cooke lenses

9

The Road

DOP – Javier Aguirresarobe
Format - Arricam LT 500T
Lenses - Cooke S4 and Angenieux Optimo Lenses
Aspect Ratio - 2.35 : 1
Delivery - Digital Intermediate 2K, 35mm Anamorphic Prints

Notable Strengths – Low Light, Outdoor and Natural Sets, Strong Colour Choices, Symmetry, Leading Lines, Geometry, Differences in Elevation, Depth

10

Arctic Monkeys at Finsbury Park, 23rd and 24th May 2014

Photos taken on 800iso colour film with a Disderi Robot 3 camera. It takes 3 consecutive shots so I thought it would capture movement well (or hoped).

9

No Country for Old Men

DOP - Roger Deakins
Format - Arricam LT 100T 200T and 500T 
Lenses - Cooke S4, Zeiss Master Prime and Arri Macro Lenses 
Aspect Ratio - 2.35 : 1 
Delivery - 35mm, Digital Intermediate 4K

Notable Strengths - Low Light, Wide Angles, Colour, Silhouette, Tension Building, Scenic Shots, World Building, Close Ups, Symmetry, Composition  

10

Inside Llewyn Davis (2013)

Directed by: Ethan Coen, Joel Coen
Cinematography: Bruno Delbonel ASC, AFC
Cameras: Arricam LT, Cooke S4 Lenses, Arricam ST, Cooke S4 Lenses
Format: 35mm (Kodak Vision3 500T 5219)
Mode: spherical
Aspect Ratio: 1.85:1

9

The Assassination of Jesse James

DOP – Roger Deakins 
Format - Arricam LT 100T, 200T and 500T
Lenses - Cooke S4, Arri Macro, Kinoptik Tégéa and Kardan Shift & Tilt Lenses
Aspect Ratio - 2.35 : 1
Delivery - Digital Intermediate 4K, 35mm Anamorphic Prints

Notable Strengths – Colour, Low Light, Composition and Framing, Frames Within Frames, Tilt-Shift Lens Sequences, Strong Use of Thirds, Leading Lines, Wide Angles, Establishing Time Period

9

Ex Machina

DOP – Rob Hardy
Format - Sony CineAlta F65 4K RAW, GoPro Hero 3 (Some Scenes)
Lenses - Cooke Xtal Express, Kowa Prominar and Angenieux Optimo Lenses
Aspect Ratio - 2.35 : 1 Anamorphic
Delivery - Digital Intermediate 2K

Notable Strengths – Use of Apect Ratio, Colour, Composition, Framing, Medium Shots,  Camera Movement, Wide Shots, Use of Lenses, Integration of Effects, 

Setlock Recap, 5.8.16 - 5.13.16

[Because actual filming was on a break this week, I thought daily recaps weren’t quite necessary. There was still plenty happening though, so I thought I would at least give you a weekly recap instead.]