centennial plaza


Tyler Davidson Fountain/The Genius of Water,  Cincinnati 

The Tyler Davidson Fountain or The Genius of Water is a statue and fountain located in Cincinnati. It is regarded as the city’s symbol and one of the area’s most-visited attractions. It was dedicated in 1871 and is the centerpiece of Fountain Square, a hardscape plaza at the corner of 5th and Vine Streets in the downtown area. It is surrounded by stores, hotels, restaurants and offices. Originally, and for more than 130 years, it was located in the center of 5th Street (Fountain Square’s original configuration), immediately west of Walnut Street. In 2006, renovations were undertaken to Fountain Square, and the Tyler Davidson Fountain was temporarily removed. When reinstalled it was relocated to a much wider space near the north end of the reconfigured square, closer to the Fifth Third Bank Building and away from street traffic. The fountain is turned off for the winter months and turned on again in time for the first home game of Major League Baseball’s Cincinnati Reds.

The 43-foot-tall (13 m) fountain is cast in bronze and sits on a green granite base. The inscription “To the People of Cincinnati” appears on its base.

The artistic fountain’s motif is water, in homage the river city’s continuing debt to the Ohio River. The central figure, the Genius of Water—a female in heroic size—pours down the symbolic longed-for rain from hundreds of jets pierced in her outstretched fingers. The figure is 9 feet (2.7 m) high and weighs 2 tons.

The pedestal itself is square with four representations in basso-relievo of four principal uses of water; namely, steam, water-power, navigation, and the fisheries. The first is typified by workers in iron using a trip hammer powered by an engine in the background; the second, by peasants carrying corn to a watermill; the third, by a steamboat leaving the shore, lined by numbers waving farewell; the fourth, by groups of fishermen and children.

From the center of the pedestal rises a shaft spread at the top with interlaced vines and foliage and about these are four groups. On the north is a workman standing upon a burning roof and imploring the aid of water; at the south is a farmer standing in the midst of a field where are plainly seen the effects of a drought - he too is praying for rain. Upon these two groups the Genius of Water is dropping a gentle spray. At the west a young girl is offering the water to an old man with crutches. On the east side a mother partially nude is leading her naked and reluctant boy to the bath.

Four outer figures with animals represent the pleasures of water. These are working drinking fountains from which passersby can drink. On the drinking fountains are figures of nude boys- one riding a dolphin, another playing with ducks, a third struggling with a snake and the fourth on the back of a turtle.

The construct is made of approximately 24 short tons (22 t) of cannon bronze purchased from the Danish government and 85 short tons (77 t) of granite.

After the death of his brother-in-law and business partner Tyler Davidson, Cincinnati businessman Henry Probasco went to Munich, in search of a suitable memorial to him. Many years before, artist August von Kreling had collaborated with Ferdinand von Miller at the Royal Bronze Foundry of Bavaria to design a fountain to rival the great fountains of Europe but which would glorify mankind rather than fanciful creatures and mythic deities. When Miller could find no patron to sponsor the fountain, the designs languished until Probasco came to him with an interest in a similar theme. Probasco requested the addition of four figures with animals that would act as drinking fountains, which Miller’s sons Ferdinand and Fritz designed. The original miniature model is now located in the Cincinnati Art Museum.

The fountain was cast in separate sections at the foundry and shipped to Cincinnati for assembly. Probasco requested that the City of Cincinnati remove the dilapidated market along 5th Street between Vine and Walnut Streets for the fountain. In its place an esplanade bisecting 5th Street was built, the designer was architect William Tinsley. Tinsley had also designed the Henry Probasco House in the suburb of Clifton. The esplanade made the fountain easily visible to anyone traveling by. Miller traveled to Cincinnati for the dedication ceremony, which took place on October 6, 1871, it is estimated that 20,000 people were present. Miller and Von Kreling enjoyed a degree of celebrity in the city.

The fountain originally faced east, toward Europe, where much of Cincinnati’s population originated. When Fountain Square was redone in the late 1960s, the fountain was realigned to face west. With the newest rendition of Fountain Square, the fountain faces to south since it is on the edge of the square.

The fountain was renovated for the first time in 1970 for a celebration of its centennial. The Fountain Square plaza was also redesigned for better traffic flow, and the fountain was moved and turned to face west rather than east. Additional repairs and another refurbishing project was undertaken in 1999. In 2005, as part of Fountain Square’s revitalization, the city decided to move the entire fountain to the center of Fountain Square. The estimated cost was approximately $42 million. The city was responsible for $4 million. During the renovation the fountain was on display at the Cincinnati Art Museum.

Fountain Square reopened on October 14, 2006 with an elaborate ceremony that included different stages for multiple bands, food, beer and fireworks. The fountain continues to be a backdrop for various cultural events in Cincinnati: movie nights, game shows, and the ice rink which opens in the winter.

The fountain is most familiar to non-Cincinnati residents for being featured in the opening credits (at its former location) of the television series WKRP in Cincinnati. It can also be seen in the montage that accompanies the opening narration for the paranormal investigation series Ghost Adventures.

Source: Wikipedia

Seeing from Above

My map is drawn from the above and is in a south to north direction. The boundaries of my map is from the middle of the grass on the left to the middle of the grass to the right side, with the road on the south to where the plaza hangs off as a cliff over Feather River. In drawn in the trees, mushroom in the grass and the bushes at the edges of the sidewalk. My piece mainly focuses on the circle, where the rocks and fishes are at, wrapped with the garden beds. 

Centennial Plaza Post 2
Maly Vang

Centennial Plaza: Hearing Yourself

When I went to Centennial Plaza, I noticed that it is very quiet, and I could only hear my own movements. My loud footsteps quietly echoed on the grass when I walked to the center of the plaza. I could hear the winds rustle through the leaves and vines as I sat and observed the area. As I listen more carefully, I can hear the metal clinking from the auto shop down the road, and the cars roaming Highway 70 to the east. Even though there are distinct noises happening at the same time, the noises were so soft that it didn’t distract me from hearing my own breathing. I never took the time to listen to my surroundings before, and I found this experience to be very therapeutic and calming.