“I’m done fighting. I just want to go home.”

“You can’t go home, Julie. I’m sorry. We can go anywhere else in the whole universe, but we can’t go home. I need you to know, whatever happens, wherever you go, you’re not gonna do it alone.”

anonymous asked:

Hi, I don't know if you're taking prompts but I just read your scene about Andrew being there in Baltimore and it was amazing so I wanted to ask you to write something about Andreil + neck kisses, because I feel like this is a Very Important plot point that was not fully explored. Like maybe Andrew coming to terms with the fact that it's actually his favorite thing, and not knowing how to ask for it? Ugh I just finished rereading the series and I can't get enough of these stupid boys 🦊

(Thank you so muuuuch, and also I totally agree tbh)

He hates the way Neil always pauses to kiss at the hinge of his jaw on the way to his neck. It’s like a check point, the sweet press of a power button, and Neil doesn’t even seem to realize he’s doing it. He kisses with his whole face too, dragging down over Andrew’s bottom lip and chin and throat with his eyes closed, like he’s too in love with the experience to even look.

It’s killing Andrew. It’s stoppering the air in his lungs and giving him stomach ache with how bad he wants it. You like it. I like that you like it.

Andrew hates that he likes it, the vulnerability of that bared neck. It feels like a mistake every time he does it, but it also kind of feels like he’s taken the first shots of the night and he can’t stop, like the more he drinks the thirstier he gets. Neil is such a mistake, but he’s so so easy to make.

Kissing — like this, with the covers pushed down and Andrew on his side with his hand up Neil’s shirt — feels inevitable. He can’t stop pushing up Neil’s springy cowlicks and Neil can’t stop fumbling down to Andrew’s neck and sucking. It’s so humid and nervy-tense between them, like it’s never been, like Neil is singlehandedly dangling Andrew off of a rooftop.

Neil passes his tongue over that root of Andrew’s jaw and Andrew makes a noise so low that it sounds wounded. He just barely keeps his hands from forcing Neil closer, chasing that moment where Neil can’t help himself, circulating between mouth and face and neck before Andrew directs his attention elsewhere. He just wants to stay in that circuit with his hands open and his head tilted back.

Andrew’s fist must go too tight in Neil’s hair because he pulls back frowning, lips red.

“Sorry,” Neil says. “Carried away.” He looks troubled by this, like he’s not used to being carried away by things that aren’t arguments.

“No,” Andrew starts, and then stalls out. His hand is still in Neil’s hair. He doesn’t know how to ask for this; doesn’t even know if he wants to.

“No?” Neil repeats. “Okay.” He leans back and off of Andrew, passing one hand through his own hair and undoing Andrew’s work messing it up.

“I didn’t tell you to stop,” Andrew says, and the way he’s exposed is too much — shirt pushed up in the tousle to pull Neil on top, hard and marked up.

“In my experience, no means stop,” Neil says evenly.

It’s exactly what he wants to hear, he realizes suddenly. Neil finds this humiliating way of giving Andrew what he wants without looking like he’s considered it at all.

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i love that Felicity’s reaction to Thea’s news that Susan asked Oliver about being GA is to be worried.

I love that her first reaction to Thea’s news is “what are WE gonna do?”


Even though she could have easily gone the “well I’m not with Oliver, I’m not his keeper and if he says he handled it then he handled it” route.

I love how, because this is about Oliver and his safety, Felicity is automatically all in without Thea having to even ask.

I’ve said this before and I’ll say it again: Thea and Felicity (and Sara but she’s not here atm) love Oliver irrevocably and unconditionally. In Felicity’s case it doesn’t matter if it’s a platonic or romantic kind of love. They love him the same way he loves them - all in, no take backs.

Originally posted by an-unicorn-rainbow-flying

A mortal lock, indeed

Posting these around campus to spread the word!! @sweetviciousmtv is an amazing show that’s needs to be renewed…why you should watch..it’s about two college students who secretly act as vigilantes on campus that target rapists. The series tackles the emotional fallout of rape, as well as flaws in the justice system in relation to what happens when sexual assault is reported. This show does not exploit the topic of rape, rather it handles this topic respectfully. Before episodes there are warnings so you can follow the plot without having to view these scenes. All of that just barely scratches the surface of this amazing multidimensional show. If renewed the creators promise more POC and LGBTQ+ representation. Pls watch on the @mtv app, spread the word, and together we can renew Sweet Vicious 🎤(mic drop)

Have You Seen This Painting of a Hallway?

story by reddit user wdalphin

I got this package in the mail from my dad: brown paper wrapping, large but flat, with the word “FRAGILE” written on it in black ink. When I unwrapped it, it was this big, acrylic painting, framed in some sort of bronze-gilded plaster.

The painting itself was of this long hallway full of doors. It was really amazing detail, though I wouldn’t call it life-like by any means. Just the sheer amount of intricate pieces to each aspect of the scene showed that the artist really paid attention to every little thing, like somewhere in the world was this hallway, and you could stand in it and hold the painting up in front of you and if it weren’t for the border and the clearly stylized art, you wouldn’t be able to tell where the canvas ended and the real world began.

I called him up and thanked him immediately.

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On "Newsies Live"

I finally managed to go see this movie, nay, this EXPERIENCE. I’m not one to cry during shows- musicals, movies, or otherwise, but I cried at least 6 times y'all. Let me just tell you some things.

-the set. HOLY BAJEEBUS THE SET. I haven’t seen anything of it before now. It’s so simple but entirely genius and stunning. Three simple wrap around metal-beam towers with three decks that can move forward and backward AND ROTATE SMOOTHLY and then the scene in the cellar when the other platforms came out and the ease of the steps going in and moving while people were on them OHMYGOD

-and the screens that could roll out over each platform and could be backlit or projected on and used for silhouettes from behind or news story projections on the front AHHHH

-THE CAMERA WORK, while a bit busy at times during fight scenes and intensive ensemble numbers, WAS AMAZING. Such clear shots of everyone speaking and singing, THE SHOT FROM ABOVE DURING THE PAPER DANCING SCENE DURING THE FULL COMPANY FRONTS

-Jeremy Jordan: That boy is an angel sent from above to bless us with everything he has. His facial expressions were so dynamic and perfect. When they took Crutchie away I swear to god I started bawling over Jack’s face. There was such pure anguish and hatred there ohmygod. HIS VOICE. THE FINAL NOTE OF SANTA FE WAS THE SINGLE MOST BEAUTIFUL THING I HAVE HEARD IN MY ENTIRE LIFE

-Kara Lindsay: OH MY GOD IF I THOUGHT SHE WAS AMAZING IN THE ORIGINAL RECORDING THEN SHE HAS QUADRUPLED HER AMAZINGNESS. She had just the perfect amounts of sassy and confident (and lack of confidence when necessary) in both her voice and acting

Ohmygod I’ve not been a fansie for very long I don’t know any names so I’m gonna have to leave it at this for now

space-delinquents  asked:

Sooo good! Jasper and Monty goofing off, Clarke and Jaha kinda sorta teaming up, the whole island scenes were A+, especially the one between Luna and Raven, probably my fave of the whole ep. And jesus christ Bob, you are amazing. I need to watch that breakdown scene again because WOW. also Helios coming back for Octavia? TOTAL LotR vibe when Aragorn's horse came back for him, right?

TOTAL LotR. The Azgeda stuff goes there. “Fly you fools!” Did Indra fly? She might have. 

The pranks were great. So good to get that light hearted stuff in there. But not lighthearted with the list. And Jaha coming in at the clutch. That stuff was SO important. The expendables and that Jaha seemed to have learned from the culling but Clarke was repeating his mistakes. See people are not all good and all bad. 

Raven and Luna, A+. I am not opposed to sea mechanic. 

But woah, did you see Murphy come back for Raven and help her through. DAMN YOU, YOU LITTLE TRASH COCKROACH PRINCE. Stop with your empathy. You know he’s already felt it for Raven. It’s not the first time he tried to take care of her. I think he feels responsibility for her leg. And incidentally, Raven’s got her some good earth cleavage going on there. 

And Bob. Oh my god. Bob. 

Bellamy. Cut my heart open. And Kane next to him hiding his face. 

DAMN was that not great?

anonymous asked:

If Mashima has the guts to make Juvia slap Gray on the face like your edit, I will be so HAPPY (I don't like when my boy got hurt but he deserves this pain) and if the scene end up with a kiss I will SCREAM (too much expectation) But FIRST PLEASE LET HER WAKE UP!!

Me too! I just want her to scold Gray, to give it to him real that this crap needs to end, but then Juvia will be her amazing loving self and shower Gray with love (which is what he needs BUT HE ALSO NEEDS A BITCHSLAP but since he got that from Natsu and I don’t think Juvia would really do it…).

Meanwhile, I see Gray and I know he heard whatever plan Zeref wants to do, but at this point whenever Gray appears I’m like:

Originally posted by reactionswithgifs


anonymous asked:

I am kinda hopeful they may be saving a Caryl kiss till the 100th episode of 8a, but also it would be a dumb move because if it happens on the first ep it will be spoiled in the hiatus and be obvious from spoilers the rest of s8, so we will prob know way in advance and it won't be the huge "spoiler" they seem to want, also does anyone have a clue what Carol does in the finale is she even in it?

Well, they went for the cliffhanger and praise themselves for nobody finding out who died even though everyone and their mothers knew the LVs months in advance.
They will just pretend that they have a huge storm coming and an iconic couple will finally happen but still be like “who do you think it will be?” while the whole fandom is already discussing about that sex scene that will happen on the season finale.

And idk what Carol does at the finale, but if it’s not something very cool and amazing, I will have to kill someone.

The fact that Kane practically cradled his sons face in his hand for a moment after being brought in will never not kill me.

And Bob’s expressions before, after, and during the screaming scene were prefect. He killed this episode with very few lines.

This whole episode just kicked me in the gut with all the acting and pain. Damn good job considering the cards were stacked against Bell(We all know who directed it) as a character. Gahhh it was amazing.


Please tag this as needed, he turned out pretty gnarly! But this is how I pictured him as I was reading. I wanted to do some scenes from the fic but I ran out of time this morning. I really want to thank you for your writing though. It’s really inspiring!


*softly* : “my god. he’s beautiful.”

(for folks who don’t know, this is from my fic “Don’t forget. Don’t forget her.”

go read it if you don’t mind, if only for context.)