colour negatives

I started watching Still Star-Crossed the other day and now it’s been cancelled and I’m sad. And annoyed. Because sure, it’s cheesy and ridiculous and everyone is extra af but so are other shows, like how is this different from 99% of TV out there? Emerald City got cancelled as well, and Pitch, and again, maybe they weren’t amazing, but they sure weren’t any worse than other TV shows that are getting 7th or 14th seasons even though they ran out of plot and character development 10 seasons ago, and why are these new shows getting held so such high standards when they are clearly just meant as simple straightforward entertainment, and other shows get away with exactly that?

but then you look at the main characters, and the actors who play them, and their ethnicity and their gender

and then you kinda go “oh"

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Eastern-Japan-2016-041 by Dominic Leung

7

COLOUR MAGICK (PART 001)

*Please read the introduction post and important notes HERE  <—-

  • BLACK is good for getting out that dark negativity that sits inside of you. That depression, burning hatred and chaos. Black isn’t a bad colour, in fact it’s a very protective and powerful colour for the witch who uses it! Black is perfect for Karmic work. Basically, if you feel that you’re in trouble or have some negative energy following you around, black is the colour to use.Stones that pair well with this colour I’ve found are black agate, onyx, black tourmaline, obsidian and hematite.

  • CHARCOAL is similar to black in the sense that it is used as a form of protection, I use it to help battle any sad emotions or mundane negativity. This colour is best used if you wake up just in one of those moods that you can’t quite put your finger on, you know? It’s just a little boost of energy protection. Stones that pair well with this are cat’s eye opal and grey quartz.

  • SILVER is used when I need to receive guidance or insight from a spirit guide, communication and when I need help finding something I’ve lost or misplaced! Stones best paired with this colour are hematite, grey moonstone and grey quartz.

  • LIGHT GREY: Personally, I use light grey when working with water or storm magick but, I’ve read others use it for glamour type spells and even fear, so this colour goes all over the place. Whatever magickal energy you feel drawn to use it with/on, go for it. Stones that pair best with this colour are moonstone, russian agate and grey quartz.

  • OFF-WHITE is used to help clear a clouded mind/ judgment; when things feel fuzzy and off and like you’re suffering from a hangover. It’s that solid and opaque grounding colour. Stones that work best with this colour are calcite, howlite, citrine and white jasper.

  • WHITE represents purity, perfection, universal energy and the source/creator/gods/goddesses to me. Used before and after magick work, circle casting and calling for extra personal healing from your guides. Stones that pair best with this colour energy are diamonds, opal and clear quartz.

Things you generally won’t find in Lukumi (Santeria):

1. Gemstones and crystals. The only time these really come up is when someone makes a very fancy and expensive mazo (beaded sash). But you won’t find gems and crystals used for their own sake, and we attach no spiritual meaning to them - except for coral. Coral is very important to us.

2. Dried herbs. We use fresh herbs. Dried herbs may be used in espiritismo but not in Lukumi, as we believe once they’re dry they’re dead.

3. Casting a circle. If you are at a ceremony and they start casting a circle, you are actually at a Pagan coven and not a Lukumi ilé. We have nothing even remotely resembling this practice.

4. Identifying as ‘witches’ (except as a joke). While North Americans have a Wiccan-influenced positive idea about witches and witchcraft, the traditional Lukumi view is actually very similar to medieval European ideas: that witches are a negative force on society, that witchcraft is harmful magic, that witchcraft is a selfish act and thus against our community-based mindset. We have a very specific kind of spirit referred to in English as “the Witches” known euphemistically as Iyami (”Our Mothers”), who are the negative ancestral female spirits, often in the form of birds, that rule over society. In Yorubaland they are a highly secretive all-female secret society of post-menopausal women, or so I’ve been told, and the impression I’ve gotten is that no one would openly state they are a part of it. We do not call on them and very, very rarely say their real name for fear of attracting their attention (Ajé is the proper name for them and you will see people outside Lukumi try to reclaim this a lot but let me tell you: if you say this during a ceremony you will get a reaction between either cut eye from every elder or fully being asked to leave the room - as an example, a Pagan godchild of mine was sitting around between ceremonies reading a book with witchcraft in the title and my elder kind of freaked out and told him to put it away and gave him a long lecture about it being inappropriate to bring it to ceremonies). Some Lukumi, particularly those who are also involved in Palo, reclaim the term “witch” as a joke and as a push back against the long history of Afro-Cuban religions being deemed witchcraft and outlawed (this has a very tragic and ongoing history in both Cuba and the United States). But in general, we bristle against having our religion compared to witchcraft.

5. Wearing all black clothing. This is highly unusual for Lukumi aleyos and priests as the colour black attracts negativity. If you turn up to a ceremony in all-black, you will not be let inside. The exception is for children of Warrior Orisha like Eleggua, Ogun, and Ochossi. They can wear whatever they want, though even most of these omo will not wear all-black to a ceremony. There’s one ebo we do in which wearing all-black is required, but that’s a different story.

6. Self initiations. They don’t exist in Lukumi or other Orisha-based religions.

7. Veves. If you arrive at a ceremony and there are chalk or cornmeal patterns on the ground, you are actually at either a Vodou ceremony or a Palo ceremony.

8. “Bring your own drum” drum circles. The drummers in Lukumi ceremonies are highly trained and drum with specific rhythms on specific kinds of drums in specific arrangements of drummers. The most important kind of drum is only played by people initiated to that drum.

9. Tarot cards. While many of us read tarot as part of espiritismo, tarot has no role in Lukumi. Our divination systems are Obí (which may only be cast by priests or with the guidance of a priest), diloggun, and Ifá. Both diloggun and Ifá may only be read by priests with specific kinds of initiations (Olochas read diloggun, Babalawos read Ifá) and with extensive training. More than a system of divination, these are the ‘mouths’ of the Orisha - they are the Orisha speaking directly.

10. Mojo bags. If you are using mojo bags, you’re actually doing Hoodoo not Lukumi. Our closest equivalent are niche Osain, but these are really quite different and look to be entirely beaded balls.

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Untitled by Monica Forss

I write of a love I’ve never felt,
Of a lover I’ve never met,
I write in a language of dreams,
Of golden stars and silver streams.
I speak in cursive words
And think in bright colours.
But then there are the days
Where my heart aches to feel that love,
It cries out for the magic,
For the frantic beating
And feather-light touches.
On those days I speak in black,
Black tinted red
With the blood I can’t bleed.
On those days,
Even the brightest sun can’t shine through,
And I find myself dreaming of a love so true
That the black day’s fade away
And I’m left hopelessly in love
Endlessly.
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Untitled by Monica Forss

anonymous asked:

OK BUT au where vinny is corrupting the streamers irl. Say Rev is going about his day all normal, maybe in like Walmart or something, then he just turns negative colours, his speech skips a bit, he screeches, reverts to the T Pose and clips through the floor, then floats back down from the ceiling and then just glides around the store in the T pose, continuing his day

SJLFGFHLKGD;S

A contact sheet/negatives of colour photos found in the depths of the BFI vault in 2015. These were taken by photographers for the TV Times magazine during the filming of The Music of Lennon & McCartney on the 1st and/or 2nd November, 1965. 

Pics: Time Inc UK.