anonymous asked:

I keep seeing a post around tumblr that says we shouldn't treat golems as fantasy characters because they're Jewish folklore. I assume that means we shouldn't use them in a novel not with Jewish people or other Jewish themes. The problem is, I find golems fascinating. I really want to use my own spin on golems in my fantasy novel...but I'm afraid some people might take offense. What do you think I should do?

I’m going to tell you something right now that I never want you to forget, okay, so listen up: You can write whatever you want. You don’t need permission. Nobody has to anoint your story with some special Oil of Approval or stamp it or bop it on the nose or otherwise authorize or sanction you to write whatever you goddamn wanna write. You can write it, whatever it is, whenever and however you want. Period. 

I hope that was clear enough. 

Now, there are two other things to bear in mind. The first is that other people get to have opinions, on what you write and even on what you could write. Whatever opinions they want. And they may not be calm or carefully considered opinions. These opinions don’t have to be phrased kindly. They don’t even have to make sense to you. But readers still get to have their opinions. Readers do not have to praise you or stay silent when they dislike something you’ve written. Recall that readers share your story with you. They are one half of the creative process of storytelling. They get to have their say. Period. 

The second thing I want you to bear in mind that is the opinions and emotions and thoughts and experiences and experimentations and analyses and investigations and lives of other people are valuable. They, and by “they” I mean other real ass human beings, are valuable before you begin to write, during your writing process, and after you’ve finished writing. 

People are valuable. You learn from people as you do research. People act as sounding boards and motivators as you write. People provide feedback after your project is done. People matter. Other voices besides your own matter. You need those voices to tell your stories. You have a responsibility to other people as a fellow real ass human being to do research and write with empathy and resolve. 

After all, it’s a golden rule of writing. You wouldn’t want someone striping down your culture to “just the interesting bits,” or else picking and choosing what of your identity is cool/weird/exotic enough to include in their story. You wouldn’t want someone to take everything you value about yourself out of context or twist it to suit their own purposes. So don’t do that to other people. 

And if you think you have done your utmost to write with earnest consideration for the other real ass human beings you represent through your writing and you still get criticism of your work, that’s okay. Try not to think of it as failure. Think of it as an opportunity to learn, to expand, to grow as a writer, because that’s exactly what it is. 

You say like golems. So do research on Jewish folklore and write some golem-type creatures in your fantasy novel. If people don’t like that, they’ll let you know, and you can go from there.

Value others. Write honestly. Keep learning. 

Thank you for your question!


I can see Michael as being someone who’s neck is really sensitive, like he never really knew it until you were cuddled up next to him in bed one day, your face tucked into the crook of his neck, your breath tickling his neck and making his skin break out in goosebumps. Eventually you’d find out about this sensitivity when you were kissing him, trailing your lips down his jaw and eventually down his neck, his pulse quickening and his cheeks flushing as you sucked lightly at the skin, his Adam’s apple bobbing in surprise as to just how much he liked having you kiss his neck. He’d whine when you moved back to kiss his lips, his small protest making you roll your eyes before you went back to his neck, licking along his pulse point before sucking right below his jaw, his neck an eventual array of pretty pink and purple hickeys, destined for teasing from the rest of the band but Michael could care less.

In the ‘90s, Mulder and Scully’s attempts to find the truth were cockblocked by hard-faced military officials. … But today Americans trust the military more than they do religious leaders, doctors, or teachers. Whether you think that’s fair or a result of media brainwashing, the fact remains that repeatedly involving the military in a dark television conspiracy today would be about as popular with audiences as aliens disguised as and played by cute kittens that needed to be slaughtered at the end of every episode.

5 Reasons Conspiracy Shows Don’t Work Today


please watch this vine