clandestine records

Pete Wentz on reinvention, neuroses, and success post-emo
  • How’s M A  N   I    A coming along?

Pete Wentz: It’s good! Since we announced that we were going to take some time and push it back, I think that’s really allowed us to make a record that we are passionate about. I think that we always sound pretty sonically different on almost every record, although there are some exceptions. Between Save Rock and Roll and American Beauty/American Psycho there’s less of that gap. I think that delay has allowed us to recalibrate and make something that we want to go around the world for a year and play and perform.

  • People always say after every single record ‘Fall Out Boy have changed!’ but you never said you were one particular thing anyway. People said you changed from emo, but you always just did your own thing anyway.

Pete Wentz: Yeah! Like, listen, when Jay Z was the president of our record label we wanted to make songs that sounded like Jay Z and they just happened to sound like ‘Arms Race’ or whatever. We’re a band that were always too heavy for most pop music and too pop for a lot of heavy music, so we sit in our own little space in the world. Every record people are like, ‘what happened? You’re so different!’ or whatever and I’m like, ‘oh my god’, I never knew we were going to have to go through that forever.I mean, I appreciate it because I know what it’s like. I love The Clash and David Bowie, and they always changed so much. That’s cool but if you fall in love with an era and you don’t know if the next one is going to be any good or compelling or meaningless to you, that’s hard. But when I step back and I look back at David Bowie as a whole, I’m like, ‘this guy’s career is amazing and I can like all of these different parts of him that are so different’, you know? And I hope that we could have like, one iota of that. Of that feeling. One tiny piece of that as a band would mean a ton.

  •  You can’t stay the same. It felt even back then as if you kind of didn’t want to be pushed into that kind of hole or marketed in that way, anyway, right?

Pete Wentz: Right. Yeah! I think that we’ve always kind of been the band that we’ve been. This is all there is, you know? Hopefully that’s enough for somebody. I think that sonically we change but we want to emit a similar feeling for people or have people to feel a similar way. I always want to kind of be – I mean, we can’t play the game for you or live your life for you, but I want to be the orange slices after the game, you know? When kids play soccer or football and they get orange slices and juice boxes after, I want to be that for everybody.

  • I’m mostly just impressed with how you’ve managed to do that, because there are so many bands from that time who did just keep trying to do the same thing and it doesn’t work.

Pete Wentz: I think there’s room for all of us. Whatever anybody wants to do is totally cool to me. Your life and your band and that kind of thing. But to me, I think that any time you get involved in pop culture or pop art or whatever, the responsibility to the audience is to push people to listen to or see things they wouldn’t otherwise. That’s a thing I’ve always been proudest of, that we always push our sound and sometimes we push it too far and sometimes I understand that because we’re meant to make you feel something, you know? I want kids to know that there are rock bands that can play in arenas and festivals and are also played on pop radio at the same time. Like a contemporary rock band. That’s one of the reasons why we do what we do. 

  • You’ve done a pretty good job of keeping people happy

Pete Wentz: Oh, thank you. Sometimes it goes the wrong way and we know that. I know we put out ‘My Songs Know What You Did in the Dark’ and that song was polarising and we knew before we put it out that it was going to be polarising. Sometimes when you try things that are different sometimes you’re not going to get it. You’re not going to get everybody every single time.

@falloutboy 

Photography : @pamelalittky

  • It’s like what you say about David Bowie. I love David Bowie, I named my dog after him, but there are still albums that I don’t like.

Pete Wentz: I did too! (laughs) I think the amazing thing about that, and it’s the same thing with The Clash to me is that the body of work is so diverse and there’s so much of it that you’re like, ‘I love these ones, I don’t like this one as much’, but you’re able to do that versus if it’s all kind of the same. Imagine if you grow out of it and there’s just nothing else there? It’s a one note kind of thing and that’s the danger of doing that. Of course the danger of changing is that you change and maybe people are going to have a hard time to change with you and maybe you’ll change into something that your fans can’t follow. That’s a dangerous thing too. Our job as humans is to evolve. You’re not supposed to be like your parents, you’re supposed to be better than your parents. We’re not supposed to be like The Clash. That’s a super important mission.

  • When you went away and came back, it was four years. Music and the world and your scene became very different in that time. It would have been weird if you came back and did the exact same thing all over again

Pete Wentz: Totally. I can think about it honestly now and it just wouldn’t have worked the way we wanted it to. I think that we all went away and did our own things. Every once in a while when I’m talking to somebody, they’ll say, ‘why don’t you just keep doing Take This to Your Grave?’ and I’m like, it would just be really inauthentic for us to do it. If we tried to do it right now it would come out so weird because we’ve experienced the world and it’s been 13 or 14 years and we’re different. If we tried to do it, it would come out like a parakeet. It would seem like a bad copy.

  • You’re so much older and you have kids and you’ve been famous, you can’t really pretend to feel that way.

Pete Wentz: It would be really hard. You can’t go back, you know? I’ve watched bands that I loved growing up try to do that and it’s just really hard because you are just a different person. You lived in a van and it was just a different era in your life

  • I feel like as well as your music, the thing that’s helped you guys have that longevity is that you’ve been so good – especially you – with the business side of it. You’ve always had a lot of different things going on, like your clothing and record labels Clandestine and DCD2.

Pete Wentz: Oh, yeah. I appreciate you saying that. I think that I don’t only think in terms of the songs. We try with the music and some things don’t work and some things do and some things don’t work in the way they’re supposed to, but I love hanging out and doing things with other people who are creative and know how their industries work. I love seeing the ways people minds work and taking part in that. Lots of times I do that in a very amateur kind of way because I’m just learning a lot of it, but it’s really fascinating to see other industries and the way people go about their thing, their craft. 

  •  It seems to me that lately you’re a lot happier and chiller than you’ve ever been. Do you think that’s impacted where you’re going with the music?

Pete Wentz: I think so. When I was in my 20s it was really easy for me to tap into really big emotions, but I didn’t really understand the subtlety of neuroses. Because there are little ones and little things that we all kind of have, and I think about that and I think that that influenced a lot of things we wrote on this record. There’s a subtlety there about all the little twitches and flaws that interconnect us as human beings. The same little things and anxieties that I have I’m sure that some kid in Scotland or some kid in Florida has similar things, you know? They interconnect us and that’s what makes us human beings. I’ve chosen to focus on and write about that this time around. Yeah, I think it does influence it. It’s harder to tap into those really big, raw emotions now but those are really easy to tap into when you’re a 22-year-old guy writing.

Lead photo Marcus Maschwitz

Play Time (D.VA/Sombra)

A/N: No smut this time, just some stress relief / playing around with voices.



“This wasn’t easy to get, you know.” She held a thick plastic case between two hands, fiddling with it. Hana’s fingernail ran over the bumpy edge, rattling and scraping. “I had to have my dad snail mail it to me.”

“Of course, kid,” Sombra said. “I owe you one.” Sombra moved to take it, but as she did Hana flinched back.

Sombra paused with her hand outreached, clawtips hovering within grasping distance. “Having second thoughts?”

“…Maybe.”

Sombra’s face tightened, lips pressing firmly together to try and fight off a smile. She failed miserably, smirk coiling up like a snake.

This was ridiculous. If Sombra was going to run off with anything, it wouldn’t be an old game from a system no company built anymore. Then again, Hana could distinctly see in her mind’s eye a vision of Sombra sailing away with everything– all of Overwatch’s secrets, and her favorite game, adding insult to injury.

“I’m only going to borrow it so I can make a copy.“

“I know!” Hana pushed the game into her hands. “Just bring it back quickly, okay?”

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300+ Followers?!

oh my god am i imagining this

also i messed up and now words are subscript wooooo! 

Okay. I’m not going to clog up your dash with a long essay, but I’m going to at least say this:

Thank you! Thank you so much for supporting this blog!! It went from a measly 0 to 300+, and that’s just.. wow. All of you are so nice, so cute, so adorable, I really, really am grateful to each and everyone one of you here.

This blog has really been something, I mean, it started as a way for me to practise writing and… look where it is now.

300 might not be alot, but it’s a huge milestone to me.

Ah, so to celebrate 300+ followers, here is a sfw Shizuo/Reader

Dedicated to durararascenarios​, because you’re a great friend.

It was you who introduced me to the other blogs via the chatroom. Honestly, thank you so much, if it wasn’t for you then I probably wouldn’t be having as much fun as I have right now. 

You’re a really strong person, and you’re a wonderful, excellent friend! You’re far more brave than you think you are, Evime, so don’t give up. Life can suck at times, but remember that you are awesome and caring and nice and good and cool. 

I’ll always be here if you need me, don’t burden yourself with too much things, alright? You can talk to me if you need anything, you can talk to the other scenario blogs if you need anything, heck, you could also talk to your followers! 

…I honestly can’t express what I’m feeling, but hopefully this oneshot will. 

I hope it’s okay-enough for you to read and enjoy fully.  

world.

a.

“DON’T FUCKIN’ COME ANY CLOSER—!!”

And he is there.

You’re breathless, eyes widened with your gaze centered on the sudden appearance of yellow and blue. In your shocked state, still unable to believe that you could have died moments ago, the blur that pierces your vision and takes away all your fear is the same person who’d asked you to help him with dyeing his hair because he didn’t know how to. The same person who’d stumble out into the rain for nothing except wait for you to arrive, the same person who’d shared with you how afraid of himself he was, the same person who loved sweets and had the same tastes as a child.

Heiwajima Shizuo, who had once seemed rather meek, was now uprooting a vending machine and hurling curses at the thugs, roaring, fighting—

Protecting.

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7

Open Call for Submissions: Do You Want to Write for Bright Wall/Dark Room?

Being a teenager is the best and the worst thing in the world. Maybe you were a rebel without a cause, or maybe you were dazed and confused. Were you drop dead gorgeous? Did the lost boys and the mean girls see you working your part-time job at Empire Records and clandestinely whisper “she’s all that?”

Bright Wall/Dark Room is celebrating those days when we engaged in risky business, walked through the badlands of our ghost world towns, those hard day’s nights when you didn’t know if you were one of the heavenly creatures or just plain clueless. Who were you when we were kids? A cry baby? A meatball? An American beauty, or the teen wolf who threw the best house party? We want to hear from you.

So if you want to detail how Beetlejuice’s Lydia Deetz shepherded you through teen angst, how you mooned over Baz Luhrman’s Romeo + Juliet during English class, or how Donnie Darko might be the only one who understood you, please submit to our upcoming issue on Teen Movies. Send your pitches or submissions to bwdr.editors@gmail.com by August 7th! Anything from Splendor in the Grass to River’s Edge to The Virgin Suicides will be considered – but don’t be late, or we’ll write a list of 10 Things [We] Hate about You.

Don’t forget: We at Bright Wall/Dark Room love it when writers play at breaking away from traditional review formats. We want to hear about your relationship with the films, how they inspire memories of scrawling American Graffiti on the back of your own rock n’ roll high school. If you think you’ve perfected the weird science of making the perfect teen movie, we want to read your notes. So skip school, take off your glasses and let your hair down, and write like greased lightning! Say anything (just don’t tell mom the babysitter’s dead).