The Mysterious Protagonist

Anonymous asked: “How do I create a main character? I have so many side characters and a decent plot. I like them better with a bit of mystery. I want my main to be interesting enough to not be the plain, boring, ‘chosen one’ stereotype. Help?”

Who ever said your protagonist can’t be mysterious? I’ve read novels where I don’t even get to learn the protagonist’s name or others that I go along thinking I know a lot about this character only for them to flip a switch and show I know nothing about them at all. 

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For the love of Sansa Stark

The ONLY good thing that came out of S7 was the amazing outpouring of love for our Lady of Winterfell Sansa Stark.

She may still be hated and flawed (most of other fan favourites are flawed too) BUT those who have eyes and a heart, can see just what an amazing and caring ruler she could be, despite having survived all the horrors she was subjected to.

I made this today as I find it’s a helpful tool when I make characters. I call it the 1-2-3 method.

1 value: Their core belief.

2 flaws: The limitations of the character. Things that can affect their actions and abilities.

3 traits: What makes them, them. the aspects of their behaviour and attitude.

It’s important that you justify their personality through their backstory and home life, however, and it’s good to have conflicting flaws/traits within a group which will help create tension and drama.

I’m using this today to create characters for my campnanowrimo WIP and thought I’d share.

Interview the Muse
  • - What is your Full name? Include any maiden names, aliases, or nicknames.
  • - When is your birthday? Do you know where you were born and at what time?
  • - What is your star sign? Do you know your Chinese Zodiac too?
  • - What is your earliest memory that you can remember?
  • - Where was your childhood home? Was it more urban or rural?
  • - How was your childhood in general? Did your parents treat you well? Did you have a lot of friends?
  • - How was/is school? What is your favorite and least favorite subjects? What were your grades on average?
  • - Did you have a best friend growing up? What was their name? Are you still in touch?
  • - Were you in any cliques?
  • - Best childhood memory you can recall?
  • - Worst childhood memory you can recall?
  • - Name an event in your childhood that has shaped you into the person you are today
  • - What is the dumbest thing you have ever done to impress someone? Were they impressed or was it all for naught?
  • - Did you ever have any sweethearts or lovers? Do you have a boy/girlfriend?
  • - Are you a virgin?
  • - Do you ever plan on getting married in your life? Do you want kids?
  • - Would you rather have your own kids or adopt? How many kids would you want?
  • - Do you think you'd be a protective parent or a relaxed parent?
  • - How would you prefer to pass away? Surrounded by loved ones and at peace, or while doing something heroic?
  • - Generally, how healthy are you? Do you get sick or injured easily or are you fit?
  • - Have you ever been badly injured before?
  • - What is the worst injury you have ever gotten? What was it and how did it happen? Were you ever close to death?
  • - How many times have you been to the hospital/doctor's?
  • - Have you ever had a concussion or brain injury? Have you ever had amnesia?
  • - What was the worst illness you ever contacted? Do you know what it was? How long were you sick?
  • - Ever had any extended hospital stays? What for?
  • - Have you ever had to give yourself or someone else emergency first aid? What happened?
  • - Are you employed? Where do you work and who do you work for? What do you do?
  • - Are you happy with your current job?
  • - Did you have any previous jobs? What were they and what did you do?
  • - Most dangerous thing you have ever done?
  • - Do you consider yourself a more active person or a more relaxed person?
  • - What is your dream come true? How about your worst nightmare?
  • - What is the biggest and most important goal you have set for yourself?
  • - How persistent would you say you are? How much does it take to get you to give up on a task?
  • - Would you surrender yourself to your enemies or fight to the very end?
  • - When do you usually do your shopping? What is currently on your shopping list?
  • - Top three things on your wishlist?
  • - Currently, what is something you want but do not need?
  • - Do you like shopping? What is your favorite thing to shop for?
  • - What is the most expensive thing you have purchased? Was it worth it?
  • - What would you do if you were suddenly given one billion dollars out of the blue?
  • - What would you describe your style of clothing as?
  • - Do you have any hobbies? Name all of them if you can.
  • - Do you like and appreciate art? What is your favorite piece of artwork?
  • - Do you like music? What is your favorite style of music?
  • - Have you ever seen any musicals? What is your favorite?
  • - What are your top three favorite animals? What would you say your "Patronus" or "Spirit Animal" is?
  • - What are your top three favorite colors?
  • - What is your favorite season? Do you prefer hotter or colder weather? Do you like snow at all?
  • - What kind of flavors do you prefer: Sweet, Sour, Bitter, Spicy, Dry, or Umami (savory meat taste)?
  • - Can you cook at all?
  • - What is your favorite dish? Can you prepare it? Do you have the recipe handy?
  • - What is your favorite fruit and vegetable?
  • - What is your favorite dessert? What is your favorite type of candy/treat?
  • - What is the best thing you have ever had the opportunity to eat? What is the worst?
  • - Do you like to drink tea or coffee? Any favorite flavors?
  • - Describe your sense of humor.
  • - What is one thing you are justly proud of?
  • - Do you have any religious beliefs? If not, have you ever been to a church service?
  • - What would you say is the worst thing someone has done to you? What is the meanest thing someone has ever said to you?
  • - What is the worst thing you have done to someone? What is the meanest thing you have said to anyone?
  • - Share the latest entry in your diary/journal.
  • - What is the most precious thing you own? Is it valuable at all?
  • - Talk about someone you know. It can be someone you either like or dislike.
  • - FREE QUESTION

anonymous asked:

Hey, you're awesome, thanks for existing, basically ^_^ Anyway, I wanted to know if you have any tips on how to write different personalities? My characters (all of them) always end up with the same default personality that I fall back on. Thanks!

Thanks for your question, darling!  I think most of us have struggled with this – after all, we’re conditioned to one way of thinking, feeling, and acting for as long as we live.  That doesn’t necessarily mean we write characters like ourselves, though.  In fact, many of us have a “default character” that’s sassier than we are, sweeter than we are, or in some way different enough from us that we still feel like we’re writing a character.

The problem, then, isn’t that we can’t visualize a different personality than ours.  On the whole, we can.  What we’re missing are the small details that make it feel whole – otherwise, it’s like painting the same room six different colors and trying to pass it off as six different rooms.  Different dominant traits can’t hide the fact that you’re working with one template!

So the question we’re left with: what are the traits we’re missing?  And how can we change them to create a unique and whole personality?


Three Types of Character Traits

There are, as the title suggests, three major categories of personality traits as I see it: fundamental traits, acquired traits, and detrimental traits.  A well-rounded character needs some of each to be three-dimensional and realistic.

Fundamental Traits

The fundamental traits of a person’s character are not as simple as interests and preferences; they are the very base of all decisions and desires.  They are either learned in early life or developed over a long period of time, rooting deeply into the personality.  A few examples of fundamental personality traits include:

  • Upbringing – The word choice here is conscious, as upbringing encompasses many different aspects of a person’s development.  Consider who raised them, and with what morals and practices they were raised to adulthood.  Consider their influences, both familial, social, and in media; consider the relationships that were normalized during their development, as well as the living conditions (financially, emotionally, environmentally, etc.).  The people, places, emotions, and conflicts made common during a person’s developmental period are essential to their personality in adulthood.  This is why psychologists often draw present-day problems back to a person’s childhood memories – because those formative years can subconsciously dictate so much of a person’s future!
  • Values – These may not coincide with the values a person is raised to hold, but upbringing certainly has an influence on this. A person’s values will direct the course of their life through every decision, large and small.  You don’t need to outline everything your character believes is important – every moral and every law they agree/disagree with. But those values which stand above others will give your character purpose.  A few of my favorite examples are: Jane from Jane the Virgin (whose initial storyline is heavily based on her religion and desire for a beautiful love story, as well as her childhood influences who inspired these values) and Han Solo from Star Wars (whose character development rested upon his values shifting from money and gratification to more honorable things).
  • Beliefs – Different from values, beliefs are a more general set of guidelines for how a person believes things are supposed to be.  Beliefs can also be a source of great conflict, as a character tries to stay aligned with their beliefs despite other values or desires.  These beliefs can be established systems, like religion or politics; they can also include more personal belief systems, like nihilism or veganism.  A characters beliefs, like their values, can change over the course of the story – but even if a character is questioning one system of belief, like religion or pacifism, they should have other belief systems in place to govern some of their activity.
  • Reputation – A lot of human activity, whether consciously or not, is dictated by how others perceive them (or how they believe others perceive them).  There are two types of reputation: personal and passing.  For instance, a woman named Sally who gains a personal reputation of sleeping around will behave in reaction to this reputation – either sleeping around because everyone already expects it of her, or specifically not hooking up because she wants to shake this reputation, or developing a thicker skin to deal with the rumors until it passes.  A man named Billy who, because of his tattoos, bears a passing reputation as an intimidating man will either try to soften his demeanor with strangers, own up to the image, or at least learn to expect judgment from strangers as a consequence.
  • Self-Image – Also relevant to a person’s behavior is the way they perceive themselves, which can often have little to do with their reputation.  A lot of self-image is based on definitive moments or phases in the past.  For instance: for several years after I started wearing contacts and cutting my hair, I still saw myself, in dreams at night, with long hair and glasses.  One of my friends, similarly, could not seem to notice when boys would flirt with her during sophomore year – because she still saw herself as an awkward middle schooler with braces, and not as the charming cheerleader with the great smile.
    Inversely, self-image can be inflated, causing character to behave as though they are funnier, smarter, or more prepared than they truly are (see: the rest of my sophomore acquaintances).  This can be an overlooked character flaw opportunity – or flawportunity…

Originally posted by alliefallie


Acquired Traits

Now we move on to the acquired traits of personality, which are the ones you’re more likely to find on a character sheet or a list of “10 Questions for Character Development”, alongside a million other things like their zodiac sign and their spirit animal.  But the traits I’m about to outline are a little more relevant to a character’s behavior, and more importantly, how to make this behavior unique from other characters’ behavior.  The following traits will be learned by your characters throughout their life (and their story), and are more likely to shift and grow with time:

  • Interests – I know, I had to reach deep down into my soul to think of this one.  But it’s true!  Interests, both in childhood/adolescence and in adulthood, are an important part of a character’s personality and lifestyle.  Childhood interests both reveal something about the character (for instance: my nephew loves trains, Legos, and building, suggesting a future interest in construction or engineering) and create values that can last for a lifetime.  Current interests affect career choice, social circles, and daily activity for everyone.  Forgotten or rejected interests can be the source of pet peeves, fears, or bad memories. There’s a reason I’ll never play with Polly Pockets again, and it 100% has to do with bloody fingertips and a purse that wouldn’t open.
  • Sense of Humor – This can be a little hard to define, understandably.  If you were to ask me what my sense of humor is, I’d probably start with a few stupid memes, pass by Drake & Josh on the way, and somehow wind up telling you bad puns or quoting Chelsea Peretti’s standup comedy. A person’s sense of humor can be complex and contradictory!  Sometimes we just laugh at stuff because someone said it in a funny way.  But anyway, to help you boil this down to something useful: take a look at a few kinds of comedy and relate it to your character’s maturity level.  Do they laugh when someone lets out a toot?  Are they the kind of person to mutter, “That’s what she said,” or simply try not to laugh when something sounds dirty?  Can puns make them crack a smile?  Do they like political humor?  Do cat videos kill them?  Is their humor particularly dark?  Can the mere sound of someone else laughing make them laugh?  Figure out where your character’s sense of humor is, and you’ll feel closer to them already.
  • Pet Peeves – For every interest a person may have, and everything that makes them laugh, there’s something else that can piss them off, large- or small-scale.  Are they finnicky about their living space and neatness? Do they require a lot of privacy? Do certain sounds or behaviors drive them crazy?  What qualities are intolerable in a romantic interest for them? What kind of comments or beliefs make them roll their eyes?  If you need help, just try imagining their worst enemy – someone whose every word or action elicits the best eye-rolls and sarcastic remarks and even a middle finger or two – and ask yourself, what about this person makes them that mortal enemy?  What behaviors or standards make them despicable to your character?  That’s all it takes.
  • Skills – Everybody has them, and they’re not just something we’re born with.  Skills can be natural talent, sure, but they’re also cultivated from time, values, and interests.  What is your character okay at?  What are they good at?  What are they fantastic at?  Maybe they can cook.  Maybe they have a beautiful eye for colors.  Maybe they have an inherent sense of right and wrong that others admire. Maybe they’re super-athletic or incredibly patient or sharp as a tack or sweet as a cupcake.  Maybe they know how to juggle, or maybe they’re secretly the most likely of all their friends to survive a zombie apocalypse.  Where do they shine?  What would make someone look at them and think, “Wow, I wish I were them right now”?
  • Desires – A good way to “separate” one character from the next is to define what it is they want, and then use every other detail to dictate how they pursue that goal.  Every real person has a desire, whether they’ve defined it or not – whether it’s something huge, like fame or a family of five with triplet girls and a beach house on an island, or something small, like good grades for the semester.  These desires can cause a person to revise their values or forsake their morals; and these desires can conflict with other people’s desires, influencing how people interact with each other.  Remember that every character is living their own story, even if it’s not the story you’re telling.
  • Communication Style – A majorly overlooked character trait in pop fiction is unique communication styles.  Having every character feel comfortable arguing, or bursting out with the words, “I love you,” is unrealistic.  Having every character feel paralyzed at the idea of confronting a bully or being honest to their spouse is also unrealistic.  There should be a healthy mix of communicators in a group of characters. Some people are too softspoken to mouth off at their racist lab partner.  Some people wouldn’t see their girlfriend kissing another guy and just walk away without saying something.  Some people just don’t react to conflict by raising their voice; some people enjoy sharing their opinions or giving the correct answer in class.  Boldness, social skills, and emotional health all have a part to play in how people communicate their thoughts – so keep this in mind to create a more realistic, consistent character.
  • Emotional Expression – Along the same lines but not the same, emotional expression is more focal on feelings than thoughts.  If you’ve ever heard of the fight-or-flight response, the different types of anger, the stages of grief, or the five love languages, then you’re aware of different “classifications” of emotional expression and management.  Read up on some of those things, and think about how your character handles emotions like happiness, sadness, fear, anger, loneliness, paranoia, and so forth.

Detrimental Traits

While acquired traits are certainly more enjoyable to brainstorm during the creation process, detrimental traits are as important – or even more important – to the character’s wholeness as well as their role in the story.  Not only do these negative or limiting traits make your character realistic, relatable, and conflicted – they create a need for other characters and their strengths to move the plot forward.  A few examples of detrimental traits include:

  • Flaws – Character flaws are probably the first thing that came to your mind while reading this, but they’re the essence of the category.  Flaws in a character’s personality, morality, or behavior can be a source of character development; they set an individual on their own path and provide a unique motivation for them.  Having Character A struggle with sobriety while Character B learns to be a more patient mother can do a lot to separate their stories and personalities from each other.  Even if certain flaws don’t reach a point of growth, they create a third aspect to personality and force us, as writers, to be more creative with how our characters get from Point A to Point B, and what they screw up along the way.
  • Fears – Everyone has fears, whether we’re conscious of them or not – and I’m not talking about phobias or “things that give you shivers”.  Just like everyone has a primary motivation throughout life (romance, family, success, meaning, peace of mind, etc.), everyone has a fear behind that motivation (loneliness, failure, emptiness, anxiety).  We all have something we don’t want to happen places we never want to be and things we never want to do.  We’ve all been in situations that mildly bothered others but wildly affected us at the same time.  For me, it’s a lack of autonomy, or in any way being forced to do something or be somewhere against my will.
    What does this mean for me?  It means that when other people have nightmares about being chased by an axe murderer, I have nightmares about being kidnapped and locked up.  It means that I’m continually aware of my “escape plan” if something goes wrong in my living situation, and I’m hypersensitive to someone telling me, “You have to do this.”  It means I struggle to follow rules and usually don’t get along with authority figures because I have to assert my independence to them.  It’s irrational and continual and doesn’t just affect me in one situation; it subconsciously directs my steps if I let it.  That’s how real, guttural fears work. Phobias are only skin deep, and they don’t make you feel any closer to the character.

Originally posted by giantmonster

  • Secrets – Even goody two-shoes Amber from the swim team, with her blonde blonde hair and her good good grades, has a secret.  Everybody does, even if it’s not a purposeful, “I have a deep, dark secret,” sort of secret. We have things we don’t tell people, just because they’re embarrassing, or painful, or too deep to get into, or they don’t paint us in a good light.  While the secrets themselves tell a lot about a person, so do the reasons a person keeps a secret.  Hiding something out of shame suggests a person is prideful, or critical of themselves, or holds themselves to a higher standard than they hold others.  Hiding something painful suggests that the person struggles to handle sadness or regret, or that they feel uncomfortable showing raw emotion in front of loved ones. And so on and so forth.
  • Conflict – Whether internal, interpersonal, legal, moral, societal, or what have you, conflict will limit your character’s actions at every turn.  A story is nothing without conflict driving the plot in different directions and causing your character to rethink both their plans and their lifestyle.  Without Katniss’s moral conflict over killing other tributes, The Hunger Games would be the story of a girl who entered an arena, killed a lot of people, and lived the rest of her life rich and comfortable.  If Luke Skywalker didn’t have interpersonal conflict with Darth Vader, Star Wars would be the war-story of a guy who joined a rebellion and then… yeah.
  • Health – Physical, mental, and emotional health is a huge limiting factor for characters that often goes untouched, but it’s valuable nonetheless.  Not everyone has a clean bill of health and can jump off trains without pulling a muscle, go through a traumatic life experience without any hint of depression or anxiety, or watch a loved one die in gunfire and shove right on without emotional repercussions. Consider creating a character who’s not perfect – who isn’t perfectly in-shape or abled, or neurotypical or stable day-to-day, or completely clean and clear of residual heartache, unhealthy relationships, or bad emotional habits.  Don’t define them by these traits, of course – but don’t feel that you can’t write a character with health issues without writing a “sick character.”

So this post got ridiculously long, but I hope it works as a reference for you when creating unique characters.  Remember that you don’t need to outline all of this information to create an individual, realistic character.  These are just some relevant ideas to get you started!  It’s up to you, as the writer, to decide what’s necessary and what’s excessive for your creative process.

Still, I hope a majority of this is helpful to you!  If you have any more questions, be sure to send them in and we’ll get back to you :)  Good luck!

- Mod Joanna ♥️


If you need advice on general writing or fanfiction, you should maybe ask us!

Lars’ face when he realized that these Gems, who saved his life, have spent their own lives under threat of execution for being different. Have spent their lives being afraid because of who they are, just like him, except no one was even going to try and kill him for baking or being “uncool” or saying the “wrong” thing.

This is his paradigm shift. You can see it on his face. He’s found a reason to be brave.