can we talk about this scene and how perfect it is

Reasons To Love Damien

-his beautiful, silky hair

-make-up game is on point

-he reads fanfiction

-flower arrangement hobby

-fascination with goth

-knowledge of Victorian history

-respectful parenting towards Lucien

-This part:

I could talk about how important this is for a parent to do in regards to mental health and simply allowing Lucien to choose for himself if he needs/wants professional help. A+ parenting. Not to mention that Damien was not yelling at Lucien and was basically like, “I care about you and I want to see you improve, but you need to make that choice for yourself. Just know that Im here to help.”

-how polite he is

-very romantic, in his own way

-writing letters, enough said

-that brave face he made during the movie scene, so cute

-speaking of the movie scene, this part too:

He was so scared he instinctively sought out for physical comfort just by mere hand holding!!!!

-he is so smooth

-His views on death and life is actually beautiful. Basically don’t dread on fearing death because you could miss out on enjoying life.

-when he brings mc dad home after the second date, he friggin’ gives mc a handkerchief as a gift!!!!!

-and no one could forget his love for dogs

-Also, he is so cute in this outfit!!!!! I love those large glasses on him, they look good on him.

Lets fast forward a bit, shall we? 

-After the whole Duchess adventure, mc and Damien has a sweet conversation about Damien being perfect the way he is, he is more than a goth prince and mc doesn’t mind at all. Then he freaking ASKS MC’S PERMISSION FOR A KISS!!! That is so charming and sweet!!!!! 

-After this scene is the conclusion of the route, Amanda’s graduation party. We have a chat with all the guests and Amanda until we have our final scene with Damien. I can’t explain how much I love what he says, so I’ll just put it here so we can appreciate it.

“But I think I can make an exception for you.” God, why does he have to be so damn smooth?


I think I made my point. Damien is an amazing character.

bro…can we talk about how similar peter parker and percy jackson are??? like, honestly:

-both accidentally blew up a national monument
-both are surviving (mostly) on luck
-both are devastatingly loyal to their friends/family
-the pUNS
-the hUMOR
-both are literal living breathing forms of the ‘i-came-out-to-have-a-good-time-and-am-honestly-feeling-so-attacked-rn’ meme
-both can speak a different language fluently
-both live in nyc
-their dads are distant dudes but really do care for them and want to just see them reach their full potential (tony stark is peter’s unofficial dad fIGHT ME)
-can kickass and are badass
-both have a best friend who seems dorky in physicality but is actually the best
-both are school delinquents
-both have a single, motherly-figure raising them whom they would die for and vice versa (and lowkey tho…does anyone else picture marisa tomei as the perfect sally jackson or is that just me…???)
-have weird food obsessions (i.e. peters love for the sandwich shop and percy’s love of blue food)
-were both offered amazing positions (percy a god and peter an avenger) and both turned them down
-both have extraordinary powers
-both are still teenagers

Q&A Transcript with Alex Hirsch at MomoCon 2017

Question: Before you decided to make Bill the main bad guy, did you have another character in mind that would have been the villain? 

Alex: Yeah, um that’s a good question. Uh, so, when we came up with the villain of the show, I knew that… I knew that Bill was involved. And I knew that Ford had disappeared due to some deal gone wrong with some villain next to the mystery of how Gravity Falls was all assembled. 

Um, but, I didn’t yet decide that Bill was that character in the very beginning, y'know? I had always imagined it was some sort of evil character somewhere kinda hidden in the woods. I wasn’t sure I could go with the Bill idea cuz I thought it would be too much like Twin Peaks, but as we got further along the series we discussed it among the repairs and we were like, ‘none of our other villain ideas were as good.’ Bill, Bill was weirder than anything else we thought of. Um, I remember there were other ideas. Strange monsters and government officials; some kind of cthulhu– some weird crazy old man. But nothing was ever better than Bill, so it ended up sticking. Probably somewhere around, y'know, season one– midway through season one, we started thinking we might be– might be on point.

Q: Was Grunkle Stan ever aware of McGucket’s connection to his brother? 

 A: Oh, oh that’s such a good question. Wait, let me think about that for a second… Uh… lemme see… I don’t think so. I don’t think Stan was ever aware of McGucket’s connection to his brother. Because, by the time Stan traded identities with Ford, uh… McGucket had already gone off the deep end– Was already y'know, had already created the Society of the Blind Eye; had already lost his own memory. So Stan would’ve really only known McGucket as a local obnoxious fisherman. 

And McGucket, probably somewhere deep in the back of his mind, was eerily just drawn to Stan in a way he just couldn’t put his finger on, because he thought maybe he knew him, but– I don’t– I think Stan was ignorant of that. Um, I think Stan… I think Stan looking through the journals probably should’ve put two and two together, but Stan’s not the best at book-learnin’. Uh, so… my guess is Stan wouldn’t have known despite that uh, that there’s a lot of tumblr art out there showing them as like the Scooby-Doo gang. I don’t think Stan ever really knew McGucket before.

Q: What episode do you believe came out the strongest and the most well rounded overall? And is it the same as your personal favorite episode?

 A: Oh gosh. Um. That’s a great question. Hmm… I probably feel, personally, that the strongest episode is uh, “Not What He Seems” just because it’s such a dramatic episode. Like, we know– We’ve never had an episode that dramatic. But, when we first pitched it to Disney executives… they thought it was bad. [laughs] Um, Because it didn’t have a lot of jokes in it? Like, I remember normally when we’re pitching our episode, executives can usually gauge how good they are by how much people laugh. People didn’t really laugh for that one, because it’s really tense. So we thought, maybe we’d screwed up. But, when the animation came back we were like, 'Oh! It’s GOOD that it’s tense. Like, it worked!’ Um, So, I dunno if that’s my favorite episode, but I think– that’s the episode we should’ve won an Emmy for, and I’m still pissed we didn’t. [laughs]

In terms of favorite episode, like… I dunno. I think the first episode that I really felt that the show was really starting to feel the way I wanted it to– “Time Traveler’s Pig” in season one. Like, that was an episode where Dipper had an interesting story, and Mabel had an interesting story, and uh, felt nostalgic, and based around the summer, and had a big secret callback to even previous episodes, so– I just remember when we first just got that episode back in color, I was like, 'hey I think maybe I like how I’m making this cartoon show,’ so I think that has a particularly fond place in my heart, y'know.

Q: Is Disney bringing you to SDCC or NYCC later this year to promote the journal and other books coming out? 

 A: Right, um, yeah, Disney– Disney… Disney-general and me, have like– we’re divorced. Like, they kept the house, and the pets. Y'know what I mean? It’s… we don’t like get dinner or anything. But, the Disney Publishing department, separate from Disney Television, they’re really cool, and enthusiastic, and energized. And they wanna make new cool stuff. Um, so I think it’s possible I might be at D23 this year, and it’s possible I might be at Comic Con, but I don’t have anything confirmed yet.

Q: In the scene where Bill is trying to convince Ford to join him in the Fearamid, were there any other jokes or story beats that were considered? 

 A: Which episode specifically are you talking about? [Q: The We’ll Meet Again scene.] Yea yea yea, We had a– Every scene that you’ve ever seen in the show has a ton of ton of stuff we’ve thought of and had to cut for time or other reasons. Um, I remember there was definitely a version of that where Bill was a lot trickier. Like, he sort of more successfully lied to Ford about like: 'We’re actually going to make the world a better place. Though I present myself as this chaos lunatic that’s just my personality.' Like, 'here’s ways in which we’ll IMPROVE the universe.' 

Um, but it felt out of character. We thought it was much more like Bill to just draw smiley faces in oceans and eat the sun and just– hope, that the force of his charisma could convince Ford that that was a good idea. But uh, I feel like– I feel like Bill can be really really tricky when he wants to, but by the time Weirdmageddon showed up he’s so impatient, and he’s so convinced that he won, that he was no longer like, this brilliant chess master he used to be. He’s like, 'alright let’s do it! Do what I want or I’ll eat your face.’ Like, no more– No more, like– He wasn’t as smart a tactician as he used to be, y'know?

Q: Was “We’ll Meet Again” always the song you were going to use? 

A: Oh yeah, it had to be that. It was like… I think I’d just seen Dr. Strangelove recently around that time and it stuck in my head. It seems to me, if Bill has a taste in music, it would be, like, old timey music that ranges from either weird to obnoxious to obscure. 

Uh, Disney wanted me to cut it cuz it cost them a bunch of money to get the rights, even though it’s so old, it still cost them money to get the rights. And I just… said, please. Over and over and over again. I would send an e-mail that just said, 'please.’ And send another e-mail that said, 'please.’ And I would send another e-mail that said– Yeah. [laughs] Eventually I wore them down that they’re like, 'alright we’ll spend thousands of dollars.’ [laughs]

Q: Are real comics coming? 

 A: You want comics? Would you read Gravity Falls comics?
[Audience screams]
[Alex leans his ear forward]
[AUDIENCE SCREAMS]

A: It’s a terrifying noise isn’t it, Michael? I was at a… Gravity Falls gallery, and like, they didn’t tell us how many people would show up, and it was like, THAT noise echoing from every corner. And uh like, I think I lost a year of my life. My hair started going gray, and it was like, 'oh my god, this is too much love! It’s terrifying.' 

Comics. I would love to do Gravity Falls comics. Um, I have so many… One of the tough things about a half hour show like Gravity Falls is every now and then we think of an idea that we really liked, but it was too short for a half hour; 'oh that’s only five minutes of story’– Or it’s too specific and weird. And so I have tons and tons of ideas of the show that y'know we’d like to explore this character, we’d like to show this secret, this storyline. So, I’d love to do comics. But, that’s up to Disney Publishing, and I’m trying to convince them. So, hopefully, I’ll have something exciting to announce in not too long.

Q&A with Stan and Soos

Q: Is Dipper adorable or manly?  

Stan: Dipper smells like baby wipes. Even if I cut off all my shoulder hair, and taped it to him, he wouldn’t be 1/10th as manly I am.

Q: What would you do if Mabel told you she had a date to prom? 

Stan: I would… invite the gentleman over, have some coffee, tie him to a chair and interrogate him for 10 hours, and maybe throw him in the pit. [shrug] Hands off my neice, kid!

Q: What would happen if Soos met Giffany again? 

Soos: Oh yea, I recently downloaded this couple’s therapy sim? Uh, I think she and I would have to talk about our issues and pass around a conversation pillow, and really work out these struggles. Cuz she’s got some problems, dude.

Q: Soos, why are you so perfect? 

Soos: Yeah, uh, my grandma said that a whole bunch of doves flew down and formed the shape of a perfect angel over my crib. I dunno, dude I guess I was just born that way.

Analysis about Craig and his relationship with tweek and how they complement each other

In the new episode (put it down) when they’re arguing at the end Craig says “Oh see, now you made lose control of my emotions, godd damit” and walks away upset 

And I was like “well why is he so upset?? maybe he just wanted to be the calm one in the sutiation" but then I rememered that Craig is always the one who doesn’t give a eff in lots of situations,

 I mean even on the Tweek vs Craig episode he doesn’t really care about the fight even after cartman says “Oh I guess you don’t really care about what tweek said about your mom” his answer is just “no” and closes the door

But when eric says “I guess you don’t care what tweek said about your guinea pig” he gets really mad and decides to fight him. 

And if we remember after TFBW information was out it was confirmed that Craig just cares about his guinea pig (and tweek) but why? I was wondering why he just care about his pet and why is he so distant from everything else and just don’t gives a f*ck?

Well I was thinking and realized that maybe it has to do with his family and also why he complements so perfect with tweek.

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  • Pete: Hi
  • Brendon: it was the summer of 2001, and Joe meets Patrick and he's like "yo, I know about music." then Patrick's like "yo I know more about music!" "that's impossible. so you wanna start a band?" and Patrick's like, "yeah that's cool." and then, he's like "yo this is a book store not a music store." and then they met at Patrick's house. so Patrick's wearing shorts, socks, and a hat. Patrick is playing drums for some fuckin' reason and then Pete's there for some reason. and they start playing music together and they're like "oh, let's play some covers from some other bands." it was like Green Day, and fuckin' Misfits, and fuckin' Ramones. Pete said to Joe, "yo, that's dope, but we need a fuckin' drummer." because Patrick's playing drums and he's a singer. Patrick's like "yo, I got a soul voice," and they're like "wait how do you have a soul voice?" and he's like "yo, watch this: YEEEEEEeeeeeeEEEEEEeeeeeeeeEEEeeeeeeAAAAAAAAaaaaAAaahhh!" and they're like, "oh my god, that sounds like soul!" so they put it in a song, and it was like, "WHERE IS YOUR BOY TONIIIIIIIiiiiiIIIIIIIIIiiiIIIIIIIGHT?!" and they're like "yo that's fuckin perfect, this is Fall Out Boy." and they made records like Evening Out With Your Ex-Girlfriend. Evening Out With Your Ex-Girlfriend, everybody loves it. "it's called Evening Out With Your Girlfriend." with your ex-girlfriend. it's called evening out with your Ex-girlfriend. it's called eating out your girlfriend, and it's real and it doesn't matter. and Pete talked to Patrick and Joe and he's like "you what the fuuuuuuuuuuuuuck. yo, this is gonna be fuckin' doooooooooope!" so they made a record and it was called Take this to Your Grave. they made it without a drummer, and they had like 3—4 drummers come in. The four drummers they had come in were like Josh Freese, Neil Pert, the dude from Toto, the fourth one was like the guy from Papa Roach or something, and they're like "you, we need Andy Hurley. Andy Hurley. Take This to Your Grave. Fuckin' record it." and he did, and he killed it, and he was like "bigidalililililillillilila, PSHHH!" killin' the skin, tapping the skins, tapping the rim, playin' the shit, killing these bitches, rapping it out. you're getting a fucking tattoo right now?! what the fuck is going on?! We should get signed to Fueled By Ramen, 'cause thee guys know what the fuck is going on. and they were like "yo, if you can make our scene any bigger than it is, which is not fuckin' hard, we will sign you guys." and Pete was like "yo, we got this record that's fuckin' dooooooope, dude, it's called Take This to Your Grave, it's called From Under the Cork Tree it's gonna be fucking huge." and then Patrick's like "I gotta keep it real, I gotta keep it artistic, these are three songs that are gonna make the album and it's called-BURP-Thnks Fr th Mmrs, 20 Dollar Nose Bleed, and Sugar, Were Goin' Down. and they made this record that was fuckin' dope, and it fucking hit on the charts like one two three, three two one, three four five six seven eight nine ten. ten to one. From Under the Cork Tree sold like four million records. ten million records. fifteen million records. and Brendon Urie had nothing to do with the entire record. and Patrick was like "that's gooooOOOOoooooOOOOOOOOd." Pete was like, "yo, fuck you I can do whatever I want." and Joe was like, "yeah it's cool man whatever I don't give a shit." and then Andy was like "eh, cool." and Pete was like "Make up is fuckin' great for a guy. because it makes a guy look beautiful, which a lot of times, a guy is not beautiful. and I wanna change that. I wanna make sure everyone thinks that guys are beautiful." I'm good so far yeah. yeah I do. SHUT THE FUCK. oh fuck, alright alright. Pete was like "oh my god, I'm so embarrassed about this dick pic." and then I saw the dick pic and was like "ah it's not bad." it's not a bad dick. let's be real. we made Rollins Stones one issue before Fall Out Boy. and Fall Out Boy made the issue right after us and they were so pissed they were like "yo, fuck you guys!" they're like "yo! Panic! has the fuckin' cover for Rolling Stones, yo, fuck these dudes, we're gonna fucking go miles above. we're gonna hit every fuckin' continent there is known to man." but they didn't because they missed a second of time. apparently they were like "oh shit, we got every continent." and they didn't actually hit it. dude, and Pete was like, "WHAT THE FUCK?! 'oh you didn't fuckin' make the continent' it's like FUCK YOU!" so From Under the Cork Tree happens, we fuckin' have three-four years of awesomeness. like, people are coming in themselves 'cause it's so big. Alright so Fall Out Boy was like-- so Patrick's like "yo, we are going to name these records from under the Cork tree and from Innity-- from infinity on high." Pete was like "yo folie à deux means the theatric of two." "The madness of two." oh sorry I'm sorry. follow boy was like "yo we got to take a break." Meaning Pete was like "yo we got to take a break bro." and Patrick's like "I need time for my music. UHUhUhUHuhUUUh." and joes like "yo I need time to find the fucking art dude I got to find some fucking me-- metal" and andys like "i'm just gonna play with some fucking metal bands." and they're like "all right this breaks been like three years long two years long three years long 3 1/2? we gotta fucking come back man we gotta come back strong." you took my beer away what the fuck? "no you poured it all over yourself." "yeah you poured it on yourself man here." "we got to make this shit legit it's gonna be fucking dope it's going to go fucking sky high. we're going to make a fucking record that sails the skies. we're going to call this record save rock 'n' roll." so they made alone together light 'em up alone together Phoenix. and everybody's like "what the fuck? you're working with this guy who fuckin' recorded Avril Lavigne and P!nk." is this pu-- what the fuck is this on my shirt, did I puke on myself? oh god. Pete was like "yo were gonna end up on a tour with Panic! At The Disco and twenty pilots. and that's all and that's all that matters. and that's just how the fuckin' story goes."
post-emoji movie Trauma

WARNING: the following text contains spoilers and can be considered disturbing to some readers. especially my brain, because it’s leaking out my ears after typing this.

This is the first movie ever I’ve gone to see on opening night. And let me just say that, for the record, I’m glad I went to watch with friends. Without them, I would have most likely calmly exited the room, climbed up to the roof, and dived straight off.

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Kirishima Eijirou’s Past and Other Bits of Speculation

Chapter 134 just reminded us of something. We don’t know what Kirishima’s life was like before entering U.A.

Now, this scene is very telling because it looks like Kirishima empathizes with the villain. He empathizes with him so much that he feels like telling him about his past. Keep in mind, Kirishima empathizes with him after the guy attacked Kirishima, nearly killed civilians, and shot Kirishima’s senpai. I think this is more than Kirishima being a nice guy. Plus, this isn’t the first time Kirishima told this villain that he understands how he feels.

Like the villain, Kirishima wants to become stronger, but I think Kirishima relates to the villain in more ways than that. He wouldn’t feel the need to start sharing his past if he didn’t.

My prediction is Kirishima was once a different person than he is now in the manga. I think he was a darker character, more specifically a criminal or a delinquent. We hardly know anything about Kirishima’s past, so it is possible. It seems like Kirishima went through a change before entering U.A.

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Mila and Yuri’s friendship appreciation post

Ok the fandom has all agreed that Mila is Yuri’s big sister, but can we just take a moment to appreciate just how DEEP the bond is? 

Ok. So first of all, we have Mila initiating physical contact with one of the coldest characters in YOI. She is extremely familiar with Yuri and from her relaxed air, we can assume that this definitely isn’t her first time hugging Yuri. It’s also interesting to note that Yuri only tells her to let go when Mila starts to tease Yuri. Yuri didn’t initially object to Mila’s hug!  

Here we have Yuri being a brat. But a very well-informed brat. Mila’s, cough, sexual frustrations would’ve been the result of a very recent breakup. The fact that Yuri knew about this shows us that he is up-to-date about what is happening in Mila’s life. Mila probably overshares the intimate details about her relationships to Yuri. 

ok this post is getting long, so please click below to continue frEAKING THE FUCK OUT WITH ME

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In defense of Belle’s yellow dress

I’ve seen a lot of hullaballoo about Belle’s dress in the new BEAUTY AND THE BEAST movie—it’s not historically accurate, it’s too plain, etc. While I agree that from a purely aesthetic standpoint, it’s not my favorite gown, from a CHARACTER perspective, I think it’s perfect.

There’s a lot of talk about Belle being ‘odd,’ but the old animated movie doesn’t really explore that. The new movie shows more of Belle’s personality as someone who approaches things in her own way, who is creative, who genuinely does come off as a little different. Look at her other costumes in the movie. She almost certainly makes her own clothes- look at her quirky, practical village dress, with the tucked-up skirt so that she can be more active, or the whimsical flower embroidery on her brown traveling cloak.


We all saw Belle get frustrated by the giant frou-frou dresses that Madame de Garderobe tries to put on her (she literally escapes from under them). I would not be surprised if Belle cut and sewed up one of those old dresses to make one that fit her size, her style, and her desire for free movement. She’s lived in a village her whole life—she knows nothing about the high fashion of her time—but she knows what she likes and what she imagines. The dress is very light, flowy, and if you look closely, the layers of the skirt aren’t hemmed, they’re cut off. Her ear cuff and the simple lines of the dress don’t look like 18th century France, but they do look like Belle.

Maurice says about Belle’s mother, “I knew a girl who was so different, so daring, so ahead of her time that people mocked her until the day they found themselves imitating her.” Belle is ahead of her time, and she creates her own style.

Just look at her gorgeous wedding gown at the end of the movie. This is not an 18th century ballgown, and it’s VERY different from the dresses that the Prince’s guests wear at the beginning of the movie. This is a Belle creation, too. 

I actually want to delve into this ‘ahead of her time’ concept a little more. This movie is very obsessed with the concept of ‘time.’ From the giant clock tower on the palace to the clock character to the falling rose petals that measure the fleeting time until the curse is permanent, to the way the villagers all instantly snap into action the second the clock strikes, the idea of time and schedule is everywhere. The songs all talk about “tale as old as time,” ‘forever,’ etc. 

Belle resists that. She’s the first one awake before the rest of the village springs into motion, singing about how every day is like the one before. She talks the Beast out of trapping Maurice in the castle “forever,” and then later, gets out of that ‘forever’ herself. The rules about the curse even change when the Enchantress transforms the dead Beast back into a living Prince when Belle says “I love you” after the time limit has run out. When she reads books, she likes to be ‘transported’ to other places and times. Belle defies time, while the villagers and the Beast are all defined by it.

When we first meet the Prince, he is fascinated by fashion, and everyone who surrounds him is dressed in the height of style—of their time period. His castle is a monument of Baroque art and over-the-top modern style—and he appreciates none of it. There is so much detail and so much beauty surrounding him that he’s become completely blind to it. Belle changes that. She shows him the beauty in everything around him, re-introduces him to what makes his castle gorgeous all over again. In that famous ballroom scene, the ballroom is incredibly ornate, but the Beast is focusing only on her, in her simple, bright gown as a focal point. She’s given him something to focus on, symbolically and literally.

When Belle comes down the stairs in a dress that’s completely her own style, the Beast doesn’t sneer at her unfashionable dress the way he would have before the curse—he’s in awe of her beauty.

And because of all of that, I think Belle’s dress is  perfect.

How to Write a Novel:  Tips For Visual Thinkers.

1.  Plotting is your friend.

This is basically a must for all writers (or at least, it makes our job significantly easier/less time consuming/less likely to make us want to rip our hair out by the roots), but visual thinkers tend to be great at plotting.  There’s something about a visible outline that can be inexplicably pleasing to us, and there are so many great ways to go about it.   Here are a few examples: 

  • The Three-Act Structure
    • This one is one of the simplest:  it’s divided into the tried-and-true three acts, or parts, a la William Shakespeare, and includes a basic synopsis of what happens in each.  It’s simple, it’s familiar, it’s easy to add to, and it get’s the job done. 
    • It starts with Act I – i.e. the set-up, or establishing the status quo – which is usually best if it’s the shortest act, as it tends to bore audiences quickly.  This leads to Act II, typically the longest, which   introduces the disruptor and shows how characters deal with it, and is sandwiched by Act III (the resolution.)  
  • The Chapter-by-Chapter
    • This is the one I use the most.  It allows you to elucidate on the goings on of your novel in greater detail than the quintessential three act synopsis generally could, fully mapping out your manuscript one chapter at a time.  The descriptions can be as simple or as elaborate as you need them to be, and can be added to or edited throughout the progression of your novel.
    • Can easily be added to/combined with the three-act structure.
  • The Character Arc(s)
    • This isn’t one that I’ve used a lot, but it can be a lot of fun, particularly for voice-driven/literary works:  instead on focusing on the events of the plot, this one centralizes predominantly around the arc of your main character/characters.  As with its plot-driven predecessors, it can be in point-by-point/chapter-by-chapter format, and is a great way to map out character development.  
  • The Tent Moments
    • By “tent moments,” I mean the moments that hold up the foundation (i.e. the plot) of the novel, in the way that poles and wires hold up a tent.  This one builds off of the most prevalent moments of the novel – the one’s you’re righting the story around – and is great for writers that want to cut straight to the action.  Write them out in bullet points, and plan the rest of the novel around them.
  • The Mind Map
    • This one’s a lot of fun, and as an artist, I should probably start to use it more.  It allows you to plot out your novel the way you would a family tree, using doodles, illustrations, and symbols to your heart’s content.  Here’s a link to how to create basic mind maps on YouTube.

2.  “Show don’t tell” is probably your strong suit.

If you’re a visual thinker, your scenes are probably at least partially originally construed as movie scenes in your head.  This can be a good thing, so long as you can harness a little of that mental cinematography and make your readers visualize the scenes the way you do.

A lot of published authors have a real big problem with giving laundry lists of character traits rather than allowing me to just see for myself.  Maybe I’m spoiled by the admittedly copious amounts of fanfiction I indulge in, where the writer blissfully assumes that I know the characters already and let’s the personalities and visuals do the talking.  Either way, the pervasive “telling” approach does get tedious.

Here’s a hypothetical example.  Let’s say you wanted to describe a big, tough, scary guy, who your main character is afraid of.  The “tell” approach might go something like this:

Tommy was walking along when he was approached by a big, tough, scary guy who looked sort of angry.

“Hey, kid,” said the guy.  “Where are you going?”

“I’m going to a friend’s house,” Tommy replied.  

I know, right?  This is Boring with a capital ‘B.’  

On the other hand, let’s check out the “show” approach:

The man lumbered towards Tommy, shaved head pink and glistening in the late afternoon sun.  His beady eyes glinted predatorily beneath the thick, angry bushes of his brows.

“Hey, kid,” the man grunted, beefy arms folded over his pot belly.  “Where are you going?” 

“I’m going to a friend’s house,” Tommy replied, hoping the man didn’t know that he was ditching school.

See how much better that is?  We don’t need to be told the man is big, tough, and scary looking because the narrative shows us, and draws the reader a lot more in the process.  

This goes for scene building, too.  For example: 

Exhibit A:

Tyrone stepped out onto his balcony.  It was a beautiful night.

Lame.  

Exhibit B: 

Tyrone stepped out onto his balcony, looking up at the inky abyss of the night sky, dotted with countless stars and illuminated by the buttery white glow of the full moon.

Much better.

3.  But conversely, know when to tell.

A book without any atmosphere or vivid, transformative descriptors tends to be, by and large, a dry and boring hunk of paper.  That said, know when you’re showing the reader a little too much.

Too many descriptors will make your book overflow with purple prose, and likely become a pretentious read that no one wants to bother with.

So when do you “tell” instead of “show?”  Well, for starters, when you’re transitioning from one scene to the next.

For example:

As the second hand of the clock sluggishly ticked along, the sky ever-so-slowly transitioning from cerulean, to lilac, to peachy sunset.  Finally, it became inky black, the moon rising above the horizon and stars appearing by the time Lakisha got home.

These kind of transitions should be generally pretty immemorable, so if yours look like this you may want to revise.

Day turned into evening by the time Lakisha got home. 

See?  It’s that simple.

Another example is redundant descriptions:  if you show the fudge out of a character when he/she/they are first introduced and create an impression that sticks with the reader, you probably don’t have to do it again.  

You can emphasize features that stand out about the character (i.e. Milo’s huge, owline eyes illuminated eerily in the dark) but the reader probably doesn’t need a laundry list of the character’s physical attributes every other sentence.  Just call the character by name, and for God’s sake, stay away from epithets:  the blond man.  The taller woman.  The angel.  Just, no.  If the reader is aware of the character’s name, just say it, or rework the sentence. 

All that said, it is important to instill a good mental image of your characters right off the bat.

Which brings us to my next point…

4.  Master the art of character descriptions.

Visual thinkers tend to have a difficult time with character descriptions, because most of the time, they tend to envision their characters as played their favorite actors, or as looking like characters from their favorite movies or TV shows.

That’s why you’ll occasionally see characters popping up who are described as looking like, say, Chris Evans.  

It’s a personal pet peeve of mine, because A) what if the reader has never seen Chris Evans?  Granted, they’d probably have to be living on Mars, but you get the picture:  you don’t want your readers to have to Google the celebrity you’re thirsting after in order for them to envision your character.  B) It’s just plain lazy, and C) virtually everyone will know that the reason you made this character look like Chris Evans is because you want to bang Chris Evans.  

Not that that’s bad or anything, but is that really what you want to be remembered for?

Now, I’m not saying don’t envision your characters as famous attractive people – hell, that’s one of the paramount joys of being a writer.  But so’s describing people!  Describing characters is a lot of fun, draws in the reader, and really brings your character to life.

So what’s the solution?  If you want your character to look like Chris Evans, describe Chris Evans.

Here’s an example of what I’m talking about:

Exhibit A:

The guy got out of the car to make sure Carlos was alright, and holy cow, he looked just like Dean Winchester!

No bueno.  Besides the fact that I’m channeling the writing style of 50 Shades of Grey a little here, everyone who reads this is going to process that you’re basically writing Supernatural fanfiction.  That, or they’ll have to Google who Dean Winchester is, which, again, is no good.

Exhibit B:  

The guy got out of the car to make sure Carlos was alright, his short, caramel blond hair stirring in the chilly wind and a smattering of freckles across the bridge of his nose.  His eyes were wide with concern, and as he approached, Carlos could see that they were gold-tinged, peridot green in the late afternoon sun.

Also note that I’m keeping the description a little vague here;  I’m doing this for two reasons, the first of which being that, in general, you’re not going to want to describe your characters down to the last detail.  Trust me.  It’s boring, and your readers are much more likely to become enamored with a well-written personality than they are a vacant sex doll.  Next, by keeping the description a little vague, I effectively manage to channel a Dean Winchester-esque character without literally writing about Dean Winchester.

Let’s try another example: 

Exhibit A:

Charlotte’s boyfriend looked just like Idris Elba. 

Exhibit B:  

Charlotte’s boyfriend was a stunning man, eyes pensive pools of dark brown amber and a smile so perfect that it could make you think he was deliciously prejudiced in your favor.  His skin was dark copper, textured black hair gray at the temples, and he filled out a suit like no other.

Okay, that one may have been because I just really wanted to describe Idris Elba, but you get the point:  it’s more engaging for the reader to be able to imagine your character instead of mentally inserting some sexy fictional character or actor, however beloved they may be.

So don’t skimp on the descriptions!

5.  Don’t be afraid to find inspiration in other media!

A lot of older people recommend ditching TV completely in order to improve creativity and become a better writer.  Personally, if you’ll pardon my French, I think this is bombastic horseshit.  

TV and cinema are artistic mediums the same way anything else is.  Moreover, the sheer amount of fanart and fanfiction – some of which is legitimately better than most published content – is proof to me that you can derive inspiration from these mediums as much as anything else.

The trick is to watch media that inspires you.  I’m not going to say “good media” because that, in and of itself, is subjective.  I, for example, think Supernatural is a fucking masterpiece of intertextual postmodernism and amazing characterization, whereas someone else might think it’s a hot mess of campy special effects and rambling plotlines.  Conversely, one of my best friends loves Twilight, both the movies and the books, which, I’m going to confess, I don’t get at all.  But it doesn’t matter that it isn’t good to me so long as it’s good to her.   

So watch what inspires you.  Consume any whatever movies, books, and shows you’re enthusiastic about, figure out what you love most about them, and apply that to your writing.  Chances are, readers will find your enthusiasm infectious.

As a disclaimer, this is not to say you get a free pass from reading:  I’ve never met a good writer who didn’t read voraciously.  If you’re concerned that you can’t fall in love with books the way you used to (which, sadly, is a common phenomenon) fear not:  I grappled with that problem after I started college, and I’ll be posting an article shortly on how to fall back in love reading.

So in the meanwhile, be sure to follow my blog, and stay tuned for future content!

(This one goes out to my friend, beta reader, and fellow writer @megpieeee, who is a tremendous visual thinker and whose books will make amazing movies someday.)

The Best Films of 2017 - Mid-Year List

There have already been many great films so far this year, so I felt it worth doing a run down of my favourite films of the year so far. These all reflect the cinema releases we’ve had so far in the UK in 2017 - for that reason this list includes some films that were released in the US in 2016. Enjoy, and I’d love to hear your thoughts on the best films of the year so far!

Honourable mentions: Their Finest, Colossal, Gifted

1. Get Out, dir. Jordan Peele

This film really knocked me for six, to such an extent that I simply had to see it twice in the cinema. It got even better upon a re-watch, when I was able to watch it with full knowledge of the characters’ underlying motives and the things to come. It’s a terrifying concept (the racism of an all-white suburb is taken to a horrifying extreme) executed with incredible panache, and you feel every emotion that Chris goes through thanks to Daniel Kaluuya’s excellent performance. Get Out also represents one of the most brilliantly communal experiences I’ve ever had at the cinema - I won’t spoil it, but let’s just say that the audience erupted into spontaneous applause at a key moment in the climax. Simply fantastic. 

2. The Handmaiden, dir. Park Chan-wook

This film is exquisite - it’s first and foremost a beautiful boundary-smashing love story, and an absolutely marvellous tale of female defiance. It transplants Sarah Waters’ novel Fingersmith to 1930s Korea, and the story is effortlessly adapted to become intrinsically interwoven with its new setting. Sookee is a talented pickpocket plucked from a thieves den and sent as a handmaiden to trick a rich heiress into falling for a conman. To say any more would spoil the twists, but this film is just a masterwork of suspense, keeping you guessing throughout a series of interlocking pieces that take their time to reveal their secrets. I’ve seen the theatrical cut and the extended version, and they’re both great - you’re in for a treat with either.

3. Jackie, dir. Pablo Larrain

This is a film that soars on the strength of Natalie Portman’s incredible performance, which is complemented by Mica Levi’s haunting score. Portman’s performance is painfully vivid, with her agony and wretchedness coming through so intensely that it’s often uncomfortable to watch. Jackie is probably the best portrait of grief I’ve ever seen, and it sucks you into a famous historic event by providing an incredibly intimate perspective on it. This is great cinema, but be prepared for suffering.

4. A Cure for Wellness, dir. Gore Verbinski

This is a delightfully strange Gothic fairy tale of a film, and I’m amazed and impressed that a Hollywood studio gave Gore Verbinski a budget sufficient to pull it off with such beauty and style. I’ve seen this film attract love and hate in equal measure, but I adore it - the trailers set you up for a rehash of Shutter Island, but nothing could be further from the truth beyond the isolated setting. If I had to compare this to anything, I would compare it to Roger Corman’s Poe cycle of films from the 1960s - it has a similarly lurid sensibility and a deep-seated sense of fantastic romanticism at its core. Great if you’re after something uncompromisingly bonkers.

5. Wonder Woman, dir. Patty Jenkins

This film represented pure joy for me - I couldn’t have anticipated how emotional I was going to get at witnessing a (wonder!)woman crossing No Man’s Land and deflecting bullets with her bracelets. This simultaneously rejects the wry self-awareness of the Marvel films and the grim self-importance of the previous DC movies, instead unabashedly depicting a superhero who triumphs thanks to her overriding belief in love and compassion. Patty Jenkins adds endless little touches - from funny moments to quiet scenes where characters talk simply to learn about each other - that enrich the film and make it feel vivid and intimate in a very rare and special way.

6. Silence, dir. Martin Scorsese

This is truly the work of a master filmmaker, and it represents a stunning artistic achievement and a moving and intelligent investigation of the threshold of faith. Scorsese tried to get this made for decades before finally succeeding, and his passion for and belief in the project shine through in every painstakingly crafted frame. Silence is equal parts beauty and brutality, and it uses this contrast to illuminate the painful questions that the faithful must ask themselves when faced with the harsh reality of the present world. It’s heavy stuff, but well worth your time if you’re up for a film that raises more questions than it answers.

7. In This Corner of the World, dir. Sunao Katabuchi

I had no idea this film existed until a few days before I saw it, but I was really struck by its poetic treatment of the joys and tragedies of life. This film follows a young bride who moves to live with her husband’s family in WWII-era Japan, and while it deals unflinchingly with the trauma and horror of war - particularly the bombing of Hiroshima - it’s also surprisingly funny and ultimately hopeful. The power of this film comes through in the little moments of human connection and the way that the full potential of animation is exploited to maximum effect.

8. La La Land, dir. Damien Chazelle

A lovely ode to the classic Hollywood musical, La La Land is a technical marvel that sticks with me because of its heart and humanity (those words are recurring a lot, right?). It tells a very small story of a love affair between two dreamers in Hollywood, but it feels much bigger than them because of the way in which their story is told. La La Land draws from influences across the spectrum of cinema, and its homages to the classics are joyful and loving. The final ‘what might have been’ sequence represents the perfect marriage of raw emotion and filmmaking virtuosity. 

9. Okja, dir. Bong Joon-ho

Not many films can balance flatulence jokes with uncompromising critique of capitalist greed, but Okja pulls it off with aplomb. The core story hinges on the innocent and endearing friendship between a young girl named Mija and a bio-engineered super pig called Okja, and the film succeeds because you totally buy their connection and desperately want the two of them to have their wish and live together in the mountains. I’m delighted that Netflix gave Bong Joon-ho a platform to make such a weird beast.

10. Logan, dir. James Mangold

Logan may be bleak, but that isn’t what makes it great - Logan is fantastic cinema because it remembers that superheroes are still people who struggle with their own souls as much as super-villains. This film features the best character work managed in any of the X-Men films, and Hugh Jackman, Patrick Stewart and - in particular - Dafne Keen give heart-rending performances that really ground the film and give it an emotional core. I hope we get more superhero films like this, and that the takeaway from it for the industry is the importance of stressing character rather than frantic spectacle.

Most anticipated films still to come: War for the Planet of the Apes, Valerian and the City of A Thousand Planets, Dunkirk, The Beguiled, Mother!, Logan Lucky, Blade Runner 2049, Murder on the Orient Express, The Shape of Water, Annihilation, Star Wars: The Last Jedi

And now I’m gonna make you all feel bad for not trusting Shiro

And explain why new ugly hair Shiro is the Shiro we know and love.

First of all:

If this Shiro is a clone, operation “Kuron” would be fucking dumb.

Like real dumb.

And here’s why.

So like lets say they captured Shiro after the Zarkon fight and made a Shiro “clone” or whatever who’s goal is to infiltrate Voltron or something.

Atleast that’s what it seems like the goal is because this dude says 

when Shiro escapes and they shoot his ship. So like it seems like they let him escape on purpose.

Thing is…

Shiro nearly dies like 50 fucking times before he reaches Voltron (BY FUCKING MIRACLE)!!

I mean just think of ALL the coincidences that had to happen for Shiro to get to Voltron.

I dunno if he’s like the least lucky person in the universe or the most lucky, because of how he’s ALWAYS almost dying in some way and ALWAYS escapes death against all odds.

But that was one heck of an incredible journey there!

But seriously, if Keith wasn’t looking for Shiro non stop and Shiro didn’t connect to black in that very second, the Galra’s “clone” would have died. Their project “Kuron” would fucking FAIL. 

I think if that really was the Galra’s goal to make a clone that would reach Voltron they would have made it a tiiiiny bit easier for him to survive somehow.

Just a tiiny bit. 

They dun have to go THAT FAR to convince him he actually escaped and they didn’t just let him go. Just you kno, give him a bit of a push there when he’s starving in space or something (assuming they somehow keep track of him). 

They dun have to go that far also for the viewers to fool em that Shiro escaped so him being a Clone would be a surprise later. I mean they just changed his hair a bit and no one in the fandom trusts him anymore haha.

So unless that ice planet and the universe is like filled with dead Shiro clones bodies who were eaten by monsters or froze to death or died of hunger or whatever, because of all times the clones didn’t make it, and the Galra were just waiting for that one special one that finally would, then I’m guessing that maybe something else is going on.

Because there’s no way that they’d just let him go like that and trust what? FATE to bring him to Voltron unharmed SOMEHOW???

Like that’s a dumb fucking plan.

So I dunno, unless the Galra know that no matter what happens Shiro and Keith always find eachother again and again like a pair of destined lovers.

I’m gonna say…

Complete bullshit. I dun buy it.

OK, Now how long has it actually been? Like how much time passed from their battle with Zarkon till they meet with Lotor? How much time passes until Haggar even summons Lotor?

What if it’s actually been longer than you thought? 

What if it’s been like… I dunno, a year?

Thing is that when we go back to Team Voltron in season 3, they seems to think Shiro is gone, dead, like they act like they all moved on and Keith is the only one who’s still stuck there.

I doubt you get to that point after a day or two, or a week, or months even… (They love Shiro, I dun think they’d give up on looking for him after such a short time or get over his death this easily..)

It’s at a point where they all like “Ok Keith, that’s enough time to mourn, we all accepted it and you have to move on too”

I know they all look the same, and there’s not alot of indication of how much time exactly it’s been.

But it does seem like they’ve been doing what they were doing (freeing planets, Pidge looking for her brother) for AWHILE.

This would explain Shiro’s long hair. It simply been long enough for it to grow that long since he disappeared.

(btw there’s a genetic thing that makes your hair grow really fast that also makes a flock of your hair white in the front, Shiro could totally have that

Also the fact he can’t walk at first can be explained with him just not doing that for awhile.

Now when Shiro is finally free he SOMEHOW makes it to that Gas planet they were fighting Lotor at the first time.

Voltron is leaving the scene and Shiro appears and chases it here

I actually looked to see if we can see him but we don’t.

(I also didn’t realize it my first watch, and now every time I’ll see the 3rd episode I’ll be like “NoooOOOOOOOOOOOO you fools wait for hiiim!!!!”)

Shiro sees Voltron leaving him behind.

Besides the fact that he knows this is probably the end for him now, it also shows him two things:

They moved on.

And they are doing well without him.

Anyway, 7 days later, Shiro is dying, thinks of his Voltron days and connects to the Black lion in the last minute.

And Keith (who hasn’t stopped searching for him, now with black lion)

finally finds him.

Now besides the headache, I actually dun particularly see anything really strange about Shiro’s behavior when he goes back.

Watching it again I just got the feeling he just has a really hard time accepting what happened with Black.

I dun see a reason to not believe what Keith suggests there, that Zarkon teleported him to captivity using the Black lion.

Shiro seems upset about it because 

What does it tells Shiro? 

That his bond with black was still not strong enough.

Like, he had so much fighting spirit when he escaped before, and suddenly when he finally reaches Voltron he’s depressed in bed and seems like he doesn’t want to see anyone?

What happened???

Like yeah he wanted Keith to lead Voltron, but I think maybe then seeing the team actually function without him and forming Voltron and fighting the Galra, and considering how much Voltron means to him and his struggle with his PTSD and how Voltron literally been the only thing on his mind when he was dying. 

I think it’s a bit hard for him to accept what he sees when he comes back..

He sounds fake here

Because he’s not being honest. 

Deep inside it hurts him to see they did fine without him.

When Keith goes “They need you”, he lies.

He’s the only one that needs him. The team has moved on. Maybe he says it because he can’t say “I” or feels like he’s not enough, maybe he’s trying to encourage Shiro, because he understands how Shiro feels, without Shiro needing to say anything. He always did. From the very beginning.

So maybe it’s like “Hey Shiro, I know how much this means to you and you’re still a valuable part of this team

Shiro obviously doesn’t want to go back on his word and be all “Ok Keith, so give me back my lion now!”

But Keith does it for him, and I think you can see Shiro is very happy about it.

Only the lion won’t accept him anymore.

And before this you also have that scene with Lance doing math that I think connects the two

Shiro feels like Lance, he feels like he has no place on the team anymore.

But he doesn’t deal with it in the open, honest and good way Lance does. (which is the reason Black won’t accept him anymore, he’s not thinking of the team)

That’s why he butts heads with Keith over leadership in this episode, and we can see even in the season 4 trailer that it goes on.

I think his position as a paladin and leader of Voltron gave him control over his life back after what he’s been through. In a way that was how he coped with his captivity and his PTSD.

He’s obviously proud of Keith, but I think he’s also jealous and hurt. 

I dun think he’s ready to accept he’s no longer leader or a part of Voltron.

(Like he’s proud of Keith, but he still puts him down saying “You’ll get there someday”)

And I think Keith understand where it’s coming from and he doesn’t buy it.

He puts himself down and says he can’t do this because he wants Shiro to feel needed and important.

And Shiro is doing what ya’ll Shiro stans have been doing for months haha, crying about him not being the black paladin anymore and how all his work on his bond with black was meaningless now that Keith is in it.

Shiro’s bond with his lion meant the most, he was the one who had to put the most effort into it. And suddenly, it gives him up. I think Shiro feels betrayed even.

And he’s not ready to do what Lance did with his lion yet and give it up for the sake of the team (maybe some Lance and Shiro bonding in the future??)

That’s why it seems like they are heading for a leadership conflict there. That Shiro would try to make Keith feel like he’s not ready for this. Unintentionally. 

And Keith would continue to play along with it, (though being the more fitting person for the position of leader) because maybe that’s what he’s been doing all along from episode one. Trying to gently give Shiro the power and the control he lost when he was captured by the Galra, back. (Without directly confronting Shiro about his PTSD.) (would explain their odd dynamics)

Thing is Shiro is just not as good as Keith with leading Voltron. And I think he’s gonna mess up AGAIN.

It’s like we are back in square one, where Keith is the one that has the right idea in mind and no one listens and they all listen to Shiro who makes BAD decisions.

( Shiro WTF 1 Shiro WTF 2 Shiro WTF 3 Shiro WTF 4,)

This is leading to them finding their balance as leaders and co leaders.

Now Shiro’s leadership is centered around teamwork and protecting his team. 

Keith is the better decision maker (and I have a long rant about Keith coming, because I dun think people understand why Keith is the perfect person for black still.)

I’m just gonna say Keith is definitely the leader they need in they ever want to beat Lotor. 

This all seems like buildup to Shiro finally opening up about his PTSD, and him piloting blue (the team work lion) which I talked about before also. I’m guessing he and Allura will be sharing it, Because someone needs to pilot the castle once in awhile.

This is a very natural arc for Shiro, so I doubt they’ll let a clone go though it.

And back to the clone thing:

The flashbacks Shiro sees when he escapes, seem to me like his regular PTSD flashbacks. There’s something in his memories Shiro is terrified of.

Obviously the clone IS a thing, because we see two Shiro’s. And obviously the Galra has some sort of plan for it.

But the clone is the one we saw in the bed, this is Kuron:

The Shiro that they got back is the real Shiro, or atleast the same Shiro from season 1-2. (who is the Shiro that arrived on Earth, but maybe not the Shiro that went to Kerberos btw)

And the Galra didn’t let him go, they just assumed they shot him down and he died. So they could start doing whatever they had planned to do with his clone.

They just have no idea real Shiro survived and is gonna fuck up their plans.

I’m guessing the headaches are connected to that somehow.

And this part

I’m gonna have to say maybe this isn’t just connected to Keith actually physically saving Shiro all the time. 

But also to Shiro’s ongoing probably life long battle with his PTSD, Keith is always there to kinda always remind him like “Your’e still valuable, your life is valuable, don’t give up.”

Now go embrace your even uglier hair Shiro and tell him you’re sorry for not trusting him.

Seventeen as the Mafia + How He Met You

||| Requested by @dreamiedragon |||


S.Coups/Choi Seungcheol

Originally posted by sevixxteen

  • That type of leader that doesn’t take shit from anyone, except his members because he can’t fight them all at once. 
  • Gets to know and observes people for a long time before recruiting them
  • He’s very stressed lately as they are a relatively new gang and there are a lot of fights going on with others for territories.

He met you in one these fights when you tried to make a distraction for your gang. You were about to go upstairs to the roof when you bumped into him

“Who the hell are you?” he asked immediately taking his gun out and pointing it at you.

“The same goes for you. You’re not from my gang so I’m here to kill you.”

“Oh really.” he asked smacking the gun from your hand and getting them behind your back. “You chose the wrong member. You see I’m the boss and now I can use you as a hostage.”


Yoon Jeonghan

Originally posted by visual-17

  • Looks like an angel and he actually is but in reality he’s the one you should be afraid of the most.
  • Nobody has seen him kill anybody because his methods are too cruel to do them in public.
  • Apparently has some beef with EXO’s Sehun. No one dares ask him but it has something to do with Sehun mistaking him for somebody.

By accident you got involved in a weapon dealing incident with him and he has been planing on killing you ever since. You were good at hiding your tracks but he saw you one day in the city and decided to get rid of you just there in the street but then realized that this fight would probably end up in a blood bath so instead he approached you in secret.

“You have to keep quite and come with me, if you don’t want to die here.” he said pressing his gun to your back.


Joshua/Hong Jisoo

Originally posted by jihanlife

  • Nobody knows why he’s in the gang as he was never invited.
  • When Seungcheol first noticed Jisoo he thought he’s a spy or something (as he appeared out of nowhere) and was about to kill him when he promised that he’s good at at least something
  • And he was, to everyone’s surprise Jisoo’s aim and accuracy is the best out of all of them that’s why he prefers snipers.

He was told to get rid of you silently but you noticed him at the last second and he missed the shot causing a massive panic in the street. You used this opportunity to escape which made Jisoo even more angry. He hasn’t missed a shot in a long time and was determined to get you for that. But whenever he thought he got you cornered he somehow managed to miss and after a while he started to enjoy this little game of yours and soon realized that he doesn’t even want to kill you anymore.


Jun/Wen Junhui

Originally posted by jisoos-princess

  • Pro at hand to hand combat.
  • Trains all the members and teaches them different fighting techniques just in case.
  • His training routine is no joke and everyone is practically dead after it.

He met you before he joined the gang. You were jogging at the same park every morning. As it was really early and not a lot of people were out it became like a habit for him to greet you before he ran past. Eventually he wanted to engage in not only small talk and find out more about you and he started slowing down every single day till he was running at the same pace as you.

“Finally decided to slow down?” you asked.

“Only for you.” he winked.


Hoshi/Kwon Soonyoung

Originally posted by fyhoshi

  • Experimented a lot and finally came up with his own method to make drugs.
  • They were incredibly popular and so he quickly went up the ranks and now whenever there is deal going on it has to go through him first.
  • His first idea was to make poison but he somehow made drugs so nowadays he likes mixing different ingredients to try to create a new deadly weapon.

You had the audacity to attempt to take his throne as the king of drug dealing. You were stubborn and despite a lot of orders to report what you’re doing, you made your way around and stole half of his clients. He had enough and thought that the easiest way to fix this problem would be to get rid of you. But he had no idea you thought the same thing and somehow got his whole warehouse blown up. He caught you outside.

“You little shit, now you will have to take responsibility and I’m not letting you go any time soon.”


Jeon Wonwoo

Originally posted by visual-17

  • Likes money. A lot. And doesn’t like sharing. At all.
  • Easiest way for him to get rich was cards that’s why he started gambling at a really young age and now is a pro at it and is amazing at bluffing.
  • Enjoys tricking his own gang members and actually gets the most money out of them.

Played poker with him once. He lost. Now he wants his money back but you keep denying his challenge. He usually shows up at the most random places just to ask you. You got into your car and almost spilled your coffee when you noticed him sitting in the back seat.

“Wonwoo what the fuck?”

“Come on Y/N, let’s play.”

“Can you get over that already? Get the hell out of my car.”

“I guess I have to take some more drastic measures.” he said taking his gun out. “We’re going to my place.” [x]


Kim Mingyu

Originally posted by fuckyeahmingyu

  • Can smuggle anything in and out starting from stolen cars and ending with guns.
  • Doesn’t stay in the city for too long as he always has deals all around the country.
  • But when he comes back everyone is extremely happy to see him as he’s mostly chill and just being near him calms the others down.

He met you when he was away on a trip. You asked him for help when your car broke down and he fell in love at first sight. He stayed in the city for more than two months just to keep seeing you and you eventually became good friends when Seungcheol was done with him ignoring his orders and went to get him back himself. Well Mingyu obviously didn’t want to leave you but you didn’t want to go to another city either so he decided to be blunt.

“Y/N I don’t know how you feel about me but love you so I’m sorry but you have only two choices, you either go with me on your own free will or I take you by force.”

 

Woozi/Lee Jihoon

Originally posted by seungcheofine

  • Somehow the ones who look the most innocent are the most dangerous in this gang. The same goes for Woozi. But he only uses violence when it’s necessary.
  • His specialty - torture. Favourite methods - teeth and fingernails pulling.
  • He charms his targets with his cute appearance and then gets every last bit of information they can muster.

You were unfortunate enough to be his target. You were screaming in pain for at least and hour, swearing that you don’t know anything when Seungcheol came in and told him that they got the wrong person. He set his tools aside and stood in silence for a few minutes.

“Fuck!” he shouted shoving everything from the table. You just watched in horror not knowing what’s going to happen next. He turned around and untied you. He was ashamed of himself and couldn’t look you in the eyes.

“At least let me treat you your wounds.”


DK/Lee Seokmin

Originally posted by livinthediamondlife

  • Is responsible for looking after the gang territories and making sure they don’t get taken over.
  • Usually doesn’t think twice when someone trespasses and just shoots them on the spot.
  • But still has incredibly good and friendly relationships with the residence of the areas he’s taking care of.

Trying to bypass through his territories was a big mistake. He noticed you’re not a local and decided to find out what you’re doing here. 

“Hey you!” he called you over but you just looked at him and started running. 

“What the heck?!” he thought as he started chasing you. You didn’t know the streets well and ended up in a dead end.

“I got you cornered. Now you’re going to tell me what you’re doing here or I will have to use violence.”


The8/Xu Minghao

Originally posted by mountean

  • He’s great at annoying and pissing everybody off easily but it’s hard to catch him as he’s incredibly fast.
  • That’s why they send him when their is a need to infiltrate, spy or track anybody.
  •  That doesn’t always work out as he likes to make either a grand entrance or exit and by doing that he attracts the attention of anybody nearby.

He was following you to get some information when he lost you. Suddenly he felt a knife press into his back.

“Why are you after me? Who hired you?”

He tried to take you by surprise by turning around and taking the knife out of your hands but he lost his balance and fell on top of you.

“What the hell do you think you’re doing?” you asked.

“Well this is quite the unfortunate situation you got yourself in.” he smirked. “If you promise not to make a scene our meeting won’t take long.”


Boo Seungkwan

Originally posted by infinitblaq

*Jun shows up out of nowhere*

  • One of the first members who joined and everybody is thankful for that every single day because they wouldn’t have got where they are without him.
  • The missions he plans have a 99% chance of success.
  • Failure is not an option for him so he makes detailed strategies for all type of possible scenarios.

What a surprise You showed up at the wrong place at the wrong time and ruined all his perfect planing. The members haven’t seen him this pissed in a long time when he grabbed you and almost dragged you to one of the rooms. He roughly pushed you inside and you almost tripped on your own legs but his gentleman side couldn’t let a lady fall in front of him even when he was angry so he caught you midair and watched how confused you became by the second.

“Sit.” he said pulling you up and pointing you to the chair. “We have to talk.” [x]


Hansol Vernon

Originally posted by sneezes

  • Knows anything and everything and the others should learn from him how to get verified information as fast as he gets.
  • Good with electronics that’s why he never goes anywhere without his trusted computer.
  • Despite some members protests he tends to sell the rarest info for big amounts of money to the other gangs.

He find out about you when he wanted to sell some info but the gang told him they already have what they need. Surprised that somebody besides him found it, he was determined to track you down. He was even more shocked when he saw that you’re a woman as there was not a lot of them in the industry.

“What? You think only men can do this type of work?”

“No but I find the women who do incredibly sexy.”


Dino/Lee Chan

Originally posted by dino-net

  • Despite being the youngest he knew about the mafia world the most.
  • His father had a gang and was killed during a deal so he asked Seungcheol for help to someday avenge him.
  • Takes all advice given to him very seriously and tries his best to help.

Some trusted former members of his father gang were asked to take care of him so that’s why you followed him and also joined this gang. He found this annoying as he wanted to escape his past and always treated you harshly but when he noticed that you’re not around anymore he got kind of sad. But to his delight you came back after a few weeks after taking care of business.

“Missed me?” You smirked.

“Please don’t ever do that again.” he said, giving you a surprise hug.


A/N: I wonder if I should make a masterlist but I’m so lazyyy… Anyhow, feel free to request more scenarios, reactions etc. I keep up with a lot of groups, both male and female!! 😄

I’m gonna go on a quick rant on feminism/femininity and Disney here.

Originally posted by disneylandwheredreamscometrue

It just riles me up when people seem to get the idea that femininity means a lack of feminism. When people take a look at the girl in the pants and the girl in the ballgown and says the one in pants is more feminist and empowering than the one in the dress. The whole point of one of the many aspects of feminism is that as women we have the right to choose to be and wear whatever we want. A woman in a dress is just as feminist as a woman in a burqa, and they’re both just as feminist as a woman in a suit or a woman in a bikini. And beyond clothing, a woman who’s married and in love is just as feminist as a woman who’s single. Here’s where Disney comes in, no one princess is a better more feminist role model than another. It’s important to have more than one type of role model yes, but just because one girl likes to fight and another girl likes to sew, it doesn’t mean that one is a better role model. All the princesses and other Disney ladies have good values to teach us and our kids in different ways and I’m gonna go through them with you.

Originally posted by badxbaby

Snow White:

For one thing this girl is 14. She is a child and her outlook on the world and her dreams in life shouldn’t be measured up to an adult’s. She’s kind, caring, and yes, she does dream of true love’s kiss. But she’s 14. When I was 14 I was dreaming of the same damn thing. But what we can learn from her is that when you care for everyone, even strangers, you’ll see that kindness returned. When she’s lost in the woods and scared for her life, she still finds the strength to be kind to the animals. In return they show her to the Dwarves’ cottage. She’s sweet and decides to clean up the place and take care of the dwarves out of the kindness of her heart and they return the kindness by giving her a home when she had none. At the end she’s rewarded with the true love’s kiss she wanted. We can even learn from the Evil Queen that vanity is a terrible thing. 

Originally posted by snowwhitecinderellaaurora-blog

Aurora:

The main thing to remember about Aurora is that for one thing, she met Phillip when she was a baby. The other thing is that while the good fairies did love her and take care of her, she grew up isolated and alone. She’s always had these dreams of meeting someone (anyone) else to break that isolation. But in that isolation she’s still strong, kind, and trusting. She loves her adoptive aunts, and for a side character(might make a post about that later) I would still count her as a good role model because of that kindness. 

Originally posted by goldensilverdisney

Cinderella:

Her, I’m definitely going to expand on in another post. But, she’s one of my favorite princess. Ironically, not one of my favorite movies, but she’s an amazing character and I love her. She’s a survivor of child abuse. That’s the very first thing that you need to understand about her. She doesn’t stay happy and content with a grin and bare it attitude, she got mad. She was snarky, and she only found happiness in the little free time she had and in her pets/friends. All she wanted that night was to go to the ball. All she wanted was one night to have fun and get out of the house. She wanted one night where she wouldn’t be berated and yelled at and ordered around. And when she met the prince, she didn’t even know who he was. She didn’t even mind that she would probably never see him again. And at the end she more or less saved herself. She didn’t wait around and sing a song from her tower to get rescued, she asked her friends to get the key and help her out. She was smart enough to pull out the other slipper. There’s nothing wrong with getting help from those around you and there’s no shame in asking for it. There’s nothing un-feminist about getting help, especially when you’re an abuse survivor. And that’s what Cinderella is about. Her fairy godmother coming to help her. Women helping women. 

Originally posted by disneymoviesanywhere

Ariel:

The one big thing that made the Disney renaissance so great is they decided to follow the rules of Broadway musicals. One of the trademarks of this is the “I want” song. That’s the motivation for the main character and it’s the driving force for the plot. 

Ariel wants to live in the human world. That’s her dream. She desperately wants to be a human. Eric was just the straw that broke the camel’s back. Ariel is strong willed and curious. She’s the undersea equivalent of an anthropologist. She’s 16, so of course she’s going to make stupid mistakes, but she gets to live out her dream in the end and become a human. The main point and what makes her a wonderful feminist role model is that she uses that drive and curiosity to pursue her passion. 

Originally posted by mkgaud

Belle:

I’m not sure I have to go into too much detail about her although I will mention, she is not a victim of Stockholm Syndrome. And to be honest how would being an abuse victim make her any less feminist? Anyway, of course she’s smart and loves reading. She loves adventure books and that’s what her “I want” song is about. She wants adventure and she wants someone who understands her and doesn’t think she’s weird for her interest. She’s a good role model not only for her love of reading but also of course for her kindness and seeing the good in people despite their appearance. 

Originally posted by moviewhorexo

Jasmine:

She. Is. Not. A. Prize. To. Be. Won. Moving on,

Kidding. But anyway she’s great because what she values is freedom and love. I feel like a lot of people forget is the line, “when I marry, I want it to be for love”. She wants to make her own choices in all aspects of her life and she decides to leave her life of privilege to pursue that freedom. You can hear and see it sprinkled in all around the movie (and the stage show). She sees herself as a bird in a cage and she’s happiest when she’s free and litteraly flying. And at the end she chooses Aladin. It’s all about her choice. 

Pocahontas:

Originally posted by anightmarefantasmic

So unintentional racism, stereotypes, white savior trope, erasing history, and pairing her with the horrible monster aside for a moment…

Let’s talk about 18 year old Disney Pocahontas as her own character. The main thing that comes to mind when I think of her is strength and bravery. She knows herself and she knows what she loves, and she’ll do anything to protect it. She also cares about the earth and environment. All of those are wonderful traits to have as a role model. 

Originally posted by magical-rasputin

Mulan:

Again, I don’t think I have to go into much detail about why she’s a great feminist role model. She’s usually who everyone thinks of when it comes to great feminist characters.

But what I will say is one thing not a lot of people mention in her great feminist role model-ness is that she doesn’t mind being feminine. She knows the ”perfect porcelain doll” isn’t her, but she doesn’t mind dressing up when she can make it her own. Another thing that I’m surprised get’s as ignored as it does especially since it’s scattered through the whole movie including her very first scene, she’s smart. She’s not a fighter, she’s a strategist. She makes her chores easier for herself. She wins the game of Go on her way to meet the match maker. She figures out how she can protect her dad. She uses the weights to her advantage. She does trigonometry in her head on the fly. She comes up with the distraction and using the fireworks. And the epitome of it all, she uses the symbol of femininity in the movie, her fan, to outsmart Shan Yu and take his sword. 

Originally posted by definite-disnerd

Tiana:

Can you believe I’ve heard people say Tiana isn’t feminist enough? Most people know how hardworking and practical she is, but she also learns a very important lesson that you’ll never be truly happy if you don’t let loose and have fun in reasonable amounts. She’s an amazing role model just as wonderful as everyone else in the line up and her morale is one of my favorites to try and live by. “Fairytales can come true, but you’ve gotta make them happen. It all depends on you.”


Rapunzel, Merida, Anna, Elsa, and Moana:

Honestly I feel like I don’t have to do much defending for these four. Everyone on this site has already pointed out what great feminist role models they are and many people regard them plus Tiana and Mulan as the “best” most feminist princesses. I love them all too, and of course they’re all great feminist role models, I just don’t think there’s much I could add. 

Anyway, I think a /lot/ of other Disney ladies are also wonderful feminist role models but this was supposed to be just the princess lineup. and I might make separate posts for them. But if you’ll notice I didn’t take relationship status, style choices, hobby choices, sexuality headcannons, or appearance into account when talking about what great role models they are because you shouldn’t. Of course women and girls deserve more than just one type of girl to look up to, but one type of girl isn’t any better or worse than another. You can be hyper feminine like Cinderella, Not feminine at all like Merida, or a little bit of both like Mulan. You can be smart like Belle, or naive yet kind like Snow White. All of them are wonderful. 

I’ll go ahead and leave you my favorite Disney feminist hero.

(she’s amazing. google her real quick)

married part 5- h.s imagine

you can read part 4 here

You let out a scream as you ran around in the kitchen. Lucas turned the corner, laughing as he chased you. You panicked as you realized you hit a dead end. Lucas smirked as he inched closer to you. “Where you gonna go now, babe?”

You crossed your arm and gave a pout. “Not fair. You always win.” Lucas gave a chuckle as he placed his hands on your waist, pulling you closer against him. “I won a long time ago.”

Your cheeks blushed as you tilted your head up to connect your lips together with Lucas.

After your birthday last year, you vowed to get over Harry. You couldn’t pine after him anymore. It wasn’t fair to you or his marriage. Moving on from Harry was definitely a struggle and occasionally your mind would drift off to see how he was doing. You couldn’t lie and say you didn’t miss him because you did. Harry’s made no effort to contact you. You couldn’t blame him though. You knew that if he found out your feelings for him, your friendship would somehow fall apart and sure enough, it did.

You’ve been with Lucas for about three months now. You guys rekindled when you accidentally ran into him at the store. You apologized for never getting back in touch with him after your first date and the rest is history. Lucas was sweet. He was really sweet. Sometimes when you were with him, you didn’t think about Harry.

You pulled away from Lucas as your phone started to ring. Lucas let out a groan as he buried his face into the crook of your neck. “Ignore it.”

You chuckled as you pulled out your phone from your back pocket. You immediately knew who was calling without even having to look at the caller ID. “Niall’s being a little groomzilla. If I ignore him, I’m pretty sure he’ll find a way to hunt me down.”

Lucas rolled his eyes playfully before he pressed a kiss to your cheek. “It’s so hard when everyone wants to take my girl away from me” he joked before leaving you alone to answer the call.

You shook your head as you let out a chuckle before you answered your phone. “What’s wrong now, Niall?”

“The seating arrangement is all wrong!” Niall yelled from the other side, frustration laced in his voice.

You pulled your phone back from your ear, wincing at Niall’s booming voice. “Listen Horan, you better watch your tone with me or I won’t help with the wedding anymore!”

Niall gulped. “I’m sorry. Can you please help with the seating arrangement?” Niall begged into the phone. You smirked as you mentally praised yourself for having Niall wrapped around your finger. “I’ll be over soon.”


Since you and Harry cut ties, you and Niall have become closer. He was your blessing in disguise. You could never thank Niall enough for being there for you when you just really needed a shoulder to cry on. Niall managed to find a girl that was head over heels for him. He was absolutely in love with her. You would like to say you thought Niall marrying someone he’s only known for less than a year was absolutely crazy but you couldn’t. Emma was perfect for Niall. When you first met her, she welcomed you with open arms and you could see how much love Niall had for her. You knew in your heart that they were perfect for each other.

Niall sighed out of relief when he opened the door. His hair was a mess from the amount of times he’s run his hands through it out of frustration. “Niall, I see you’re looking as beautiful as ever.” you chuckled as you stepped into his apartment. You gave a quick hug to Emma who was sitting in the kitchen.

Niall quickly brought out a giant piece of paper. It was like some sort of blue print. It had circles drawn on it to represent the tables, a square to represent the dance floor, a rectangle to represent where the DJ was gonna be. It was the nightmare of every wedding. Niall sighed as he placed the paper in front of you. “We need your help deciding where to put who.” Niall explained.

Emma shrugged her shoulders as she took a sip of wine. “I say we let everyone sit where they’d like to. Who cares about assigned seating?” Niall placed his hand on his forehead before he smiled sweetly. “I told you, honey. If everyone decided to sit where they wanted to then it’ll be a big mess. Each table seats 10 people. What if someone wants to sit at a table that already has 10 people sitting there? They can’t just pull up a chair as they please cause that’ll mean one table will only have 9 guests. We are having assigned seats!”

You and Emma both looked at each other with wide eyes from Niall’s outburst. His breathing was hard as he stared at a sheet with everyone’s name on it. You cleared your throat, “I may need a glass of wine myself for this.”

You looked at who was next on the guest sheet. “Oh! Louis. So we can put him and Eleanor with Liam and Cheryl at table 7.” You quickly wrote Louis’s and Eleanor’s name down on the blue print. Niall nodded as he took a swig of his beer. “Make sure you write Freddie’s and Bear’s name down as well.” You nodded as you began to write. “Who’s next on the list?”

Emma grabbed the guest sheet. “Harry-” Emma paused, her eyes widening a bit as she cleared her throat. “Styles…” Niall and Emma stared at you with weary eyes. Emma’s met Harry a couple of times and she loved him. She thought he was the absolute gentleman and she couldn’t believe what happened between you and him. She never knew Harry was capable of such heartbreak.

Your eyes remained focused on the blue print. You tried to remain unfazed, “Ok. Let’s put him and Kimberly at table 7 as well.” You began to write Harry’s name down before Niall cleared his throat. “Actually Y/N. Kimberly isn’t attending the wedding.”

You sighed as you placed your pencil down. You smiled softly at Emma and Niall sitting in front of you. “It’s sweet of you guys to not invite her but I’ll be fine. Besides, I think Harry would be pretty upset knowing he couldn’t bring his own wife.”

Emma looked at her fiancé. Her eyes telling him to tell you the news they recently got. Niall nodded, he turned back to you. “Harry and Kimberly filed for a divorce last month, Y/N.” You let out a small gasp before Emma explained, “He told us two weeks ago when we met for dinner.”

Your eyes were staring at Harry’s name written down on the blue print in front of him. Your eyes softened as you thought about Harry was feeling all about this. For as long as you knew Harry, you knew how he looked down at getting a divorce. Coming from divorced parents himself, he always saw divorce as giving up. You quickly shook your head, grabbing your pencil again. “That’s unfortunate to hear. Who’s next on the list?”

Emma came around the kitchen counter and placed her hand on your arm softly. “Do you want to talk about it?” Niall nodded his head, reaching across the counter to place his hand on top of yours. “We’re here for you, Y/N.”

You smiled softly as you looked between the couple. “I’m fine, you guys. I promise.” You looked down. “It’s unfortunate Harry has to go through this. And I wish him nothing but the best.” You looked up at the couple. “Now who’s next?”

Emma and Niall exchanged a worried look before Niall sighed as he looked at the list. “Rory…Rory’s next.”


You sighed as you stared at your reflection in front of you. You ran your hands over your dress and smiled as you remembered the last time you wore this dress.

You thanked Harry as he handed you a glass of punch. Harry sat down on the chair next to you as he took in the scene around him. You and Harry went back to Holmes Chapel to celebrate Anne’s birthday. The backyard was filled with family and friends. The sun was about to set, fairy lights hung and music playing in the background. You laughed as you saw the younger kids dancing on the dance floor in the middle of the yard. Harry grabbed your hand and placed a gentle kiss on top of it. “I’m really happy you’re here, Y/N.”

You could feel your cheeks burning slightly as your eyes softened. “Of course, H. I would never miss Anne’s birthday. I adore her.”

Harry’s mouth opened to say something before one of your favorite songs bounced off the speakers. Harry instantly noticed the way your eyes sparkled and your smile widened as the “Photograph” started to play. Harry stood up and held his hand out to you. “May I have this dance?”

You giggled as you stood up, grabbing Harry’s hand. He led the two of you to the middle of the dance floor. You placed your arms around his neck as he placed his around your waist. Harry’s eyes were staring at you intently. “Have I told you how beautiful you look tonight?” Harry whispered. You smiled as you looked down at your feet. “Shut up you goof.”

Harry smiled, placing his hand on your chin, tilting your head to look up at him. “You’re gorgeous, Y/N.”

You were interrupted by your thoughts as Lucas knocked on your door. “Are you ready, babe?” You grabbed your purse before you looked at your reflection once again. “Ready.” you whispered.

As the car was taking you and Lucas to where Niall’s and Emma’s rehearsal dinner was being held, your foot was tapping anxiously. You could feel your palms becoming sweaty as you inched closer and closer to the restaurant. Lucas placed his hand on your thigh. “Are you alright?”

You smiled nervously while shaking your head. “I’m fine.”

You weren’t. In a couple of minutes, you were going to be in the same room as Harry. You were going to finally see him after a year of cutting ties with each other. Would he say something to you? Should you say something to him? Was he going to bring up what happened that night? Is he going to talk about Kimberly?

As the car halted outside of the restaurant, you could feel yourself becoming nauseous. The restaurant looked great. It was closed for the event. You smiled at the small decorations scattered around the room. There were pictures of Niall and Emma throughout their relationship. Lucas gently kissed your cheek, “Good call on the photos.”

You let out a small shrug as you smiled. A slightly tipsy Niall and a sober Emma walked up to you and Lucas.

“Y/N!” the couple to be shouted, pulling you into a hug. You laughed as you hugged both of them. Emma leaned back. “Oh Y/N. We can’t thank you enough for helping with everything. I can sleep well tonight knowing everything is taken care of because of you.”

Niall nodded his head rapidly. “You were pretty much our wedding planner. Please. Let us pay you a little something for all the handwork you did.” He began to grab his wallet out of his pocket. You swatted at Niall’s arm, giving them a scowl.

“No! I could never take your money!” Niall was about to argue before you continued. “Niall, you’ve helped me so much for the past year. I can’t thank you enough. So think of this as me repaying you.” Niall’s eyes softened. He pulled you into another hug. “I told you everything would get better eventually” he whispered as he recalled the words he would say to you repeatedly during your falling out with Harry. You smiled as you squeezed Niall tighter in the hug. You pulled away and gave another hug to Emma.

The couple promised to meet with you and Lucas again before they went around to mingle with all of their friends and family. Lucas placed his hand on your waist. “I’m going to get us something to drink.” He said before he placed a kiss on your cheek and walking away.

As soon as Lucas walked away, you suddenly felt cold. You could feel eyes burning at the back of your head. You turned around slowly to see Harry standing across the room. He was staring at you with sadness in his eyes. You let out a shiver as it was the same look he gave you that night. You shook your head as you turned back around. You quickly walked away, wanting to get as far as you possibly could. You stepped out onto the restaurant patio. You let out a deep breath as you ran your hand through your hair.

“Y/N…”

You spun around to see Harry standing in front of you. You closed your eyes briefly, “Harry.”

Harry’s eyes softened as he took you in. “It’s so nice to see you again. You look beautiful.” You shook your head. You quickly murmured, “I can’t do this” before you pushed past Harry to go back inside.

“Are you happy?”

You halted as you turned back around. “What?”

Harry walked closer. “With him? Are you happy?” You looked at the ground before Harry continued, “Cause I’m a bloody mess without you.”

Your eyes filled with anger as you stepped closer to Harry. You poked him in the chest. “No! You can’t say things like that! You’re married!” Harry grabbed your hand, “I filed for a divorce!” Harry sighed as he glanced down before his eyes met yours. “What happened that night absolutely wrecked me, Y/N. For the rest of my life, I will always regret that night. I missed your fucking birthday, Y/N. I’ve never felt so disgusted with myself. I tried moving on. I tried being the best husband I could possibly could to Kimberly but I couldn’t. You! You were on my mind constantly! I couldn’t do a single thing without thinking about you! All I could see was you crying. All I could see was how much I hurt you. I will never be able to forgive myself. But Y/N. I fucking love you.”

By the end of Harry’s speech, the two of you had tears in your eyes. Harry wiped your eyes before he whispered, “I love you, Y/N.”

Harry’s eyes glanced between your eyes and lips. Suddenly he placed his lips on yours.


thank you guys so much for 2k followers! i created this blog because people like @harry-writings and @permanentcross & so much other amazing writers INSPIRED me to write things of my own! whenever i read something they wrote, i would remain in awe. i would constantly refresh their pages to see if they updated. knowing that people are doing the same to my own writing and even asking me for advice for their own blog makes me so…happy. and just so grateful. i love each and every one of you. THANK YOU ALL. 

you can find all my writing here

you can find part 6 here

ikke snakk til meg
  • we open with sana reciting this surah, which i see as an effort from sana to try and regain focus on her faith (but you should ask the muslims in the fandom <3)
  • very violent online abuse flashes before her eyes, apparently from when she was in middle school (here’s a detailing of the abuse)
  • once again, sana’s prayer is interrupted (it’s always interrupted either by an external character, or by her own thoughts…at the end of the series we’ll see her pray uninterrupted and it will be gorgeous)
  • we get this beautiful shot of literal and metaphorical self reflection. sana is broken after the latest events and she is now trying to pick herself back up (so, of course, she tries to go back to the beginning: the sana we first saw on the show, before it all started)
  • adding the above piece of art for reasons (like to charge/reblog to cast)
  • we’ve seen sana wear very loose hijabs this season, i remember people commenting on it. here, she tightens the fabric around her neck. i see it as her trying to protect herself. she needs all the extra strength she can get. all the extra fabric between her and the world.
  • she tries to reach out for the only friend (we know of) she could have left: jamilla. but we see they never got closure on the “sharmutta incident” and, when sana scrolls up, she is reminded of how much her and jamilla differ from one another. and she gives up.
  • quick note: i am not too happy too see jamilla painted as this hating muslimah but i’ll wait until the end of the series. her comment “i was just trying to protect you” reminds me a lot of sonja, who i hated really badly when she confronted isak during the hotel scene. but who redeemed herself and explained her behaviour in the end.
  • we see their last messages are from january 2016, so just after season 1 if i’m not mistaken? the tension started then and that’s probably why sana and her were already at war during season 2.
  • anyone knows what game the norwegians are playing at the school? it looks like a dance of some sorts: the way they’re placed and the couple is running in between the two groups…
  • isak is wearing a dandelion. from twitter: løvetannbarn (dandelion child) means person that has survived almost impossible upbringing.
  • this time, the lyrics are so on the nose even the beautiful subbers decided to translate some of them: an even song. to me, reminiscent of all the rumours spread about him paralleling the rumours spread about sana right now.
  • we see the pictures from the teaser: isak’s eye, sara (same jacket), noora…
    we’re missing the brown hair with a hand ruffling them and the carrot munching (but i feel like the carrot bit was more symbolic than anything)
  • sana is back to the beginning (see above) except, this time, it’s reversed: she’s not joining the girl squad and the russbuss. she’s leaving both.
  • liar liar pants on fire
  • and she’s not trying to show, like in her first clip where she sassed vilde and told her being a russ was punished by stoning, that she can and will become a russ. she’s instead using her faith as a reason for why she doesn’t want to be a russ. very flippening, much reversal.
  • sana goes to class and…
  • the book is open on a page about dandelions.
  • which brings me to the symbolism of the dandelion. according to google, dandelion translates to “dent de lion” in french which means “lion’s tooth” (i can vouch for that), summoning the symbolic meaning of lions: courage, pride, family (connection/communication). the dandelion is also a sun symbol (#sanasol).
  • we get this exchange that i LOVE but that, unfortunately, is getting misunderstood: sana and isak are awkward around each other but both really want to talk to each other. sana, after looking at isak’s very obvious blackeye, glances at the dandelion in his hair. isak scoffs and takes it off.
    you can’t take a black eye off. you can’t get rid of that barrier between two people. but you can take a flower off. i feel like the flower, here, is a perfect way for them to (in the sweetest way) break the ice. our attention is briefly redirected from the (devastating) black eye to the (hopeful) flower and, for a moment, everything is OK.

[cont. after the “read more”]

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If you ever want someone's attention, send them this-

It’s summer of 2001; Joe meets Patrick and he’s like “Yo, I know about music.” and Patrick’s like “Yo, I know more about music” “That’s impossible. Do you wanna start a band?” And Patrick’s like “…Yeah… That’s cool.” And then he’s like “Yo, this is a book store, it’s not a music store!”

And then they met at Patrick’s house. And Patrick’s wearing shorts and socks and a hat. Patrick is playin’ drums for some fuckin’ reason! And Pete’s there, for some reason! They start playin’ music together. And there like “Oh, let’s play some fuckin’ covers from some other bands!” It was like, Green Day and fuckin’ Misfits and fuckin’ Ramones! Pete said to Joe “Yo, we gotta change this shit up! Yo we’ve played all these bands; let’s play shit from Fall Out Boy.” And so Pete and Patrick are like “Yo, that’s dope. But we need a fuckin’ drummer!” Because Patrick’s playin’ drums and he’s a singer! And he’s like “Yo! I got a soul voice!” And there like “Wait, how do you have a soul voice!?!” And he’s like “Yo watch this! Yeah!” and they’re like “Oh my god! That sounds like soul!” So they put it in the song and it was like “WHERE IS YOUR BOY TONIGHT!”

And then they’re like “Yo, this is fuckin’ perfect. This is Fall Out Boy.” And they made records like, Evening Out With Your Ex-Girlfriend. its called Evening Out With Your Ex-Girlfriend, everybody loves it. Its called Eating Out Your Girlfriend, and its real and it doesn’t matter. And Pete talked to Patrick and Joe and he was like “Yo, what the fuck! Yo this is gonna be fuckin’ dope!” So they made a record, and it was called take this to your grave. They made it without a drummer! And they had like three, four drummers come in. The four drummers they had come in were like… Josh Freese, Neil Peart, the dude from Toto… The fourth one was like the guy from papa roach or something. And they were like, “yo, we need Andy Hurley. Andy Hurley. Take this to your grave. Fuckin’ record it.” And he did it, and he killed it. He was like,Bigadigadigalalululapssshhhh! Killing the skins! Tapping the skins! Tapping the rims! Playing the shit! Killing these bitches! Wrapping it out!

“We should get signed, to Fueled by Ramen. ‘Cause these guys know what the fuck is going on.” And they were like “Yo, if you can make our scene any bigger than it is, which is not fuckin’ hard. We will sign you guys.” Pete was like ”Yo! We got this record that’s fuckin’ dope dude! It’s called Take This To Your Grave.“ Hey, its gonna be called From Under The Cork Tree, its gonna be fuckin’ huge. And then Patrick’s like “I gotta keep it real, I gotta keep it artistic. These are three songs that are gonna make the album and its called… This is called Thanks for the Memories, 20 Dollar Nosebleed, and Sugar We’re Going Down..” And they made this record that was fucking dope and it fucking hit on the charts.

Like one, two, three! Three, two one! Three, four, five, six, seven, eight, nine, ten! TEN TO ONE! From Under The Cork Tree sold like, four million records! Ten million records! Fifteen million records! And Brendon Urie had nothing to do with the entire record. And Patrick was like “That’s good!” Pete was like “Yo, fuck you! I can do whatever I want!” Joe was like “Yeah, it’s cool man, whatever… I don’t give a shit.” And then Andy was like “Eh… Cool!” And Pete was like “Makeup is fuckin’ great for a guy. Because it makes a guy look beautiful. Which a lot of times, a guy is not beautiful. And I wanna change that.I wanna make sure everybody thinks that guys are beautiful.”

Pete was like “Oh my god, I’m so embarrassed about this dick pic!” And then I saw the dick pic, and I was like “Eh, it’s not bad. It’s not a bad dick. Let’s be real.” Panic! At The Disco made Rolling Stone one issue before Fall Out Boy. And Fall Out Boy made the issue right after Panic! And they were so pissed! They were like “Yo, fuck you guys!” They were like “Yo! Panic has the cover of Rolling Stone!?! Yo, fuck these dudes, were gonna go fucking miles above! We’re gonna hit every fucking continent there is known to man!” But they didn’t! Because they missed a second of time, apparently. They were like “Oh, shit we got every continent.” And they didn’t actually hit it. Dude, Pete was like “What the fuck!” oh you didn’t fuckin’ make the continent. It’s like, fuck you!

So From Under The Cork Tree happens, we fuckin’ have three, four years of awesomeness! Like people are cumming on themselves it’s so big! So Fall Out Boy was like, so Patrick’s like “Yo, we’re gonna name this record ‘From Under The Cork Tree’ and From Infinity In High.” Pete was like “Yo, folie a deux means, the theatric of two.” Fall Out Boy was like “Yo, we gotta take a break” meaning, Pete was like “Yo, we gotta take a break bro” and Patrick’s like, “Y need time for my music! Yeah!” And Joe’s like “Yo, I need time to find the fuckin’ art dude I gotta find some fuckin’ meau-metal.” And Andy’s like “I’m just gonna play with some fuckin’ metal bands.”

And they were like, “Alright, this breaks been like three years long. Two years long. Three years long. Three and a half. We gotta fuckin’ come back man. We gotta come back STRONG! We gotta make this shit legit. It’s gonna be fuckin dope. It’s gonna go fuckin sky high. We’re gonna make a fuckin’ record that sails the skies. We’re gonna call this record… Save Rock And Roll.” So they made Alone Together, Light 'Em Up, Alone Together, Phoenix. And everyone’s like “What the fuck? You’re working with this guy who fuckin’ recorded Avril Lavigne and P!nk!” Pete was like “Yo, were gonna end up on the tour with Panic! At The Disco and Twenty Pilots.” And that’s all. And that’s all that matters. And that’s how the fucking story goes.

anonymous asked:

Please please share your thoughts on Wonder Woman? Thank you! :)

ANYONE WHO WATCHED WONDER WOMAN (2017) DIR. PATTY JENKINS AND WASN’T COMPLETELY IN LOVE IS NOT TO BE TRUSTED

Some thoughts:

  • So we all knew it was going to be emotional to FINALLY have a female superhero movie, but the movie exceeded those expectations. The fight scenes were incredible and so focused on Diana and what she was capable of – the men basically weren’t even there. The fuckin no man’s land scene SAVED MY LIFE. Superhero movies are known for being heavy handed and this one didn’t escape that for sure (the love speech at the end was….a lot), but that scene was so well done…they didn’t have to stoop to some Éowyn knock off line of “I am no man,” we were allowed to just see her do what real women do - step up and do it. Even though that wasn’t the first time we’ve seen her in full Wonder Woman costume on screen, it felt like it was, like it was the first time I’d EVER seen ANY hero before and it took my breath away. By far the best Superhero Reveal Moment I’ve ever seen. My girl taking out bullets right and left, drawing fire from the entire German army!! Fuck me up!!!
  • You can’t talk about this film without talking about gender role reversals. Chris Pine was So Perfect and I think they really couldn’t have pulled the movie off if they’d cast any other white boy in the role. He was funny but genuine, capable but never arrogant, charming but not entitled about it. He learned quickly what Diana was capable of and respected her for it, always moving to the sideline during the fight scenes (the shield moment with the bell tower comes to mind - who needs a sniper when you can fuckin launch a god at the shooter??), knowing that these were her fights and never trying to mansplain her out of them. He wanted to protect her, but didn’t underestimate her - all the things that a typical female romantic interest does in these kind of movies. It was amazingly well balanced, so much so that I didn’t even mind the romantic sub plot. Plus he was almost entirely naked there, way to play to the audience my dudes!!!!
  • The historical context did the movie such a great service. The outward displays of sexism became so ridiculous when faced with Diana, who genuinely had never had to deal with the patriarchy’s bullshit before. It didn’t just make the men in London look pathetic and mean, it cast a large shadow over the way that women are treated today. 
  • The Dark DC Gradient™ on all the shots isn’t my favorite but it did Chris Pine’s fuckin bright blue eyes a huge favor
  • Gal Gadot was so fuckin good??? Not only was she beautiful, like really really distractingly beautiful, like I kept having to force myself to pay attention to the dialogue cause I, like Steve Trevor, could not stop looking at her (and she’s standing next to Genuine Stud Chris Pine and still?? SHE’S SO BEAUTIFUL). But she was way more then that, her performance was spot on. Diana was naive, commanding, strong, compassionate - while never being reduced down to just a one note version of these things. She felt so real to me, in a genre that spends very little time on character development. Even in the sappiest parts of the script, she sold it. She absolutely sparkled. 
  • Some of the best dialogue was the back and forth between Diana and Steve when she’s asking questions about mankind/London - it was cute and funny without being too overdone or obvious, which it easily could have been
  • The villains weren’t much to write home about, but they didn’t need to be. The movie was so laser focused on Diana and Steve that they really didn’t matter, you could self insert whatever you wanted to there
  • Themyscira is the ideal for I too want to hang out on the beach and never see a man again
  • Also that lesbian line, and how stupid male reviewers blindly did not understand it!!! Fuckin drag em
  • But also the fight scenes on Themyscira were INCREDIBLE. I wish that first section had been a bit longer just because I was enjoying it so much, but it was so refreshing to see all women on screen - women who fought and loved and supported each other. Incredible. 

I haven’t enjoyed, really enjoyed, to the point of not having to think about the message or the structure or how much fuckin time I’ve wasted listening to some male superhero talk about honor or some equally boring garbage, since The Avengers came out in 2012. Even then, Wonder Woman felt like something else entirely. It leaned on many of the same tropes and sequences, but there was enough reinvention in between (particularly the characters, who I felt were much more fleshed out then any superhero movie I’ve seen before) to make it feel fresh and exciting. This so easily could have been a throw away movie, a chance for movie execs to point and say, hey we tried with women that one time!! But Patty Jenkins, and Gal Gadot, and all the other women who worked on this incredible production, knew what was at stake, and weren’t going to let that happen. Every time I see a little girl dressed up as Diana Prince, on her way to the theater, my heart fills more and more. During the film, I found myself on the verge of tears five or six times - sometimes because it was so beautiful, to see a woman who felt so real being strong and vulnerable and saving the damn world, but other times because the plot itself genuinely moved me. Wonder Woman is revolutionary for the industry, sure, but more importantly, it’s just a damn good movie. 

Give me LGBTQA Marvel!

Honestly, I really wish Marvel would just step up to the plate and make at least one of their main characters that are still single to be LGBTQA.

Like Steve would be the obvious choice with Bucky. Even if you don’t ship them personally, these are two well-defined, in-depth characters that have been in enough movies for the audiences to know and care about them. They have characterization beyond just ‘that gay characters,’ they both have a role in the coming movies and clear, defined personality. For fuck’s sake, there was a whole movie showing how devoted Steve is to Bucky, with subtext literally everywhere.

And yet, they keep shoving him with random female characters like Shannon who has ten lines and no development whatsoever. And it’s not like they don’t already have a range of characters!

Sexualized aliens? Go for it!

Literal Gods and multiple worlds? Believable!

A robot born from AI and a magic crystal who falls in love with a ‘Witch?’ Well, it’s 2017!

A talking raccoon and a humanoid tree who are best friends? Sure, why not?

But gay superhero?

That’s not believable.

We can’t do that.

Think of the ratings!

They are arguably the largest movie franchise of this decade, making millions of dollars in profit each movie, and they’re still too damn scared to show any LGBTQ characters.

And what pisses me off the most is the hypocrisy.

I grew up with Marvel comics, and no matter if you read X-Men or Avengers, the main point of all the comics was acceptance. It was about people who were different from the norm, who were hated for something they were born into and had no control over, and it was about them slowly being seen and accepted by society.

Hell, most of the X-Man ‘mom I’m a mutant’ scenes was designed to show what it was like for kids coming out to parents they knew wouldn’t accept them! For example, take the scene from the only movies, where Bobby Drake (Iceman) explains to his parents what he is!

Like, the comic books have tons of LGBTQA rep. Bobby is 100% gay:

Captain America is hinted at being Bisexual:

They had an INTER-RACIAL gay wedding years ago with NorthStar:

Godly lesbian couples:

And even shape-shifting gender-fluid couples!

But that’s the whole point of Marvel. It’s about being different, it’s about breaking the mold and changing views. It’s about people slowly becoming accepted by their families or making new families along the way. It’s about everyone belonging and everyone having a place.

I grew up reading these comics, and when I was trying to come out I would find refuge there. I would look at my favorite characters and tell myself if people can accept mutants and aliens, surely society can accept me being gay. And as a scared 15-year-old, this was my ideal world; a world where you could be yourself and have others standing next to you, ready to (literally) fight for you and your right to exist.

I wish Marvel would understand that not everyone watching their movies needs to see a straight, white male saving the day again and again. Marvel doesn’t need perfect, cliché heroes and penny-dreadful romance stories. That’s not what Marvel is supposed to be about.

That’s not who Marvel was supposed to be for.

Marvel is supposed to be for people like us, who are still fighting for their place and acceptance in society. Marvel is for the outcasts, the ‘weirdo’s,’ the people still scared to show who they are to the world because they’re not sure if the world will understand them.

Marvel is supposed to be for us.

I just wish someone would tell Marvel that.

Where Every Brown Sugar Baby Should Look for Her Next Sugar Daddy and Why

The more the game changes, the more it stays the same.

     Best friend, my first disappointment with sugaring came when I realized that sugaring sites were not for me. When I joined Tumblr, I was surrounded by stories of women who signed up for Seeking Arrangement and within an hour found their inbox full of messages from men willing to hand them the world or at least a pair of So Kate’s on the first date. When I joined Tumblr, I thought that I was going to command large allowances just because I existed, not because I did any work. I learned otherwise.

     My successes with sugaring came when I got very clear about what exactly it was that I was sugaring for. I realized that I couldn’t make myself care about designer goods. They’re pretty, and I loved looking at them on Instagram but dating a man so he could buy me luxury goods just did not seem like a lot of fun. But art supplies? Everything I needed to write a novel and maintain my blog? That sounded much more feasible. As soon as I committed to it, it happened. As soon as I got off the sugaring sites, it happened.  

     As an introvert, I did get off the sugaring sites, but it took me quite a while to get off the internet. I used Tinder to find the three gift daddies that I had. Last month, I went free styling for the first time.   

     There is a general horror around free styling that, trust me, I understand. If I didn’t have to leave my house, I wouldn’t. But I realized a few things. The sugar sites are not set up for you to succeed. We, as sugar babies, are the draw that is used to attract men with money and unrealistic dreams.  

     Do you want to have the perfect relationship? A young, beautiful, smart woman who will hang off your every word and, unlike escorts, will be with you and you alone for a fraction of the price that escorts are demanding? Sign up for a membership with our site at the low price of $39.99/month and become a sugar daddy tonight!

     While this might not be the exact language the sites are using, I guarantee if you go on any of the sugar sites you will see something similar being touted to men.  I also promise that the men that have the real potential to be amazing sugar daddies and give you things you didn’t believe that you could get aren’t on these sites.
     

     And, honey, maybe you haven’t noticed but online dating-sugar or vanilla- is not set up for black women to succeed. I’ll say it once more. You’re far more likely to find the man you’re looking for when you let go of the sugar sites.
So what happens next? Next, you change your mindset. There is one thing that needs adjustment, your attitude, in two different areas. The first is what a sugar daddy looks like. Maybe you don’t have this problem. But I do. I tend to find myself thinking that sugar daddies look a certain way. They’re white and in their 40’s-50’s. Most of them are married. But this isn’t what sugar daddies look like. They can be any age. They can be any race. They can be anywhere. When it’s time to free style, don’t think that if a Black man, an Asian man, a Martian, whatever, approaches you that because they don’t fit in with the idea of what you think an SD looks like you can’t pay any attention to them.

     There will be three types of men that you’ll meet when you go out: cheap men that would like your time and attention for free, men that will simply ask how much you want or make it known that they have no problem paying you, and men that are willing to spend money on you but need some type of connection with you first. Ugh, connection. Don’t you hate that word? Men should just hand us money because we asked for it right? We’re young, we’re beautiful, we’re smart. Just fork over the coins.

     But consider this. How often do you give money to complete strangers because they asked for it? How often have you walked up to an attractive or interesting looking person with $5 that you know you don’t need and said: “here this is for you just because you look cool or like you needed a little help”? Never right? If we were a society where that was the norm homelessness would not be an issue. No, we give our money to people we like, to people that have bettered our lives in some way, to people we trust. But, still. That word-connection. Months and months of dates. Maybe even putting out. That must be what I mean, right? Nope. Not what I mean at all. A connection can be made in 15 minutes or 15 months. It really just depends on how well your personality meshes with his.

     How do you tell these men apart? Let’s build a scenario, shall we? Let’s say you meet a man at a bar. You each talk a bit about who you are and what you do for a living. His job sounds promising. You don’t know exactly how much he makes but when you google it in the bathroom after touching up your lipstick you see that it’s an acceptable amount. He buys you a drink to continue the conversation you’ve already started, but when the night ends, he doesn’t pick up the tab you had started before he sat down. Splenda! Salt! That’s what Tumblr will tell you. I say wait. You spend some time texting. He says he wants to take you out. This is when we find out what kind of man he is by analyzing a few things:


  • Where does he want to meet? TGIFridays or one of the best restaurants/bars in the city. Look at where he wants to take you and why. If he asks you where you want to eat and then shoots it down because it’s overpriced or “just not his scene” you have two options: dig your heels in or run. My first meeting with Bentley took some time to plan because he shot down the restaurants that I chose as not being good enough for a first date. It was a good first sign. 
  • How and what do they order? We know what a man who doesn’t want to spend a lot of money looks like when he orders at a restaurant or bar. He asks if there are any discounts or deals. Asks what’s the best and cheapest drink or food item on the menu. Makes “jokes” about how expensive everything is. 
  • How do they look when you order? A man that asks if you want anything else after you’ve decided what you want is a keeper. A man that asks what you want scans the menu and then asks if you’re sure you want those things or if you’d be happy with something cheaper presents you with two options: to dig your heels in or run.
  • What are they talking to you about? A man that talks about sex as soon as he meets you only wants you for one thing and it ain’t playing cards. Now, if he’s willing to compensate you for that time in a way that you find acceptable, fine. Get your money girl. If you want a man that cares about you as an individual but he can’t stop talking about how well he’s doing on Viagra, you have two options. Dig in or run. I suggest you run, but this is your life, not mine
  • Do they listen when you speak? Do they remember what you said? I got my first laptop from a man who listened when I talked about wanting to write. I got my second laptop and art supplies from a man who listened to my business plan. If they can’t hear you, they can’t help you. 

     When the date is over, look at this man’s behavior. You’ll know if he’s the type of man that you can keep in your life. If he isn’t, let him go. LET HIM GO! Don’t, please friend, don’t hang on to a man because you don’t think that you’ll be able to get another. This game isn’t for the desperate that need quick cash because their life is falling apart. This is going to take time. You’ll find yourself getting dressed up and going out quite a few times before you find a man that you’re willing to stick with. If you understand this from the beginning, that reaching any goal is going to take time, you’ll be far less likely to fail.

     I’d like to give one piece of controversial advice. Do not ask for a gift or token or whatever you want to call it on the first date. Remember what we talked about earlier? About how we don’t give away our hard earned money to strangers or the undeserving? This applies here. And I know, I know. The posts of girls that say they asked for a gift and got one is so much more fun to read than what I’m saying, but here we are best friend, here we are.

     You do have one thing on your side. Men know that it is their responsibility to take care of the women in their lives. Vanilla men know this. They know. I’m going to say it one more time, best friend so it really sinks in. All men know that it is their responsibility to take care of the women in their lives. What’s more, they know that the younger and better looking a woman is, the more they will have to spend. Your job is not to convince a man to spend money on you. He already knows he should. Your job is to separate the men willing to spend from the men not willing to spend by opening up your mouth and talking about what you want. Talk about college and the class that you’re going to be taking, but god isn’t it crazy how expensive books are? Talk about how much you love to write, but your laptop broke. Talk about how you want to get into digital photography but don’t know what camera to get or if you can afford to buy one. Give it a couple weeks. The right man will show up with a laptop, or an iPad, or a book, or a camera or whatever it is you say you need. The wrong man won’t have made it past the first date.

Happy hunting, best friend.

Best friend, be honest, what did you think? Do you think you could ever get off the sugar sites? Go free styling? Do you think my approach makes any sense or is something that could work for you? Leave me a comment and let me know so we can talk about it.