call her back

Lin-Manuel Miranda caps a huge ‘Hamilton’ year with 'Moana’ (L.A. Times):

[…] When did “Moana” come to you?

I can trace the journey of “Moana” in the journey of my son’s life. I found out I got the job on “Moana” the same day I found out I was going to be a father. My wife was going on a business trip and she was leaving first thing in the morning. She turned to me and said, “You’re gonna be a father. I gotta go catch a plane.”

And I went, “What? That’s great.” And fell back asleep. I had to call her back for confirmation. Then I got the call later that afternoon that I got the job. They called me again and said, “We’re all going to New Zealand this weekend; you’re leaving first thing in the morning.” It was pre-“Hamilton.” So I’ve been working on this for two years and seven months. My son [just] turned 2.

It was really kind of an incredible journey. And the “Hamilton” phenomenon happened while I was writing it.

How did you split the time?

I had to really protect my writing time. In one sense it was really great, because, you know, when something is as successful as “Hamilton” everyone wants a piece of you. Everyone wants 10 minutes to talk about their pitch, or press, or what have you. The things that come with the success of a thing.

I got the luxury of having to say no to a ton because I was like, “Tuesdays and Thursdays are full-time ‘Moana’ writing days.” I would meet via Skype with the creative writing team at 5 p.m. every Tuesday and Thursday, then I would go to the chiropractor, then I would get into costume for a 7 p.m. show. It was built into my performance schedule.

I also had the luxury of amazing singers in the building — so a lot of my early demos for “Moana” is [the “Hamilton” cast]. Pippa [Phillipa] Soo, who played my wife, singing Moana’s tunes, and Chris Jackson, who played George Washington, singing Maui’s tunes. He’s actually in the movie: He’s the singing voice of Moana’s dad.

[…]

What was the key that unlocked the character of Moana for you?

The thing that resonated for me with Moana is she is not someone who hates where she is. Moana loves her family, she loves her island. She knows she’s got responsibilities and she’s ready to embrace them. And yet there is this voice inside her that says you’re not supposed to be here, you’re supposed to be somewhere else.

I can relate to that. I was a kid who was always making stuff. I didn’t know whether I wanted to make action movies or animated cartoons or musicals, but I was always just making stuff. My parents were like, “This is not practical. You’ll be a great lawyer.” And it was never gonna happen. I loved my parents and I loved where I lived, but I also had this voice that was, what’s the distance between me and what I want. That’s what I tried to imbue her with without villainizing the things around her. It’s not “there must be more than this provincial life,” it’s “I love it here and yet; and yet every time I absentmindedly walk I find myself at the water again.”

Given the love for “Hamilton” in the world, given that its journey is not over by a long shot, there is going to be some high school in Kansas that wants to mount a production of “Hamilton” and all of the roles are gonna be played by white kids. Is that missing the point? Or is that the point?

When it comes to kids, I relax all of my rules. When I think from my perspective I got to be a son in “Fiddler,” I got to be Conrad Birdie, I got to play roles that I’ll never get to play as an adult. Once you’re an adult, the world puts you in a box and you’re cast by type and ethnicity. I directed “West Side Story” my senior year in high school. I was one of the only Latino kinds in my school, so my Sharks were white and Asian. At the same time, I was able to flip that into a teaching moment. I brought my dad in to do dialect coaching so it wasn’t [bad] Hollywood accents, it was authentic Puerto Rico accents that these kids were attempting.

I hope there’s enough in “Hamilton” that if you go to a school where there are literally no kids of color — and that is increasingly rare in our country, which is a good thing — your job is to honor the story. For me “In the Heights” has been this. I get joy from both sides of it. I get joy that kids who go to schools that are largely white suddenly are waving Dominican flags around and having to learn Spanish to understand what they’re singing. So they’re getting a dose of cultural education by virtue of doing this show they like. Whether or not they have quote unquote permission to do it. They’re getting it. The medicine is going in. You now have empathy for a group of people that have never been in your school.

I’m grateful for that. Then when a school in the South Bronx does it and it’s all black and Latino kids and the sense of ownership and pride they feel — like this is ours, this is about our families — there’s no quantifying the joy I get from seeing a production like that.

I think keeping kids from art is not something that’s interesting to me. Now, regional productions are a whole different thing. When you’re in a professional production it’s like, cast [it] right. Save yourself the headache of everything that comes with a very important conversation about cultural appropriation.

Is there somebody who has the ‘How to be a Celebrity’ playbook that you’re cribbing from? You’ve navigated the pre-“Hamilton” to post-“Hamilton” transition better than most.

You learn very quickly that the trappings of it is how much you bring to it. If you surround yourself with three security guards and an entourage, people are gonna look at you. As opposed to my friend Josh Groban, who takes the train to work. And he’s Josh Groban. He’s got millions of fans. He wears it lightly. He’s still just a guy. I’m inspired by that. I refuse to sit on a pedestal that people want to put you on. I’ll write a dumb tweet in the morning and someone will be like, “Pulitzer Prize winner. Can’t get his coffee right.”

You can’t stop being the person you were just because more people are looking at you. […]

read the rest of the great interview!

  • kanaya, leaning from the window of the gorgeous home she and rose share: Rose If I Discover You And Our Children As Ice Sculptures In The Morning I Will Be Very Cross
  • rose, calling back to her from the elaborate snow fortress she is building: We'll be in in a minute, darling, we just need to finish setting the stage for the first assassination that kick-starts the beginning of a century long war. Isn't that right, Grand Wizard Gwendolyn?
  • a grub snugly wrapped four cozies: ghghghghghgh!

listen tho at this point Pike has brought half of Vox Machina back from the dead d’you think that every time she does it she thinks of them calling her home first and is still trying to do enough to thank them for that

👶🏻 21 👶🏻
  • ALTERNATIVE TITLE: THE ONE WITH THE BLUE SCARF
  • : :
  • *outside Speedy's*
  • Molly: *approaching Mary* What's going on?
  • Mary: *grins* I found the father of your baby.
  • Molly: *wide-eyed* What? How...how do you even know who the father is?
  • Mary: *digging in her purse* I believe this belongs to the father of your baby *removes the scarf*
  • Molly: *groans* Oh God...he’s in there right now?
  • Mary: Yup.
  • Molly: *sighs* Let's get this over with.
  • Molly & Mary: *enter Speedy's*
  • Tom: *waving* Hi, Molls.
  • Molly: ...
  • Tom: *looking between them* So, what’s up?
  • Mary: *nudging her forwards* Well, Molly has something that she wants to tell you *gestures the scarf* while we're on the subject, I believe that this is your scarf.
  • Tom: No... *unzips his coat* this is my scarf.
  • Mary: ...
  • Mary: *looks at the scarf in her hand* Ah. Could I get anyone a coffee or...poison? No? Just for me? Okay *hurries off*
  • Tom: *concerned* What’s going on?
  • Molly: *sits opposite him* Nothing. Mary just... sort of made a mistake.
  • Tom: *smiles* I’m pleased Mary called. I know we broke up because you thought we weren't compatible. I was thinking...does that matter?
  • Molly: *hesitates* Tom...
  • Tom: We were perfect together *holds her hand*
  • Molly: I’m pregnant.
  • Tom: Oh. *drops her hand*
  • Tom: ...
  • Molly: ...
  • Molly: You can go.
  • Tom: Thank you *runs off*
  • LATER
  • *John & Mary's*
  • Sherlock: *staring at the baby*
  • John & Mary: *enter the flat*
  • Mary: *smiles* Hi. How was she?
  • Sherlock: *shrugs* Fine.
  • John: *lifts his daughter* There's my girl. Were you good for your Uncle?
  • Sherlock: *sighs*
  • Mary: *smirks* You love her really. You're a natural.
  • Sherlock: *rolls his eyes* I'm going to have to get used to it.
  • John: *nods* Yes, you are.
  • Sherlock: *winds the scarf around his neck; smiles a little*
  • Mary: *looks up; points* That's your scarf?
  • Sherlock: *frowns* Yeeeeeees.
  • Mary: ...
  • Sherlock: *shrugs on his coat* Goodnight *leaves*
  • Mary: *squeals with happiness*

i swam across twelve seas to find her, the pisces sea siren, through cancer moon water ripples,
a blue aquarius lagoon, a starry staircase that lead me to capricorn, and i sat
by the throne of leo
i searched for her in every crevasse of a libra’s heart and a virgo’s mind
through riddles written by gemini and scriptures penned by sagittarius. a pisces is filled with so much inner wealth, a palace where i can pray,
a dreamboat i can ride into fantasy and reverie. she is draped in lilac silk stitched in heaven, her flower breath exhales petals sewed by angels. the night sky shines in her reach
and the hollows of the otherside call her back home. to exist is to contain infinity into a body, and to her that is
poisonous

pisces

I honestly don’t get why people are boycotting Doctor Strange over one character being made white? I mean like sure whitewashing is bad and blah blah blah. But the story is going to be amazing. And the visual absolutely spectacular. The story of Stephen Strange and the Mystic Arts is wonderful, and personally one of my favorite told by marvel. The changing of one character to being white, while yes not exactly a good thing, shouldn’t be blown out of proportion like it has been.

P.S: I am not racist, I simply like Doctor Strange. Maybe get educated on what racism actually is. (=^・^=)
Nickname Headcanons

Ever since phase one, 2D, Russel, and Murdoc have all had their own little nicknames they liked to call Noodle. They’re not used much now that she’s older, but they still make a reappearance every now and then.
Russel: babygirl, princess, baby
Murdoc: brat, kiddo, darling, sweetheart
2D: little one, Noodle-cup, honey, dolly

youtube

Caleb McLaughlin, Natalia Dyer and Charlie Heaton arrived at the Golden Globes After Party.

It stings that

Lucifer has so little belief in himself that he find all these reasons that the Detective kissed him- but none of them are that she actually likes him for who he is. First he thinks his powers are finally working on her. Then he thinks she’s being manipulated by his mother. Now he thinks that his Dad has something to do with it.

I’m just sitting here like, Luci babe, no. Your Dad made her immune to your charms so she could fall for the real you. You sweet as hell deep down inside under all that self-loathing.

Also can we talk about Chloe being hella into him?

She’s full on staring at him with heart eyes and having sex dreams about him and Lucifer’s in the corner going ‘she’ll never love me I’m a monster’. Like he’s the best partner she’s ever had, always has her back, calls her beautiful, defends her to a fault, never lies to her and pretty much worships the ground she walks on… but you know. Why on earth would she ever like him ?

Luci, you damn fine. But you also dense as fuck.

  • CURRENT ESTHETIC: Bernie Wolfe in the back of a cab cobbling together shite wrapping of a bottle of crap shiraz she probably bought on the way out of the duty free by ripping at a roll of packing tape with her teeth, for a woman that she really "likes"
5

“Ye should have kept walkin’, ‘Vint.“

Gifty for @thereluctantinquisitor for reasons I’m not ready to talk about yet until I’m done setting it all up, and I am excite!

So we’ve been talking about how her OCs would react to this big scary looking pirate showing up at Skyhold, and Varlen - being Varlen - would likely be intimidated at first, nope like a pro and keep his distance until someone else deems this guy safe to be around with.

Unfortunately (or fortunately) for Varlen Jarvaazim isn’t anything like that at all; he kinda looks at Varlen like how one would look at a kicked puppy, something that needs help, a nudge in the right direction, and he has no interest in keeping his distance. He means well with it, trust me on that, but he still ends up looking like a kidnapper. XD The grumpy clanmate part refers to Hanin.

As for Dorian… this was gonna be a silly thing at first but then I had to add him in, and then it got serious. One of the rules Jarvaazim lives by is that you never ever EVER turn your back on a ‘Vint. This is just really bad timing on Dorian’s part, and now he’s gotta deal with it. How he does that, no idea… gonna leave that up to @thereluctantinquisitor if she wants to lol.

Jarvaazim is a ton of fun to draw but my hand hurts lol. Time for a break!