talk about your crush or partner

This is a very well-timed ask because I just got a package from @thefoolishdeer today and she sent me a bunch of amazing things but the two I hold most dear are a piece of art she drew of us together and the letter she wrote that was so cute and touching that I nearly cried reading it. I am beyond lucky. I have the perfect partner, the person meant for me. I am so sure of it. 


Alya: So I’m Lady Wifi, haha, because I was, in fact, Lady Wifi.

Nino: And I’m The Bubbler because I actually was The Bubbler. *chuckles*

*they stare at Adrien and Marinette*

Adrien: What? Is it not okay for me to be dressed as Ladybug??? I just didn’t want to be Chat Noir!

Marinette: Yeah! I-I didn’t want to dress as Ladybug! Is there a p-problem with that?

Alya: No… I guess not… but you guys have to stay in character.

Adrien: Certainly.

Marinette: Are you paw-sitive about that? *winks and chuckles*

Adrien: i think im in love

Marinette: … what


Marinette: …… what did you just say?

Adrien: SHIT- AH- LUCKY CHARM?!? *hits Marinette with the yoyo and sprints away on all fours*


Bravest Warriors #24 is coming out next week, with this cover I did for it! Here’s some of the process work - I included some explanations this time. I don’t know if it’ll be helpful at all or just… verbose… but hopefully there’s something useful in there :>

1. Thumbnail

2. Tight sketch

3. Rough values painted underneath the sketch

4. Value painting on top of the sketch to tighten things up

5. Flat colors! Regular area fill for set pieces, and a few color/overlay layers to quickly indicate hues in the painting

6. Set lighting: using multiply layers to indicate the overall scene lighting raking across the wall, working out how that will interact with the portrait painting and lead the eye. Also continuing to paint in regular layers on top of the portrait.

7. Warming/brightening up the scene lighting, picking out highlights on the frame, softening some form shadow edges to add dimension, adding some rimlight to Catbug. Continuing to work up the portrait. Adding occlusion shadows under the frame and curtains.

8. Using a lighten layer to better expose and unify the areas of the scene struck by light. Lightening the shadow areas a bit to raise overall tone and prevent stuff from getting lost or too dark.

9. Pushing the lights even further to get a stronger afternoon-light feel and create better separation between light and shadow. Adding a soft glow around the light edges. And dust mote sparkles! :>