Marilyn Monroe photographed by Gene Kornman (1953) / Marilyn Monroe photographed by a fan in NYC (1955)
One of the most iconic faces of pop culture knew precise makeup techniques: Quoting Marilyn Monroe’s makeup artist, Allan Whitey Snyder: “Marilyn had makeup tricks that no one had or knew. Most of them she didn’t learn from me. She discovered it herself”. In fact, Marilyn did her own makeup for many occasions. Photographer Sam Shaw talked about one day while she was getting ready. “I asked her: ‘Marilyn, don’t you think that this makeup is a little too much?.’'Sam, you don’t understand’, she answered: ’This make-up is for my fans, those people waiting inside the movie houses, or outside on the street waiting in the crowd at an opening. They are the people the studios won’t let close to the theatre unless they pay to get in. When I arrive there I’ll turn to wave to them and they’ll see me and won’t be disappointed. My fans want me to be glamorous. I won’t disappoint them.’
Skin: Marilyn liked her skin with a flawless finish, but yet glowy - you note in many picures that her cheeks, tip of the nose, and under brow area are glowing, she liked the effect that it gave, especially with the studio lights
Eyes: Marilyn expanded her eye crease by overdrawing it with brown eyeshadow. Her eyeliner was not too thin or huge, and it always gave the classic cat eye effect. She also drawn with brown pencil a line in the under eye area to fake a 'shadow’. She prefered individual fake lashes, applying them in a way to maintain the shape that she wanted for the eyes. She also arched her brows with eyebrow pencil.
Lips: By far, the most iconic part of Marilyn’s makeup are her lips. As you can see in her makeup free pictures, they were by far not as plump as they appeared to be. Marilyn always overdrawn her lips, (so did almost all the other female stars on that time period), but she had a especial trick - Marilyn used at least 4 different colors of red lipstick to create a 3D effect; the lighter shades on the center of her lips, and the darker ones on the edges. She applied vaseline to finalize the glossy and plump effect. Her beauty mark was not fake, in fact, you can slightly see it in the makeup free picture - but it’s not as noticeable because it was almost the same color of her skin, so she enhanced it with makeup.
“One can never wakeup in the morning, wash the face and look like Marilyn Monroe. She knew every trick on the book to compose her look” Photographer (and Marilyn’s friend) Milton Greene
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- Just because it starts off slow and pretty doesn’t mean it’s not going to get seriously intense later on. In fact, there’s probably more of a chance.
- Most pieces average about 8-15 minutes long. Entire symphonies can last roughly an hour, but you can always find separate movements. Be patient and wait. Even if you already know it and just want a specific part, just enjoy the build-ups, man.
- There’s all kinds. Anything from dark Russian waltzes to peppy English marches, to thousands of symphonies by various composers. Even if you don’t like a certain tone, there’s always more and if you find something you like, and if you listen on YouTube, the recommendations are pretty good at linking similar styles.
- Non-lyric stuff is great for studying, relaxing, or just spacing out.
- In the quiet parts, try to avoid turning up the volume too loud (but of course if you need to, then 2 clicks or so should do), unless you want to jump a foot out of your seat when the dynamics suddenly change.
- Cool stuff to get you started that you might recognize from cartoons or movies or something: