but that was a placeholder really

anonymous asked:

Dear Trash Queen you don't happen to have some map or something of Monster Town I was just curious. I really like the buildings in the background :3

Here’s the mockup I made in Planet Coaster. Obviously anything here is subject to change and the downtown half is half finished soooo yeah.

Outdoor placeholder thing for the AFAC house.

More of the local neighborhood. The street that ends by that lake is supposed to lead to the school but we have a separate map for the school and the school’s surrounding wilderness.

Here’s the park Callallied was staying in.

And here’s Callallied’s hobo house.

-TQ

“Hey, vampires! Was all that human blood you drank today tasty? Sure hope so…because that was your last supper.”

Leonora Redpike, my dwarven bard for an upcoming Pathfinder campaign! She’s real bad at making friends, but makes up for it with fashion.

The outfit is probably way fancier than it ought to be, but I really couldn’t resist a little landsknecht aesthetic in my medieval-ish fantasy character.

  • early episode 6 summaries: yusaku finds out aoi is blue angel! he tries to get closer to her and get to know her!
  • me: now hold up that doesn't sound like the yusaku i know and lo-
  • yusaku: finds out because kusanagi hacked her information. doesn't immediately connect the dots when kusanagi points out that she's in his class and is the younger sister of sol's ceo. gets nudged and shipbaited and teased by kusanagi and ignis to be friendly with her for info. stalks aoi instead of going up and trying to talk to her like a normal person
  • me: ah. there he is.
circling the atmosphere

Part 2 of @vldangstweek: March 19th-Failure/Insecurity


Lance isn’t stupid.

He knows, alright. He knows he talks a lot. He knows he’s loud. He knows his voice grates, he knows he’s too exuberant, too desperate to be friends. He knows he wears his heart on his sleeve and shows it all too fast, too freely. He knows he’s just too much for people.

(That doesn’t stop him from wishing, though.)

He tries, sometimes. To be quieter, to be calmer, to be…less. He tries so goddamn hard, but it doesn’t matter because he always, always ends up reverting back to his regular self anyway. It doesn’t seem to matter what his intentions are, he always says the wrong thing, always takes a joke too far. It’s clear he just don’t know when to shut up.

(He can’t actually remember anyone telling him that in so many words, but it’s pretty clear that people think it, from the way they stop talking when he walks in a room, to how in group projects his suggestions are ignored, to his just total and complete inability to make lasting, meaningful relationships with people that last longer than a month before he’s inevitably replaced. He doesn’t blame anyone for it, though. It’s fine. He doesn’t really like himself, either, so it’s not a surprise when others don’t.)

Of course, that doesn’t make it hurt any less when he sees it happen. He’s still not really surprised, though, as he watches Hunk drift further away and get closer to Pidge and Keith. Sure, he’d…well, he’d hoped, for a while, and after the Garrison, where Hunk stuck pretty close to him, back when Pidge didn’t really want anything to do with them, he’d thought that maybe…but it didn’t matter.

He’s glad that Hunk’s finding people he cares about, who care about him in return, who don’t always say the wrong thing and make matters worse. If Hunk is happy, then Lance can’t begrudge him that. Pidge has been happier, too—more prone to smiling or making jokes, and less afraid to squeal over new tech she finds. How selfish would someone have to be to be bitter about that?

(About as selfish as Lance is, he’s discovered.)

Still, no matter how much it hurts, it’s still a relief, of a sort, to know that he was right. He hates not knowing what’s going to happen, and even though this whole situation really sucks and he might feel a bit like his chest is being crushed and his hands won’t stop shaking and his stomach feels sick and it’s late at night and he’s crying and he just can’t stop and it’s hard to breathe, at least he knows that he was right.

He’s a placeholder, you see. One of those characters in a show that exists only to serve as an old childhood friend that’s mentioned maybe once in a flashback and never again. Sometimes, when he looks at his life, as he sees everyone drawing away, he feels like he’s watching a movie—one he can interact with in some capacity, but not such that he has a lasting effect on the plot.

(It’s literally never occurred to him that when these people on his team and even his family tell him they care about him they mean it, because he while he can see how deeply they care for each other, it seems like a physical example of that old ‘sounds fake but okay’ meme from when his grandparents were young whenever they try to pretend to direct any affection towards him. It’s pretty clear they’re making it up as soon as they feel they’ve satisfied their daily quota, anyway.)

Lance is, and always has been, an afterthought. An “oh wow it might be awkward for just the two of us to hang out since I haven’t seen you in six months—maybe we should invite Lance, too, because he hung out with us back when we were all still living near each other and is pretty good at just spewing out enough words to keep it from being awkward” kind of thought. He doesn’t expect people to think of him, to try to reach out. He’s used to being the one to reach out, to try to get together, to reminding people that he exists.

Most days, that’s okay.

(Well. It’s not, but if it’s all he’ll get, then Lance will take it.)

Most days, when he watches people he hoped would care about him slip away, he can ignore it and move on.

(He can’t, he never could, but he lies to himself all the same.)

Right now, though? Right now, watching Hunk—Lance’s favorite person in the entire universe—draw away from him and grow closer to Pidge, who’s only rarely showed any sort of affection towards Lance, hurts more than he’d ever expected it could.

He can take Shiro not liking him. He can take Keith not caring about him. He can take Pidge’s annoyance, Allura’s dismissal, Coran’s lack of attention—Lance can take a lot.

He thought he’d be able to take when Hunk inevitably left, too.

(Clearly, he was wrong. Again.)

Maybe he’s not as smart as he’d thought, after all.

(If he was, then maybe he’d know what he needed to fix to get people to stay.)

(That’s the worst part, he thinks. He could at least try, and see if that helped any, if only he knew what it was about him that chased people off—it could be one of a thousand things, or it could be all of the thousand things, and Lance just does not know.)

But in the meantime, he’ll get up and smile and pretend it’s fine and he’ll watch as Hunk and Pidge spend more time together, and he’ll draw back and maybe this time the mice won’t scurry out of the room, and maybe he’ll at least have them for company.

(He just wants someone to stay, but he doesn’t blame anyone for leaving.)

anonymous asked:

when you draw faces do you use shapes? for instance for eyes, noses? how would you draw them?

omg okay lol i took way too long to answer this, sorry anon. sO the simple answer is, kind of? but I don’t like, actually draw the shapes first. I just draw with them in mind.

because I cant do anything simply, I wanted to show how i actually go about sketching faces bc idk about you but I like visuals? This style is way more specific to how I draw traditionally, but the concept is pretty much how I approach faces in general. bare in mind, I’m not making like a complete breakdown of step by step How to Draw The Features of the Face, bc there are plenty of great resources already out there. This is just how I draw faces myself.

  1. I always start with the typical circle and symmetry lines, keeping the circle just about the size of like, the forward part of the skull. Keep it loose and light.
  2. Depending how you curve the symmetry lines, it can really help you maintain perspective.
  3. I also usually put like, circles where the actual eyeballs would be for placeholders and to later help with knowing how large the eyes need to be and how to shape the lids.
  4. And I just sort of start adding in features one at a time, practically always starting with the nose cause it’s the center of the face. 
  5. Eyebrows help define where the brow bone goes (can change later depending on the expression you want)

aaaaaand yeah idk what else to say? I guess the long answer to your question is, I think being able to break complex features down into simple shapes in your head is really useful, makes drawing things wayyy easier, and is really the main way I go about drawing almost anything.

When I’m drawing traditionally I’ll usually lightly sketch in some guides, but I mostly just sort of go right into it, just keeping those shapes and actual anatomy in mind.

oh and one last thing, I highly recommend watching this video by Sinix Design on how to draw like a painter. It is so helpful and was super influential in changing how I sketched ever since I watched it years ago. (honestly watch all of his videos, I’ve learned so much from him, he’s fantastic)

sorry for rambling, I just really wanted to show you how I do it instead of just saying bc I feel like it’s way more helpful? at least I hope it is haha

Because I’ve seen a lot of people ask how to start learning Korean:

The place you need to start is learning hangul. This is actually easier than you think. There are only, like, 24 hangul letters. A lot of teachers will get overly complicated explaining how hangul letters piece together, and they make it sound really difficult, but you can ignore that crap. Just memorize what sound goes with each letter, and you’re fine. I’ll get you started.

Each little block is a syllable.

Yoon Bum: 윤 범

ㅇ at the beginning of a syllable is an empty placeholder. (At the end of a syllable, it’s a “ng” sound.)

ㅠ is “yoo”

ㄴ is “n”

ㅂ is “b”

ㅓ is…well, it’s usually pronounced like the o in “bomb,” but here it’s more of an “uh” sound. I was confused by this at first. 

ㅁ is “m”

Oh Sangwoo: 오 상우

ㅇ is an empty placeholder

ㅗ is “oh”

ㅅ is “s”

ㅏ is “ah” (rhymes with “saw” or “law”)

ㅇ at the end of a syllable is “ng”

ㅇ placeholder 

ㅜ is “oo” (I don’t know why they put a “w” here)


There. Now you know, like, a third of hangul. 

alright Shiro fans listen up

i know season 3 was something of a sucker punch for a lot of us. Shiro was completely gone, and when he did come back he was… wrong. i think most of us can agree that the Shiro we got back wasn’t the Real Shiro - not the Shiro we’ve known and loved for two seasons. however you feel about Clone-Shiro or Kuron or The Winter Paladin (whatever you want to call him), he’s not our Shiro. Our Shiro is still out there somewhere, and we still don’t know where he is and what happened to him, and that’s really tough and i miss our adorable confused dork a whole heck of a lot.

it doesn’t help that the run-up to this season was marked by a lot of fans arguing for such-and-such a character to permanently take over as Black Paladin. as if Shiro was only ever a stop-gap Paladin, or a placeholder for someone else. Shiro disappeared and whilst Shiro stans spent the hiatus desperately wondering if he was okay and coming back, other fans spent their time arguing for their own fave to take Shiro’s spot on the team. i had to endure a lot of meta explaining how Shiro was a “bad leader” and why some other character (usually Keith, let’s be honest) was actually much better suited to be Black Paladin and leader of Voltron. i had to endure a lot of concern-trolling along the lines of “Shiro will be much happier if he doesn’t have to lead! being a Paladin hurts him! he needs to step down so he can rest!”

and then season 3 dropped and it seemed to play out exactly as those people wanted. Keith got to lead Voltron and pilot the Black Lion. “Shiro” came back and named Keith as the “true Paladin” of Black. Team Voltron got a reshuffle, and there was no room in the new line-up for Shiro.

that hurt a lot. i’m not gonna lie about that. after all the build-up and development we got for Shiro and the Black Lion over the first two seasons, the pain of seeing her reject Shiro - even as a fake clone version of him - is very real and very raw.

however.

i stand by the meta i have written about Shiro and the Black Lion. i stand by all of it. there are multiple signs and clear pointers across the first two seasons of Voltron that confirm, very clearly, that Shiro is the Black Lion’s true Paladin and the rightful leader of Voltron. and there are plenty of signs in season 3 that Keith is not the rightful Paladin of the Black Lion.

look at how much Keith struggled with piloting Black the first time he flew her, and how hard he found it to form Voltron. Shiro didn’t have that problem. he could fly the Black Lion straight away - just like Keith could fly the Red Lion straight away. because Keith is made for Red, and Shiro is made for Black, and Shiro is made to lead Voltron - which is why he was able to rally the team and form Voltron the first time he ever flew his Lion.

he’s a natural. a natural for Black Paladin and a natural for leader of Voltron.

Shiro and the Black Lion did not go through all the bonding and heartache and struggle they did over the first two seasons just so Shiro could step aside for someone else. Keith has not bonded with Black the way Shiro has. he never will - because he can’t. she’s not his Lion. his true Lion is Red, and eventually he will end up piloting the Red Lion again - and he’ll be much happier for it, because Red actually suits him and works well with him and gets him.

i know in my bones that Shiro is the only true Black Paladin and the only rightful leader of Voltron. i’m confident that he will be back on the show eventually, and that when he’s back he’ll once again be the Black Paladin and leader. that scene where he retrieves his bayard from Zarkon doesn’t lie. it’s powerful and meaningful and it illustrates very clearly that Shiro is the one true Paladin of the Black Lion. there is no debate about this. 

Shiro is the only true Black Paladin. i’ll say it as many times as it takes. i’ll scream it into the void if i have to. 

Shiro is gone for now, and in his absence a lot of people are going to argue that he’s a terrible leader and Keith is doing a much better job of it, or that Not Shiro is somehow “better” than the Shiro we know and love because he stood aside for Keith, or that Shiro when he comes back will be “happier” and “better suited” to flying a different Lion or not flying a Lion at all.

those people are wrong. we know they’re wrong. Shiro’s rightful place on the team is in the Black Lion, leading Voltron. again: i’ll say it as many times as it takes.

but Shiro isn’t around right now to prove that it’s true. we only have Not Shiro, and the memory of Shiro from seasons 1 and 2. people can say what they like about him right now and can’t defend himself because he’s not in the show and the team seems to be very much going along without him.

but i’m not going to let people slander Shiro in his absence. i’m not going to let people drag him down and criticise him and sideline him and call him useless and worthless and a spare wheel.

Shiro needs us right now. he’s been a source of comfort and validation and reassurance and healing for a lot of us in the two seasons we’ve had him on the show - and now he’s gone and people are coming for him hard in his absence and he needs us. he needs us to step up and push back and not let people slander his character whilst they hand his role to someone else. we need to defend him and praise him and name him for what he is: the Black Paladin, the decisive head of Voltron, the leader of the team and the only true pilot of the Black Lion.

he’d do the same for any one of us. now we have to do the same for him. we can’t give up on him. we have to keep fighting, just like Shiro would.

so until the new season drops in October, i will defend Shiro with my life. i will post as much positive Shiro content as i can, and i’ll be tagging everything as ‘black paladin shiro’ - because that’s who Shiro is. and anyone who wants to come at me and tell me that Shiro isn’t the real leader and he’s not the real Black Paladin is gonna get hit with every single word of meta i’ve ever written about Shiro and the Black Lion and Shiro’s importance to the team and the show and the fans.

i’m not gonna sit here and take it. Shiro would want us to fight, and that’s what i’m going to do.

Shiro is the only true Black Paladin, and anyone who wants to argue otherwise can meet me in the pit

2

I get a stack of scripts, like, once a month, and most of the time, you find these placeholder girls that are there to provide a bounce for the male character. So we know he’s funny because she’s serious and she’s mad at him. We know he’s strong because she needs saving. So really her job is to validate this personality trait of our hero or male. I mean we’re trying to imitate life, and it seems to me a deeply saddening injustice that we are so uncreative and uninterested in developing representations of female life.

2

(Unlike Bee and Boris, Bendy and India don’t really care about the fulfillment that comes with slow and steady courtship; caution and patience are values that neither of them share, and they’d be happy to get married and move onto the next adventure. Unfortunately, *because* Lampblack is toon-central, that’s where state law has pushed back hardest against toon/human marriage laws. In California, however… -HG)

Persian vs Arabic Orthographies

Persian and Arabic may both use the Arabic script, but their written forms are quite different from each other. In this post I’m going to try and talk about the big differences so that people can both learn to distinguish them from each other and learn some cool facts.

The New Letters

Arabic is kind of weird in that it doesn’t have the sounds “p” or “g”, meaning its alphabet naturally doesn’t have any letters corresponding to those sounds. Persian, however, has both, so the letters پ pe and گ gâf were created to represent p and g respectively. There are also 2 other new letters, ژ zhe and چ che, representing the sounds “zh” (like the “si” in “vision”) and “ch”.

Different Pronunciation

For its lack of sounds as common as “p” and “g”, Arabic also has a lot of pretty weird sounds: some of which include the “th”s in “thick” and “this” (which you may think are perfectly normal because of English but are actually quite rare worldwide) and a set of weird throaty “emphatic consonants”. Naturally these weird sounds have their own letters: the two “th”s are written as ث and ذ and there are lots of emphatic letters which I don’t feel like going over now. But Persian has neither the “th”s nor emphatics. The logical solution would be to get rid of these letters entirely, but no, Persian decided to write the these weird sounds in Arabic loanwords but just pronounce them with their closest Persian counterparts. Thus ث and ذ are pronounced as “s” and “z”, and emphatics are pronounced as non-emphatic: س and ص are both “s”, ز ض ظ are all “z”, ت ط are both “t”, and ه ح are both “h”. Also, the infamous ع ‘ayn which any Arabic learner will complain to you about is simply pronounced as a glottal stop in Persian. One more thing to note: the letter و, named “waw” and pronounced as “w” in Arabic, is now “vâv” and pronounced as “v”.

Differing Letter Forms

Arabic has grammatical gender, and with that there is the very common suffix -a to mark feminine gender, written with a form of the letter tā’ called tā’ marbūṭa ”tied tā’”, which looks like ة (the letter ه hā’ “h” with 2 dots). Persian doesn’t have grammatical gender and thus has no need for tā’ marbūṭa. In Arabic loanwords which have tā marbūṭa, it is either loaned in as a final -ه e (اسطوره osture vs  أسطورة usṭūra “myth”) or -at (دولت dowlat vs دولة dawla “state”). 

There are 2 word-final forms of letters that are very similar looking to each other in Arabic: ي, final yā’ “y”, and ى, actually a form of ا alif called alif maqṣūra which is pronounced as long ā. Persian, however, doesn’t actually dot its yā’ (or rather “ye”), making the two identical. The thing is, alif maqsure is VERY rare in Persian, only really commonly occuring in some proper names such as عیسی ‘isâ “Jesus” or مرتضی mortezâ “Morteza”. 

Arabic’s letter for k, ‌ك kāf, looks kind of like the letter ل lām “l” with a doodad inside of it in the isolated and final forms, but looks like this: كـ elsewhere. In Persian, it has the isolated and final forms ک کـ, giving it a much more consistent aesthetic across the board. The letter for g, گ gâf, also naturally follows this convention.

So Arabic has this thing called hamza that represents the glottal stop (a pause, like the sound in “uh-oh” represented by the hyphen). It can go on top of the letters yā’ and wāw ی و and give you ئ ؤ, representing a glottal stop proceeded or followed by the vowel sounds “i” and “u” (سئل su’ila “he was asked”, سؤال su’āl “question”), or it can go either on top of OR below alif ا. The only letter with a hamza that can occur at the beginning of a word is alif, which gives it the burden of representing all 3 short vowels. A hamza on top means an “a” or “u” (أول ‘awwal “first”, أسطورة ‘usṭūra “myth”) and a hamza on the bottom means it’s an “i” (إستقلال ‘istiqlāl “independence”). Hamza can also come at the end of a word not attached to anything, such as سوداء sawdā’ “black (feminine)”. 

So I spent all that time explaining how hamza works in Arabic to deliver this shocking news: the hamza is actually not very common in Persian. The only real place you see it is in the middle of words on ئ and ؤ: otherwise it’s either optional or actually discouraged by the Persian Language Academy.

Vowels

Now this is where the most drastic differences come in. Note I’ll mainly be talking about Modern Iranian Persian, which is an important detail because the vowels can vary pretty heavily across dialects.

Arabic has six vowels: a i u ā ī ū, with the ones with the line on top simply being longer versions of the first 3. Iranian Persian has… well, also 6 vowels, but they’re a e o â i u (a being the “a” in “cat”). In Arabic, due to how the vowel system works, there’s a pretty clean division of how vowels are written: short vowels are optionally indicated through diacritics, long vowels are indicated through consonant placeholders. As you can see, Persian doesn’t really have short and long vowels in the same way Arabic does, but we’re going to shoehorn the vowels into these now-arbitrary categories to make things simpler to understand.

Short vowels: a e o 
Long vowels: â i u 

The short vowels are indicated with diacritics:

اَ اِ اُ

While the long vowels are indicated through ا (glottal stop), ی “y”, and و “v”. The two diphthongs, ey and ow, are indicated through ی and و too. So this matches up pretty cleanly with the Arabic system, actually; In Arabic, those diacritics represent “a”, “i”, and “u”. This makes reading Arabic loanwords in Persian quite easy, because you can just read the short vowels as “a e o” and the long vowels as “â i u”. For example:

Arabic حُروف ḥurūf “letters”
Persian حُروف horuf “letters”

Persian writes vowels initially by just throwing the vowel diacritics on top of ا alef, very similar to Arabic and its stuff with Hamza:

اَسب asb “horse”
اِمروز emruz “today”
اُتاق otâq “room”

The vowels â i u are simply represented by آ (alef with a tilde-like diacritic), ای (alef + ye), and او (alef + vâv) respectively, which is quite close to what Arabic does with ā ī ū (but Arabic is cool and adds hamzas).

Word-final vowels are where things get a bit different though. In Arabic, short vowels are just indicated with diacritics at the end of words and the long vowels… let’s just say Arabic has a bit of a complex relationship with word-final long vowels. In Persian, though, all vowels must be indicated word-finally somehow. And here’s how it happens:

1. The most common short vowel at the end of a word is “e”, indicated by ه. Next up is “o”, indicated by و, and finally the very rare “a”, indicated also by ه.

2. Long vowels are indicated with ا، ی، و just like they are in the middle of words. 

Like I said though, I’m talking about Iranian Persian. Afghan Persian actually has 2 more vowels: ē ō, longer versions of “e” and “o”. These are also indicated with ی and و. In Iranian Persian these two vowels have merged with i and u, resulting in the words شیر shēr “lion” and شیر shir “milk” both being pronounced “shir”. 

Calligraphy

This section is mainly for fun, but what the hell. A lot of Arabic calligraphy gradually drifted towards a style called naskh, which is also how Arabic is displayed in basically every modern computer font. 

Iran, however, developed a distinctive style called nastaliq. Besides being used very commonly for Persian poetry, this is also the standard way of writing Urdu! For example, here’s an Urdu newspaper. 


Well, that’s about all I have to say! I may have forgotten some stuff, but to me this seems like a pretty comprehensive list as I read over it. I hope you learned some stuff!