contemporary western african art

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Mor Faye

Country: Senegal

Style: Expressionist

Medium: Oil on board

Fun Fact: Known as the African Van Gogh

He was against Senghor’s art policy and died in an asylum at the age of 38

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Mor Faye was among the first artists I ever featured but I came across these new paintings of his and couldn’t resist refeaturing him

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Paul Louise-Julie (USA) - Sculpting painting

New York-based artist Paul Louise-Julie has spent the last 7 years researching African civilizations and art, including a year-long journey to West Africa and the Sahara Desert. These sculptures (and 3D paintings) are part of a resulting body of work Louise-Julie created in response to his discoveries and experiences there. The pieces represent a successful collision of artistic methods and themes from multiple cultures, blending ideas from Western contemporary art, traditional African methods, and even Japanese-influenced origami and paper craft. The artworks you see here are among his first sculptures. Louise-Julie is also working on a companion graphic novel that will be released gradually starting later this year. (src. Colossal)

via Colossal © All images courtesy the artist

[more Paul Louise-Julie]

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Angu Walters

Country: Cameroon

Style: Surrealism

Medium: Acrylic on Canvas

Fun Fact: His interest in painting started when he was a boy experimenting with ink from different pen colors, mixed and applied them on torn cardboards, which were sometimes hung on the walls of his mother’s sitting room. His mother invited Spee, a very famous artist to show him what the child was doing with the materials he could find in his milieu, thereafter the artist took him to his workshop, under his guidance so to better improve on his skills.

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Works

1.

2. Kora Player III

3. Mask

4. The Broken Bridge

5. The Fulani. The Cow. The Milk

6.  Sunshine in my mind

7.Knowledge is Power

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Appiah Ntiaw

Country: Ghana

Style: Figurative/Abstract

Medium: Acrylics on canvas

Fun Fact: now works for a firm dealing in leather bags and accessories in Denmark

Quote: I see myself as a motivator.  If I paint a woman carrying a pot for an example, I make it in such a way, that when one looks at my African art paintings, I try to do it in such a way that the woman looks nice and is dressed nicely.  People sometimes make Black African art such that we as African people, we look out of date, primitive, or dirty, which is an inaccurate whole perspective of Africa.  If you see my paintings, you always see Africans dressed nicely.  So I say in that way I am a motivator for self-esteem when I am depicting my people in my African art paintings.

Works

1. Lift Up

2. Day Beauty

3. The Embrace

4.

5.

6. Music Makers

7. Reclaiming our Past

8. My Twins

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Yusuf Adebayo Cameron Grillo  aka Yusuf Grillo

Country: Nigeria

Style: Expressionist

Medium: Oil on Canvas

Fun Fact: He makes use of his western art training in many of his paintings, combining western art techniques with traditional Yoruba sculpture characteristics. His preference for color blue in natural settings paintings, is sometimes similar to the adire or resist-dye textiles used in Nigeria.

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Works

1. Girl in blue

2.The Flight

3. African Woman with Gele

4. The Blue Madonna

5. Humra

6. Mendicants

7. Blue Moon

2

Victor Ekpuk

Country: Nigeria

State of Beings (Totem) : installation, 220 x510x452x4 cm, acrylic vinyl and metal on wood panel and vinyl mat, 2013, Courtesy of the artist and Fondation Jean-Paul Blachère, Apt, France.

State of Beings is a mixed media installation that combines painting and sculpture in equal measure. The sculptural portion of the work stands upright against the wall whereas the painting is primarily on the floor. The two connect through the continuous lines of Nsibidi, an ancient graphic system that is autochthonous to south-eastern Nigeria and the Ejagham area of northern Cameroon. The swirling script-like patterns of State of Beings are also based on Ekpuk’s own invented signs. The fluidity of the symbols creates continuity in the installation, merging the wall into the ground seamlessly. Conceptually, the installation is a totemic portrayal of the male-female binary as composite of the human condition. The two figures physically face each other. Their emotional and psychic connection is evident in the thick red line that runs across the work, from the head of the male figure to the head of the female.

Victor Ekpuk was born in Nigeria in 1964. In 1989 Victor received his Bachelor of Fine Art degree (BFA), Obafemi Awowolo University, Ile-Ife, Nigeria, where he first explored the aesthetic philosophies in indigenous African art forms like Nsibidi, and Uli. Their economy of lines and encoded meanings led him to further explore drawing as writing, and to the invention of his own glyphs. In addition to operating a painting studio in Lagos, he was also a prominent editorial illustrator/political cartoonist for Nigerian newspapers before moving to the United States in 1999. He currently lives and works in Washington DC.

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Dil Humphrey-Umezulike aka Dilomprizulike aka The Junkman Of Africa

Country:Nigeria

Style: neo-expressionist sculpture

medium: Mixed/ Junk

Fun Fact: He creates sculptures and performances that are tied deeply to traditional African masquerade yet informed by postmodern awareness. He lives in what seems to be a junkyard in a permanent performance, recycling the detritus of Lagos into artwork, clothes, a home, and a way of life that questions much of what we take for granted.

Quote:Talent is not Enough.In my 25 years of art practice, I have severally encountered a curious need to attend to a characteristically fleeting and ever smaller world which seems also almost non-existent. This development tends to vehemently challenge established norms of art practice as well as the modules of art education, thereby dictating a significant shift in the exploration of artistic practices; not only in the packaging of aesthetics, myths and skills in artistic creations but more as a vehicle of expression; in respect to the place and iconic rendering of art in and for an evolving society. In no other time therefore is the demand for a dynamic representation of art so necessary.

Works

1. The Face Of The City

2. Waiting for Bus

3.Untitled

4.Waiting for the Bus

3

Chike C Aniokor

Country: Nigeria

Style: Modernist/ Uli

Medium: Watercolour/Ink on Paper

Fun Fact:Much of Aniakor’s art, particularly in ink and watercolor, displays strong linear qualities based upon uli, and he maintains that his interest in this design system developed separately from that of Uche Okeke. His human figures, often possessing elongated bodies and limbs, are frequently massed together in a work, and he makes skillful use of negative space.

Quote: My painting ideas are carried over months in the antipodes of the mind, undergoing creative mutation, occasionally surfacing to be synthesized–just in the way a goat sits under the shade to chew its cud. These ideas mature with time like the sprouts of yam seedlings. It is during this period that I feel like the traditional carver who says that to ‘carve a mask you must be the mask

Works

1.The Allegory of Power

2. Of Collective Memory

3. Drawing

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Nii Ahènè-Lá Mettle-Nunoo aka Nii Ahènè-Lá

Country: Ghana

Style: Expressionist

Medium: Acrylic/ Mixing Technique

Fun Fact: co-founder of the “Society of Caribbean Artists,” or SOCA - a visual arts organization whose directional vision is to create a critical dialogue among artists online and land on Caribbean art heaquatered in the beautiful isalnd of St. Croix, United States Virgin Islands. Nii Ahene-La lives and works in the USVI.

Quote: I am inclined to address the subject of spirituality in my work with less political underpinnings. I have made some exceptions to this when prevailing conditions in the world dictate my feelings. Few examples in that genre is the “Hip Hop Kid” and “Dafur”

Works

1. Glimpses of my meditative dream

2. East meets West in Harlem

3. Polyrythms of aklabatsa

4. Dance of the Gods

5.Chanelling Ancestral Spirits