computer-generated

Show Notes: Episode 29: Shipping and Activism

These show notes are for this episode!

Originally posted by clippy

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Bursting Bubbles

Two UC Berkeley researchers have now described mathematically the successive stages in the complex evolution and disappearance of foamy bubbles (the images above are based off of a computer-generated video that uses their equations).

What purpose does this serve (besides making for some very mesmerizing GIFS…)?  The work has applications in industrial processes for making metal and plastic foams (like those used to cushion bicycle helmets) and in modeling growing cell clusters, which rely on these types of equations.

The problem with describing foams mathematically has been that the evolution of a bubble cluster a few inches across depends on what’s happening in the extremely thin walls of each bubble, which are thinner than a human hair.

Read the full story

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Matter by Quayola

Quayola on his project:

Matter is a time-based digital sculpture; a celebration of matter itself, the substance of all physical things. It describes a continuous dynamic articulation of a solid, pure block of matter, from the simplest primitive forms to the highest details of geometric complexities, and vice versa… from the unpredictable grace of geological processes to the perfection, beauty and precision of man made crafts. The subject of this piece is Rodin’s sculpture Le Penseur (The Thinker), a masterpiece born as the avant-garde that has since become a universal classical icon, and now considered the bridge from classical to modern sculpture.

See the dynamic piece in this video:

Matter - (excerpt) from Quayola on Vimeo.

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Some of the many configurations of Infinite Sunset by Joseph Gray

About the project:

Created after visiting Kauai and staring West into the Pacific quite a bit during sundown […] It intentionally uses simple graphical elements to visually describe a sunset seascape ever changing in its sameness. The piece is meant to be viewed with various devices/contexts and is therefore a “responsive” composition. Aesthetically the piece pursues the reductionist purity of certain mid-century modernist perspectives but using the contemporary, generative, medium of code.