cooke lenses

9

The Road

DOP – Javier Aguirresarobe
Format - Arricam LT 500T
Lenses - Cooke S4 and Angenieux Optimo Lenses
Aspect Ratio - 2.35 : 1
Delivery - Digital Intermediate 2K, 35mm Anamorphic Prints

Notable Strengths – Low Light, Outdoor and Natural Sets, Strong Colour Choices, Symmetry, Leading Lines, Geometry, Differences in Elevation, Depth

9

No Country for Old Men

DOP - Roger Deakins
Format - Arricam LT 100T 200T and 500T 
Lenses - Cooke S4, Zeiss Master Prime and Arri Macro Lenses 
Aspect Ratio - 2.35 : 1 
Delivery - 35mm, Digital Intermediate 4K

Notable Strengths - Low Light, Wide Angles, Colour, Silhouette, Tension Building, Scenic Shots, World Building, Close Ups, Symmetry, Composition  

9

Ex Machina

DOP – Rob Hardy
Format - Sony CineAlta F65 4K RAW, GoPro Hero 3 (Some Scenes)
Lenses - Cooke Xtal Express, Kowa Prominar and Angenieux Optimo Lenses
Aspect Ratio - 2.35 : 1 Anamorphic
Delivery - Digital Intermediate 2K

Notable Strengths – Use of Apect Ratio, Colour, Composition, Framing, Medium Shots,  Camera Movement, Wide Shots, Use of Lenses, Integration of Effects, 

9

The Assassination of Jesse James

DOP – Roger Deakins 
Format - Arricam LT 100T, 200T and 500T
Lenses - Cooke S4, Arri Macro, Kinoptik Tégéa and Kardan Shift & Tilt Lenses
Aspect Ratio - 2.35 : 1
Delivery - Digital Intermediate 4K, 35mm Anamorphic Prints

Notable Strengths – Colour, Low Light, Composition and Framing, Frames Within Frames, Tilt-Shift Lens Sequences, Strong Use of Thirds, Leading Lines, Wide Angles, Establishing Time Period

Setlock Recap, 5.8.16 - 5.13.16

[Because actual filming was on a break this week, I thought daily recaps weren’t quite necessary. There was still plenty happening though, so I thought I would at least give you a weekly recap instead.]