celebrity products

i feel like bo burnham did the exact opposite of sell out. like his early stuff is pretty tacky run-of-the-mill edgy™ comedy which was his way of breaking into the business but now he’s just like “hey do you guys want to hear about how celebrities are products manufactured by a capitalistic society preying on the marginalized also art is dead *funky synth noise*”

Recently, I was part of a conversation between my sisters and a person outside of our friend group. The subject of K-pop came up, and this person who was clearly not a fan looked at me and said “you must be patient zero”. I’ve heard this term used before, mainly in a derogatory way, with the meaning of “the first person to be exposed to K-pop, who then spreads becoming a fan as a disease among their friends and family”. At first, I was a little annoyed, but as I thought about it more and more, I realized that he was unknowingly paying me as well as the industry of K-pop a massive compliment.

The truth that has to be acknowledged to understand why, though, is the sometimes uncomfortable and avoided fact that K-pop is very much an industry, and groups are very much a product. Fans don’t like to discuss this much, but it’s a fact that cannot be denied. K-pop groups are products created by corporations to sell to consumers. Many antis will use this as a reason to not enjoy K-pop, saying for instance “it’s too fake and manufactured, where companies decide members of groups instead of letting them come together naturally”, however the reality is that much of American media is the same. K-pop is very self aware in being an industry, and will even present straight to the fans that they are consumers of a product. Idols will say that the company won’t let them say or do things that would pull fans away, such as dating bans or bans on using dialect. There are TV shows such as Fluttering India, a show where members of K-pop groups were sent to India to research the market for K-pop, essentially filming and packaging the research companies do in America for a new product as entertainment. There are even TV shows made into survival shows such as No Mercy or Pentagon Maker which show the making of the group product, choosing members who work well together and have the talent necessary, almost like a Shark Tank where the judges are the companies and the products are human lives. The K-pop industry is just that, and industry, and the companies will cater to the consumers through fan-service and fan events. Being aware of such a fact is important to understand, and it doesn’t make your enjoyment of the industry a bad thing. It means that you understand that even in American culture, actors and TV celebrities and singers are products who you support and spend money on, and you as a fan have abundant power in such matters.

This is important, though, because you now understand that K-pop is an industry and not a disease. And like any other industry, the strongest tool that is utilized is word of mouth. Humans have a natural crowd mentality, and sites such as Amazon or Yelp utilize this mentality, showing you ratings and reviews in order to convince you to buy products. Youtubers and Instagrammers will buy followers to convince followers to go with the crowd. When you take a survey for any reason, for a store or a restaurant alike, what two questions are always there? “How did you hear about us”, “Would you recommend us to a friend?”. You see, K-pop is an industry, and by saying that it is an industry that is known to be infectious like a disease, spread from person to person, you’re only saying that K-pop has achieved something most product distributers only dream of - a product with value and appeal enough for a successful complete spread of word of mouth through people from all languages, all cultures, all races, all backgrounds, and all walks of life. And by saying that I am patient zero you’re saying that I am a distributer to an entirely untapped friend group, family, an untouched market, and that I as a consumer am increasing the profits of an industry that I genuinely enjoy partaking in, that my support as a fan of a group that speaks a different language in a different part of the world than me is at the very root valuable and valued and sought after from companies and idols alike.

So let that be a reminder to fans who are tired of hearing “they will never know you exist” or “you don’t even speak the same language”. Not only is your enjoyment valid, it’s also necessary and important in making K-pop and your favorite bias group become a worldwide trend until the biggest argument the haters can put forth is that it appeals to too many people. 

alright im so done with all your pointless, shitty hate.
CONGRATULATIONS TO ALL THE SHOWS ON BROADWAY, WHETHER YOU WERE NOMINATED OR NOT, OR WON OR NOT.
ALL THE SHOWS HAVE SOMETHING SPECIAL AND AMAZING ABOUT THEM.
in the end, all of these shows (whether having a nom/win or not) are somehow leaving their mark on broadway or on the viewers who come see them.

the tonys are a time to celebrate broadway. please stop trying to tear this celebration down with your hate.
im sure that the actors who got snubbed wouldnt support all this shit you guys are flinging.
let people be happy and enjoy their night.
just be happy that, awarded or not, your favorite show exists and has made a mark.

Songwriter & Producer Rick Nowels Explains How Lana Del Rey’s ‘Lust For Life’ Came Together

Genius: You’ve been working with Lana for a long time now. What’s your songwriting process like, and how has it evolved?

Rick Nowels: Our process has not changed over the years. Lana always comes in with a concept and often, a melody and lyrics on her iPhone. I listen to it acapella, find the exact key she’s singing in and start to create a chord progression around it. We start playing together and define the exact chords and melody. Then she finishes the lyrics. I’m always knocked out by how incredible her lyrics are and how effortlessly she seems to write them. After that, we solidify the verse and chorus. We usually write the middle eight from scratch—that’s the section that comes after the second chorus. It is a construct of classic songwriting sometimes called the bridge. You don’t see a lot of middle eights in songs anymore. I love that we write them because I think they make the songs more timeless and satisfying. Lana usually records her vocals right after the writing process. I play piano or guitar with her and we do live takes. This gives the songs a performance aspect, and I think it contributes to the intimacy in her vocal delivery. I work out my piano or guitar part and accompany her voice. I follow her mood and together we get a feeling in the room. She doesn’t do many takes. She knows when she’s got the master take. After she gets her lead vocal she immediately starts arranging and singing her background vocals. This is a very exciting thing because she’s completely unique in her approach to it and it’s all a part of her songwriting process. When the backing vocals are complete you essentially have a finished Lana Del Rey record. The song speaks with minimal instrumentation and just her vocals. After that, we begin the process of building the backing track, which can take some time and experimenting and inviting some great musicians to contribute.

 Many people have said this album feels like a return to Lana’s earlier sound (i.e. the Born to Die era). Do you agree with that assessment and if so, was it an intentional choice on Lana’s part?

Rick Nowels: Not at all. It’s a constant moving forward. Lana is a prolific songwriter. I see every new song as the next Lana Del Rey song. I’m honored to be the first person to hear many of them in their early form and one that she trusts to help construct them. There’s no other thought than to write the best song we can and then to capture it in a recording. For me, it’s song by song, and because she’s so prolific we have a wealth of really strong songs. The big picture emerges and I know she’s always thinking about it.

Genius: You and Lana flipped what was originally the verse of “Lust for Life” into the chorus. What was that process like and how much did the song change from what it sounded like originally?

Rick Nowels: The original “Lust For Life” is a beautiful art song, it’s quite touching. Maybe someday Lana will release it. We did a rewrite a lot of it during the making of the album. It turned out great and It was a thrill to have The Weeknd and Lana singing together.

Genius: What was it like working with A$AP Rocky for “Summer Bummer” and “Groupie Love”? Did Lana always intend to have a rap element on the track, and does that change the way you approach writing a song or handling production?

Rick Nowels: “Groupie Love” was one of the early songs we wrote for the album. Lana had the idea to bring in A$AP Rocky. He’s a great guy; very smart and creative. His producer Hector Delgado came in too and did the beats on the song and co-produced it with us. It was a lot of fun being in the studio with them. They are super creative souls. I wasn’t really involved with “Summer Bummer.” Lana went in the studio with Boi-1da and wrote that one. It’s a great addition to the album. I asked Zac Rae, who is a brilliant keyboard player and musical mind, to do some overdubs on it. We spent a few days with Boi-1da and T-Minus working on it together. I believe Rocky and Playboi Carti recorded their parts with Hector Delgado. That was one of the last songs written for the album.

Genius: What are some of your favorite songs on the album?

Rick Nowels: I would say “Tomorrow Never Came” is a really special record. We asked Sean Lennon to sing on it and when we sent him our track, he got so inspired that he ended up playing all the instruments on it. He recorded it in his studio in upstate New York. It was good talking to him over Face Time during it. He did an amazing job and he and Lana sound great together. I’m assuming he used some of his dad’s vintage instruments on it, but you’d have to ask him. “Change” really touches me. We were mastering the album and had to turn it into the label the next day. Lana called me that afternoon and said that she had one more statement to make for the album and that she wanted to record a new song that night. That song turned out to be “Change”. We started it at 8 P.M and by 2 A.M the record was done. We knew it could only be a voice/piano song because that was all the time we had. I think it’s a gem on the album. “Beautiful People Beautiful Problems” was special because we got to spend time with Stevie Nicks and have a collaboration with two of the great female poets of songwriting. I’ve known Stevie for a long time and I wanted Lana and Stevie to know each other. I love hearing their two iconic voices together. I think a real friendship has formed.

Genius: Where do you feel this album fits into Lana’s catalog overall?

Rick Nowels: Lana is a career artist, a defining artist of her generation. I see her as a link on the chain along with Bob Dylan, Leonard Cohen, Joni Mitchell, Stevie Nicks, and all the great once in a lifetime singer/songwriters. She’s created her own language and her own genre. She’s always inspired and actively creating her body of work. This album is her next offering.

-Genius

A little rambling on the workings of PR

I don’t usually post about things like this.  In my opinion, celebrity’s private lives and just that “private”, but there comes a point where a person gets tired of all the games…and especially of seeing people played.

 Do I think Sam/Cait are a couple?  I don’t know for sure, the only ones that do aren’t saying, but what I will say is that I think the two of them are a hell of a lot closer than normal co-stars.

 Do I think Sam/MM are a couple?   I don’t know that either, but I do know there’s something off about that relationship. I’m by way of being kind of an expert in body language and Sam is always too stiff and guarded in proximity to MM. Until I see Sam act and look at MM like he does Cait, then I’m far from convinced.

 Do I think there are PR games being played?   You better believe it!!  And I hate to tell you all this but the fans and even Sam are being played like a fiddle by a gal that doesn’t even know the proper attire for a birthday party.  

 So, what can we – as fans – do about it?

 Let me tell you a little story.  Once upon a time in the land of daytime TV there was a show called Days of Our Lives and a couple named EJ and Sami, dubbed with the portmanteau of “Ejami” by their fans.   Ejami had Sam/Cait level chemistry and the characters had danced around each other for 8 years, finally coming together in 2013.  Fans were happy and while Days was not the highest rated soap, it had the largest social media presence of all the soaps thanks to happy viewers who had and posted and tweeted and campaigned for years to get their couple together.    However, in 2014, their love story took a nose dive when EJ began a sexual relationship with a much younger girl to keep her from telling on Sami for murder.  At least that’s how it looked on the surface.

 The truth was, Days producer Ken Corday had concocted a rather devious plan.   In 2014, the Nielson ratings group began incorporating social medial statistics into their overall ratings and on January 13, 2014, Corday was scheduled to present these social media statistics to advertisers to help set the advertising rates for the upcoming year.   Days was already the highest rated soap in social media, but Corday was greedy, so on January 10, 2013, he had EJ fall into bed with a young blonde twit thinking that Ejami fans would react like always and blow up social media over the weekend with their displeasure, with making Days social media numbers even higher for the meeting on Monday.

 Thankfully though, this time the fanbase realized what Corday was up too and decided to take a different approach – they went silent.  From January 10, 2014 to January 13, 2014, Days of Our Lives went from being the highest rated soap on social media to not even ranking…something they have NEVER recovered from.    Simply from the actions or lack of actions by fans, Days slipped heavily in the overall ratings to the point of cancellation and in a last-ditch effort are now bringing back the two actors for an upcoming sweeps period to give fans what they should have given them in the first place!

 What’s my point in all this?   My point is that MM is taking PR lessons from Corday.   That picture she posted with the rainbow wasn’t some innocent thing, she KNEW using a rainbow would rile fans up.  You see in Hollywood, there’s one simple and very true rule “There’s no such thing as bad publicity!”  Every time you interact on MM’s Twitter or Instagram, whether to say yay or nay, whether you call her a saint or a slut -she benefits from it.  Every single time!   Don’t think social media is that important?   I have a friend that’s an actor – a relatively well-known soap opera actor at that -  who was just turned down for a role because his social media presence wasn’t that strong. No joke!

 Which brings me to ask if you’ve ever heard of a Q-score?   Quite simply a Q-score is a measurement of the familiarity and appeal of a brand, celebrity, company, or entertainment product.   Used to be, Q-scores were measured by a celebrity’s appearances on TV/film, talk shows and in entertainment magazines.  Nowadays, the score is figured almost solely from social medial statistics.  To put the score in perspective, right now Johnny Depp has the highest Q-score at 92. Trump’s Q-score is 98.  Sam and Cait’s Q-scores range from 38-42 which is a very respectable range for actors in their genre. The interesting thing is that this time last year, MM had a Q-score of 18, which has risen to over 30 as of today and why?  Because of Sam.   Here is a girl that has chased fame since she was 12 years old and she’s finally got her hands on something that can help her achieve that.  She’s going to continue to use him and us unless we do one thing.  

 Ignore her.

 Just like we did to Days of our Lives that fateful January.  Block little Miss M on every facet of social medial.  Don’t follow, don’t comment, pretend she doesn’t exist. The best predictor of future behavior is past behavior and MM has shown herself by her past behavior.  When she’s no longer getting any attention from being Sam’s perceived girlfriend, the truth will out and at the very least, she’ll stop posting those “in your face” pics of hers.            

 Sometimes the adage of “Ignore something and it will go away” just works.

Productivity challenge - Day 1

I’ve seen this around for quite a long time, so I decided to join #emma100dop and try it out ! I don’t know if I will last 100 days, but… we’ll see. :P

I don’t have any pictures for today, because I’ve been doing tasks that show a lot of personal information..

Today, I :

- Finished typing my resume in my uni’s.. kind of.. website thing ? And I was procrastinating on it so much.. Now it’s done !

- Did my resume in Spanish for my, well.. Spanish class XD And it’s really simple, but I managed to make it look a bit interesting so I’m actually quite proud.

- Wrote a cover letter in Spanish for the same class. I really hate doing those things, but that’s something done too !

- Washed the dishes. It’s nothing much, but I always get too lazy so it’s actually an achievement for me ahah


That’s about it ! I’m really tired because I’ve been doing all this in the evening, but at least, it’s done. And I feel so much better !

Starting 100 Days of Productivity RJ celebrate completing week 1 of my Senior year! ☺️🌸 Please reblog if you’re a studyblr!

Ps: special thanks to some of my fave blogs for always inspiring me to do and be better💜 (I’m missing a ton but it’s late and I can’t think of everyone right now😅) @emmastudies@studyquill @apricot-studies @calmingstudies @diaryofalawstudent @elkstudies @studyign

Jayne Mansfield photographed on stage for the Broadway play ‘Will Success Spoil Rock Hunter?’ (1955-1956)

Jayne’s agent arranged to her the test for the Broadway play 'Will Success Spoil Rock Hunter?’ - a comedy satire about Hollywood. Jayne was not happy about it - she said “I want to be a film star, not a stage star”. But he tried to convince her, and she decided to give it a try. On the day of the test, Jayne exaggerated her acting, with hopes that they would dislike her - ironically, it was exactly what they wanted for the character, a over the top Hollywood Blonde Bombshell - Jayne got the part; and she was determined to do a good job. The play opened at the Belasco Theatre on Broadway on 13 October, 1955. A woman who worked with the costumes fitting stated: “She was always reading her lines, she was working really hard and was never temperamental“. Her co-star on the play, Orson Bean said: “I found her to be one of the most delightful people that I ever met and I was very close with Jayne for the entire run. She was totally guileless. She was crazy like a fox and knew exactly what she wanted. She never, ever, ever, once schluffed off a performance. She always gave 101% and it came out of that knowledge, that absolute knowledge that all eyes were on her.” The success was massive - it was sold out every night, everyone wanted to get a look at the woman that had her pictures on the front of all the magazines and newspapers around the world. 'Will Success Spoil Rock Hunter?’ closed on 3 November 1956 after 444 performances.

So the blog has reached 1000 followers somehow?? Yes, hello, hi- um, the blog has been a bit silent lately due to me suffering with exams but I hope you’re enjoying yourselves?? (I’ll probably be more active here from now on, since exams are over now, so hooray for productivity!)

With that said… I’m not sure what to do to celebrate? A stream? Raffle? Something else?? I dunno, feel free to hit me with suggestions! Seriously, haha. I’m much too indecisive ;v;

And that’s all! Thank you for following me, it really means a lot that people want to see more of these weird kids ;v;

So these are inspired by a Buzzfeed article I posted earlier. Again, I’m not married, but I think some of these are hilarious and the gifs I have fit! I know it’s been a while so excuse me as I scrape some of the rust off!

Dean was sitting at the table in their motel room, scrolling through some stuff Sam had sent them about their current case.

Y/N had gotten into bed and had the blankets up around her shoulders as she watched some crappy movie on cable.

Glancing over after a while, Dean noticed movement under the covers right around her hips. Sliding from the chair he moved over to the edge of the bed. “Babe?”

Y/N looked up. “Ew…what kind of face is that?”

“What are you doing?” Dean ignored her comment, confident in the knowledge of what she was doing.

Squinting at her boyfriend she continued with her task under the blankets. 

Dean was reaching for the covers when he heard an audible snap. “What the…” Pulling the blankets down revealed a Kit Kat bar. “Really?! And I thought…”

“What?! I didn’t want to share, you know I hate sharing candy!” Y/N defended as she popped the first piece in her mouth. “What the hell did you think I was doing?” 

Dean just raised his brows at her as he huffed and went back to his laptop.

“Seriously Dean?! THAT’S what you thought I was doing?” Y/N couldn’t stop her laughter. “Oh god, sorry babe! Didn’t mean to disappoint. Here you want the last piece?”

Standing he pulled the last stick from her hand and flopped down on the bed, where he continued to pout.

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