As promised, here’s the turnaround photoset for my “Welcome to Inlé” sculpture. I’ll post some detail shots in a bit.
This project actually started way back in 2006 or so when I decided I wanted to sculpt my interpretation of the Black Rabbit of Inlé from Richard Adams’ Watership Down. I was still pretty new to sculpting, but ended up making something I was really happy with and that marked a pretty big turning point for me, both in terms of style and subject. Last summer, a couple purchased the original piece (you can find photos of it posted here on my tumblr, quite a few pages back), and paid me to create a more detailed base for the piece, and gave me free rein, creatively speaking, to do so.
The project ended up taking me about nine months to complete, and the finished piece is definitely something that was a blast to work on, but also was a big challenge. I’m pleased with how it turned out, and though I miss it now that it’s in its new home, I’m glad to have it off my plate.
It definitely won’t be the last time I explore Inlé, or the Black Rabbit himself, through sculpture, though, you can count on that. :D
Super Sculpey original/firm blend and apoxie Clay over a wire, foil, wire mesh, and wood armature, painted with cel-vinyl, mounted on a poplar board. Roughly. 25”x11”x18”
I’ll write more about the piece when I post the detail shots, which will have to be some time tomorrow, cuz I’m too sleepy to type properly now.