List of anime series/movies with unique art styles.
For my friends on tumblr, in case you guys want something to watch, here’s a quick list of anime series/movies with unusual/unique art styles that you may or may not know.
With an artstyle reminiscent of the original Astro Boy, Kaiba has a very simplistic (yet stylized) and fluid style of animation and art. The story revolves around the titular character, who wakes up with a hole in his chest with no idea of who he is. I enjoyed this a lot for the art, music and characters, who all have realistic motivations and ideals, as well as the themes handled in it; such as what defines “being human” when bodies and memories are as disposable as plastic. Genre: Sci-Fi, Psychological Drama
In terms of sheer action and excitement I got from watching a movie, I’ve got to say that Redline is one of the best ever in those departments. With a highly stylized comic-book-esque art style with a high influence from Western comics like Dick Tracy (with the emphasis on black shadows on solid colours and thick black outlines), this show is extremely fluidly animated, the movie is said to consist of 120 000 hand-drawn frames, taking seven years to complete. The movie follows the story of racer JP (aka “Sweet” JP, because of his refusal to use weaponry while racing) trying to win (and survive) the titular Redline, a race consisting of multiple racers from multiple different galaxies and planets. Genre: Racing, Sci-Fi, Action
Every frame of this anime could be screencapped and slapped onto someone’s dashboard for their aesthetic. That is how distinct the art style and character design of this show is. The show uses a form of “plaid animation”, where something will be animated over a still color or object as it moves, creating most of the time a jarring effect that is usually the sign of a lazy animator, however in Mononoke, the show utilizes the art to create a sense of a surreal, dream-like environment, intentionally focusing on the jarring effect. The art and design of the environment is also extremely ornate and beautiful. The show focuses on the story of the unknown Medicine Seller and his travels through Japan (in an unknown time period), killing spirits and creatures known as Mononoke. However, he cannot do so until he learns their Form, Truth and Reasoning/Regret, which leads to some very interesting lessons at the end of each story. Genre: Mystery, Horror
Another comic-influenced movie, and just barely under an hour too; Dead Leaves is an extremely fun, hyper-action-packed movie with amazing character design (almost EVERY good character in this movie has a unique design, barring the civilains and generic bad guy cannon fodder), driven by slapstick, humor (usually of the sexual kind) and more pop culture references than you can digest within the time span they’re thrown at you. The story focuses on criminals Retro and Pandy; Retro having a TV instead of a head, and Pandy having a panda-like marking on her eye, who, shortly after waking up on the moon and causing havoc on a nearby planet, are imprisoned in a super-jail. Genre: Action, Comedy, Sci-Fi
Kuuchuu Buranko / Welcome to Irabu’s Office
Combining rotoscoped 3D, 2D animation and live action elements, Kuuchuu Buranko is an extremely surreal look into the world of psychiatry. The art and designs were created by the lead artist of Mononoke, Kenji Nakamura. But whereas Mononoke had some subtlety to its art, this show is bright, colourful and neon as all hell. The show focuses on Dr. Ichiro Irabu and how he helps his patients with their problems, who are all connected in some way or the other. Genre: Comedy, Psychological Drama
The Tatami Galaxy
With a bright visual style that also manages to be subtle at the same time, The Tatami Galaxy also utilizes not just its art as a device for story telling, but the form of the show itself to convey its messages. I can’t spoil too much about the show, but I can give you this: if you enjoy the first episode, please watch it to completion, as this show basically requires the viewer to watch the show in its entirety. The story focuses on an unnamed protagonist, commonly referred to as Watashi by the show’s fans, who tries to attain the “rose-tinted” college life style he has desired for his whole life, as well as all the challenges he faces on the way. With fast-paced dialogue, a lot of humor, interesting character and background designs, as well as the various forms of “characterization”, and also the themes tackled by this show, I’d say it’s one of my favorite shows of all time. Genre: Slice of Life, Comedy, Drama, Psychological, Sci-Fi
Mind Game. Directed by Masaaki Yuasa (also the director behind The Tatami Galaxy, Kaiba and Ping-Pong). I don’t think words can do this movie justice, but I’ll try. Imagine a combination of 3D-morphing-into-2D, sketches, animated photo images of (presumably) the voice actor’s for talking, extremely smooth and fluid movement, plus an insane amount of exaggeration,all coupled with a huge range of bright and dark colours and you’ve got Mind Game’s animation style down somewhat. Go look up more GIFs, they’ll help you understand the range of styles this surreal (and extremely fun) movie goes through. The plot follows Nishi, a down-on-his-luck, 20-years-old manga writer, running into his childhood crush Myon. He discovers she’s getting married soon while they’re talking inside her father’s restaurant. After that (plus another key event), the craziness in the movie begins; Nishi having a new-found desire to live life. Genre: Comedy, Surrealism,
Tekkonkinkreet, although similar in appearance to some Masaaki Yuasa works, was not made by the man himself (although, it was made by the company,
Studio 4°C, that helped produce Mind Game). This movie has incredibly detailed backgrounds, similar to a Studio Ghibli film, with amazing usage of lighting, camera shots and motion blur as well as a wide variety of colours and shades. The story follows Black and White, two street orphans who call themselves “The Cats”, trying to keep control of their town from dangerous enemies. Although vastly different in personalities, they support each other emotionally, mentally and physically very well. Genre: Action, Drama, Adventure
The Diary of Tortov Riddle
The Diary of Tortov Roddle, although very short (6 episodes all leading up to 14 minutes! Watch it here! It has three special episodes that are part of the DVD though), is an interesting adventure of a surreal world that seems almost like a moving/animated picture rather than a movie or series. It follows the journey of Tortov Roddle and his pig-steed throughout this world, with just his calm thoughts and experiences. There’s no dialogue in this series but it doesn’t really require any dialogue at all, the only dialogue being Tortov’s journal entries at the beginning and end of each episode. The music, lack of dialogue and artall contribute to a very interesting, mysterious atmosphere. Genre: Fantasy, Surrealism, Adventure
The Tale of Princess Kaguya
Straight outta Compton Studio Ghibli, The Tale of Princess Kaguya is an adaption of one of the staples of traditional Japanese folklore, The Tale of the Bamboo Cutter. This film adapts the ancient story of the young princess who grew out of a bamboo shoot and breathes fresh new life into it while still staying 100% true to the source material. The art can only be described as absolutely gorgeous, using a pale colour palette in a constantly shifting style that recalls the ancient Japanese watercolour paintings that the original story was recorded on.
Genre: Fantasy, Drama
Sayonara Zetsubou Sensei
Oh man this show. Sayonara Zetsubou Sensei follows the story of Nozomu Itoshiki, an overdramatic teacher so pessismistic about everything that he would try committing suicide over pretty much the smallest inconvenience (his name, when its Japanese characters are read horizontally, also translates into “Despair”) and his bizarre homeroom students’ antics. The series parodies almost everything there is to satrize in Japanese culture (the show even parodies itself from time to time with casual 4th wall-breaking from every show), as well as the general media and politics of the world, as well as having an insane amount of references to various things regardless of fame; from Gundam, Evangelion and Gurren Lagann, to Franz Kafka, Edward Gorey and South Park. The art’s very minimal (which itself gets parodied later on in the series), but it, uh, changes a lot, to put it simply.
Genre: Comedy, Parody
(gotta lot of requests to list this one)
Sports anime tends to always get a bad rep amongst anime fans for various reasons, whether it be that the viewer gets tired of seeing another Dempsey Roll, or the amount of reused frames in the series, they’re all understandable. And so comes Ping-Pong to shatter those preconceptions of what a sports anime can be. Focusing rather on the characters, their emotions and development rather than the titular game that the anime’s based on (unlike most sports anime), this coming-of-age show following two boys as they (one actually) strive to become the best table tennis players in the world, is directed by none other than Masaaki Yuasa, who has directed a lot of the shows and movies on this list actually, with his trademark style of not having a trademark artstyle (other than wobbly simple lines and psychedelic colours).
(im still in the process of watching Gankutusou and Ping-Pong (thanks school) hence why they weren’t in the original post)
Gankutsuou is what most people would call “art porn”, as it uses various still textures, colours and patterns within the character’s lineart, similar to Mononoke and Kuuchuu Buranko though to a much greater extent, whileusing 3D and 2D animation on the characters and backgrounds. The story is broadly based on the titular story of The Count of Monte Cristo, but with many differences, such as being set in the year 5053, plotlines and character endings being altered/removed, the pacing being changed from the original story, as well as the incorporation of many sci-fi themes. The general aesthetic of the show is that of 19th century France in a highly futuristic setting.
Genre: Drama, Sci-Fi, Thriller, Supernatural
Based off a popular gambling manga by Nobuyuki Fukumoto, Kaiji follows the story of the titular character, Kaiji Itou, an unemployed slacker who spends his days gambling (and always losing), stealing, drinking and being obsessed with money. He suddenly finds himself 3 million in debt, and is offered the chance to erase all of his debt, and maybe even earn some cash, in one night.
With thick bold lines, exaggerated expressions and hugely caricaturized faces that woul make more sense in a comedy that all serve as a plus to the show, Kaiji is an intense psychological thriller that always leaves you on the edge of your seat, with some of the most insane and dramatic gambles in any piece of fiction.
Genre: Psychological, Thriller, Gambling
Panty and Stocking With Garterbelt
Two angels, kicked out of Heaven, have been tasked with cleaning up the filthy sin-riddled Daten City, and can only return once they’ve gotten enough Heaven coins!
Not like that matters to Panty and Stocking anyways, whose only cares in the world are what tastes good, much to the chagrin of local priest Garterbelt.
With a ton of American pop culture references, humor that would make South Park seem like a kid’s show, action that is so bizarre it can’t even be explained, and an animation style that’s more akin to a cartoon on a huge drug trip than anything else, Panty and Stocking with Garterbelt shows that sometimes too much of a good thing is still a good thing.
Genre: Comedy, Action, Parody, Not something to play around Grandma
Jojo’s Bizarre Adventure
There really is no other gif that explains and summarizes Jojo’s Bizarre Adventure better than this one.
Based off the hugely popular manga by Araki Hirohiko, the show follows the story of the Joestar bloodline. Jojo is unique in that it doesn’t follow one group of characters or main character throughout the entire franchise, but rather a different cast in a different location throughout the world, ranging from 1930s New York, to 1980s Japan, to Egypt and much more.
If I’m being rather vague about describing this rather popular show, I apologize, but there really is no way to properly explain this bizarre series.
With proportions that look like it was ripped straight out of a bodybuilder’s magazine, poses that could probably break your spine if even just attempted, and fights that end up being some of the most hype as well as some of the most ridiculous you’ll have ever seen, as well as a bright, dramatic colour pallete, this is a show that truly lives up to its “Bizarre” title.
(also protip: start with the 2012 adaption first rather than the 90s OVA, and read the manga.)
Sangwoo from Episode 1(more color)vs. Episode 12(less color - Seungbae’s flashback).
I like the the first version of his glare better, but the new version of the other two. Hopefully the GIFs look okay? :P
Not sure if this has been posted about yet. I’ve also noticed a few other differences in the artwork (changes in color/shape of certain objects, mistakes, etc.), if anyone’s interested in seeing them? Edit: On second thought, I don’t think I should post those. I feel like the majority of it has to do with Koogi’s improvement and/or it’s just obvious, dumb stuff. If I see any flashbacks with altered art like this again, or similar, i’ll post that.
Maybe you are tired of all outlining techniques out there… the snowflake, the skeletal, the summary, the visual map, you’ve tried them all. And, although they are great, nothing works anymore. Or never worked in the first place. Maybe, when you outline, you feel like the magic is gone, the story has already been told, you don’t need to write it anymore. Outlining makes your bored.
Then, you try going pantser, but you get lost to where your story should be going soon after the first plot point. Not outlining makes you lost.
We need to jump outside the box of plotter and pantser. No one is 100% plotter, or 100% pantser. We are neither. In truth, we are explores, travelers, discoverers of beautiful stories, sometimes we have maps, sometimes we are following the unknown.
If we outline with fear and/or severity, we are doomed. Outlining is supposed to be on the creative side of the brain. It’s the whole picture of a drawing. Or the sketch of a sculpture. So, let’s try an artistic approach to outlining.
1. TV Series:
For a moment, pretend that you are not writing a book, but a 15-episodes TV series. Write down a small paragraph to what should happen in each episode. Don’t worry about details, make it general. With 15 episodes planned out, you’ll have a clear view of the story. As you write, use the episodes as guidance.
This exercise helps you explore plot details.
Think of your story as the hand of a clock, it has to run through twelves parts to close the circle. Draw a clock, but, instead of hours, write down plot points. Every hour should change the story somehow and guide the characters to a conclusion.
This exercise helps you keep track with the main plot.
Picture your story as the branches of a tree. Better yet, grab a paper and draw your tree trunk. The trunk is the beginning of the story. Part the trunk into two big branches. These two branches are two different turns your story could take. From two big branches, create four smaller ones. At each split, create a new course for your story. At the end of the exercise, you’ll have many outlines to choose from.
This exercise helps you
discover new possibilities.
Mix the outline of two existing stories from books, movies or games to create your own. Very simple and easy. Write down one or more paragraphs on how these two stories would merge into one completely new.
This exercise helps you unravel new angles to old ideas.
Make a list of 10 to 50 words of objects, colors, places, animals or even feelings. Pick three words randomly and try to incorporate them into your story.
This exercise helps you
think outside the box.
You can try your favorite exercise, or all of them.
Hello, my loves! I know it’s relatively early, but I wanted to make a post about this in advance for those who need some help / inspiration with the upcoming holiday. :-) Beltane, also known as “May Day,” is at the very beginning of May, and its purpose is to continue the celebration of Spring and fertility. We bow to the abundance of the fertile Earth, and become aware of Her opening up to the fertility God. Their union gives life to healthy and strong livestock/crops and new life in general. This is inspiring to many witches and magick workers who wish to bring change into their own lives, as well as show a passionate appreciation for life itself.
- If you’re on a bit of a schedule, there are simple things you can do to show your thanks for the planet we live on and the gift of life. Much like with Ostara, just try your best to thank nature - take a short walk, notice how green everything is, eat some fresh vegetables, and take deep breaths of morning air. 🌸
- Create a Beltane altar! Include lots of green items, inspired by the lushness of the growing grass and the leaves on the trees. Also include pastels to honor Spring, such as yellows, blues, and pinks. Incorporate these lively colors into the objects in your altar - think ribbons, decorated sticks, flowers, candles, cloths, succulents, baskets, grass, chalices and statues. Add some symbolism to represent the strong male energy of the God, which is especially potent at this time. Think sticks, acorns, seeds, antlers - and try your hand at creating your own mini Maypole! 🌿
- If you have the environment / time to do so, gather a group of friends and have a bonfire (or even just a fire in your fireplace, if you have one)! Beltane is one out of the four fire festivals in current Pagan traditions, so its presence during this time is especially welcome. Can’t have a bonfire? Light some green candles and meditate near them, perhaps while writing a list of things you wish to renew in your life. 🔥
- Eat!!! Try and incorporate milk, honey, and/or oats into your meals during this time, as well as fruits - peaches, mango, pomegranates, and cherries. 🍒🍯🥛🍑
The color of an object doesn’t just depend on its chemical structure, but also on how it’s lit | A classical example is the Lycurgus Cup, which looks green when it is front-lit, but red when it is back-lit
so in let’s play minecraft - most dangerous game x, ryan mentions that michael usually cleans the office, which leads me to this:
vicious, poster-boy-for-anger-issues, famous criminal michael jones who cleans up after everyone else in the crew in his typical angry way: by picking up their trash, storming into their various rooms, and throwing it about while yelling at them about “fucking being CLEAN, like fucking human beings, and not leaving shit everywhere like it’s fucking spring break in fucking florida or some shit, i don’t give a fuck, this shit’s been here for a WEEK because NO ONE FUCKING FEELS LIKE PICKING UP THE FUCKING LIVING ROOM ONCE IN A FUCKING BLUE ASSHOLE, NO, IT’S GOTTA BE FUCKING MICHAEL TO ACTUALLY DO SHIT WHILE EVERYONE SITS ON THEIR FUCKING ASSES AND SHITS ALL OVER THE FLOOR”
gavin is the biggest offender when it comes to leaving a trash trail everywhere he goes, and squawks the loudest when michael is emptying the trash can out on his bed.
ray doesn’t give a shit, and usually lets michael rage around his room with red bull cans while he continues to play tetris on his phone.
everyone call tell when hurricane michael hits geoff’s room, because of the audible “oh, COME ON” and the various aborted attempts to reason with the lad as various gold-plated and pink-colored objects are smothered in fast-food wrappers.
as jeremy is rarely in his room — he can rarely sit still for long, preferring to be out and about, tinkering with the cars, or working out — he often has the unique opportunity to watch the hurricane building as michael plows through shared spaces, muttering to himself at increasing volumes, and as such usually slips out the door before michael has the chance to go off on him. (mama dooley didn’t raise no bitch, but she certainly didn’t raise no fool.) sometimes, he even plays the instigator before making his escape, sidling up to a murderous michael and asking with barely hidden glee, “whatcha doin’ there, buddy?” when the storm breaks — after jeremy’s out the door — michael just throws some shit into his room with an angry “not even FUCKING HERE” and moves on.
in stark contrast to the first few times this happened — during which she got just about as pissed as michael and would yell back at him — jack is utterly calm about it, and usually the last stop on michael’s route, because a) he’s usually almost out of trash at that point, and b) she just sits there with her arms folded and stares him down until he runs out of steam, and can always be counted on to help him pick up whatever’s left and follow up michael’s tantrum with stern warnings to the boys.
ryan is the only person who does not get affected by cleaning day, because he keeps fairly clean and michael knows it. this is not to say he’s immaculate: there are staggering amounts of diet coke cans left on the kitchen counter every day. but they aren’t left lying all around the house, and that’s what michael cares about. (plus, every saturday morning, ryan washes out the soda cans and puts them in a bag for recycling, drives them out to a “can man” who weighs the bag and gives him money for the cans, and then donates the cash however he sees fit, usually to an animal shelter or buying a homeless person a meal. so the cans don’t remain in the kitchen for very long. he’s crazy, not heartless.) and while his room is untidy as all get out — that’s where all the cans are strewn about — ryan tends to keep his mess contained and out of the general living space.
the one time michael did try to include him in the tempest, the can he was attempting to chuck at ryan’s head was suddenly impaled by a throwing knife. it was extremely sobering.
i may have lied. ryan’s not the only person to be safe from michael’s wrath on cleaning day. nobody pulls that shit on lindsay and lives.
If you know a bit about autism, or have been following this blog for some time, you must be aware that one of the autistic traits which has the most consequences on our daily lives is our sensory differences. They have an impact on all spheres of our lives: on what we can and cannot do, on where we can and cannot go, on what we can eat, wear, listen to, on our ways to feel good and on what makes us feel bad.
Such a wide subject definitely warrants a masterpost. So, here we go!
First, let’s take a look at the human sensory system, to understand the different areas in which there can be differences. It’s actually more complicated than the traditional five senses! Our sensory system is divided into three parts:
Exteroception : sensing what comes from the environment outside your body.
Interoception : sensing the internal physiological condition of your body
Proprioception : sensing the position your limbs and body are in
These three main areas encompass different senses (note that this is one model and others exist):
Exteroception: sight, hearing, smell, taste, touch, but also thermoception (sensation of heat/cold) and nociception (sensation of pain)
Interoception: nociception (internal pain), feelings of hunger, lack of oxygen, thirst, need to pee, as well as monitoring of the respiratory rate and heart rate.
Proprioception: the kinesthetic sense (knowledge of the movement and relative positions of your body parts) and the vestibular sense (knowledge of body movement, direction and acceleration)
For all of these senses, autistic people can have them work typically, be hyposensitive (less sensitive than most people), be hypersensitive (more sensitive than most people) or have sensory processing differences which do not fall under the hypo/hyper system.
The clinical term which encompasses these differences is “Sensory Processing Disorder”. One can have SPD without being autistic, but all or almost all autistic people have SPD.
It should be noted, however, that some autistic people don’t like to think of it as a disorder and prefer simply talking about sensory processing differences.
Something very important to understand is that hypersensitivity and hyposensitivity CAN coexist in any one person’s sensory system. For example, they might be hypersensitive to smell and hyposensitive to touch. They can also be hyper/hypo sensitive to only one aspect of one sense (for instance, pressure or texture or bright lights or sweet tastes). They can also be sometimes hyposensitive to something, and sometimes hypersensitive to it.
Being hypersensitive to a stimulus and being exposed to it can cause what is called “sensory overload”, which usually translates to pain, discomfort, and impaired cognitive functions (in other words, trouble thinking properly). If pushed further (very intense stimuli or very long exposition), it can lead to a shutdown or meltdown.
Being hyposensitive to something and lacking stimulation can translate to restlessness, discomfort, and even pain, as well as an intense craving for the stimuli.
Here are some examples of what hypersensitivity to different senses can translate to, on a behavioral and subjective level:
Sight: The person wears sunglasses, maybe even indoors. They avoid places with fluorescent lightning, blinking lightning or too bright lightning. They dislike looking at brightly colored surfaces. They may have trouble with visually cluttered spaces, such as crowds and supermarkets. They may find any kind of flickering or movement around them painful to see.
Hearing: They may hear sounds no one else can hear (and some have been tested to hear outside the normal human range). They may have to wear headphones/ear defenders in noisy places. They may avoid crowds and events with lots of people/loud music/shouting. They may have difficulty with the noise of the vacuum, of the construction work on the other side of the street, of the clock ticking in the next room. They may develop tinnitus eventually.
Smell: They’ll probably dislike places with strong smells such as perfume shops, farms, or crowded public transportation. They may need to wash themselves, their clothes and their sheet very often to keep body odors to a minimum. They may not tolerate scented soap, shampoo or deodorant (and it’s sometimes difficult to find an unscented one!). They may struggle with the smell of food in general, or with particular smells.
Taste: They may be very picky eaters, only tolerating a couple of very bland-tasting food such as mashed potatoes or pasta. They may have difficulty having diverse enough diets with all the nutrients they need. They may always eat the exact same thing.
Touch: They may have trouble finding clothing with a texture that they can tolerate. They may need to cut all the tags off their clothing. They may absolutely hate anyone touching them. They may be ok with firm touch, but find light brushy touches painful. They may have trouble wearing specific items of clothing, such as socks/shoes, headphones or hats. They may hate people touching their hair, or find brushing their hair very difficult. They may find brushing their teeth nearly impossible because of the scratching sensation. They may have trouble with the texture of many foods, and be a picky eater because of that.
Thermoception: They may be very sensitive to cold, and always wearing loads of clothing and turning the heating up even when other people don’t think it’s that cold. They may be very sensitive to heat, finding summer very hard to cope with, especially if they don’t have access to AC. They may be hyper-aware of tiny changes in temperature, feeling cold when it is dropping and hot when it is rising regardless of the actual temperature.
Nociception: They may be more sensitive to pain than most people, and find very painful what most people would shrug off. (They’re not being a drama queen! They really do feel more pain!)
Vestibular sense: They may get motion sickness very easily.
And here are some examples for hyposensitivity:
Sight: The person may have trouble finding things in visually crowded environments. They may enjoy looking at bright colored lights or at objects in motion (spinning top/twirling fingers…)
Hearing: They may not notice being called or being talked to, especially when focused. They may enjoy listening to very loud music, singing, or making lots of noises.
Smell: They may not notice smells which other people do. They may enjoy strong smells such as perfume, essential oils or body odor. They may enjoy sniffing a favorite blanket, a significant other, a pet, or anything they like.
Taste: They may be able to ingest an impressive amount of spicy food, and may crave strong tasting food (pepper, lemon, salt, sugar…).
Touch: They may love rubbing/touching favorite textures, rubbing their hands together… They may love and crave deep pressure, such as having heavy weights on top of them.
Thermoception: They may be outside in winter with just a T-shirt, or not be bothered by the heat in summer and even wear a sweater. They may enjoy touching very hot things such as radiators or very hot water, or very cold things like ice cubes or snow.
Nociception: They may be less sensitive to pain than most people and not notice it when they’ve been hurt.
Vestibular sense: They may love roller coasters, boat rides when there’s a lot of waves… They may never get motion sickness of any sort. They may spend time rocking or like to chill upside down.
Kinesthetic sense: They may be very clumsy since they have a poor sense of the position of their body in space. They may stumble a lot and be generally bad at sports. They may have trouble with fine motor skills such as handwriting or sewing. They may enjoy doing repetitive motions such as hand flapping.
Interoception: They may have trouble noticing when they are hungry, thirsty, tired, or when they need to go to the bathroom. They may need to set alarms or to have self-care at set times as part of their routine.
These are of course only examples and hyper or hyposensitivity can express themselves in as many ways are there are people who experience them.
Here are some examples of other sensory differences autistic people can experience:
Synesthesia seems more frequent among autistic people than in the general population. It is defined as a transfer from one sensory modality to another: for example, seeing sounds or hearing tastes. It can also mean associating colors or personalities to numbers/letters. In autistic people specifically, it can be a very positive thing (you can now stim with two senses at the same time!) or something painful (these bright lights are awful, well now they’re harsh noises too).
We often struggle with processing sensory information, especially speech, which can mean we can have a lot of trouble understanding what people say, might take a lot of time to process speech (which results in conversations such as” “Hey, will you get me this thing please?” “What?” “I said, will-” “Oh yeah, sure”), and might need subtitles to be able to understand movies. Processing information from two different senses at a time can also be difficult, which often translates as “I can either look at the images or understand what’s being said”. This is one of the causes of our struggle with eye contact.
That’s all for today. We hope this helped. We are currently preparing a masterpost on stimming which will be quite related to this one. Happy writing!