character turn arounds

you know that trope in shows or movies where the evil character is in captivity and starts talking to the Heroes to try and mess with their minds, and starts analysing them going “face it you’ll never be good enough” … “you try to act tough but inside you’re broken” … and the Hero gets really rattled and upset.

well i want a scene like that where it doesn’t work

Villain: “You have a darkness inside of you. You try to hide it, but it’s there–”

Hero: “Yeah that’s the depression, there’s pills for that.”

Villain: “You try every day to make your mother proud. Even after death, it still haunts you. But she’ll never be proud of.”

Hero: “Well yeah, she was an emotionally abusive narcissist, she was never proud of anything I did, what else is new.”

Villain: “You put on a good show, but deep inside I know you don’t feel worthy.”

Hero: “I know, man, I’ve been trying to work on that in therapy.”

Like… give me characters who know they’re mentally ill and traumatised who can’t have it used against them because they’ve fully accepted it

You know, in a horror movie, everyone always responds with a flight response when they see the monster. But that’s not the only thing that happens when people get scared. I want to see someone choose the fight response. I want to see a character turn around to see the killer right there, scream in terror, and start punching them in the face repeatedly.

tea witch.

There are such terrible double-standards when it comes to fandom judging Jyn Erso. What provokes sympathy in other characters seems to be grounds to crucify her.

Cassian being in the fight against the Empire since he was six years old makes him tortured and in need of a hug. Jyn being in the fight against the Empire since she was eight years old, up until the time the leader of her extremely militant cell abandoned her, is roundly ignored. Cassian’s past as a child soldier is sympathetic; Jyn’s, apparently, doesn’t matter in the face of her no longer being one.

Jyn keeping her head down against Imperial Banners while working as a criminal and persistently causing trouble for the Empire - enough to land her in Wobani - is a sign of privileged cowardice. Bodhi keeping his head down by choosing to work for the Empire as a cargo pilot, accepted enough he can work under his own name too (whereas Jyn had to run) is a sign of a poor sad past. Bodhi’s complex motivations in a desperate situation are acknowledged and give depth; Jyn’s anger and survival instinct in a desperate situation are a cause for hatred.

Bodhi being inspired by Galen Erso to risk certain death, by defecting and join the Rebellion, is a sign of his inner goodness. Jyn being inspired by Galen Erso’s to risk certain death, by joining the Rebellion and going on a suicide mission, is… nothing, apparently.

Jyn grieving over her father dying in her arms is being too emotional and an unwanted stop to the action. Baze grieving over Chirrut dying in his arms is a moment of poignancy despite the firefights around them. Baze’s emotions are an accepted part of him; Jyn’s is not.

Jyn calling Cassian a stormtrooper when he went up with the intent to kill her father, despite being unable to follow through, is her being blind and self-centred, in the face of Cassian having lost his family. Cassian calling her a privileged coward after both her father figures died violently within 24 hours of one another, is Cassian “doing great for calling her out on her privilege”. Cassian’s traumatic past is worthy of acknowledgement; Jyn’s is not.

Jyn is white, and in our world that’s one axis of privilege. But it is not the only axis, and in Rogue One not the most important. Of all the characters, who is it who’d be hostage–or worse–because of her blood, no matter what she does? Who has been persistently on the run and has to keep her head down because the Empire is on the hunt? Apparently, being white and initially self-centred means that being a child soldier, instinctual self-sacrifice, and being actively persecuted for who she is, not who she does, none of them count.

Which is not to say that Cassian isn’t sympathetic or Bodhi isn’t brave, or that it isn’t great to see Baze and Chirrut being so emotionally invested in one another on screen.* But you can’t then turn around and say that those traits are what make Jyn awful, when her actions aren’t her words.

Frankly, no one has to like Jyn. No one has to acknowledge her or understand her motivations either; she’s a character in a film, and we all focus on our favourites. It’s not surprising people want to focus on the non-white characters. But to turn around and say that she’s objectively not worthy of being liked, to feel neither dislike, nor disinterest, but visceral hatred for reasons that apply equally or moreso to other characters, means there’s something else going on. And it sure isn’t social justice.

*I say invested instead of married largely because I hesitate to give credit when it’s not made explicit

rachelhanke  asked:

Hey Charlie! First off, I adore your art. It gives me all the feels. Secondly, since you're primarily a self taught artist I'm wondering if you have any resources you strongly recommend for someone hoping to someday have a similar job to yours in concept art? If you've already answered this question just let me know and I'll comb through your blog to find it!


I think, along with resources, I’d always recommend having a good idea of what ‘area’ you want to work in too. My job is kind of a strange one (in that it’s an house job but we’re not producing the games or films or actual products.) We are a step in the production line. I get to be part of sweet projects, but also I get to be part of many… I’m not locked into whatever a studio might be making for 2 or 3 years etc. My fingers are in a lotta pies.

The reason I say that is because a lot of people coming into concept will likely need more skills than I have. I am 95% a 2D artist. I work with 3D but very rarely, and not enough to know the inns and outs. I like 2D… and I consider illustration to be the sweetest spot of all the work I do, so I’m quite happy with that balance (and I’m an old fucking curmudgeon and I don’t wanna learn no 3D.)

If you went for a traditional role in a games studio, it will probably be more expected for you to be fluent in 3D. Not always of course! But it’s likely another good skillset to have. Purely 2D (just art focused) roles are not something that I see as often as mutiltasking roles. Which makes a lot of sense. 2D art is often mostly needed at the beginning of a project, and briefly at the end. In my seven years at Atomhawk I’ve seen a lot of people in other studios laid off, and a lot of studios go under. So, multitasking roles mean people will always have something to do.

APOLOGIES. I’M SOUNDING A LITTLE DOOM AND GLOOM. Great jobs exists! People will always make cool stuff!

I’m very much a jack of all trades and my job demands a lot of different things: characters / turn arounds / outfit designs / expression sheets / illustration / marketing art / pitch art / but it’s all primarly focused around characters. So. If characters are what you want - look into that! I would say that when it comes to apply for / getting work etc, we always love to see range. If someone isn’t showing me all the process behind their work it’s likely the first thing I’m going to ask for when it comes to an interview. I think if you have shiny work (on a freelance basis) a client would have enough confidence in the end result. But for a production role like mine, I wanna see that stuff.

Rough sketches through to shiny polished work. The whole lot. I want it all. I want to see people’s thinking! I’m rambling.

First of all: be able to draw well. Know your characters. Know your figures. Know your anatomy enough to make it convincing and be able to twist it when you need to. We get a lot of people who apply, who, quite simply (don’t hate me) are not good enough yet. We have people who work in tons of different styles and methods but at the heart of it, they can draw well.

DESIGN. Mother of god. Design. Drawing well is the first step, but you also have to have that creative flair to be able to come up with ideas and be able to sell them convincingly. Drawing the thing is only half the battle. No one wants a beautifully rendered character wearing the most impractical / boring outfit you’ve ever seen (just an example). Thinking logically about design is something I’ve seen underestimated many times over the years. In fact, I’d go as far as to say it’s more important than someones drawing abilities. When it comes down to it, drawing is just the tool to represent the design.

Resources wise: the internet is your oyster! Cast a wide net. Create the kind of work you want to do but also push yourself. I think the results are usually better when artists find an area they’re good in and the push the boundaries of that. Better than trying to be a jack of every single trade possible. Don’t have an awesome portfolio full of character work and then think ‘oh, wait, this is just characters, maybe I should stick a fucking car in there too?’ YOU KNOW? Do what you do - and do it well.

Briefly just a few of the things that helped me most: any massive black videos you can find. Mostly for process. Jason Chan’s videos easily had the most impact for me, both in learning how to improve my process and painting the kind of characters I wanted to. Micheal Hampton and Mike Mattesi (force) for anatomy and energy in poses. Your peers! Your favourite artists in the industry at the moment! The places and people you will learn the most from are always so very individual.

Shit that was long. Good luck!

PS. It’s also my humble opinion that you should never take all of your advice from just one person - just take the pieces that click for you :)

Cliche For A Reason

No matter how many times they’re done, there are a few tropes I’ll read 100 times with the same ship, by 100 different authors.

Here are just a few of those tropes:

1. Fake Dating AU.

Whether it’s a short exchange with a stranger because there’s a creep who won’t stop hitting on them, or a fully planned out, year-long con to fool their family, I can never get enough of these.

2. Trapped in A Small Space Together

Freezing to death in an engine room. Hiding together in a closet to avoid being killed. Locked in a room, running out of air.

No matter the context, this one always makes my day, especially if one of the people trapped isn’t usually big on physical contact.

3. Taking Care of Children Together

Innocent little kids have a way of bringing out the soft side of even the fiercest characters.

4. Unnaturally Truthful

Truth serums, an excess of pain meds, and outside threats are just a few of the ways my beloved ships can be forced to admit things they never would under normal circumstances.

5. Amnesia/Forgetting The Other

Sometimes they hit their head. Sometimes they were brainwashed. Sometimes they died and came back to life.

Whatever the reason, one doesn’t know the other, and the other has to faithfully stick by them, and try to help them remember. (Or start from scratch, befriending them and falling in love all over again.)

6. Grumpy, Distant Characters Turning Into Human Puppies Around That Special Someone

This requires no explanation, I believe.

7. Everyone Knows One Loves The Other

Except, of course, the other.

8. First Kiss Forgotten

Maybe someone was under mind control when it happened, or maybe they just had a bit too much to drink, but Person A remembers Person B kissing them, and Person B has no idea it happened. (Or DO THEY?)

I just want a series where Jason is trying to have some time off from his vigilante-ing but keeps stumbling across criminal shit on a daily basis. Like, he tries going to church, but notices some unsavory characters hanging around. Turns out the religious sisters are smuggling drugs for a cartel. He takes a wrong turn on the way to the bathroom in a local bar. Turns out three of the most powerful mob bosses in the area play cards in the back and they’re planning to kidnap the mayor’s kid, so he’s gotta take them out. Heads to the local library. Whoops, there’s a cult performing human sacrifices in the basement. The Batfam keeps seeing Red Hood on the news like, nightly, and they’re like WTF does Jason do with his free time? He steps on the toes of like ten local vigilantes who’ve been carefully tracking and observing their criminals for months, when here comes Jason Todd, just looking for a Redbox machine and blundering right into the middle of these criminal enterprises they’re trying to take down. He gets this reputation for being the best of the best at tracking down criminal activity because people think he’s doing it on purpose, and it’s not like he’s gonna tell anyone that it’s all coincidence; he’s got a reputation to maintain, after all. It reaches a point where Roy and Kori actually stage an intervention, they’re like “Maybe you’re a little obsessive on the crime front, you don’t actually have to take down a major criminal organization every single night.” Jason doesn’t even hear it, he crashes as soon as they sit him down on the couch bc he busted a drug ring on his way to the corner store for milk.

Knuckles : Boxer!Ashton (Part 4)

Part One | Part Two | Part Three | Part Four

It’s over? Finally, it’s over.

You’ve been anticipating the end of it for the last few days but only officially noticed the change when you swapped out of your university clothes for an outfit more comfortable to sleep in. It took too long for your liking, but the strange and unhealthy cravings have finally left your tastebuds, the lower abdominal cramps have finally disappeared, and best of all, you can now feel safe wearing white shorts in public again.

Your period, as nature always seems to plan it, couldn’t have been gifted at a more inconvenient time–just two weeks prior to Ashton’s next fight. They may not sound related, but not only have you been irrationally irritated with him over the last few days for strictly hormonal reasons, sending him off to gym sessions in less than great moods, but you also haven’t shared a night of intimacy together since the beginning of your premenstraul temper. You always hate how uncontrollably turned off you feel when you’re going through the monthly cycle, all the bloating and cramping antagonistic to your sex drive. You’re especially disappointed this time, because while you’re usually able to get back into swing of things once your body returns to its normal status, you might not have the opportunity to with Ashton’s upcoming match being so soon.

There’s a superstition–the origin of it a mystery to you–that has Ashton convinced he shouldn’t have sex in the week leading up to a fight. You know it’s got something to do with staying focused and bottling up the energy, and in the seven months you’ve spent with him you’ve been polite enough not to question it, but right now your hormones are going on a final rampage before they settle back down, and you want your boyfriend bad. Despite his strange rule you figure it’s worth asking since after tonight he’ll still have six more days to abstain, and honestly, what harm could one orgasm do?

Keep reading


wow i can’t believe it’s been like a year since these assholes were introduced

[this is also a redraw of this]