classical indian art

Edwin Lord Weeks (1849-1903)
“Water Carriers Of The Ganges”
Oil on canvas
Currently in a private collection

Orientalism is a term that is used by art historians, literary and cultural studies scholars for the imitation or depiction of aspects in Middle Eastern, South Asian, and East Asian cultures. These depictions are usually done by writers, designers, and artists from the West.

“Visha Kanyas”

For part 3 of the desi remix series I chose to illustrate“Visha Kanyas” (poisonous damsels). These young women were used as assassins against kings and other powerful enemies. They were often sent by kings to kill their enemies by seduction and giving their targets poisoned alcohol. It was believed that their blood was extremely poisonous to humans, and that even a single look or touch could kill a person.  

“Visha Kanyas” is a remix of “Hylas and the Nymphs” by John Williams Waterhouse, in which Hylas (the companion of Greek God Hercules) is abducted by water nymphs. 

Part of my goal is to easternize western paintings, but my main goal with these remixes isn’t necessarily to highlight religion or to make religious iconography. I see a lot of young desi women trying to rebel against traditional images of how desis have been depicted in the past and how they should look in order to create a new image of what modern desi women look and feel like today. I definitely support this notion, however instead of using my paintings to create a single snapshot of what the modern desi looks like, or instead of rebelling against my culture in any way, I’d rather create a scene that shows women taking action. I don’t want to make portraits to suggest that how I paint someone is what I believe beauty should look like because then the conversation becomes just about what we look like on the outside. I make paintings rooted in mythology because it tells a story of women doing things their way and being powerful. So much of history in Indian mythology is about men fighting epic battles, but you don’t hear enough about HERstory. I want to show examples from our past to prove that not all traditionally depicted women are weak, shy, or whatever other stereotypes give us negative sentiments about who we are as Indian women today. The point is that there are stories to be told that show action, not just questions about beauty captured in a single way. Whether this power comes through women defeating men by trickery, using seduction to get what they want, or going as far as killing men, these stories all show women having the upper hand, which if you ask me, defies stereotypes just as much as being a “rebel” or changing up our looks. 


Nair Woman

Lady with Veena

Mother and Child

There Comes Papa, 1893

Malayalee Woman


Lady Juggler

Radha Madhavam, 1890

Lady at Ball Game

Ahalya Indravalokan

Lady Holding a Fruit


Fresh from Bath


Gypsies, 1893

Galaxy of Musicians

Woman with Veena

Portrait of a Lady, 1893

Yasoda Adorning Krishna

Ganga and Shantanu, 1890

Maharani Chimanbai

Ganga Avataran, 1910



For anyone with an interest in film and restoration, this beautiful short made by @theacademy is a must-watch.



Completely entranced by these shots taken by Ashit Parikh of Kathak dancer Manuela Benini. The rubble and rough edges of India are so characteristic as I’ll always remember that things there always look worn or unfinished. What a beautiful, contrasting red highlight too!

Check out more of his fantastic work on Flickr.

- S