The landscape of the Palestinian Museum by Heneghan Peng has the ‘worked’ quality of a city; every element of it has been touched and tells a story of intervention, production, culture, environment, commerce. Like a city, the terraced landscape has embedded within it its history. The approach to the Palestinian Museum is to draw on this history of the terraced landscape, embedding the museum into its immediate site and drawing from this site to tell a larger story of a diverse culture.
The cascade of terraces tells a diversity of stories, citrus brought in through trade routes, native aromatic herbs, a rich and varied landscape with connections east and west. The building itself emerges from the landscape to create a strong profile for the hilltop both integrated into the landscape yet creating an assertive form that has a distinctive identity.
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50,000 followers!! My child sacrifices worked! Jeez guys, thanks for sticking around so long. :’)
As a celebration here’s a little something from the archives: A fan-animation of Rat from The Nameless City by Faith Erin Hicks. I was so stoked when I first saw her design I did a little run (and quickly got too busy to finish it haha).
Thanks again everyone! Here’s to another year of weird crap and work crap.
(Also, don’t forget to read my FAQ if you’re looking for advice. It’s likely I already answered a similar question!)