composts

french garden vocabulary 🌻🌷

🌿 Types of gardens

  • le jardin garden
  • le patio patio garden
  • le jardin sur le toit roof garden
  • la rocaille rock garden
  • le jardin floral a flower garden
  • le jardin d'agrément an ornamental garden
  • le jardin botanique a botanical garden
  • le jardin de fruit a fruit garden
  • un verger - orchard
  • le jardin potager a vegetable garden
  • le jardin paysan cottage garden
  • le jardin d’eau water garden

🍁 Some garden objects

  • un etang à poissons fish pond
  • le parterre flowerbed
  • le pavé paving
  • l’allée path
  • la pelouse lawn
  • la haie hedge
  • le potager vegetable garden
  • la serre greenhouse
  • le tas de compost compost heap
  • la fontaine fountain
  • le sol soil
  • la terre topsoil
  • le sable sand
  • la chaux chalk
  • l’argile clay
  • les outils de jardin garden tools
  • le balai à gazon lawn rake
  • la bêche spade
  • la fourche fork
  • le râteau rake
  • la tondeuse lawnmower
  • la brouette wheelbarrow
  • le terreau compost
  • le gravier gravel
  • les gants de jardinage gardening gloves
  • le pot à fleurs flower pot
  • l’arrosage watering
  • l’arrosoir watering can
  • le tuyau d’arrosage hose
  • la pelouse lawn

💐 Verbs

  • tondre to mow (the lawn)
  • ratisser to rake
  • tailler to trim
  • semer to sow
  • bêcher to trim
  • arroser to water
  • désherber to weed
  • pailler to mulch
  • cultiver to cultivate
  • récolter to harvest
  • cueillir to pick

🌱 Types of plants

  • les plantes à fleurs flowering plants
  • les plantes plants
  • les mauvaises herbes weeds
  • le bambou bamboo
  • la fougère fern
  • l’herbe herb
  • l’arbre tree
  • la plante aquatique water plant
  • le palmier palm
  • à feuilles persistantes evergreen
  • à feuilles caduques deciduous
  • la plante grasse succulent
  • le cactus cactus
  • la plante en pot potted plant
  • la plante d’ombre shade plant
  • la plante grimpante climber
  • l’herbe grass
  • la plante rampante creeper
  • l’arbuste à fleurs flowering shrub
  • les graines seeds
  • saplings les jeunes plants d'arbres
  • plant cuttings - les boutures de plantes

🌹 Types of flowers

  • rose la rose
  • marigold le souci
  • tulip la tulipe
  • crocus le crocus
  • lily le lys
  • iris l'iris
  • sweet pea le pois de senteur
  • geranium le géranium
  • gladiolus le glaïeul
  • chrysanthemum le chrysanthème
  • sunflower le tournesol
  • zinnia le zinnia
  • aster l'aster
  • dahlia le dahlia
  • daisy la pâquerette
  • carnation l'oeillet
  • primrose le primevère
  • peony la pivoine
  • bluebell la campanule
  • begonia le bégonia
  • daffodil la jonquille
  • jasmine le jasmin
  • lavender la lavande
  • azalea l'azalée
  • orchid l'orchidée
  • water lily le nénuphar

🌲 Types of trees

  • orange tree l'oranger
  • lemon tree le citronnier
  • plum tree le prunier
  • pear tree le poirier
  • olive tree l'olivier
  • cherry tree le cerisier
  • apple tree le pommier
  • apricot tree l'abricotier
  • fig tree le figuier

anonymous asked:

do you have tips on comic compostions and angling/framing of scenes beacuse holy fudge what the actual hell your mob comic is An Expirience

hhhhhhhhhhhhhhhhhhhhOOOOOOOOOOOO BO Y AIGHT

I’m gonna take this ask as a chance to masterpost about this comic.

Since there wasn’t a set time limit for this comic, I went all ham for it, which means there’s a lot of thought about angles/framing n shit in this sumbitch. (keep in mind i’m still learning this craft myself as i go along so FEEL FREE TO IMPROVE WHEREVER)

I’ll go in depth about it but all of my tips can be summed up with : 

go for the emotion of the scene.

Everything I do, I do to try and heighten the feeling in a scene. Everything I’m about to describe were all choices to try and maximize the emotional impressions.

Angles 

First off, everything in this comic (with the exception of panels 7-9 on page 4) is from Mob’s POV. Everything is built from there. keep in mind goin forward -

We start with Mob terrified of being spotted, of running into anyone. So I strained the perspective to make it feel too close for comfort, despite how far away his other limbs are. I also used the angle to emphasize the “spotlight”, pushing Mob into further discomfort, like he’s being watched anyways.

Mob fears he just murdered someone ? At his lowest moment in this comic? This is where the camera looks down on Mob the most.

Time for shock and awe that the man’s alive ! So Reigen is angled UP, building his Bigness in Mob’s eyes. Most subsequent shots repeat this, keeping us grounded in Mob’s perspective.

Here, Mob is literally on his knees asking for answers. So I pushed for an angle to make him seem really tiny. I wanted him to look as small as he feels.

In the next few pages, the angles basically level out (and I’ll talk more about why in other sections***) until

Mob has just touched back. This was a direct action on his part, so just as I’d built Reigen with that tilt up, it’s Mob’s turn to share that space.

Once Mob fears for the lives of the police, we shift back to high angles. Using a high angle to make a character seem small isn’t groundbreaking but it’s something to chew anyways.

This is less about the angle and more about how cramped everything is. Mob feels backed into a corner unless he can get Reigen to relent. So the tightness and how Reigen looms reflects this.

And here, I mirrored the very first panel. Once again we have a shot of Mob’s back, walking into the light of a streetlamp. But this angle is gentle in comparison, even if slightly off center. We can see where the light comes from so it ceases to feel less like an omnipotent threat and more mundane. Perhaps even hopeful.

Paneling 

I’m sorry to say I feel this is one of my weak points as a creator. I’d like to improve here the most. Most of my panels can be summed up with ‘slant = energized’, ‘straight = stable’. BUT. I did take a few liberties here and it’s good to point them out.

Broken glass to heighten the ouch on Mob’s part.

Salt man don’t give a fuck. he IS the panel. //adds to the energy of this moment

This break from the panels is meant to make Mob hitting Reigen a more immediate threat.

Same with Reigen reaching around it here. He’s still in danger of being shreddy shreddy at this point.

Sometimes a panel will bleed off, to give a more ‘open space’ feel. I like to use it in subtle “oh” moments. That’s the best I could describe it.

annnnnd nothin like a casual reminder on the edges of panels about what would happen should the police show up.

Staging/Body Language

Once Reigen shows up, he dominates the frame, even in shots where mob is closer to the audience. Again, this is all to emphasize how Big Reigen seems to a scared Mobbu.

Mob pushes himself to corners, Reigen’s given the bulk of the space. 

He stands taller than mob and makes the frame uneven.

Even his hand feels huge in comparison.

***That is, until Reigen has a better perception of what’s going on.

Then his actions and staging reflect this.

Reigen kneels down, trying to make himself smaller both to Mob, and in the frame.

The staging reflects Reigen’s attempts to get on even ground, literally and metaphorically.

Mob’s still pushing himself into corners, but now Reigen has actively surrendered some of the space.

Still just, trying to get some of Mob’s perspective.

And from this point onwards, Reigen and Mob share the space/frame more evenly. 

Even in shots where Reigen’s kinda large, he no longer seems so imposing.

Mob still looks up to him but we no longer have such dramatic shots tilting him up and having him hog the focus of the panel.

And we save the closest-closeup, both in staging and in how close our characters physically feel for last. Because bonding and shit.

Coloring

Decided to make the use of color sort of uncomfortable. Hinted at in edges but not really a presence of their own. Hard to tell what the color of anything is because it’s all nonsense in ur peripherals.

Until we get to humans. But this color seems more invasive, and doesn’t really touch mob in a positive way.

Till we get to these splash of color, messy and kinda unorganized but it’s exactly what Mob needs to bring some order.

From here we get a muted color wash, there but still slightly dulled.

The first hint we get of the saturation to come is centered around the touch.

We slowly fade into full blown saturation once Mob reaches back.

Fanfic bonus

The name meanings of Jun and Tetsuo, since this is the street where they live and why not ahaha.

There’s a lot of bird imagery in ABoT so I

“Kid, it’s like lifting a feather.”

And even tho Reig gets a cool halo from the streetlights n shit

We all know who the real angel is

Other fun shit

Mob’s outfit is based on Sakurai’s outfit when he was orphaned as a child.

I literally put the streetlight directly behind the hand in this shot because I lack subtlety and love it.

There are 2 times where I cut out a bit of (frankly beautiful) wordage in order to show things better visually. Both times happen when Mob’s stopped paying attention.

First with Reigen’s words just becoming a flood of nonsense pretty sounds.

The second when Mob’s thinking about the possibility of his barrier being gone.

also here u guys can have some behind the scenes shenanigans

washingtonpost.com
Opinion | Crucified man had prior run-in with authorities
The gentleman arrested Thursday and tried before Pontius Pilate had a troubled background.
By https://www.facebook.com/pages/Alexandra-Petri/142169029150103

Born (possibly out of wedlock?) in a stable, this jobless thirty-something of Middle Eastern origin had had previous run-ins with local authorities for disturbing the peace, and had become increasingly associated with the members of a fringe religious group. He spent the majority of his time in the company of sex workers and criminals.

He had had prior run-ins with local authorities — most notably, an incident of vandalism in a community center when he wrecked the tables of several licensed money-lenders and bird-sellers. He had used violent language, too, claiming that he could destroy a gathering place and rebuild it.

At the time of his arrest, he had not held a fixed residence for years. Instead, he led an itinerant lifestyle, staying at the homes of friends and advocating the redistribution of wealth.

He had come to the attention of the authorities more than once for his unauthorized distribution of food, disruptive public behavior, and participation in farcical aquatic ceremonies.

Some say that his brutal punishment at the hands of the state was out of proportion to and unrelated to any of these incidents in his record.

But after all, he was no angel.

Both scathing current events commentary and probably the best media writing I’ve seen on Jesus’ death, tbqh.

a-not-so-clever-man  asked:

Someone important to me believes that something I wrote is based off of them and it as been hurting our relationship, how do I get them to know that it's not them?

I don’t know. I don’t think it’s possible to persuade people that you didn’t write about them. There is one long-ago short story of mine in which every former girlfriend of mine saw herself reflected, and each of them made a point of telling me that she had read it (I think they were flattered) and obviously the person in it was her, and I realised that nothing I could ever say about the story would change anybody’s mind. 

That’s because it’s almost impossible to explain to anybody who hasn’t done it that the way we make fiction is a sort of composting process in which things we see and feel and experience and think and imagine are put into our minds and then rot down into a black compost, in which new things grow. Or for that matter that you can steal the way that one person plays with their hair and the way another person sighs and always turns up late and grow a third person who isn’t either of them out of it.

So you can tell them it’s not them in your fiction. But they will still believe what they will. Perhaps instead you should just work on the relationship, and if they are worried about issues of privacy (or whatever) being compromised by what you write, tell them you must have done it without realising, and will do your best to make sure they aren’t in any more stories of yours, even unwittingly. 

I hope this helps. (You will probably find a lot more wisdom than this in the comments or the reblogs.)

4

So I set up a cutting tray out of a ferrerro rocher box that I drilled holes in, then filled it with roughly 50% cactus mix 50% pumice. Sprinkled a thin layer of pumice over the top and then planted as many cuttings as I could fit into the tray. The rest went in a terracotta dish with a little pumice and compost mixed with fine leca (expanded clay - cos I ran out of pumice). Fingers crossed they’ll take root and start growing soon 🍀🍀🍀

Become a Biodynamic Gardener, and grow your own. Learn about “the buddy system” and “companion plantings” as well as composting and crop rotation. Certain plants benefit by growing near other plants: tall crops can provide a canopy for shorter crops; leeks will repel carrot flies; include flowering herbs and perennials to attract beneficial insects. 

Illustration:  Genevieve Simms 

liftingtheveiltarot  asked:

Hey Nai, hope you're having a peaceful day. I have three raised beds in my herb garden, currently rosemary is the only permanent fixture. How do you recommend I make the most of the three beds utilising witchy and edible herbs? 💕

So, the absolute best way to have an herb garden (in my opinion anyway) is an herb spiralThe main reasons for this are 1) It provides more surface area for planting, maximizing the space, 2) Simulates different moisture levels, temperature, and light levels (full sun, partial shade, etc). This means that you can grow a variety of plants in one spot, including some you may not be able to grow normally in your climate 3) After set up, it has minimal maintenance, but tends to produce more due to specific needs being met.

I plan on documenting the new one I build - I just got the bricks today! (There’s other materials you can use instead)

Originally posted by yunorgi

Tips for flat beds/gardens in general:

  • Lasagna gardening. It sounds silly, I know, but it’s a method of farming that creates really healthy plants, with minimal weeding required. Read about it, you’ll thank me later.
  •  Look for companion plantsThis is more important if you plan to plant vegetables, as some vegetables can affect growth if planted next to each other, but another reason is pest control. A lot of herbs repel specific insects that tend to eat specific crops (like catnip, hyssop, rosemary and sage deter cabbage moth), so it’s a pesticide free way of protecting your garden. Some even encourage flavor or growth.
  • Make sure to pair plants with similar needs together - rosemary likes it a bit drier, so don’t plant it next to mint, which likes lots of water.
  • Actually it’s probably best if you left mint in a container. It’s a ‘weed’, as in it takes over everything and can be hard to get rid of. You should look into things like that as well before planting anything.
  •  If you have pets, please make sure to look into things that can hurt them. A lot of plants we like to use aren’t so good for our furry friends, some are actually deadly.


The Witchy side of things:

  • Talk/sing to your plants as you tend to them, and as you spend time in the garden. Some non-witchy people do this as well, because it encourages growth. Personally, I think the stronger your relationship with the plant spirit the more effective the harvest will be in spells, but that’s not verified or anything.
  • Making your own compost makes a wonderful offering/gift to thank the plants when you harvest them. It’s also good for them, and you can feel good knowing that you’re putting less stuff in a landfill.
  • If you’re the type to use sigils, lightly carving them on the surface of your garden is simple and invisible.
  • If you worship a certain deity, making a tribute garden can be a great gift to them. Some of the seeds I ordered are for that, actually.

  • Make a meditation space around your plants. If you work hard to make a healthy and peaceful garden, it can become your solace, and a sacred area for spellwork. A place to clear your head to focus on your craft is really beneficial! :)
Offerings and Gifts to Plants:

- Cleansed and charged gemstones: Place these next to your chosen plant so they can receive their energies. The crystals can be charged to suit your intent e.g. healing, love, friendship and more. Plants especially love moss agate, but if you don’t have any of this it is also nice to offer a crystal with similar properties to the plant. For example, offer rose quartz to a rosebush as they both have similar energies of healing, love etc.

- A song: You could sing one you know or make up your own. It doesn’t have to be fancy; you can even just hum a simple tune to it.

- Water (kind of obvious). Moonwater or gem elixirs are especially powerful and can be charged with energies you wish to pass to the plant.

- Fertiliser, some compost or new soil.

- Clear debris and weeds around the plant that may interfere with its growth.

- Sigils: Like crystals, they can be used to help the plant grow, heal etc.

- A story. Even just reading a book out loud as you sit near your plant can help you bond.

- A compliment or two, offered mentally or verbally.

- A new pot if the plant is getting to big for its old one. You can even get crafty and paint it using colour magic, sigils and other pretty designs.

- Some pretty stones to place around the base of your plant to decrease evaporation when you water it.

Feel free to add more - I’m just thinking off the top of my head here :)

Cosplay, Fanart and Plagiarism

(gif curtesy to Mel)


TL;DR: An artist traced (!) my cosplay photo without permission, gave me zero credits, sold the prints at a con and denied she’s ever seen my photo.

First, both of us, the cosplayer and the photographer, want to say that it would never have come to this if the artist would have immediately apologized to us in person, instead of being extremely rude to us and letting things escalate. A simple sorry and taking down the prints would’ve sufficed.

In the beginning of January, being hyped with the new SU episodes, I immediately fell in love with Blue Diamond and cosplayed her. Two months ago, a friend let me know that an artist she saw drew a fanart based on my photo. I was extremely flattered and happy, but also kinda sad the artist gave me zero credits. Us cosplayers and photographers work really hard to get a nice result, and everyone is happy when their photo serves as an inspiration for another artwork. I wrote a letter to her stating that I love her art, but I’d like her to credit me as a source of inspiration (adding the screen shot).

For two months, there was silence. I tried it again a few weeks ago, but again, no response. Okay, what can you do…



Last weekend we had a big con in Germany with a huge artist alley and both of us, the photographer and the cosplayer, attended. Suddenly, a friend came to us and said that there’s a girl selling this exact drawing. We were puzzled and decided to go to her booth and look at it ourselves.

Keep reading

2

Welcome to Earth Week on TED-Ed Tumblr! We’ll be sharing ways for you to be a more considerate resident of Planet Earth all week (that you can apply…all year!)

Nearly one third of our food ends up in the trash can. That’s an estimated 1.3 billion tons.  America alone spends an estimate 165 billion dollars a year managing food waste. We’re wasting food, energy, and money.

But there’s another way! More and more people, even city dwellers, are taking to composting - it saves on landfill space, betters air quality, and if you have a green thumb - provides you with free soil! One method is vermicomposting, and to learn more about that, you can watch the TED-Ed lesson Vermicomposting: How worms can reduce our waste - Matthew Ross. But if worms aren’t your style, check out some simple DIY compost methods here and here and here.

Finally, if you simply have no space for soil, check out your local farm markets - chances are you can freeze your compost or keep it in a small countertop bin, and drop it off every week.

Love the Earth, and the Earth will love you back! Happy Earth Week!

Animation by Cinematic Sweden

washingtonpost.com
Opinion | Crucified man had prior run-in with authorities
The gentleman arrested Thursday and tried before Pontius Pilate had a troubled background.
By https://www.facebook.com/pages/Alexandra-Petri/142169029150103

Born (possibly out of wedlock?) in a stable, this jobless thirty-something of Middle Eastern origin had had previous run-ins with local authorities for disturbing the peace, and had become increasingly associated with the members of a fringe religious group. He spent the majority of his time in the company of sex workers and criminals.

He had had prior run-ins with local authorities — most notably, an incident of vandalism in a community center when he wrecked the tables of several licensed money-lenders and bird-sellers. He had used violent language, too, claiming that he could destroy a gathering place and rebuild it.

At the time of his arrest, he had not held a fixed residence for years. Instead, he led an itinerant lifestyle, staying at the homes of friends and advocating the redistribution of wealth.

He had come to the attention of the authorities more than once for his unauthorized distribution of food, disruptive public behavior, and participation in farcical aquatic ceremonies.

Some say that his brutal punishment at the hands of the state was out of proportion to and unrelated to any of these incidents in his record.

But after all, he was no angel.