On September 30th, Makers, in collaboration with PBS, will launch an inspiring documentary series telling stories of how women shaped history and revolutionized women’s roles throughout American institutions. The series will build on a previous documentary launched in 2013 called Makers: Women Who Make America by featuring women who have broken new ground in six different fields. Catch a preview of the series here and mark your calendar for the schedule below!
Episode 1: Women In Comedy premieres September 30, 2014
Episode 2: Women in Hollywood premieres October 7, 2014
Episode 3: Women in Space premieres October 14, 2014
Episode 4: Women in War premieres October 21, 2014
Episode 5: Women in Business premieres October 27, 2014
Episode 6: Women in Politics premieres November 4, 2014
‘Skating, for Tonya, is her ticket out of the gutter.’ That’s what figure skating coach Diane Rawlinson said of rising teen star Tonya Harding, who she had plucked from a broken Portland home and shot onto the ice in the mid-1980s. 'She lives in a terrible rental house. There’s no supervision at all. She has no direction. Tonya would have nothing in her life if it wasn’t for her skating.’
We all know what happened next. Harding’s husband, Jeff Gillooly, conspired to whack Nancy Kerrigan out of competition at a practice session before the 1994 U.S. Figure Skating Championships, the event that would determine the American delegates to that year’s Winter Olympics. Kerrigan recovered and won the silver medal, then reigned over Disney floats, game shows, TV specials, and charity spokeswoman gigs. Harding biffed her Olympic routine, pled guilty to conspiring to hinder the prosecution of the attack, and was barred from competition for life. She turned to exploitation films, celebrity boxing, and landscaping work. She never got her ticket out[…]
As Nanette Burstein’s documentary makes clear, the Kerrigan-Harding affair unfolded in a commercial landscape in which economic potential hinges on appearance as much as it does athleticism. By the early '90s, Kerrigan and Harding were toe-to-toe in American figure skating competition, but when it came to monetizing their skills, Kerrigan was skating on an elevated plain. Though both athletes emerged from working-class backgrounds, Kerrigan was blessed with patrician good looks and a sophisticated air that easily courted corporate sponsorships and Hollywood attention. “Nancy looked like she was wealthy,” is how Boston Globe reporter John Powers puts it in the documentary. Harding, counters Connie Chung, was the “girl with frizzy blonde hair from the wrong side of the tracks.” And their performance styles reinforced the divide: While Harding powered through technical routines, Kerrigan danced.
And so Kerrigan’s face soon became as famous as her feats on the ice. She began raking in endorsements early in her career, filming spots for Campbell’s soup, L’Oreal, and Reebok; in 1992, she starred in a televised Christmas special. But even when Harding became the first American woman to land a triple axel in competition, in 1991, no one wanted her to sell anything. “She was a great skater. I was a great skater. But she was treated like this big queen,” Harding says in the documentary. “She’s a princess, and I’m a pile of crap.” At one point in the film, Harding recalls wearing a bright-pink costume in competition that she had sewn herself. “It was really pretty!” she says. But “one of the judges came up to me afterwards and said … ‘If you ever wear anything like that again at a U.S. championship, you will never do another one.’” Harding shot back that until the judges gave her $5,000 to buy a designer piece, “You can get out of my face!” Meanwhile, Kerrigan had Vera Wang designing her costumes gratis.
As competition heated up before the 1994 Olympic Games, Harding pinned all of her athletic and economic hopes on the gold. If she cinched the medal, she believed that “someone would ask her to endorse something,” as Chung, who covered the scandal for CBS, says. While Kerrigan could profit off of personality and appearance without taking the gold (she won a bronze in 1992 and a silver in 1994), Harding needed to defeat everyone else, at any cost, to collect anything from her skating prowess[…]
But what would have happened had Harding won? Perhaps she had miscalculated. Even if she had managed to neutralize Kerrigan at the Olympics and take home the gold, it’s unlikely that Harding would have inherited all of Kerrigan’s endorsements, too. She might no longer have been dismissed as “crap,” but she’d never be the queen. And the numbers suggest that, for female athletes, winning still isn’t everything. Last year, Maria Sharapova earned almost twice as much endorsement money as Serena Williams—$23 million to $12 million—even though Williams has racked up twice as many points as Sharapova in singles competitions over the past year and has beaten Sharapova 14 consecutive times. Twelve mil is still a decent amount of scratch—and Sharapova is also an excellent player—but the fact remains that Williams has to work harder to make less money.
“You’d be hard-pressed to find a popular male athlete who doesn’t also have physicality and sex appeal,” Kevin Adler, founder of Engage Marketing, told Women’s Wear Daily last year in a piece about the tenuous marketability of women in sports. “But that comes second to winning for guys, whereas for female athletes, looks come first.” And for women, having the “look” requires appearing feminine enough to neutralize the masculine connotations of athleticism in general by dressing in pageant-ready costumes or hitting Playboy-esque poses. As my colleague Hanna Rosin observed during the 2010 Olympics, the marketability of female athletes continues to hinge on fulfilling either a virginal ice princess ideal or a bikini-clad ski bunny one.
This weekend, the US Figure Skating Association made a rare move by naming 22-year-old skater Ashley Wagner to the Olympic team [instead of champion skater Mirai Nagasu], even though Wagner failed to crack the top three at the national figure skating championships that traditionally serve as the unofficial Olympic trials. Was the decision to boost Wagner a calculated choice based on her skating record? Or was the decision influenced by the fact that the figure skating association—and NBC—had already begun framing the lithe, blonde Wagner as their media darling?
Selma’s best picture Oscar nomination was the first for an African-American female director; the film also scored at the box office ($67 million worldwide) and with critics. This year, the Compton, Calif., native turned down Marvel’s offer to direct Avengers spinoff Black Panther. Instead, she will helm an untitled Hurricane Katrina project and will make her first TV foray with the series Queen Sugar, which she wrote, will direct and produce for OWN and Warner Horizon.
MY FIRST JOB IN HOLLYWOOD “Intern with CBS Evening News With Dan Rather & Connie Chung out of the L.A. bureau, which was covering Hollywood and the O.J. Simpson case at the time. Wild.”
WHAT I WISH I KNEW WHEN I FIRST STARTED IN HOLLYWOOD “When you nervously walk through the door for that job interview, that pitch, that audition, the person on the other side of the decision wants you to be the answer to their problem, their need, their issue more than you can imagine. I didn’t understand this until I was the person hiring and casting. Then, it clicked like the biggest secret ever revealed.”
THE MOST HOLLYWOOD THING ABOUT MY LIFE “Unfortunately, I’ve succumbed to the warped Hollywood trend and become spoiled by the expertly calibrated private screening rooms used around town by studios and filmmakers. Lately, I’ve been choosing perfect picture and sound over the grain, grit and gum-under-shoe of public theaters, and I’m really missing that priceless audience energy. There’s nothing like it.”
WHAT PEOPLE DON’T KNOW ABOUT ME “I’ve attended 24 U2 concerts since age 15.”
GO-TO LUNCH SPOT My Two Cents on Pico Boulevard. “Southern-inspired scrumptiousness served from a corner strip mall with major swagger and major skills. Love that spot.”
HOW I SAVE TIME “Calls while driving.”
I’M STILL STARSTRUCK BY “The Queen known as Cicely Tyson.”
SUPERPOWER I WISH I HAD “Time travel.”
MY QUIRKIEST HABIT “I like to crack other people’s knuckles for them. It helps them relax, and I enjoy it. I know! So, so weird.”
FAVORITE TV SHOW (THAT I’M NOT INVOLVED WITH) The Knick
AS A WOMAN IN THIS BUSINESS, I’M STILL SURPRISED WHEN … “People are surprised by the patriarchy and prejudice embedded in this business, like it’s something new that was just discovered and not a longstanding legacy.”