fickle things and in both you didn’t believe. Your lack of trust in them however didn’t stop them from finding you in their own time.
As a princess, even of a small kingdom you had been doomed to marry out of political reason not love. Never that. If you were lucky you’d have a husband who wasn’t a complete fool but over the years even that hope had been crushed repeatedly by the visits of your fathers guests. There wasn’t one who was suitable in any way yet you had no doubt your father would sell you away if he got an advantage out of it.
As for faith… Corrupt members of the church, violence and money. That was all you had seen from the holy church in a long time. How could anyone have faith in them and their god?
"paying money for a judaism course is just lining some rabbi's pockets who has a giant mansion and 6 cars christians wouldn't do this"
Translation: I’ve seen exactly one media portrayal of Jews my entire life, and haven’t ever considered that maybe that’s not the entire picture. I trust anything I’m told, hell you could spoon feed me conspiracy theories and I’d fall for them. While we’re at it, that rich rabbi I’m talking about is probably also a lizard-person. And the fact that no Christian would ever do something like that? Absolutely true. Don’t you know, it’s been 100% proven there’s z e r o corruption within the church. Duh.
I originally posted this analysis on Facebook since it’s not Poldark Costuming Project related, but I think it’s something people on Tumblr could like, so here it is. There’s some vague Spoilers but moreso for the books:
A lot of the people who criticize Sam Carne as a “annoying evangelist” are missing the point in ALL versions of the story. Our modern ideas about religion and atheism really need to be set aside to understand what Winston Graham was doing here. The new season’s changes so far have kept Sam’s character as a man of deep faith. Graham was setting up another one of his parallel plot with Sam Carne. He is to church corruption and inequality is what Ross is to political/economic corruption.
The Anglican Church at this time in history was a dumping ground for the second and third sons of the gentry who couldn’t inherit the estate. You had to have education in order to even be CONSIDERED for a position in the Church. And church vacancies were purchased from politicians. A devout man without the means for paying for training was already out of contention. Remember, there’s no such thing as free education or scholarships for poor students with merit. The result of this system was that it echoed political corruption. These men didn’t have true religious devotion. For every Canon Sidney Chambers (yes this is a Grantchester reference) and Reverend Odgers who took their faith and their jobs at least somewhat seriously, there were 25 Reverend Whitworth’s. The Church gave them prestige, paycheck and free rent. Although Whitworth is an extreme, there were very many hypocrites like him. And the church pews were filled with people like George Warleggan, who is clearly too greedy as hell to be a good “Christian”. These Church leaders treated the poor with contempt and didn’t attempt to build community and faith. Many were committing a wide varsity of sins undercover and yet going to the pulpit every Sunday.
The Methodist movement rejected Anglican hierarchy and focused on one’s relationship with God. Preachers consisted of ordinary people like Sam Carne who truly tried to live life according to the Bible. The Methodist message of equality of faith regardless of income level was highly appealing to the miners. Yes there was an emphasis on evangelism, but the bigger point is that the Methodists weren’t treating the poor one way and the rich another. No one was getting rich off having a Methodist leadership position. The people in charge were working for their fellow man and not out for worldly profit. The movement had a huge impact on the history of Cornwall, which Sam Carne represents.
Although the new series has switched the timeline of events, Ross’ transition from being a rebel against the system to to a political figure who wants reform is quite similar to Sam’s situation. The magistrate position he turned down in the last episode was used to abuse the poor. Magistrates often gave the poor very harsh sentences for minor offenses or sentences of transportation of the colonies. Jim Carter all the way back in Season 1 is a great example of this. He was essentially jailed because he stole a food item for people who were going hungry. The justice system essentially blamed the poor for poverty or the results of poverty. Ross on the other hand most likely got off on his charges because he was a man of importance. There were also cases of rich people bribing judges for favorable outcomes. The members of Parliament at the time only represented the rich landlords since the common people couldn’t vote. Many people brought their seats or rigged elections. Think back to Unwin Trevaunance’s election in Season 2. For the book readers, you can also think about what George does to pursue more political power. The French Revolution and the growing abolitionist movement highlighted the massive gap between the haves and the have nots in England. Just as how the Anglican Church treated people unequally based on how much cash they had, the government did the same.
There will be more developments this season with Sam Carne, but I do expect that we will see him as more than a “bible thumper”. He’s staging a rebellion against classism in religion and hypocrisy.
in The White Princess, the only characters for whom religion is a significant part of their characterization are bad people.
The Cardinal is a bad advisor and refuses to help the poor and sick. Every time he gives advice to someone he ends it with “Give all your money to the Church,” Trust me, Catholics also advise prayer and other stuff (fasting for example) for the sake of your soul. But even the money thing is completely out of touch with the reality of 15th century England. Yes, there were abuses, but most of the time, money that went to religious institutions was put to use in the community in positive ways. Yet, when Margaret goes on pilgrimage with Prince Henry, we’re meant to see the money she gives to monasteries as a bad thing! This is absurd. Among other things, monasteries took care of poor people, copied books, preserved knowledge, and helped to develop economic communities!
How can you present a portrayal of a religion, a still existing religion I might add, in such a caricatural, negative, and anachronistic way!? Catholicism is not the worst thing that happened to medieval Europe. Someone can be a hypocrite without being Catholic. Someone can be a good person and be a Catholic. Religious devotion does not make one a terrible person.
Put simply, the Borgias, a show about a pope the current Catholic Church is ashamed of, has more Catholic positivity than The White Princess.
Of course, the religious caricature makes Margaret Beaufort look worse. Not only is she bad, but she justifies every terrible thing she does with “God’s will” so she doesn’t feel responsible. I’ll leave aside that this is an anachronistic idiom (the modern concept of “God’s will” didn’t exist back then). In terms of the historical Margaret, the fact that the Catholic faith might have helped her after she birthed her sons at 14 (meaning her husband bedded her when she was 13) is not addressed at all. Something good coming from the Catholics? Not on this show!
The White Princess is Faux-Feminism at it’s Finest-The Fandomentals
This is such a good discussion to have, in my opinion. I mean there is the tendency anyway in British produced period dramas to demonize Catholics as backwards and oppressed, so this is not a unique problem. In so many dramas from The White Princess to The Tudors they highlight the corruption in the church without showing all the good work it did through out the country. In reality Margaret Beaufort was probably not that more devout than anyone else in her day, perhaps her faith grew stronger as she got older but that was very common and to turn Margaret into this repressed, scheming, zealot is highly offensive I think, to a woman who was very admired and respected during her day and enjoyed a unique position within the court.
Friend! Out of curiosity, as Resident Historian, do you have any thoughts on historical ableism and acceptance/non-acceptance of disability? (Ideally especially during the Golden Age of Piracy but I'm also generally fascinated)
Hehe. Of course I have Thoughts. When do I not have Thoughts.
Medieval disability studies have started to become a considerable trend in just the past 10 years or so, and that link above provides a brief overview and several selections for further reading. The medieval era is obviously the one I know most about, and there was – if no form of institutionalized or regularized medical care for the disabled and ill – not total ignorance of it either. Almshouses (essentially charity homes for the sick and disabled) and leper hospitals were increasingly common in Europe from the eleventh century on. Leprosy was associated with the crusades, and the founding of hospitals for them was viewed as both a social necessity, to segregate those with a highly visible, contagious, and debilitating disease from others, and as a charitable duty for the care of holy people (crusaders) who had achieved some virtue by their actions. There was considerable influence in ideas about the holiness of suffering, and that those who did so were closer to God. In fact, medieval care of the disabled was strongly influenced by classical Christian ideas of piety: care for the sick, feed the hungry, etc, and there were orders of monks and nuns dedicated to it.
As ever, your class was the strongest determining factor of the care you received: if you were wealthy, you could pay for servants to tend your needs, and live fairly comfortably in your own home. Disability and illness was not a disqualifying factor from attaining high office (as you might expect in a world without modern medical care – everyone would be subject to the same things), and there are many representations of disability in medieval manuscripts. But if you were poor, you were reliant on whatever care your family could or wanted to provide for you, or had to hope you could get a place at an almshouse or similar institution. There were superstitions around disability, and if you had to work for your living in any way (aka everyone below the nobility), this seriously disadvantaged you. But the disabled lived fairly freely in their communities, including in positions of power, weren’t an uncommon or unexpected sight by any means, and had some basic (if doubtless not particularly comfortable) system set up for their care, based on religious charity and individual piety.
As leprosy, a visibly disfiguring physical disease, mostly disappeared from Western Europe around 1500, a new focus on mental disability appeared instead, centered especially on the imagery of the “Ship of Fools.” Michel Foucault talks about this in Madness and Civilization, but it was a particular theme in literature and art, based around the 1494 epic poem “Das Narrenschiff” by the humanist Sebastian Brant. It was, once again, a moral commentary on both humanity and, particularly, the corrupt Catholic Church. The “fools” were placed on a ship and ostracized (symbolically) from the body politic; madness was a concerning and troubling political feature among several monarchs (such as with Joanna “the Mad” of Castile and Charles VI of France, as well as Henry VI of England) and it began to be viewed more negatively than it necessarily had been in the medieval era. Aka: as ever, physical disability was easier to understand and to care for, but mental disabilities got the shaft.
In regard to the Golden Age of Piracy (1650-1726, or thereabouts) pirates were, as ever, radical in their social organization and mores. We already know that they were hella queer, had their own form of gay marriage (often shared in a threesome with a woman) and in general were socially liberal, egalitarian, and democratic (honestly, Black Sails is incredibly accurate in capturing the spirit of the historical pirates’ republic and lifestyle, and it was conceived specifically in response to the brutality and oppression of the Navy, which many of them had fled). This extended to their treatment of disability, though medical care and disability had obviously been common to seamen long before pirates. However, while a debilitating injury often meant that a merchant or Navy sailor was turned out with not much option for future employment, pirates established basic workman’s comp and social insurance for everyone aboard a ship. Pirate articles often included specific provisions for disability and loss of limb; Henry Morgan’s in 1671 spell out various sums for the loss of a leg, arm, or eye. Furthermore, disability payments could sometimes continue indefinitely. So a pirate with a peg leg or a hook for a hand or an eyepatch (or all the other pirate trappings, many of which were popularized by Stevenson in Treasure Island) would actually be uncommon. If they got severely or traumatically injured in the line of duty, they could retire with enough money to support themselves, and not need to hazard the dangerous and difficult life of an amputee aboard a traditional sailing ship. (Incidentally, the popular image of a pirate is often how disability began to be represented in the media.)
The excavation and recovery of the Queen Anne’s Revenge has yielded nearly a full kit of medical supplies, and Blackbeard reportedly forced the three surgeons to stay aboard the ship when he captured it. There is some debate about how the image of the “disabled pirate” – Stevenson’s Long John Silver and Blind Pew, Barrie’s Captain Hook, etc – began to be common, and the answer is probably tied to the attitudes of the late 18th and overall 19th centuries, which were absolutely disastrous for disabled people. The rise of the asylums began around now, including the notorious Bethlem Royal Hospital (from where we get the word “bedlam.”) Workhouses were built en masse, where the destitute poor and the actually disabled alike were shoved in indiscriminately and treated abominably, and “asylum tourism,” aka go to the madhouse to admire the architecture (and gape at the patients) was a real and horrifying thing. Thus, disability became tied to immorality, weakness, deficiency, and the need to be publically segregated from society (until then, the disabled had been cared for at home – there were a small number of patients in a few private charity hospitals in 1800, and by 1900, there were almost 100,000 in countless workhouses/asylums/general pits of misery). You have Capitalism! (take a shot) and the Industrial Revolution to thank for that. If you couldn’t work in a factory, and you couldn’t earn a wage, and you were a burden on your family who now would be expected to work for an income to support themselves, yep, it was the madhouse for you. And of course, plenty of totally non-mad people got shipped off as well. As I said. Disastrous.
In fact, we have Nellie Bly (aka Elizabeth Jane Cochran, a reporter at the New York World, who I wrote about in my first Timeless historical companion piece) to thank for starting a conversation around asylum reform. In 1887, in a groundbreaking piece of undercover journalism, she got herself committed to Blackwell’s Island asylum in New York and then wrote Ten Days in a Mad-House, revealing both the nightmarish conditions and how every doctor who examined her instantly declared her insane with no hope for recovery. It caused such an uproar that there finally started to be some attempt at oversight and reform for mental hospitals (although there is obviously still a long way to go, yeah – the nineteenth century was The Worst for this.)
So yes. As ever, that was probably more than anyone wanted to know, but the Golden Age of Piracy was particularly focused on social and financial care for members of its community who became disabled, paid pensions, and actually would not have needed to have too many walking wounded seamen/sailors, because there was no incentive to have to keep earning a wage by physical labor when you would be supported from the communal treasure chest. Aka yes, the pirates’ republic of the 17th and 18th centuries was light years more politically and culturally progressive than 21st century America (/stares at the latest Trumpcare bill/Obamacare repeal up in the Senate) and it ain’t close.
In the following quotes Paissios warns of the great cataclysms which await us in our Apocalyptic times. His counsel of spiritual preparedness and how to achieve it will be of use to all those who strive to do good while maintaining spiritual equilibrium in a world growing increasingly hostile to our salvation. Paissios seems to have foreseen everything: the ever more frequent and senseless wars and the downward slide of our modern, globalized world into licentiousness and madness, the approaching Last Judgement.
“There’s a war on today, a holy war…”
“If the Metropolitans are silent, then who will speak?”
There is something that unsettles me is the reigning mood of tranquility. Something is in the works. We still haven’t understood properly either what’s going on, or the fact that we will die. I don’t know what will come of this. The situation is very complicated. The fate of the world depends on just a few people, but God is still putting on the brakes. We have to pray a lot, and with pain in our hearts, so that God will intervene: our times are very hard to understand. A lot of ash, rubbish, and indifference has accumulated, and a strong wind will be needed to blow it all away.
It’s frightening! The Tower of Babel is upon us! Divine intervention is needed: Great upheavals are happening. What a bedlam! The minds of whole nations are in confusion. But in spite of the ferment I feel a certain consolation inside, a certain confidence. God still dwells in a part of the Christians. God’s people, people of prayer, still remain, and God in his all-goodness still tolerates us and will put everything in order. Don’t be afraid! We’ve gone through many storms, and still haven’t perished. So should we be afraid of the storm which is now gathering? We’ll not perish this time either”
God loves us. In Man there’s a hidden power which comes out when necessary. The difficult years will be few. Just a lot of thunder.
Don’t get upset in the least, for God is above everything. He rules everyone and will bring all to the defendant’s bench to answer for what they’ve done, according to which each will receive his just desserts from God. Those who’ve in some way helped the cause of good will be rewarded, and those who do evil will be punished. God will put everyone in their place in the end, but each of us will answer for what they did in these difficult years, both in prayer and in deeds.
Today they’re trying to destroy faith, and for the edifice of faith to fall they quietly pull out one stone, then another. But we’re all responsible for the destruction; not just those who destroy but we who see how faith is being undermined and make no effort to strengthen it. As a result the seducers are emboldened to create even greater difficulties for us, and their rage against the Church and the monastic life increases.
Today’s situation can be resisted only spiritually, not by worldly means. The storm will continue to rage a bit, will throw all the flotsam, everything unnecessary, onto the shore, and then the situation will become clearer. Some will receive their reward, while others will have to pay their debts.
Today there are many who strive to corrupt everything: the family, the youth, the Church. In our day it’s a true witness to speak up for one’s people, for the state is waging war against divine law. It’s laws are directed against the Law of God.
But we are responsible for not letting the enemies of the Church corrupt everything. Though I’ve heard even priests say: “Don’t get involved in that. It’s none of your business!” If they had reached such a non-striving condition through prayer I would kiss their feet. But no! They’re indifferent because they want to please everyone and live in comfort.
Indifference is unacceptable even for laymen, and all the more so for the clergy. An honest, spiritual man doesn’t do anything with indifference. “Cursed be he that doeth the work of the Lord deceitfully”, says the Prophet Jeremiah (Jer. 48:10). There’s a war on today, a holy war. I must be on the front lines. There are so many Marxists, so many Masons, so many Satanists and assorted others! So many possessed, anarchists and seduced ones! I see what awaits us, and it’s painful for me. The bitter taste of human pain is in my mouth.
The spirit of lukewarmness reigns. There’s no manliness at all! We’ve been spoiled for good! How does God still tolerate us? Today’s generation is the generation of indifference. There are no warriors The majority are fit only for parades.
Godlessness and blasphemy are allowed to appear on television. And the Church is silent and doesn’t excommunicate the blasphemers. And they need to be excommunicated. What are they waiting for? Let’s not wait for someone else to pull the snake out from its hole so that we can live in peace.
They’re silent out of indifference. What’s bad is that even people who’ve got something inside have begun to grow cool, saying: “Can I really do anything to change the situation?” We have to witness our faith with boldness, because if we continue to be silent we’ll have to answer in the end. In these difficult days each must do what’s in their power. And leave what’s out of their power to the will of God. In this way our conscience will be clear.
If we don’t resist, then our ancestors will arise from their graves. They suffered so much for the Fatherland, and we? What are we doing for it?.. If Christians don’t begin to witness their faith, to resist evil, then the destroyers will become even more insolent. But today’s Christians are no warriors. If the Church keeps silent, to avoid conflict with the government, if the metropolitans are silent, if the monks hold their peace, then who will speak up?
Give thanks to God for everything. Try to be manly. Pull yourself together a bit. Do you know what Christians are suffering in other countries? There are such difficulties in Russia! But here many exhibit indifference. There’s not enough disposition to kindness, love of devotion.
You see, if we don’t begin to make war against evil, to expose those who tempt believers, then the evil will grow larger. If we throw aside fear then the faithful will be emboldened a bit. And those who wage war against the Church will have a harder time.
In the past our nation lived spiritually, so God blessed her, and the saints helped us in miraculous fashion. And we were victorious against our enemies, who always outnumbered us. Today we continue to call ourselves Orthodox Christians, but we don’t live Orthodox lives.
A lukewarm clergy lulls the people to sleep, leaves them in their former condition so they won’t be upset. “Look”, they say. “By all means don’t say that there’ll be a war, or the Second Coming, that one must prepare oneself for death. We must not make people alarmed!”
And others speak with a false kindness, saying: “We mustn’t expose heretics and their delusions, so as to show our love for them.” Today’s people are water-soluble. There’s no leaven in them.
If I avoid upsetting myself to protect my fleshly comfort then I’m indifferent to holiness! Spiritual meekness is one thing, and softness and indifference are quite another. Some say: “I’m a Christian and therefore I have to be joyful and calm.” But they’re not Christian. They’re simply indifferent. And their joy is only a worldly joy.
He in whom these worldly seeds are present is no spiritual person. A spiritual person consists of nothing but pain. In other words, he’s in pain at what’s going on, he’s in pain for people’s condition. And divine comfort is bestowed upon him for his pain.
Get this: a paladin born of monsterkind, taken from the deep dwellings, and raised in light to live as man, who, through great effort, defies his evil nature and all expectation, and turns his blade to the corruption of his Church from which all paladins are honed. A monster made man against men made monsters. Thoughts?
I see potential. At the very least, another good subversion of that stupid paladin trap bad dungeon masters put paladins in (Kill the orc child, you killed and child and you fall, spare an orc child, all orcs are evil, you fall.)