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ICYMI: @Complex_Art’s 5-part feature series asked legendary designers asked about their favorite rap album covers from the ‘90s.

Brent Rollins’ 10 Favorite Rap Album Covers of the '90’s

Bill McMullen’s 10 Favorite Rap Album Covers of the ’90s

Kenny Gravillis’ 10 Favorite Rap Album Covers of the ’90s

Cey Adams’ 10 Favorite Rap Album Covers of the ’90s 

Greg Burke’s 10 Favorite Rap Album Covers of the ’90s

Words by: @iamdjtreats

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Interview: Back to The Drawing Board with Legendary Artist and Designer Cey Adams (via @complex_art)

If you don’t know what the last 25 years of a great record label look like, then rap is just not for you. Over two decades of photos, album artwork, and stories behind every record released under the Def Jam Recordings label became a coffee table book for Rizzoli, designed by its former creative director, Cey Adams. His native New Yorker’s perspective, living just a few doors down from the late, great Notorious B.I.G. on St. James Pl. in Brooklyn, and being a graffiti writer (with a hand style you would give your left arm for)—these are the credentials of someone whose doorstep was hip-hop.

Adams founded The Drawing Board design studio while at Def Jam with his partner Steve Carr. Together their creative team was a factory of artwork and logos for the label’s marquis talent: LL Cool J, Redman, DMX, and the list goes on. With ‘90s rap etching its place in music history, and with every year getting arguably better than the next, credit has been owed to visionaries like Cey Adams. Bad Boy Records and artists like the Beastie Boys also turned to Adams and his friends for work, which he discusses when he names his Top 10 Album Covers From the ‘90s. Some of his extended stories about Redman’s video game character and working with Diddy from the salad days of Uptown Records were so damn good that we’re giving you the extended interview. Respect the architect.

Words by: @iamdjtreats

MoMA goes Old-School with Cey Adams

The MoMA is paying homage to the first generation of artists that started it all in the Hip Hop game. One of the influential Creative Directors of that era is a man named Cey Adams who will be at the gallery May 5th to sign posters along with Riot Girrrl icon, Kathleen Hanna of Bikini Kill. 

In 1984, Cey, a young artist and graffiti writer at the time, got hired to work at a record label named Def Jam Records. It was a time of paradigm shifts for the baby genre with legends being born every day – Beastie Boys, Biggie Smalls, Run DMC, 3rd Bass, Public Enemy, etc.

Keep reading

npr.org
NPR | Def Jam In Pictures and Words: An Interactive

Def Jam Recordings was instrumental in putting hip-hop on the map, paving the way for the music and the culture to permeate society and alter the landscape of popular culture. The just-published Def Jam Recordings: The First 25 Years of the Last Great Record Label is heavy with photos, album covers and designs that capture the brash attitude of the company. Click on an image below to hear Bill Adler, the author of the book (and longtime publicist for Def Jam), and Cey Adams, who ran design for the company for many years, tell stories about some of Def Jam’s most striking visuals. [NPR]

youtube

Cey Adams and Bill McMullen (Billions McMillions) share some great Beastie Boys stories. It’s long, but stick it out. It’s worth watching. RIP Yauch.

from deadendust