coronation robe

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Coronations of English Queens vs. Their Onscreen Depictions:

Portrait of Queen Elizabeth I in her coronations robes (c. 1600-1610, copy of a lost original c. 1559) vs. Cate Blanchett in Elizabeth (1998).

Coronation portrait of Queen Victoria by George Hayter (1838) vs. Emily Blunt in The Young Victoria (2009).

Photograph of Queen Elizabeth II at her coronation (1953) vs. Claire Foy in The Crown (2016).

The Sovereign’s Orb is formed from a hollow gold sphere, mounted with a zone and arc with clusters of emeralds, rubies and sapphires, surrounded by rose-cut diamonds, each in a champleve enamel mount, between single rows of pearls. The monde is an octagonal step-cut amethyst, surmounted by a cross set with rose-cut diamonds, with a table-cut sapphire in the centre on one side and an emerald on the other, and with pearls at the angles and at the end of each arm. The Orb is a representation of the sovereign’s power, symbolising the Christian world, with its cross mounted on a globe, and the bands of jewels dividing it up into three section representing the three continents known in medieval times. During the coronation service the new sovereign is first anointed with holy oil, then robed in coronation robes, and then invested with a number of ornaments symbolising the chivalric nature of kingship. These include the spurs, swords and armills and then the Sovereign’s Orb, which is placed in the right hand of the monarch, before being placed on the altar.

Provenance

Commissioned for the coronation of Charles II in 1661 from the royal goldsmith Robert Viner.

Heir Apparent (Leo x Sakura)


A submission by @bandofbaskets

Spoilers for the ends of Birthright and Revelation


This was ridiculous.  He was the fourth child, for gods’ sakes.  He had no right to be standing here.  It should have been Xander, or Corrin, or even Camilla.  They would have been excellent monarchs.  But no, Xander and Corrin were gone, minding their own kingdom, and Camilla had given up her title to play house with her husband.  Leaving him here, being fitted for coronation robes by his own son.

“What do you think of this color, Father?” Forrest asked, holding up a swath of Kendal-green fabric.  “This will bring out your eyes in the most marvelous way, don’t you agree?” He, at least, looked happy – his eyes twinkled in merriment, and a pale pink flush of excitement colored his face.  Leo knew his own complexion was closer to sour milk.

“Black,” he said in a clipped tone.  “Violet trim, if you insist on other colors so much. It’s customary for ki –” He choked on the words.  Kings of Nohr.

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“Gustav III, King of Sweden in ermine coronation robe”, 1777, Alexander Roslin.

Coronation clothes of King Gustav III of Sweden, 1772.

Roslin is one of my favourite painters and it’s mainly because the way he had a keen eye for fashion. And oh, what fashions were those.

The best part of this portrait is that the original garment still exists.

Sybil Sassoon, Marchioness of Cholmondeley, wearing the Duchess of Angoulême’s Sapphire Parure (Bapst, 1819). Photographed prior to the Coronation of Elizabeth II, 1953.

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The Imperial Coronation Robe and Crown Jewels of Russia for Empress Catherine II “The Great”. 

The gown is made of luxuriant silver silk, with lace sleeves and a lace bertha around the neckline.  Embroidered golden eagles serve as the repeated pattern throughout with ermine trim at the hem.  The blue sash, worn from the right shoulder to the waist, represents the Order of St. Andrew the First Called and is principally bestowed upon the royal family.