but-i-think-i've-covered-it

  • film critics: it is difficult to fully connect with Dunkirk's characters
  • me, still grieving over George, adopting Peter and Mr. Dawson as my brother and father, nearly weeping with joy when Collins survives his crash, hoping beyond hope that Farrier will escape, full-on panicking with every new horror Tommy faces, mentally hugging Gibson whenever he's onscreen, wanting to comfort the shivering soldier so badly that it physically hurts just thinking about it: can't relate

anonymous asked:

Hi! So it's not necessarily a question about this zine, but I figured since you both have experience you seemed to be good people to ask... what advice/info would you give to someone interested in organizing a zine? For instance, how do you fund them, since printing can get rather pricy? How do you decide the number of writers/artists? Sorry if you'd rather not get into it, and thanks for your time anyways!

Hey Anon!

We welcome all zine-related questions and queries! :)

The answer is quite long and detailed. Okay. SUPER LONG AND DETAILED. I AM SORRY but I hope it helps you out!

I wish you all the best for the zine you wish to organize and hope it does super well and you have fun with it. :)

If you have more queries/questions you can contact me personally  and we can talk one-on-one too! Happy to help! ^^

Thank you!

- mod aish

1. Have fun with it. No matter how intimidating it looks/is, how stressful and nerve-wrecking it can get, the ups and downs, whatever, try to enjoy it to the fullest. ;)

2. Choose the topic of the zine. Fandoms, original, any-content, theme-related, rating, etc. RESEARCH. RESEARCH. RESEARCH.

3. Know about the target audience as it will help you estimate the avg. response and you can decide if you wish to go forward with it right away or hold it for a while longer.

4. If its your first project, I’d 100% recommend starting off slow and little. Invite your friends or artists you like to take part in the zine, keep the participant number in range to 10-15. This is because, irrespective of your sales, chances are high that you can compensate the participants by sending them their own copies. THAT’S IMPORTANT.

5. In general, an ideal size of the zine is A5 with 24-30 pages. It can be more or less, it entirely depends on the organizers.

6. If you decide to do a non-profit charity zine, its best you refer to organizers who’ve done it similarly to help you advise how and where to send the money, which charities are legit/scam, etc.

7. If its a for-profit zine, you can either split the money per page (artists get money/page they’ve illustrated) or divided it equally between the no. of artists (irrespective of how many pages an artist creates.)

8. Its up to you if you wish to take a little % for yourself as you’re organizing the zine, will get it printed and shipped. It depends on an individual but there are zines where the organizing team also takes a %.

9. PLEASE PRIORITIZE COMPENSATING YOUR ARTISTS-WRITERS WITH THEIR OWN COMPLEMENTARY COPIES OF THE ZINE. INTERNATIONAL SHIPPING INCLUDED. (physical or digital, depending on the zine type!)

10. Be as organized as possible! Make plenty notes, communicate a lot so that everyone is in the loop, be as open as you can about it. This will also help your fellow artists-writers know a little about the process it takes with organizing a zine.

11. Respect their wishes if they wish to remain out of the loop. Be kind. AND PATIENT. Don’t rush things.

12. Always keep an extension ready. Like, just take an est. of 7-10 days with deadlines and the whole schedule.

13. Things can and will go wrong. Try to compromise, adjust and overcome it.

14. If you are going to get the zines printed, its best you first try and find a local printer in your area. Ask, Printer-san if they get books/magazines printed or not. If yes, browse through the multiple page types/qualities and ask about the price too. Depending upon this, choose the paper quality suitable for your zine. If its 30-40 pages, you can have a more thicker paper, but if it exceeds 40+ its best you choose a lesser thick paper. Gloss/semi-gloss is idea. And looks pretty.

15. Usually, printers will print if you give them an ideal quantity/batch, be it 25, 50, 75 or 100 copies. Otherwise, its also possible they can get a single copy printed too. Try to bargain :’) and get it as low as logically possible but listen….this is how they earn too, so ask for the min. production costs per batch size (25/50/…)

16. If not a local printer, online is the way! You can easily go through various websites which explain paper quality/quantity/size/price, etc.

17. Once you can get an est. price of a SINGLE ZINE, try and find shipping est. for locals and international customers. This will help you determine an est. for the production and shipping costs of a SINGLE ZINE. And then you can multiply it with as many zines as you wish to/hope to sell.

18. Once you have an est. production and shipping value of a single zine, you can determine the RETAIL price of the zine. (How much to sell it for?) Be up-to-date with the current costings of other zines too and price it accordingly. It isn’t fair to a customer if you oversell it, unless that is an only option and it isn’t fair to the creators if you under-price it, especially if its a for-profits zine. THIS ENTIRELY DEPENDS ON THE PRODUCTION AND SHIPPING COSTS OF THE ZINE.

19. Ask yourself if you, YOURSELF, will be able to buy YOUR ZINE at $X or $Y and go with it. (Don’t overprice-underprice it!)

20. Keep a detailed list of all the budget being spent, printing the zines, shipping them, shipping materials (envelopes, tape), etc.

21. For an art-only zine, its important you pay attention to how many artists will contribute a single page submission or multiple page submission, etc. This will help you know how many pages the zine will be.

22. For a zine with writers, choose a word-limit and stick to it! When you have the layout of your zine ready, make a mock page with the fic in it to know which font style you wish to use, the size of it, spacing, etc.

23. Try to reach out to people who have organized a zine before and request for their help. It’s the best as they can guide you well and this way you can make newer mistakes, instead of making the old ones. LOL. I AM SORRY BUT REALLY THAT’S TRUE.

24. OH! YOUR STORE! Where do you wish to sell the zine?! Tictail, storenvy, etsy. That’s up to you!

25. Also, keep a margin est. of the online fee deduction which stores and PayPal do. So that your own budget estimations are as accurate as possible.

26. Chances are you won’t break even (cover the production-shipping costs) and don’t lose hope. I will get back to you ASAP in case it happens with me. HOPE NOT. But I believe you will break-even if you price it well, promote it better and produce an awesome product.

27. Chances are you will do great! If so, CONGRATULATIONS!

28. Try your best to choose applicants according to their skill levels and not friendships. Really. It will be tough as heck…but right then you are the MOD, don’t half-ass it. If you can’t, make a zine with invite-only policy and ask your friends to take part in it. ;)

29. Schedule it in a way that you yourself can give it as much time as possible as YOU ARE THE ONE DOING IT FIRST. The zine comes to life thanks to the artists and writers…but you are an important PILLAR. Don’t over-exert yourself, take breaks, time it well, ask for help whenever you need.

30. Promote the zine well, be kind, be open to changes, but stick to your deadlines and schedule. Have as many discussions as possible and keep in touch with your whole team.

31. PLEASE BE POLITE. DON’T BE A RUDE-ASS NO MATTER WHAT HAPPENS. Really. Be calm, even in crises. Take a break and think things over before you say/do something unkind. A zine is supposed to be a fun and exciting creation to bring together people from all over the world, different artists/writers, new artists/writers, customers, friends, etc. MAKE IT FUN. BE KIND.

I think I have covered many things. I can share more about budgeting, pre-orders, etc. but its best you contact me personally as I am too exhausted to add more to the list. I am sorry. These are the things which came to my mind like WOOOSH! If I have skipped a topic, let me know! If I remember something in the future….or learn something myself, I will update the list. :D

If someone strongly disagrees with a point, please know that these are 100% my own opinions, from my experiences and research.

anonymous asked:

Can you also explain the "goose" dialogue between Romeo and Mercutio? :)

I can indeed, though I confess it does feel odd, explaining jokes… Let’s start with the full passage:

MERCUTIO: Nay, if our wits run the wild goose chase, I am done, for thou hast more of the wild goose in one of thy wits than, I am sure, I have in my whole five. Was I with you there for the goose?

ROMEO: Thou wast never with me for anything, when thou wast not there for the goose.

MERCUTIO: I will bite thee by the ear for that jest.

ROMEO: Nay, good goose, bite not.

MERCUTIO: Thy wit is a very bitter sweeting, it is a most sharp sauce.

ROMEO: And is it not then well served in to a sweet goose?

MERCUTIO: O here’s a wit of cheveril, that stretches from an inch narrow to an ell broad.

ROMEO: I stretch it out for that word ‘broad’ which, added to the goose, proves thee far and wide – a broad goose. (2.4.70-84)

A wild goose chase is a horse riding game where the person at the front gets to choose the course. Hence, it’s a directionless but high-speed game. Mercutio means that their joking is nonsense, it’s a kind of going after nothing. He mockingly surrenders – ‘I am done’ – reasoning that if the contest is a test of who’s more foolish, then Romeo will win, because Romeo is five times more foolish than he is, having more ‘goose’ (which means foolishness on account of the bird’s proverbial stupidity) in each of his five wits than he has in all five of his wits.

A small digression: the five wits were sometimes synonymous with the five senses, but more often refer to the inward wits that match the five senses. These were ‘common wit/reason’, ‘imagination’, ‘fantasy’, ‘estimation/intelligence’, and ‘memory’. It’s basically early modern psychology.

‘Was I with you there for the goose?’ is Mercutio asking Romeo if his reference to nonsense was spot on. Since they are playing a game of wits, the question is whether he scored with his goose joke. It might also have some hard to explain sexual meaning since ‘goose’ was also a slang term for women generally or prostitutes. Perhaps he’s trying to take the conversation back to Romeo’s activities the night before. 

Romeo’s response takes both these meanings to imply that when Mercutio is with him, it’s always either to do with nonsense/foolishness or women. Mercutio seems to like this response but is slightly annoyed. His threat to bite Romeo’s ear is simultaneously affectionate and violent. Romeo registers the not very threatening threat and uses a proverbial phrase, ‘good goose, don’t bite’, which was used as a joke cry for mercy when you faced an inferior opponent. The clever thing is that it continues the goose jokes.

A ‘sweeting’ is a type of apple which was used as a term of endearment. Mercutio once again shows his affection for Romeo but says that the sweetness of the apple (Romeo) is made bitter by Romeo’s tart wit. But the main joke is that apple sauce was a traditional condiment for cooked goose meat. Romeo’s reply puns on this idea by using the proverb ‘sweet meat must have sour sauce’, but with a sexual innuendo on ‘sharp sauce’, which might mean ‘semen’ especially in relation to the ‘sweet goose’ in the sense of a prostitute. The choice phrasing of ‘served in’ rather than ‘served on’ supports this reading.

The playful use of proverbs continues with Mercutio’s ‘O here’s a wit of cheveril, that stretches from an inch narrow to an ell broad’, which combines ‘give him an inch, he’ll take an ell’, with ‘he has a conscience like a cheveril’s skin’. He’s saying that like kid leather (famously elastic), Romeo doesn’t have much wit but can stretch the little he has a long way (an ell is 45 inches). The references to cheveril is one of the little things that marks Shakespeare’s glovemaker father’s influences. Mercutio is making a move away from goose jokes

Romeo goes along with Mercutio’s description of him and offers to stretch Mercutio’s word ‘broad’ – which could mean ‘loose’, ‘bawdy’, or ‘silly’ – and add it to the goose puns to turn Mercutio into a ‘broad goose’, or a ‘silly goose’. Since Romeo has the last word in the goose punning, I think you could say he wins this time around, especially since Mercutio’s next lines are in praise of the return of Romeo’s bantering spirit.

10

“no, alex, that’s not why i–”

please reblog if you are trying to 

  • eat well
  • exercise/stay active
  • improve your health
  • practice self-love/care

I want to follow along with people who are making their well-being a priority in 2016. I need as much motivation/inspiration as I can get! 

in order not to bee entirely traumatized by Sherlock tonight, I will imagine the worst case scenario (so whatever happens it will be happier than this):
  • Sherlock has to decide whether John or Mary have to die
  • Mary got kidnapped and they force John to kill Sherlock
  • Character death of ANY main Character (even Anderson)
  • A dragon flies by and burns the entire City