cleaning up tumblr


my fav part of the series is when someone says something  fucked up to ginko and theres a few moments of silence while he looks at them with a tired expression

+ another doodle i didnt want to post separately:

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anonymous asked:

Alex roughly eating louis that I'm all I'm sayin . Just a thought . I dunno . I haven't seen Dunkirk yet I'm gonna of spoilers

@celebratinglouis u send me the nastiest shit but also thank u. 

this is just…it’s porn. it’s angst and porn and feminization kink and poor coping mechanisms. also it’s written in like three different tenses. listen, I’m sorry. I hope you like it anyways, bc this is a concept I could write…more of. Also a few Dunkirk spoilers! 


The train spewed steam, hot and compressed, behind him, and Alex still found the ability to push forward.

He hurt, and he couldn’t even identify where. His ears were ringing, and he’s only now noticing it. He thought his neck and his head might hurt, but then again, his wrist and his ankle might, too. It’s just everywhere. His eyes stung even though he was just asleep, his mouth tasted like warm beer and warmer water.

He blinked, and brought his hand up to his eyes, his other hand tightening on the strap of his pack. There’s no sunlight in the station, but he still feels like he should lift his hand, get a better view.

He’s standing there on the platform, three dimensions, full color. He’s wearing nearly the exact same thing he wore to the station the first time, the grey trousers and the brown braces and the big, open pale blue jumper that’s gotten paler, bordering on grey.

He’s the most beautiful thing Alex has ever seen. He’s the only beautiful thing he’s seen in a while.

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So people have been asking me how I make clean lines, (which tbh I don’t. I can’t do lineart at all so I jUST USED MY SKETH AS LINES SOBS….) But to at least make your linework look nicer, both digitally and traditionally, I’ll say only two words: 

Line Weight.

What’s Line Weight? It’s basically where you make some parts of your lines thicker/darker to make an illusion of shadow and add more depth to it! How do you do that, well:

Of course, always do everything in moderation, and generlally make lines thicker where you think the shadow is going to be. But line weight makes a lot, and I mean a LOT of difference in adding dynamic to a sketch.

Here’s some other example of line weight from my other works.

I hope that helps! ANd have a good day! :>