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bazluhrmann: The inspiration for the scene between the fish-tank came when Craig and I were so desperately looking for a solution as to how to surprise the audience for the first connective moment between Romeo and Juliet. I was younger then and we might have gone out to clubs a bit more. That night after working all day we squirreled out to a place (if I recall correctly called “The Dome”) in Miami. When I came out of the bathroom to wash my hands I looked up and saw a woman combing her hair with a brush through a fish-tank. It was a brilliant device to get guys and girls to connect through the sitting rooms, while protecting each room’s privacy. Obviously you can see where this moment lead … #romeoandjuliet

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Two households, both alike in dignity, in fair Verona, where we lay our scene. From ancient grudge break to new mutiny, where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, a pair of star-crossed lovers take their life, whose misadventured piteous overthrows doth, with their death, bury their parents’ strife. The fearful passage of their death-marked love and the continuance of their parents’ rage, which, but their children’s end, naught could remove, is now the two hours’ traffic of our stage.

Romeo + Juliet (1996), dir. Baz Luhrmann