charles is not here

8

loving this concept

we’ve all talked about how hard it is on alec because jace is missing. and we’ve talked about how heartbreaking it is for jace to be back with his abuser.

but listen, imagine how izzy must be feeling. one of her brothers is missing and she feels just as helpless as alec. but what’s worse is izzy also has to watch alec be in pain because let’s not forget that even though jace and alec’s bond is weaker than it was before, they’re still connected so he’ll still feel that void inside of him where jace is meant to be. and it’ll hurt like hell, parabatai’s aren’t meant to be apart from each other. and we don’t know how much of each other’s pain jace and alec feel. and the worst thing is izzy can’t do anything about it, she can’t ease that pain for them. she can’t take that ache away for alec or for jace. so not only is izzy hurt and upset, she’s also hurt for jace and for alec. let’s not forget how compassionate izzy is, how much she feels for other people. this must be killing her, she’s probably destroying herself trying to stay strong for her brothers when all she really wants is to have them both next to her, reunited and safe.

3

Alice in Wonderland printable posters 

  • tmi books: here we have clary, a girl hater who dislikes people purely for being pretty. then Jace who makes unnecessary nasty comments and is so hetero that he can't be seen drinking something pink. this is Simon, a guy who two times on girls but it's okay because "he liked them both so much, he couldn't make up his mind". oh those people, they're...um..m-ma...errr isador...lu..alejand..it doesn't matter they just stay in the background.
  • shadowhunters show: LISTEN UP ANGELS, HERE WE HAVE CLARY FREAKING FRAY, BOSSASS BITCH WHO IS FINDING OUT WHO SHE IS. INSANE RUNE POWER. IS SMOL BUT WILL FIGHT YOU. THIS IS JACE MOTHERFUCKING WAYLAND OR YOU COULD CALL HIM LIGHTWOOD BECAUSE FUCK IS HE APART OF THAT FAMILY. HE MAY BE BROKEN BUT HE FOUND HIMSELF A FAMILY. GOES BACK TO HIS ABSUER TO SAVE HIS FAMILY AND FRIENDS. SIMON FUCKING LEWIS, MOST RELATABLE DUDE ON THE PLANET, 100% PANSEXUAL CONFIRMED, BET YOUR ASS HE'S THE FUCKING KING OF MOVIE REFERENCES. NEWS FLASH- THERES MORE THAN 3 MAIN CHARACTERS. Y'ALL BETTER PREPARE YOUR ASSES TO MEET ISABELLE SOPHIA LIGHTWOOD. BEST FORENSIC PATHOLOGIST IN NEW YORK AT 18. COULD KILL YOU WITH HER 7INCH HEEL WITHOUT BREAKING A SWEAT. MOST COMPASSIONATE PERSON. YOU LIKE HER? WAIT TIL YOU MEET HER BROTHER ALEC FREAKING LIGHTWOOD, LEADER OF THE NEW YORK INSTITUTE, WON BEST BIG BROTHER AWARD 20 YEARS IN A ROW. ALSO HAS AN EPIC JOURNEY OF ACCEPTING HIMSELF. WHAT WAS THAT WE HEAR? GOOD LGBT REP? YOU CAN MOTHERFUCKING COUNT ON IT. THE MAN THE MYTH THE LEGEND MAGNUS BANE, HIGH WARLOCK OF BROOKLYN, KING OF THE SASS, OWNER OF NEW YORK'S BIGGEST HEART, AINT NOBODY'S PET WARLOCK. WAIT WE'VE SAVED THE BEST TIL LAST...LUKE GARROWAY, RESIDENT COP, HAS JUST FINISHED ADOPTING EVERYONE, CONFIRMED DILF, BEAUTIFUL MOTHERFUCKER WITH A GUN AND GLOWING GREEN EYES. WE LOVE ALL MAIN CHARACTERS. WE LOVE YOU. THANK YOU AND GOOD NIGHT.
6

molliarty au:❝It was very hard to find a pressure point on you, James Moriarty.❞

Everyone has pressure points, and not even James Moriarty can hide his. It was his game, the one he made up years ago and forced countless people to play along. The rules were set: two pills, one gun; and of course, none of those who played, made it out alive. But the last thing even he had ever expected, was for the tides to be turned against him and be forced into the game. Even worse, to find his pathologist and pressure point — Dr Molly Hooper — pulled into the mess as well.

The biggest question in Kuroshitsuji:

Where the hell is Victoria finding all these white-haired young men. Why does she have all these white-haired young men. Is it a fetish? Does she just think they’re pretty? Does she just adopt them off the street?

Explain yourself, Victoria.

2

The minute he enters your room, Charles notices a definite change in the atmosphere. He can’t tell if it’s good or bad. “(y/n)?”

“In here,” your voice calls from the bathroom. Charles follows your voice to see you standing at the counter, brushing your hair. He smiles at you fondly and leans in the doorway.

That’s when he notices it. Notices what’s different.

You aren’t blocking him from your mind today. After a year of knowing each other, (y/n) finally trusts him enough to let him in.

“I can feel you in my mind, Charles,” you say softly but not accusingly, turning to face the man.

His face reddens slightly. “Sorry. I won’t if-”

“No,” you cut him off. “It’s okay. I want you to look. Well I don’t exactly want you to, but…you can.” You step forward and take his hand in yours. “I trust you.”

The corner of his mouth twitches up in a smile, and he brings his hand up to cup your cheek. “Are you sure?” At your nod, he moves his hand up instead so his fingers are on your temple. You watch as his eyes flutter shut, and you close yours too.

He sees your childhood: You running from bullies in the school yard, and then a teenage you running away from an abusive foster home. He sees you being beat on the streets of Chicago, begging for food on the street sides and giving blankets to other homeless that you found.

You, alone, cold, and scared, trying to learn to harness your telekinesis in the dead of winter.

But then it’s like all of the negativity washes away.

The hues from the scenes shift from dark to light when Charles finds you on the street, comforting you and talking to you in a way that immediately makes you trust him. Flash through your rehabilitation to full health at the academy, scenes of you and Charles working and walking through the grounds together. So many scenes of you and him together.

When he opens his eyes, it’s to see your beautiful (e/c) ones staring back into his. “(y/n)-”

You cut him off by tilting your head up and pressing your lips to his. He freezes in shock, and after a second or two of him not kissing back, you pull away abruptly. “I’m sorry, I’m sorry I shouldn’t have-”

Now it’s his turn to cut you off by taking your hand and pulling you back into him, kissing you passionately. You sink into his warm embrace as he strokes your hair, and you wrap your arms around his shoulders. He pulls away first for air, and you open your eyes to see him smiling at you.

“I’m glad you let me in today.”