character development: you are doing it right

anonymous asked:

do you think all the Keating 5 members are Slytherins? what about the other characters too?

I think Wes is a Gryffindor who fucks up everyone’s day by trying to do the “right thing” and in the “pursuit of truth”. 

I think Asher is a Hufflepuff, he’s quite loyal to the Keating 5 and rags the least on Annalise, the work ethic is something I’m like mmm I dunno about but I think Asher is developing a stronger work ethic than he had because he can’t rely on his financial privilege. 

I think Laurel is a Slytherin. 

Michaela, I can’t decide between a Slytherin or a Ravenclaw, it’s definitely her hybrid house but I can see her being in either. 

Connor is a Slytherin. 

Frank I think is a Gryffindor with a warped sense of loyalty and chivalry/bravery. 

Bonnie is a Slytherin everyone assumes is a Hufflepuff. 

Annalise is a Slytherin.

UNDERTALE 2nd Anniversary and ALARM CLOCK Development

Well, it has been two years now.

I would like to announce that we have started working on the UNDERTALE ALARM CLOCK APP FOR IPHONE/ANDROID. Me and my friend Chess are working on it in our spare time.

Basically, it’s a barely-functioning Alarm Clock app, where a few of the characters from UNDERTALE will set your alarm for you.  (Actually, I highly discourage using it as an Alarm Clock, and take no responsibility for what happens if you do.)

However… it’s not only an Alarm Clock! You can interact with these characters in some simple ways and read a little bit of dialogue from them. This dialogue is pretty similar to the Q&A in terms of tone: Not very important, but pretty fun.

Since it’s just a minor project, development is really slow. There’s no specific release date. I’d say “hopefully 2018,” but if it ends up taking way longer, it wouldn’t be too shocking. No idea on pricing either…

Because there’s no Q&A this year, I’ll leave you with some snippets of character dialogue from the project behind the cut. Hopefully you can figure out which character is which…!

Keep reading

“Villainous”: Why you shouldn’t  throw hate to this show

Okay, so over the past days you may noticed a lot of fanart and posts about a particular show: “Villainous” (or “Villanos” in spanish). This is actually a mini series that is transmited between comercials for Cartoon Network México. Is about a villain (Black Hat) who tries to make the most evil and succesful artefacts for villains, along with Dr Flug, Demencia and 5.0.5.

So, what’s the problem with this mini-series?

There’s a few flaws that people have been complaining about, the most important of those being Markiplier voicing 5.0.5, a problematic artist (LemonTeaFlower) working on this show, etc.

Ignoring those facts, “Villainous” is pretty funny and entertaining to watch, and the animation and art style is really good. Is not the humour that everybody likes, but I personally enjoy it. But actually neither the characters or the plot are the reason im encouraging you to support this show.

This is the first ever cartoon (for Cartoon Network) created entirely by mexicans.

As a mexican, I can’t describe how happy I am to know that my country is finally making big steps in the animation industry, this is a huge opportunity for people like me, who aspire to be an animator but don’t have the resources to get out of their country.

And, if this show gets enough positivity and fame, Ai Studios, the animation studios who made this show, might actually do more cartoons! Better cartoons, with better plots and characters!

Let me tell you something, if Ai Studios doesn’t start making more cartoons, there’s literally no job opportunity in Mexico for aspiring animators. You either go to the U.S or forget about animation.

And yeah, this show might seem cringey, (well, it started developing in 2007, what did you expect?) and as I said it has some problematic aspects, but I dont think this is the right time to start making callout posts and discourse blogs for this cartoon. It hasn’t even aired in the U.S yet and there are already pleople complaining. And I don’t blame them, I would callout those things too if I didn’t already know how important this show is for Ai Studios, how important this show is for mexicans.

Many of the people who complain about it don’t even know that this show is made by mexicans and the opportunities it could give to us. So, what i’m asking you to do is simple.

Don’t throw hate at this show.

I’m not asking you to praise it, I’m not asking you to make fanart for it. I’m asking you to leave it alone, and leave alone the people who are enjoying it.

How can we do better if you don’t even give us the opportunity to make more cartoons?  

So yeah, that’s basically it. I’m not saying everyone should watch it and enjoy it, I mean, if you want to do it go ahead. I’m just saying it would be kind of egoistical to make discourse blogs and callout posts for the first mexican cartoon made by a new animation studio that just came out 3 days ago. 

Let us have this, please.

How To: Develop Your Characters

I think we’ve all been in the situation where we want to write about a specific character but have no idea how to approach it. For some reason, despite them being your own character, you have no idea how they would act or what they would say in a certain situation. Sometimes, if you even write about your character(s) at all, when you read it back they seem fake or 2-Dimensional. Unrealistic, if you’d prefer.

In this post, I am going to give you some exercises to get past hollow characters and help develop your writing. 

1) Empty Their Pockets

Pretty simple. Think of what your characters would have in their pockets on a day-to-day basis. It doesn’t have to be anything super extraordinary, of course. Just start writing some everyday items down and think about whether your character would have these items in their pockets. 

Let’s take a look at one I did for my characters earlier. (sorry that just sounded like something from Blue Peter)

For example:

Character A’s Pockets Contained:

pack of gum, empty pack of cigarettes, library card, NOKIA brick phone

So, here a few things you can tell about Character A simply through the items in their pockets. They visit the library often, meaning that they probably have a high interest in reading (this also could be a sign of intelligence). Judging by the fact Character A has both a pack of gum and cigarettes this could indicate a potential smoking habit, chewing gum is a known way for helping people quit smoking. The pack of cigarettes could show that they are not very good at restricting themselves and could in fact be addicted and finding it hard to cope with smoking. Finally, the NOKIA brick phone shows how they may want to feel connected to people or want to allow their friends/family members/whoever to be able to contact them but have no desire to get the latest model of phone or perhaps believe that having such a device would distract them unnecessarily. 

When doing this exercise, think about key objects which portray certain details about your character! Try not to overthink it too much, write whatever comes to mind and put it down on the page! After writing down a couple objects, go back through them and feel free to edit out items you think are unnecessary or add items which you think would suit the character. 

2) Go Through Their Daily Routine

Again, another easily explained exercise. Go through a regular day in your character’s life, try and do this exercise as if it was happening before whatever events occur in your story or novel. This way it makes it easier to understand your character before they met a secondary character in the novel or before whatever events happened in your writing which may affect their routine. You don’t need to include every single detail in your description, just brief notes or key events which occur during their day would be fine. You can make it as short or as long as you wish, maybe don’t just do it for one day in your character’s week perhaps do it for multiple days. 

Does their routine change during the week? What time do they wake up? What time do they go to sleep? Are they punctual with going to work? Do they do any other activities outside their day-job? These are the kind of things you may want to ask yourself when writing it. 

3) Give Them Fears/Phobias

Everyone fears something: whether it be a phobia of spiders or oblivion, everyone has a fear. Giving your character a phobia makes them seem more realistic, it allows your reader to easily relate to your character.

However, just having a phobia for the sake of it doesn’t help develop your character at all. If you give them a terrible phobia of snakes and they come across a snake and suddenly within moments are able to get over their fear just like that, it’s not a phobia. It’s more of a mild inconvenience than anything else. The reader needs to feel convinced by their fears, they would feel more dissatisfied with your writing if they felt the character could dismiss anything and everything than knowing them being confronted by their fears could be a possible problem. Besides, it would give them no reason to motivate or encourage the character if they knew it was impossible for them to be defeated by anything. Still, this does not mean that your character has to be destroyed by their fear. There is a very big difference between simply dismissing your character’s fear and perhaps overcoming it in the future.

An easy way to write your character possibly overcoming their fear in the future is that when they first encounter that fear, add an element of chance or fate into it. For example, if a character were to move to get away from the creature which may be coming towards them; in the process of getting up, they could slip which could cause their legs to lash out towards the creature. The sudden movement may just be enough to scare the creature away, this way it does not appear to the reader as ridiculous or uncharacteristic courage but instead accidental bravery. This sudden revelation that the character’s horrible fear may not be as all powerful as they first thought could be the first step for them to slowly overcome that fear.

Don’t believe me? Let’s think about this for a moment. Imagine your character, let’s call them the Protagonist™, is stuck in a terrible situation. It doesn’t matter what the situation is but let’s say it’s something which involves them being trapped in a room with a snake. I’m going to give you two examples, both involving the same situation.

Example #1:

Protagonist watched with wide eyes as the snake slowly slithered towards them. The snake paused for a moment, it hissed lowly as it waited for Protagonist to move, waiting for the right moment to strike.  Not hesitating for a single moment, they suddenly realised how dire the situation was and jumped to their feet. Their heart pumping wildly as their body was filled with adrenaline, they were terrified yet they had to do something. Protagonist grabbed the nearest thing to them and stepped towards the snake.

“Get away!” They threatened, “Get away!”

Example #2:

Protagonist watched with wide eyes as the snake slowly slithered towards them. The snake paused for a moment, it hissed lowly as it waited for Protagonist to move, waiting for the right moment to strike. The blood in Protagonist’s veins ran cold as the snake grew closer and closer, Protagonist couldn’t move. They begged and screamed on the inside to move away, to get away as far as possible. They had lost all control of their movement, their fear had consumed them. They were frozen to the spot and could only watch as the snake widened it’s jaw, ready to bite down on it’s prey. It widened it’s jaw once, twice - suddenly, Protagonist gained back their instincts. Fleeing seemed like the only realistic option and seconds before the snake could chomp down on their ankle, Protagonist stumbled to their feet. They stumbled backwards into a puddle of water which had pooled behind them and their ankle rolled as they slipped, their legs accidentally lashing out towards the predator. The snake recoiled backwards in shock before deciding that the risk wasn’t worth it: it quickly retreated back to it’s nest, disappearing from Protagonist’s view.

Now, hopefully you see what I mean. I think we can all agree that the second example is a lot better than the first one. 

4) Create Their Flaws/Bad Habits

No one is perfect, this includes your characters. 

If you’re finding it challenging to think of any flaws, try to think of some bad habits. It doesn’t have to be anything so terribly bad that’s it’s illegal. Think simple when it comes to this exercise. It can range from anything between chewing their nails to swearing. 

It might help to try and develop these bad habits into possible flaws or weaknesses. If your character keeps biting their nails that might be a sign of nervousness or anxiety. So, creating bad habits might be a good way to show a certain trait your character may possess. 

Flaws are important as well. Let’s be realistic, if no character had any flaws then every single book we read would be filled with a bunch of characters which are exactly the same. Besides, what’s a hero without it’s villain? 

So, to give you a few ideas, let’s go back to superheroes. Maybe a hero is so set on doing the right thing that they lose sight of what they want? Perhaps it gets to a certain point where they can’t handle that hollow feeling inside of them that they grow arrogant, selfish or even stubborn? There’s a story for you right there. 

Not only that, by giving your characters flaws it is possible that you could work that into your story somehow. This way, not only will you get to show off your amazing character development, but it could also be an exciting point in your storyline.

Write down some ideas, think of flawed personality traits and just write them down! Try to write down at least five straight off the bat, for each one you don’t like you should think about why it doesn’t suit your character. You’re bound to find one flaw you’re happy with!

5) Write Some Scenarios

Now that you’ve developed your characters, go ahead and write them in your story! If you think you still need a bit of practice, try writing something about them being in a certain scenario. It could be anything from ordering their favourite coffee to being trapped in a prison: just write it! Try not to think about it too much, just do whatever feels write (I unintentionally made that pun but i’m not deleting it). 

It doesn’t have to be long either, just a couple paragraphs would be fine. Try to focus on body movements and interior thoughts, it would be ideal if your character was on their own in the situation: that way you can get to know the character on their own a lot better. No other characters means no distractions. It’s just you, the wonderful author, and your character - there is an endless amount of possibilities for you! 


Have faith in yourself too! Nobody knows your brilliantly developed characters better than you do, so here’s your chance to show them off! If you’d like a second opinion, write something about them and give it to a friend/parent/random stranger etc. to read! If they don’t want to, make them read it anyway! 

I hope this helps you all in developing your characters! 

Happy writing!

- jess

4

“i don’t have the tears to cry anymore. but…i at least have to keep yu safe” // “i promise you, mika. even if i have to sell out the whole world to do it, i’ll make sure you’re turned back into a human.”

Even More Unusual Asks

😬- If you bit someone, would it hurt?
🏨- Name a time you were badly injured. What happened and what caused it?
🏆- Do you consider yourself competitive at all? What will you do to win a game/fight?
🥘- Are you good at cooking? What is the best dish you have made. Alternatively, how bad are you at cooking? What’s the worst dish you’ve made?
🌴- Do you like going on vacation? Or does your boss force you to take a break?
🐚- When treasure hunting, what do you look for? Stuff that sparkles and shines or dusty ancient relics?
👓- How good is your eyesight? Do you ever need glasses for anything?
👛- What are the contents of your purse/bag/pockets?
👘- Describe your formal attire. What would you wear to a wedding, fancy dance/date/dinner, funeral, or similar formal events?
🐩- What dog breed bests suits you?
🐆- What cat breed best suits you?
🐻- What wild animal best suits you?
🎀- Do you like cute things at all? What is the cutest thing you have or have met?
🎉- What is a typical birthday celebration like for you? How do you go about celebrating other people’s birthdays?
🗝- What is looped around your key ring?
🛁- What do you do to treat yourself?
💉- Do you dislike shots and injections?
🌅- Are there any scenic locations you would like to live out your retirement in?
🍸- Do you need to relax right now? What do you do when you take the day off?
🏰- If you owned a castle, what would you make it look like?
🚏- How good are you with directions? Do you get lost easily?
⚽️- What games did you play with other kids when you were younger?
🍱- Are you hungry right now? Are you craving anything to eat?

5 Common Story Problems with Simple Fixes

Our stories are often plagued with these common story problems, but if we don’t know how to fix them, we’ll never improve our writing. It’s important that you remember you don’t need to scrap your novel if you keep having the same issues over and over again. Hopefully this list will help you pinpoint what’s going on and provide ways for you to improve your novel.

Problem: Unmotivated Characters

If you’re having trouble figuring out where your story should go next, the problem could be with unmotivated characters. Characters aren’t in your novel just so you can push them around every once in a while and make them do things. They need to develop over time and keep your story going in the right direction.

Solution:

Work on your character’s wants, goals, and motivations. You need to figure out what’s driving your character if you want them to do anything. Where do they want to end up? What’s standing in their way? What’s their plan? Who will help them? Think about everything your character will need to do to resolve your novel. Focus on what they want and what motivates their actions and your characters will stop being dull and lifeless.

Problem: Boring First Chapters

A boring first chapter is dangerous because you want to captivate your audience right away. You don’t want to lose readers just because of this, but sometimes it happens.  You should give enough information to keep your readers interested, while also keeping them intrigued enough to figure out what happens next.

Solution:

Putting emotion into your scenes from the beginning will not only help set the tone, but we’ll get an immediate understanding of your world. The best advice I can give is to construct a scene that helps us best understand your character. If they’re on the run, show us that they’re being chased. If they’re sad and lonely, construct a scene that lets us feel their isolation. You don’t necessarily need to open your book with action, but you do need to introduce the conflict. Think about what your character wants and go from there. Think of your first chapter as an introduction to an essay. You don’t go right into the points immediately, but you set us up for something good.

Problem: Plot Holes

Writers worry about forgetting to include important information in their novel that’s necessary to the plot. If you’re discovering that readers often point out plot holes in your story, maybe it’s time to reevaluate how you plan your novel.

Solution:

Pre-planning or prewriting your novel often solves any plot hole problems. If you take the time to write out important scenes so you don’t forget them, your story will become stronger. However, if you’re not someone who likes to do so much planning, you can tackle plot holes during the editing phase. Take notes when you’re editing so that you can catch these plot holes and figure out where you can add necessary information. A plot hole does not always mean your novel needs loads of reworking, but it is something you need to take the time to fill in.

Problem: Poor Pacing

Poor pacing can ruin a novel, but luckily it’s something you can tackle head on before you even start writing your story. Good pacing helps add tension to your novel and helps you make sure there’s enough rising and falling action to keep your story interesting.

Solution:

Planning out your novel ahead of time also helps solve pacing problems. You can create a timeline that helps you keep track and plan out when you want certain things to happen. Read up on story arcs and try to plan out your scenes accordingly. If you’re already done with your novel and you notice poor pacing, try rearranging scenes or spreading out the action.

Problem: Info-Dumping

A very common writing problem is info-dumping. This is when you tell your readers loads of information at a time without showing them anything important. Info-dumps usually occur in first chapters of novels, but they can happen anytime during the course of your story. Info- dumps can drag down your story and bore your readers.

Solution:

Cut out long paragraphs where you explain what’s going on in your novel and show your readers instead. Avoid over explaining things that can be explained through action. Letting your audience figure things out instead is a much more satisfying reading experience and it lets your readers connect with your characters on a deeper level.

-Kris Noel

I am super psyched for Steve in Infinity War and here is why. Obviously he looks like things have not been going so well for him since the Accords. Which makes this the first time that Steve has made a call he thought was best and seen it blow up in his face. Up until now just about all of his decisions–even the risky ones, the ones that broke the rules–have paid off both in the other characters’ eyes and in the narrative more broadly. (Obviously not without a personal cost to him at times, but none that makes him any less a hero.)

Then we have Tony, whose well-intentioned decisions blow up in his face so often he’s villainized by the other characters, the narrative (and as we all know, by at least some of the fans).

So as a Steve fan I’m excited to see him in a new position where he has to question himself (I love angst and character development, sue me). As a TONY fan, I’m excited to see their narrative roles switched for once. Where Steve is the one suffering the consequences of his decision and Tony is the one whose choices are validated by other characters and the narrative. I think it will be a nice change of pace for Tony but also an opportunity for Steve to come to understand him better. To really GET in a way he couldn’t before that sometimes you do what you think is right and it all goes wrong. And maybe with that will come the chance for them to really start rebuilding their friendship. I can’t wait!

peridot as a character makes me uncomfortable and no its not bc shes loud and yells a lot and clearly is coded as autistic but its how the creators of the show/fandom treat her bc they know a lot of autistic people identify w/ her

its the fact that lauren zuke literally created a deleted scene where peridot was in a fucking high chair and being taught how to eat like a fucking baby, infantilizing her and just being really fucking creepy about her character. its the fact that everything that peridot would consider a comfort object - her limb enhancers, her tablet, etc. - has been taken away from her and her whole development on that is “it doesnt matter if it makes you comfortable you’re better off without them!!” basically giving autistic people who need comfort objects a hearty slap in the face

its just the fact that peridots character has been rendered into this yell-y baby when she was nothing like that on first appearance - like all zuke and the writers want to do w/ her now that a lot of autistic people like her is “well lets make her into the biggest and loudest baby ever!! thats good representation right!!”

like. i want to love peridot and i love pre-redemption peridot so much but she makes me so uncomfortable now bc it feels like the writers just love making her into a baby or shipping her off w/ other characters its gross

Personality prompt #20

“I could run a marathon. Right now. I’ll do it.”

“Its literally 2am.”

“I peak at 2am you should know this.”

Sexting (Jimin smut)

Originally posted by minblush


Summary: On a lonely night, you decide to sign up for an anonymous sexting site. Of course you are matched with the notorious fuckboy you’re constantly trying to avoid. Park fucking Jimin.

Themes: Sexting, Fuckboy Jimin, College AU.

Pairing: You x Jimin

Word Count: 4k

This fic contains: Explicit and graphic depictions of smut, sex over the phone, swearing. 


ENTER USERNAME:

Cleopatra123

WHAT ARE YOU LOOKING FOR?

Male/Female

WHERE ARE YOU FROM?

I’d rather not say/enter here:

WHAT ARE YOU INTERESTED IN?

Decent conversation/making friends/finding a language buddy/other

PLEASE INDICATE YOUR AGE PREFERANCE:

19-24

CLICK ‘CHAT’ TO BE MATCHED WITH A PARTNER!

YOU HAVE BEEN MATCHED WITH ‘THOR562’.

THOR562: 21 years old- Seoul, South Korea- also interested in ‘other’.

WOULD YOU LIKE TO CHAT?

Yes/No

YOU ARE NOW IN A CHAT WITH THOR562, ENJOY!


Keep reading

Note: this is a continuation of a post // extremely long

101 reasons why Jikook/Kookmin is my ultimate OTP
or 101 times Jikook made my heart flutter (Part 2)

PART 1

51) A jikook compilation wouldn’t be a compilation without THE back hugs.

Hands on waist…

Chin on shoulder…

52) Not long after Jimin tweeted a pic of ramen, Jungkook indirectly replied to him by posting FOUR selcas of him along with a message telling him his ramen looked bland. idk about you but i found this interaction cute.

53) The artistic couple.The muscle pig and manggaetteok drawings that were featured in Snow App. They even drew the chicken drawings on the menu at Isac. I can imagine them sitting and drawing random things together. ㅠㅠ 

54) Jimin posted not one but three videos on Jungkook’s birthday, which means he wished Jungkook three times on SNS and made my head spin thrice.

55) Jimin and Jungkook took photos of each other sleeping.

56) When Jungkook thought there was no camera around when they were rounding the corner so he went up to Jimin and slid his hand around his waist. Little did he know they got caught on camera. I’d like to thank Yoongi’s vj for this awesome footage.

57) The many times Jimin has summoned Jungkook for Armys. In simpler words, Jungkook always tweets something after Jimin, and we all know how seldom he appears on Twitter.

58) “hyung has cute toes” Okay but like who lingers around his friend’s photo shoot and randomly blurts out that he has cute..toes????

59) The look! Jungkook’s expression when he’s feeding Jimin earns him a spot on this list haha. Tbh They’re kinda like eyefucking eo when jimin’s being fed. look at Jimin’s eyes. Apart from that I like how Jungkook fed him.

60) Their interactions the whole ISAC. Masterlist 👣

61)  How can I miss this? Jikook in Japan..this one has a special place in my heart. Back in 2016, it had been just a casual discussion between me and my friends on kakao. Never thought jikook would continue displaying PDA every single time they go to Japan. What’s more when they have very strict no-camera policy during concerts.

62) The amount of heart eyes they shoot at each other.

63) When they had a dinner date in the dorm to promote Mala Hot Chicken. What baffled me was that Jungkook mentioned beforehand he wanted to sleep but he still accompanied Jimin. I’m soft.

64) Jimin has made it very apparent, truly obvious that he likes jungkook. Whether it’s liking him as a dongsaeng, or just someone he’s extremely comfortable with, Jimin always, without failing, reminds us who he dotes on. “Why do I like you so much?” Lately, I’ve been crazy because I like Jungkook so much. I think of this as a start of something beautiful, and I am so glad Jimin didn’t even hesitate in expressing his feelings towards the maknae. I think this might have helped jungkook unwind. Look at jungkook now. That’s some character development right there :)

65) Massage. Quoted line from AHL mentor, Tony Jones “They are very touchy feely and to them, it’s nothing. I’d walk into the room and Suga’s massaging V’s neck or Jimin’s giving Jungkook an intimate back massage..”

66) When Jungkook bent down so he would get closer to Jimin and put the rein-kook headband on Jimin’s head. They’re separated a lot of times during fansigns but somehow they managed to get tgt at the end.

67) When Jungkook blows a kiss, then turns to Jimin whose lips are puckered and does the same to him, using the same fingers he used earlier. Okay I’ve been meaning to say this. Realistically speaking, if you pucker your lips and you put your fingers on them, wouldn’t your saliva stick to your fingers? I’m not trying to imply anything here, just genuinely asking haha.
140529 Ameba Studio

68) When a webtoon artist gave Jimin two dolls, but Jimin decided to give one to Jungkook. She even posted a webtoon of them. To be honest who wouldn’t?

69) *screams to the people in the back* ALL-NIGHTER FRIENDS!!! As written by the man himself, “ALL the time, it’s just the two of us doing something at night. I don’t know what we do”

70) Jungkook scribbling hearts all over Jimin’s birthday drawing. He’s one whipped man.

71) Just other instances Jungkook and Jimin flirting on stage. 

//gif above isn’t mine//

72) When Jimin and Jungkook chose each other when asked “if you were a girl, who would you date?”

73) The shocking fact that Jungkook demanded an apartment from Jimin as a graduation gift. Like, apartment? of all things? What kind of domesticity is this?

74) The way Jungkook takes care of Jimin even though he’s the younger one, and how Jimin is there when he’s the one seeking comfort.

75) I will never forget the Gayo Back hug, ever. I’ve mentioned back hug somewhere above, but this is different.This deserves a point of its own.

76) When Jimin took off one of his rings at the airport and gave it to jungkook.

77) When Jungkook stopped in front of Jimin during his part in For You at Osaka concert, and kind of directed the lyrics for Jimin. Jimin just couldn’t stop smiling afterward :(((
The lyrics are:
It smells like you
The road that I walk on
I plug my earphone to my status
My true feelings lie beyond there

78) When Jimin and Jungkook steered away from the bunch and instead opted for some alone on the cruise. people say you smile the brightest when you’re with someone you love, yes?

79) The fact that Jimin wanted to become napa cabbage after seeing Kook dressed up as a bunny, so he could eat him, albeit choosing to be cheese initially. What even is that statement lol 👣 

80) The morph of their dynamic. I kind of miss their old moments, when Jimin was bolder, more carefree, and Jungkook seemed to be too shy to reciprocate. (on camera). Now they have matured. They have grown up well. A wave of nostalgia sweeps over me. The transition of their relationship is extremely beautiful.

81) When Jimin became Jungkook’s makeup artist for a day, hovering around the set, even drawing a pic of a bird that’s used as a prop later.

82) their size difference might be exaggerated at times, but you really can’t deny that it is cute, even if it’s not much.

83) When Jungkook changed the lyrics in Spring Day to Jimin.                      
Like a small piece // Of Jimin // That floats in the air 

84) When Jungkook showed to the world what a sweet boyfriend he is,making jimin laugh, sitting him on his lap, hugging him on his birthday. Sweet sweet jungkookie.

85) Let’s state the obvious- 21CG choreos!!! i love how they evolved, just like their remarkable, legendary nmd lift.

86) Their sensual dance covers.

87) When Jungkook guides and encourages Jimin during games/missions.

88) The many times Jimin has been spotted wearing Jungkook’s clothes, despite the well-known fact that Jungkook doesn’t share clothes. Newsflash: Jungkook wears Jimin’s too!

89) We know Jungkook knows Jimin like the back of his hand, but that doesn’t mean that Jimin knows any less. I think they spend time together way too much.👣

90) How often the word “JIMIN” trips off Jungkook’s tongue- this what fascinates me the most. At one time he even mistook Jin for Jimin.

91) Jimin’s eagerness to kiss Jungkook for his Coming of Age, being the first one to hold out a hand for a game of Rock Paper Scissors. Bon Voyage season 1

92) When Jimin waited over an hour for Kook to finish filming BTS Flower Boy mini drama, even though he’d finished his part. Jimin couldn’t even stay mad at him for not telling, like how fond is he?


93) The fact that Jungkook is more than comfortable speaking in banmal with Jimin.He once said in Idol Party that he prefers talking in jeondaetmal (polite language) with his hyungs but look at the amount of times he’s dropped the honorific and called Jimin by his name. uhm, let’s talk about treating the other as equals?

94) Jimin and Jungkook, the human embodiment of Piske Usagi.

95) When Jungkook’s bro drew Jungkook as Muzi and Jimin as Con, the inseparable duo on Kakao. Bro knows. 👣

96) In Kkul FM 2016, When Jungkook and Jimin nearly intertwined their fingers . Scoffs bh seemed to think it’s okay to abruptly cut off their scene. What intrigues me most is that they weren’t even looking but their hands still somehow managed to find their way around. Also other instances they hold hands. I love how Jungkook’s slightly bigger hands envelop Jimin’s smaller ones. *Jimin’s pinky tho!*

97) How they’re destined to meet. The fact that they’re both from Busan, have matching moles, Jungkook’s bro named Junghyun and Jimin’s bro named Jihyun..imagine what would’ve happened had Jimin not been the last one to enter Bangtan.

98) When Jimin said he’d be looking at the ocean with Jungkook but Jungkook straight up rejected him and chose to go on a trip with his bro instead. It was quite a strong statement but a moment later Jungkook proved it wrong by reaching out and squeezing Jimin’s hand underneath the table, kinda like a reassurance that it’s all part of a joke. He cares. He truly does.

99) During Jin’s birthday prank at MAMA, these two couldn’t keep their hands off each other. The moment they entered the bathroom, they almost shut everything out-talking to themselves, picking on the cake- until the members gave them the signal to stop w/e they’re doing. Months later Mama kindly revealed another footage, this time consisting of just them, in the bathroom, jungkook right in the middle of buttoning up his jacket, wearing nothing underneath. How was I supposed to sit still?

100) When Jungkook and Jimin take skinship to a whole new level, or simply put, the times Jikook makes us question the real intention behind their acts and excessive skinship.

101) Last but not least, Perhaps my all time favorite moment- When Jungkook was caught observing Jimin’s every move, literally had his eyes only on him.

(Mark 1:17 onward)

I super love this video bc the song chosen matched so well with the situation- like they wanted to reach out but couldn’t so they stayed put, could only observe the other from far…

and that’s it!
thank you, you made it to the bottom of this post! In short, everything about jikook makes me feel content. I had thought of doing more  but despite my brain literally screaming at me “Include this! You forgot this!”, I had to stick to 101. Anyway, I hope this mends your longing hearts. Have a lovely day! Thank you for reading!

Bonus because I have to:

when the members revealed on BTS KKul FM 2017 that Jungkook bought a birthday present only for Jimin. Am I your favorite hyung?

When Jungkook, the youngest in the group, called Jimin who is 2 years older than him a baby. 애기야가자 !

youtube

I may have gone a bit over board with this animation, heh. Every time I watched a video by you with your personalities, I get such a fulfilling vibe by the end of it, almost like in a Steven Universe episode where a problem was addressed, solved, and the character was developed. That led me to thinking, what if these guys were their own cartoons? So, I made a little test animation with some puppets I built, and a couple days of work later, boom! I really hope Thomas enjoys my take on these guys, and I’d love to do future animations with them on my Youtube! It’s about time you got your own “Thomas Sanders Animated”, right? 

Thomas: I LOVE THIS. SO MUCH!! It’s a dream to be animated and this was so well done!!!! Thank you for sharing this!!!!!!

Karamel shippers seem to think we only hate Mon-El just because we don’t like their ship, so I thought of 10 reasons why we hate Mon-El that don’t involve Kara~

1. He fucking owned slaves and most of his fans try to validate why that’s somehow “okay” just because he’s not from earth, as if being born in an advanced alien society means you don’t know common universal morals (Which is ironic considering its canon to the show that everyone from basically every planet knows slave owning is wrong/unacceptable)

2. He abandoned a woman he was sleeping with and left her to die while she was begging for his help to save himself

3. He lied about who he was to people who had opened up their lives to him for 9 whole months just to make himself look better and then he admitted that he would still be lying about his identity if his parents hadn’t shown up

4. He. enjoyed. objectifying. women.

5. Nearly gets several people killed because he doesn’t follow orders

6. He takes away screen-time from characters who are far more interesting than him, yet he still manages to have 0 character development or add anything essential to the plot

7. Instead of doing what’s right (Like M'gann did) by returning to his planet to save everyone from being oppressed and fix his past mistakes, he stays on earth doing the bare minimum for his own selfish reasons

8. Only wants to do something any decent person would do if that means he gets something he wants in return

9. Believes he should be forgiven immediately without any repercussions and no need for a genuine apology

10. His character is teaching boys and girls that no matter if you call a woman, selfish, attention seeking, annoying, yell at her infront of your co-workers, lie to her, act aggressively jealous, guilt trip her and use a declaration of “love” to manipulate her feelings despite never doing anything in your actions to prove it (saying you love someone and actually treating someone like you love them are two totally different things, not just making them bacon and throwing in a few compliments) you’ll be good enough to have her.

How to Annotate Literature

Many times language and literature classes require students to annotate the books that are given to them, but in many cases tips and advice on how to do so is lacking. I will be sharing my personal strategy for efficient and successful annotating that will not only help your understanding of the text but also gain the love of your teachers!

The tips have been divided into 5 components, each with their own explanation.

Sticky Tabs are Your Best Friend

I don’t know how I would manage to annotate without my sticky tabs. They help me organize and navigate the book before the reading, remind me what to look for while i’m going through the text and help me find whatever I may need once I get to further analysis for the class. 

Create a key for your tabs, personally I use five colors each having a few specific purposes based on where I place them in the book. Most stickies are accompanied by a specific note that will remind me of what I wanted to point out, these stick out of the right margin. 

  • Pink- Anything to do with characters, be it development or certain traits to remember. It can also be used for when you have questions about character related aspects of the text.
  • Orange- Refers to setting, in plays it is also applicable for stage directions.
  • Yellow- Is used for literary devices and use of language (tone, diction, patterns) and syntax, if there is a particular word the author used or a structure you want to take note of, this is the color to use. 
  • Green- Applicable to any important plot events, notable scenes or things that you think will be significant later in the story.
  • Blue- Themes and context of said ideas, anything to do with time, place and space in which the text takes place. It can also relate to how your context (a student reading a book for a literature course) impacts your perception of the text.

These are the things teachers usually look out for and it is certainly useful in any kind of further task! 

The top and bottom margins can be used to divide the book in to sections, such as chapters or scenes, mark the most important pages and to also highlight text to text connections. These colors you can pick yourself!

I do not recommend having more than 5 sticky tabs per page, otherwise it gets too crowded and they lose their purpose! (but you will still need to buy aaa lloootttt)

This is my key for the book I am currently annotating, Pygmalion by George Bernard Shaw. 

Don’t Overdo it With the Highlighter

Find one color highlighter that you like the most and use it to mark explicit words or phrases that catch your attention, you can also use them in correlation with you sticky tabs! 

I prefer to use a yellow highlighter because it seems to bleed the least, and I usually use it in relation to the the yellow and blue tabs because those are the ones that relate to the most detailed and minute parts of the text. Once again you can find your own preference! But don’t overdo it, otherwise, like the tabs, the highlighter will lose its function to highlight important points. 

This is an example of how much highlighting I usually do. For non-fictional texts or parts of a book (like in the introduction you see here) I reserved highlighter for dates and names. 

Have a Conversation With the Author

This is one of the first tips that my high school teacher gave me and it’s really one of the most important ones to remember. And I know, it may sound kinda silly, but I find that it really helps me in developing my ideas and remembering exactly how I felt about a certain aspect of part of the text. 

Whether the text is fiction of non fiction, anything in between, you can always do these few things

  • Ask questions- As if you were going to get an answer, ask questions, write them down and write down as many as you want. Writing things down helps people remember so then it is more likely that in a class discussion you will be able to recall your queries or wonders. 
  • If you don’t like something, or you’re surprised by something, write it down! Use exclamation marks, use words that you would use in a regular conversation. I always write ‘WOW!!’ or ‘OMG’ when i’m especially impressed, and having such vocal- well written vocally- emotions will bring you closer to the subject of the text. 
  • Talk to the characters as well, if you are questioning a character’s actions ask them and provide an explanation as to why you speculate they may have acted a certain way. Not only does that further contribute to your involvement (also making things more entertaining) but it also deepens your thought!

What i’m trying to say is write down anything that comes to mind, your first response is your true response, and it is a valuable addition to your notes! And if you want to write a whole essay in between the lines… Actually, i’ll come back to that later! 

Pens, not Pencils 

I used to make notes completely in pencil but my approach changed when I realized that overtime the pencil would rub off and get illegible. I think it was because I used my book so much, but having switched to pen I realized that it helps me in quite a few other things as well. 

The good thing about pen is that you can’t erase it and let’s say you started writing down a note, scan down the page and realize what you are taking a note of is completely wrong. That’s ok! That’s actually really good! Don’t scribble out what you just wrote down, but instead continue and explain why you may have thought a certain way and what your understanding is now. That relates really closely to the previous note. 

Evidently pen also appears darker on the page, then there’s no possibility of it ever disappearing. It also won’t smudge or bleed as long as it’s ballpoint! That’s a good thing when drawing arrows between lines, underlining in addition to your highlights and circling/boxing whatever you deem necessary.

Time, Effort and Commitment

It’s clear that this post took me a while to make, and it took me a while to develop this system with all of the things that I have considered. So it must be self evident that using this type of annotation won’t be quick. It might get tiring at some times, and for me it really does, but at the end I find that it always pays off! You have to stay committed to this technique, you have to put in the same amount of effort for every page, which means you need time. So here are a few final general tips I will leave you with.

  • Don’t procrastinate! As goes for any task, and this one more than any, don’t waste time getting to it! I advice you check how many pages you have in total and make sure that you do a certain amount per day (usually 5-10 pages a day is good!)
  • If you go off on massive tangents in the side bars, make sure that you don’t get too distracted by them because they will take up a lot of your time. But one now and then may be good! Be sure to mark it for later reference!
  • Play mind games with yourself. This one is actually pretty interesting but it personally gets me a long way. If you have 20 pages left, don’t look at it as 20 pages but instead as 4 times 5, then the amount will seem a lot more manageable! It’s a kind of self encouragement!
  • That can also be said by looking now and then at how far your bookmark has moved through the book and giving yourself a pat on the back for all of you hard work!

That’s all I have for now! If you have any further questions for advice or explanation please message me and I will be more than happy to help! And I hope that this helps some people out too! (I’m counting this as 21/100 days of productivity as all I did today was related to annotating.)

Stereotyped vs Nuanced Characters and Audience Perception

Writing with color receives many questions regarding the stereotypes Characters of Color and their story lines may possess.

There’s a difference between having a three-dimensional character with trait variance and flaws, versus one who walks the footsteps of a role people of their race/ethnicity are constantly put into. Let’s discuss this, as well as how sometimes, while there’s not much issue with the character, a biased audience will not allow the character to be dimensional.

But first: it’s crucial to consider the thinking behind your literary decisions.

Trace your Logic 

When it comes to the roles and traits you assign your characters, it’s important to ask yourself why you made them the way they are. This is especially true for your marginalized characters.

So you need an intimidating, scary character. What does intimidating look like on first brainstorm? Is it a Black man, large in size or presence? (aka a Scary Black Man) A Latino with trouble with the law? If so, why?

Really dig, even as it gets uncomfortable. You’ll likely find you’re conditioned to think of certain people in certain roles on the spot.

It’s a vicious cycle; we see a group of people represented a certain way in media, and in our own works depict them in the way we know. Whether you consciously believe it’s the truest depiction of them all or not, we’re conditioned to select them for these roles again and again. Actors of Color report on being told in auditions they’re not performing stereotypical enough and have been encouraged to act more “ethnic.” 

This ugly merry-go-round scarcely applies to (cis, straight) white people as they are allowed a multitude of roles in media. Well, then again, I do notice a funny trend of using white characters when stories need a leader, a hero, royalty, a love interest…

Today’s the day to break free from this preconditioned role-assigning.

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How to Give Your Antagonist a Little Humanity

There is such a thing as your antagonist being too over-the-top. There’s a possibility that they can become static or one-dimensional if you don’t understand why they’re the protagonist. Not many people in the world are evil for the sake of being evil. There’s usually a reason behind what they’re thinking and feeling, so try to explore that with your own characters. Remember, the antagonist is usually the hero in their own story.

Focus on background

Knowing your antagonist’s personal background should add more dimensions to your story. Do they have a family? Is there something specific that happened that shaped them? Understanding where each of your characters came from and how they came to be the way they are will really help add depth. Your readers will begin to see what makes them tick.

Know what they want

Antagonists have wants and needs, just like any other character. You should always know what your protagonist wants if you want to drive the story forward and the same can be said for your antagonist. What are they searching for? Why do they want to stop the protagonist? Do they want the same thing as the protagonist? This will help you figure out your conflict.

Is there someone they care about?

Knowing what your antagonist cares about will reveal a lot about them.  Sure, sometimes mindless unstoppable villains are exciting, but it doesn’t work for every story. Smart antagonists that care about something are usually more enticing. You can make them a bit more humane if you reveal what they care about. Do they believe what they’re doing will actually save the world? Do they think they’re doing the right thing? Consider these questions.

What do they think about the protagonist?

It’s not necessary for the antagonist to absolutely hate the protagonist. Sometimes it’s more interesting if they respect each other or if they already have a relationship. Do they think the protagonist is completely wrong? Do they understand their point-of-view? Knowing what your antagonist thinks will help form a realistic relationship between the protagonist and antagonist. It will help you shape your story into something better.

-Kris Noel

If you had told Dex even a week ago that he would willingly be sharing a blanket with Derek Nurse on the floor of the Haus living room all afternoon, pressed together so close they’re practically in each other’s laps, he would’ve laughed in your face.

Now, he just bangs a fist against the side of the old space heater in front of them and subtly pulls Nursey a little closer into his side. Not that there’s all that much closer to pull him.

“I told them,” he mutters. “Draft fucking central.”

He not so much sees as senses Nursey roll his eyes. “Rans and Holtzy not letting you replace all the windowpanes last year is not why the heating went out, yo.”

Intellectually, Dex know this. But it’s easier to blame their former captains for their current predicament than it is to blame the fact that he’s let routine Haus maintenance slide so much this semester that they’ve ended up here. Because if Dex doesn’t keep a close eye on things like the barely functioning water heater, or the garbage disposal that’s missing two blades and is about to fall out of the sink entirely, who will?

Except, well, he’s been distracted this year. From the moment he got back from summer break and moved into the attic with Nursey, he’s been… distracted.

Nursey is distracting.

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Character Arcs Continued

Make sure you remember part one (x)

Please Note: This is absolutely not the only version of the character arc that you will ever see. There are certainly different versions where the points vary, but I chose to explain this one as it has points in common with many others and it is easy to follow.

Every important character should have an arc that carries alongside the plot. This adds a layer of complexity and shows growth in your character. Though roles and patterns are made to be broken, one of the most accepted structures for a character arc looks something like this. Let’s break it down.

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