but there was so much yellow ;w;

Since I started posting my doodles for Pink Diamond’s (and recently White’s too) design, followers have been popping like daisies 0_0

I’m almost reaching 150, planned to do smth for my 100 followers but was in a family trip so ended up doing nothing

Meanwhile here are MOAR Diamond Authorithy doodles and sketches to thank you guys! (people can ask me too or suggest me which one of these would like to see finished ^^)

In this first one I like to think that the diamonds are all of differnet heights (WD being the tallest, then followed by Blue, Yellow and finally Pink being the shortest) I headcannon YD being the 2nd shortest mainly because a lot of people that I know in RL that have a strong temper are all short people :P

Playing around with WD’s design, have seen a lot of great drawings of her online! (atm I’m liking better the 3rd design here)

MOAR PD!

“su would be sooo much better if rebecca sugar storyboarded more episodes”

rebecca sugar is responsible for most of the show’s most reviled mistakes. from sugilite’s concept and design, to the human zoo + it being portrayed as an utopia, pearls obsession w/ rose and abuse bc of it,  to bismuths concept and imprisonment, to the diamonds sympathetic portrayal…

that last part specifically, she said that she disliked how yellow diamond was written in “message received”, so she took it upon herself to storyboard her and blue diamond in “that will be all”. whats the big difference in those two episodes? the first got huge critical acclaim. yd was shown as the cold, focused, ruthless dictator she is, with a pearl (slave) who is afraid of her. the second showed her as poor hurt and emotionally repressed, as suffering through her role as a dictator leader, on the verge of crying. with a pearl (slave) who happily served her. and blue diamond, the homophobic dictator, as a sobbing heartbroken mess whos WOAH suddenly gay.

sugar’s work on adventure time, tho extremely popular, also had a lot of glaring mistakes. she was responsible for the twist in fionna and cake- it was a fanfic written by the ice king. ok, funny..but the joke is that the ice king is writing 13 year old fionna/genderbent finn romancing him. or in “i remember you”, jokes likw marceline getting hit on by her father figure the ice king, or the looooads of ableism in that episode that tbh, as someone w/ mental illness in my family, made it hard to watch. 

and tho she gets credit for starting bubbline in the show, all the bubbline eps by other boarders wrote them as…getting along, being nice to each other. she wrote them as having a lot of hate and repressed feelings. which creates a pretty bad pattern when u look at the gay relationships she writes in su- the unhealthy mess thats pearls love for rose, aforementioned portrayal of blue diamond… yeaaaa

tl;dr: rebecca sugar has some qualities as a writer, but still creates a lot of awful implications in near everything we’ve seen her do for su and at. she is responsible for most of the shows mistakes

good things in skam s2

-the cabin episode
-tortilla
-vilde + flower crowns
-“cum-come” + jonas slow walk
-that noora look w the yellow shirt nd suspenders
-the evilde kisses
-that noora look w the blue nd white striped shirt
-meeting the kollectivet 4 the first time
-vilde learning 2 love herself 
-noora’s epic roast of nico
-just so much girl love nd supportive female friendships ?????

erinics  asked:

Ahh congrats on 6k!!!! You deserve every one!!!!! You don't have to do this at all if you don't want to / have too many requests piling up, but do you think if you want you could maybe draw one/both of the zircons from su? Thanks so much whether you choose to or not and congrats again!!

I would’ve definitely messed up their canon outfits so

prom night!!!!! :’) inspired by this post by @vodka-aunt-coran

anonymous asked:

hey can i ask what you meant by replacing skin tones with red/pink did u mean in like making them lighter in edits and stuff i didn't really understand?

uhhh not ‘lighter’ per se but. Ok. i made a quick example w/ oscar to show you because he’s the one i’ve seen this done to the most often

(original picture) see how the yellow tones have been taken out of his face? while he’s like… not technically that much lighter, he’s certainly not brown anymore

SO MANY THINGS (SPOILERS)

-THEY SHATTER EITHER THE DEFENDANT OR PERSECUTION DEPENDING ON WHO WINS THE TRIAL
-YELLOW DIAMOND MAY HAVE BEEN THE ONE TO SHATTER PINK DIAMOND
-BLUE DIAMOND LITERALLY HAS THE POWER TO MAKE PEOPLE FEEL SO MUCH SADNESS THAT THEY CRY
- THE OFF COLORS
- FLOURITE IS LITERALLY A REPRESENTATION OF POLYAMORY
-LARS DEFENDED THEM
-HE DIED FOR THEM
-BLUE DIAMOND WANTS TO MAKE SURE SHE SHATTERS THE RIGHT GEM
-LARS IS LITERALLY A PORTAL
-LION?????
- IS LION LIKE,,, A LION WHO DIED AND WAS BROUGHT BACK TO LIFE???
-ALL OF THE GEMS +GREG +CONNIE WERE TELEPORTING AS A GROUP TO FIND STEVEN
-“WHO KNOWS W H A T THEY’RE DOING TO STEVEN hi steven”
-STEVENS FIRST THOUGHT GETTING TO EARTH WASNT TO FIND THE GEMS IT WAS F O O D
-HE BROUGHT LARS FOOD
GARNET CAN HANG WITH A FUSION WHO KNOWS WHAT IT’S LIKE TO FEEL ALIENATED FOR LOVING ANOTHER KIND OF GEM
-THIS WHOLE GODDAMN SPECIAL AAAAAA

Communication

Right, so I wanted to try and give myself a challenge here because a few folk pointed out to me that I tend to write a lot of quick and snappy scenes without really stopping for a moment. So here we go, this is my attempt at trying a nice, calm, development chapter. Sit down and relax, folks.

I also want to thank you all for 300 followers! It means so much to me, you have no clue! ;w;

Once again, this story is inspired by the 2D Bendy AU created by the wonderful @shinyzango!

I tried.

Keep reading

insanityofhouka  asked:

A golden yellow flame flickers in the distance, TK Sans has inspired another to create something full of energy, Incoming a Nuclear ball of sunshine burning bright with the flames of justice! Another skeleton shall soon take the scene on tumblr, another Sans, Papyrus? Gaster? Nope! Only time will tell! Silliness aside I really fell for TK Sans as much as I did Swaptale Sans, so I decided to spark up a little project, I just wanted you to know your work helped inspire me.

MUCH EXCITE! BEST OF LUCK SUNSHINE! >//w//</

BloodLust - VIII

BloodLust Masterlist ||

Genre: Drama/Supernatural

Word Count: 3188


The overhead sky began to fade from it’s usual pale blue and into hues of pink and orange. Nightfall was soon to come, and you were still walking the stretch of the main road away from the Jung mansion. You were tired and parched, completely drained of energy, but the fear of being caught by the beast you had abandoned kept you going from morning till now. You swore you had walked halfway across the town, but you still felt unsafe, even under the dwindling light of the sun.

Keep reading

peppermint-lemons  asked:

Hello lux!! You always make such cute designs, do you have any tips for making a lil sona? Like, what aspects do you consider when making one? I always have trouble,, ,

 i wanted to make a proper mascot for the blog ,, something that is everything i love

so i made the ultimaTE FUSION SONA !!!

More art for Of Bright Stars and Burning Hearts by @kazliin

What I can do, I can’t stop reading it lol. Chapter four killed me and by this scene I was nearly crying a river, poor Victor T w T). 98% of the painting with tones of yellow/orange/red, the only exception begin Victor’s Eye, I was trying to keep the soft+angst feeling from the scene. 

6

Religions in Game of Thrones 

I’ve been all over the world, my boy, and everywhere I go people tell me about “the true God”. They all think they’ve found the right one!

Cause I believe Kimberly is scared of making Trini hate her as well
  • Kimberly: (giggling) Oh what you mean like that time you tore open your shirt in gym cause you shoved too many Dodge balls up there.
  • Zack (in the background): Wait what. Please Kim, tell me this story.
  • Trini: (now annoyed) thanks Kim, now he's never gonna let this go, I asked you not to tell anyone. Christ, you can be really annoying sometimes, you know that?
  • Kimberly: (face falling) oh-oh right. I-I'm sorry. I didn't realise how- I'll just go.
  • Kimberly stands up, grabbing her things. Trini notices her bottom lip trembling, Kimberly obviously trying to mask her pain.
  • Trini (suddenly feeling very guilty): shit Kim. I didn't mean it like that. Don't go.
  • Kimberly: no. No it's fine, I'll leave. I'm the one who should be sorry. I promised I wouldn't tell anyone and I broke that trust.
  • Trini (grabbing Kimberly's wrist, speaking softly) Kim. I'm not Amanda, I don't hate you. I was just annoyed, and you didn't betray me. You don't have to go.
  • Kimberly: you don't have to say that cause you feel guilty.
  • Trini (pulling Kimberly down next to her, Zack noticing this and leaving, giving the duo some privacy): I'm not. I say things I don't mean when I get annoyed or angry. I wasn't angry at you, I was annoyed cause I knew Zack would use it against me in some way. I didn't mean to make you think I hated you.
  • Kimberly (struggling to keep the tears from falling): it's just... After what I did to Amanda. I'm so scared everyone's going to hate me and leave when you all realise how much of a bitch I am. I'm scared you're going to leave me and I-I... I can't lose you too.
  • Trini (quickly pulling Kimberly into a tight hug, the Pink Ranger's body shaking as she sobbed into the Yellow Ranger's shirt): we're never leaving you Kim. I'm never leaving you. You're stuck with me.
  • Kimberly: you say that like it's a bad thing.
  • Trini: to most people it is.
  • Kimberly (she murmured, leaning slowly up to the Yellow Ranger): I'm not most people.
  • Trini (her voice breathy): Kim. W-what- what are you doing?
  • Kimberly: something I've wanted to do since we jumped off the cliff.
  • Trini: you mean when you dragged me down with you.
  • Kimberly (giggling slightly): eh. Tomato tomato.
  • Before Trini could retort with a sarcastic comment, Kimberly softly pressed her lips to Trini's. The shorter girl tasting the soft tears on Kimberly's lips.
  • Trini (after pulling away, causing Kimberly to whine): I take back what I said earlier. You are definitely not annoying.
  • Kimberly: if that's what you think after I kissed you, maybe I should do it a bit more.
  • Trini: maybe you should.
  • Before they could though, they heard Zack cheering in the background.
  • Trini (seething): I swear, if he watched all of that, I'll use him as my personal piñata.
  • Kimberly: have fun.
  • She watched as the shorter Ranger chased Zack, hearing his screams as he ran out of the room, Kimberly wiped away her tears, all previous fears leaving as she gently touched her lips.
  • Kimberly (whispering to herself): yeah I'm definitely fucking bi. Without a doubt.

darkotakucatgirl  asked:

I really love your work and style ~ especially the comic you have going on with Peter and Yondu. I just have a small question to ask; how do you choose your colour pallet? (I have a hard time and I find what I do, looks like a pop art piece)

Thanks so much, @darkotakucatgirl

I’m not that great w/ color still (it’s something that I’ve been struggling with and working on for years now haha…slowly but surely getting better at it, but it’s definitely not something I can intuit like others can). It’d be good to know some basic color theory of course. Understanding the color wheel and the concepts of monochromatic, analogous, complementary, triadic and split complementary colors is a good idea. Also understanding warm colors versus cold colors, and what these can say in a scene (bluer/cooler colors can be sad or calm, red can be angry or exciting, etc etc).

Apart from that, my usual process is to actually pick out the pallette before I even start coloring any scene in the comic. I usually pick out three or so colors (usually limit it to 2 or 3 main ones so as not to muddy it too much) based one 1) the local color of the scene and 2) the general atmosphere/feel I want to present. Some other things to keep in mind when you’re picking colors is what colors the characters (if any) or focal point of the piece consist of too. If you want them to pop out in the composition, you can use an opposing color for the backgrounds. If you want them and the background to be more unified you can have the pallette be more similar. 

So the Yondu comic for instance…

I had my 3 colors, which I chose for the rusty feeling of the inside of the ravager ship and color scheme + some pop color (which is Yondu’s skin actually lol), and I spent a moment blending them all together and coming up with a pallet of different colors I can use for the background painting. It’s pretty neat because you can come up with a pretty wide breadth of colors by just mixing 3 together, and they’re all generally unified. 

And since I’m a cheat, if I needed to get any darker with areas, or lighter, I picked one color from this pallette for shadow and another one for light, and I would brush the shadow color on a multiply layer onto the areas needing dark in it, and do the same w/ the light color for light areas, but this time with an overlay layer.  

I also did this with my comic Desendi. I have this pallet open while I work to pick and blend from, though it’s a lot less intelligible than the above haha

w/ the color scheme mostly being these adjacent colors of green/yellow/cyan, plus some Orange here and there for pop and warmth. Odessa and the other characters in this scene tend to wear more saturated and warm colors compared to the BG to so they don’t sink in too much through the course of the scene (if I did my job right). 

Long story short - Good idea to limit your colors based on both the local colors of the environment and what feeling you want to put across, build a pallette out of those colors with mixing so that it stays generally unified, use saturation and pop colors generally sparingly. 

So yeah, relatively basic stuff, but I hope it helped a little? If there are any more questions I’d be happy to see if I can say anything! Like I said, I’m really still learning too, and trying to figure out how to make these things work. Color is hard!!